The irony of the Palestinian poppy
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Next time you pull up alongside a shiny new BMW 3 Series, don’t look at the driver with envy. Regard them as pitiful owners of a magnificent failing financial delusion. Around 95 per cent of new UK cars now find owners through fleet or contract purchase schemes. It’s a monetary sedative disguising how we rent a depreciating block of steel for £450 a month, blind to being taken for a colossal global ride. The current mainstream narrative is comforting: cars are expensive because of inflation and supply chain problems – with a few carrots for right-leaning thinkers about eco-levies, union interference and nasty Russians. It’s a neat lie. The reality – according to figures for bodies like Germany’s Center of Automotive Management – is more spectacular.
This week's magazine
The new educational divide
In the late 17th century, Europe’s greatest intellectuals were consumed by the quarrel of the ancients and the modern, satirised by Jonathan Swift in The Battle of the Books. In the 18th century, Jean-Jacques Rousseau asked whether education should nurture children’s natural capacities or mould them to society’s expectations. The great educational dispute of the 21st century is rather less august: should children be reading books or collecting coins for cartoon robots? In the past decade, a new divide has opened in Britain’s classrooms. Not between rich and poor, clever and dull, or private and state schools, but between children still taught by teachers using whiteboards, pens and paper and those being instructed by an avatar on a screen. https://www.youtube.com/watch?
In the late 17th century, Europe’s greatest intellectuals were consumed by the quarrel of the ancients and the modern, satirised by Jonathan Swift in The Battle of the Books. In the 18th century, Jean-Jacques Rousseau asked whether education should nurture children’s natural capacities or mould them to society’s expectations. The great educational dispute of the 21st century is rather less august: should children be reading books or collecting coins for cartoon robots? In the past decade, a new divide has opened in Britain’s classrooms. Not between rich and poor, clever and dull, or private and state schools, but between children still taught by teachers using whiteboards, pens and paper and those being instructed by an avatar on a screen. https://www.youtube.com/watch?
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Rent is a show about mortality haunted by the untimely death of its author, Jonathan Larson. On the eve of the first preview in 1996, he underwent heart surgery but he didn’t survive to see his creation become one of the most enduring hits in musical-theatre history. The producers of Luke Sheppard’s version don’t need reviewers to offer their verdict because the show has a worldwide band of disciples who maintain its bankability. On press night, the loyalists clearly adored what they’d seen. The script takes the plot of Puccini’s La bohème and transfers it to New York’s East Village in the 1990s where a salon of artistes are facing eviction.