Culture

‘My mother and father named me Aron, but my father said they should have named me What Have You Done, and my uncle told everyone they should have called me What Were You Thinking.’ So begins, with bitter Jewish humour, this involving book set largely in the Warsaw ghetto. There is a hint of unnerving pastiche in this, but it is a sentence that finds an echo in the compassionate words of Jim Shepard’s hero, Janusz Korczak, in the final sentence of the book. Korczak was a real figure, a paediatrician who ran an orphanage in Warsaw, moved with it into the ghetto and, despite being offered several chances of escape, stayed with his charges when transported to the extermination camp at Treblinka.

This is the introduction to the 25th anniversary edition of William Dalrymple's first book, In Xanadu: A Quest At the end of the windy, rainy April of 1986, towards the end of my second year at university, I was on my way back to my room one evening, when I happened to trudge past my college notice board. There my eyes fell on a bright yellow sheet of A4, headlined in capital letters THE GAILLARD LAPSLEY TRAVEL SCHOLARSHIP. It hadn’t been a good week. I was 21: broke, tired of revision for exams and already longing for the holidays.

John Keegan, perhaps the greatest British military historian of recent years, felt that the most important book (because of its vast scope) that remained unwritten was a history of the Austrian army. Richard Bassett has now successfully filled the gap, and few could be better qualified to do so. During many years as the Times’s correspondent in Vienna, Rome and Warsaw, he made friends with most of the leading local experts, as his acknowledgements testify.

This is an extract from Charles Moore's Notes in this week's Spectator, out tomorrow. Subscribe from just £1. In a few weeks, I shall have finished the second volume of my threepart biography of Margaret Thatcher. I am now at the checking and revising stage — 3,000 endnotes to be made shipshape, 2,000 quotations to be cleared with interviewees, 300,000 words to be re-imagined as if read fresh. This involves the exchange of scores of emails every day. The question arises, ‘How did enterprises of this kind ever happen before computers?’ The answer, I think, is that the sources used were much narrower than they are today. Authors were extremely dependent on where archives physically were. Interviews were a rarity.

From ‘Literature and Soliders’, The Spectator, 19 June 1915: In this war some of the most moving poetry has been written by young soldiers. The most vivid accounts of fighting have been extracted from soldiers' letters. These were certainly not written with- out a close companionship with letters. We wonder how many torn and thumbed copies of Shakespeare, Milton, Homer, or Virgil are in trenches and dug-outs at this moment. We wonder how many officers have added an entirely non-military zest to their movements by studying domestic Gothic architecture, or the buildings bearing the more grandiose imprint of Louis XIV's days, as they passed through the interesting towns of Flanders.

The American writer Richard Brautigan fulfilled his ambition to end a short story with the word ‘mayonnaise’ in his 1967 novel Trout Fishing in America. Actually, strictly speaking, he didn’t. As an eagle-eyed friend pointed out to me, the word appears, in most editions at least, as ‘mayonaise’, a deliberate misspelling on Brautigan’s part. But it was still a good excuse to invite you to write a short story ending on a condiment of your choosing. In an entry rich in invention, the pun-merchants had a field day and there were a number of Cluedo- and Wodehouse-inspired entries. Honourable mentions go to unlucky losers Peter Sain ley Berry, S.A. Leavesley, J. Seery, C.J. Gleed, Julie Hattingh and Josephine Boyle. The winners take £30, D.A.

My father Anthony Hobson, whose books are to be sold at Christie’s in two sales next week, claimed that the book collector’s greatest joy was the sight of an empty shelf: a vacuum begging to be filled. Such a thing was a rare occurrence in our home, so freighted with literary matter, mainly upstairs, that the advice of a structural engineer had to be sought: were we all about to be buried beneath an avalanche of bibliographical rarities? On the landing stood the vast tomes on Renaissance book binding, my father’s lifelong study - serried dark objects stamped with words that sounded to my young self like spells: Sigismondo Boldoni, Aldus Manutius.