Culture

I hesitate ever to criticise an author for the inappropriateness of a book’s title, since it’s more likely the fault of someone in marketing, who’s had a Bright Idea. But whoever is the culprit, the omission of the dates ‘1650–1800’ from the dust jacket certainly risks annoying the bookshop browser, who may grumpily set the book to one side in a huff. This would be a pity, since there is a great deal of value in Mark Laird’s exposition of his multifarious research projects. He is senior lecturer in landscape architectural history at Harvard Graduate School of Design, but probably best known this side of the Atlantic for the leading part he took in the restoration of Painshill, that most delightful of 18th-century gardens, near Cobham in Surrey.

Anyone who has ever listened to the thump of a rejected manuscript descending cheerlessly on to the mat can take comfort from the roller-coaster career of Barbara Pym. Between 1950 and 1961 Miss Pym (1913–1980) had published six modestly successful novels with the firm of Jonathan Cape. Then, on 24 March 1963 — ‘a sobering fourth Sunday in Lent’, as Ann Allestree is careful to remind us — came a bolt from the skies, in the shape of a letter from Cape’s editorial director, Wren Howard, turning down the seventh with the age-old publisher’s bromide that ‘in present conditions we could not sell a sufficient number of copies to cover costs’.

It would not have surprised their friends in the 1930s when Peter Watson had a fling with my grandfather, Robert ‘the Mad Boy’ Heber-Percy. Both gorgeous young men were known for their risky sexual escapades. What did ruffle feathers, however, was when Watson subsequently gave the Mad Boy a car. Cecil Beaton was so jealous that he demanded one too. And it was forthcoming: ‘Do please select any roadster which catches your fancy,’ replied the exceedingly wealthy Watson, who inspired lifelong unrequited love in poor Beaton. The Mad Boy’s long-term partner was Lord Berners, the famously eccentric composer, painter and writer, who retaliated by pinning Watson to the page of his wickedly satirical novel, The Girls of Radcliff Hall.

Look up Tracey Thorn’s live performances with Everything But The Girl or Massive Attack on You Tube and you’ll find the comments posted beneath it full of praise for the liquid melancholy in her lovely voice. The simple sound of air passing from her lungs, across her larynx and out of her lips in the 1990s is ‘sexy’, ‘soulful’, ‘classy’ and, most often, ‘perfect’. And don’t get her wrong; she’s chuffed that people like the noise she makes. But she frets about how much this ‘disembodied voice’ has to do with the rest of Tracey Thorn: the introvert with the ‘suburban’ speaking voice.

It is almost inconceivable that there could be a more densely detailed book about Napoleon than this — 800 crowded pages to get him from his birth in 1769 to his acclamation as First Consul for life in 1802. When completed in three or more further volumes, this will be an extremely comprehensive study. As only French biographers can do, every conceivable motive and alternative scenario is presented at every stage in the astonishing rise of the subject from the petty and parvenu and rather impecunious nobility of Corsica to a greater position of power than anyone had exercised in Europe since Charlemagne, if not the greater Roman emperors.

As all writers know to their cost, first novels are never really first novels. They make their appearance after countless botched attempts at the perfect debut — a debut that always lurks just out of view, but seems tantalisingly easy for everyone else. My first published novel was fifth down the line. It was a line of sad, self-obsessed and achingly self-conscious junk manuscripts that now gather dust in a filing system that has long since lost any recognisable methodology. Jesse Armstrong, on the other hand, although making his debut in fiction with Love, Sex and Other Foreign Policy Goals, is no stranger to writing success. He already has a glittering career as co-author of Peep Show, The Thick of It, In the Loop and Four Lions under his belt.