Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

A watershed moment in music history

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In 1994 I was working in marketing at London Records, a frothy pop label part-owned by the Polygram Group — both long gone, swallowed up by Warner Bros. That summer some Americans came into our office to pitch us a project. Rather than unfurling some band or singer, they wanted to talk about technology, specifically the internet and what it would mean to our business in the future. They were looking for an investment of around 50 grand. They talked about how, in the future, kids would buy music on their computers and that they would be able to do it anywhere — on the train, in the street. ‘But where will the wires go? Where will you plug it in?’ we asked, back in those dial-up days. ‘There won’t be any wires,’ they said.

The traffic in human misery

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When Sara discovers that her husband died in India, rather than being killed in Afghanistan as she was told, she travels to Delhi to uncover the circumstances of his death. On the surface, Invisible Threads is a novel about an English woman on a personal journey to India, and comes with many of the trappings we’d expect. Lucy Beresford describes the country’s assault on her protagonist’s senses and observes the seeming contradictions of poverty, such as when Sara sees a barefooted beggar — her ‘hair is matted, her turquoise sari filthy, but she is carrying a mobile phone’.

From ambrosia to zabaglione

Lead book review

Should sugar be taxed? Some of the contributors to The Oxford Companion to Sugar and Sweets seem to think so. Sugar certainly appears less appealing than it used to. Its negative effect on our teeth is undeniable, and it now takes the rap for many of the ills we formerly blamed on fats, such as obesity, high blood pressure and diabetes. But sugar is also now bound up with politics, because of its historical connection with slavery. Our awareness of this we owe to the groundbreaking, imaginative scholarship of Sidney Mintz, whose 1985 Sweetness and Power: The Place of Sugar in Modern History is easily the most frequently referenced work by the 265 contributors to this massive volume.

Bogs and fogs

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In his poem ‘Eden Rock’, Charles Causley conjures up a dreamy memory of a childhood picnic ‘somewhere beyond Eden Rock’. He reported later: ‘Somebody asked me the other day where Eden Rock is —I mean I have no idea, I made it up! “Dartmoor,” I said — that’s always a safe answer.’ As southern England’s largest expanse of unenclosed land, Dartmoor has always been a good place to lose things: dangerous prisoners, children on their Duke of Edinburgh’s Awards, military manoeuvres. It has also swallowed up voluminous amounts of parliamentary time, ministerial reports, public enquiries and arcane legislation — all of which centres on one simple question: what’s it for?

Spectator competition winner: saucy short stories

The American writer Richard Brautigan fulfilled his ambition to end a short story with the word ‘mayonnaise’ in his 1967 novel Trout Fishing in America. Actually, strictly speaking, he didn’t. As an eagle-eyed friend pointed out to me, the word appears, in most editions at least, as ‘mayonaise’, a deliberate misspelling on Brautigan’s part. But it was still a good excuse to invite you to write a short story ending on a condiment of your choosing. In an entry rich in invention, the pun-merchants had a field day and there were a number of Cluedo- and Wodehouse-inspired entries. Honourable mentions go to unlucky losers Peter Sain ley Berry, S.A. Leavesley, J. Seery, C.J. Gleed, Julie Hattingh and Josephine Boyle. The winners take £30, D.A.

We had so many books we had to hire a structural engineer to prevent us being buried

My father Anthony Hobson, whose books are to be sold at Christie’s in two sales next week, claimed that the book collector’s greatest joy was the sight of an empty shelf: a vacuum begging to be filled. Such a thing was a rare occurrence in our home, so freighted with literary matter, mainly upstairs, that the advice of a structural engineer had to be sought: were we all about to be buried beneath an avalanche of bibliographical rarities? On the landing stood the vast tomes on Renaissance book binding, my father’s lifelong study - serried dark objects stamped with words that sounded to my young self like spells: Sigismondo Boldoni, Aldus Manutius.

Are the cultural Marxists in retreat, or lying low?

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In his Memoirs, Kingsley Amis includes a story about meeting Roald Dahl at a party in the 1970s. Dahl advises him to write a children’s book — ‘That’s where the money is’ — and brushes aside his objection that he doesn’t think it would be any good. ‘Never mind, the little bastards’d swallow it,’ he says. Then, a few minutes later, Dahl raises himself to his full height and, with the air of a man asserting his integrity in the face of an outrageous slur, says: ‘If you do decide to have a crack, let me give you one word of warning. Unless you put everything you’ve got into it, unless you write it from the heart, the kids’ll have no use for it.

Why Twitter was right to mock Craig Raine’s poem

Yesterday was a strange day on Twitter. For most of it, a living poet was trending. Unfortunately for Craig Raine, the poet in question, he was trending because a poem of his entitled ‘Gatwick’ had appeared in the LRB and Twitter didn’t like it. Most comments ranged from amused contempt to, well, just plain old contempt. But it wasn’t only angry feminists, as Lara Prendergast suggested yesterday, who leapt into action. Indeed, I saw much more ridicule than anger. Many of us were merely enjoying mocking what is by no means a good poem. Which is the point, really. Certainly there is no shortage of bad poetry in the world. I have written some of it myself. But most of it doesn’t end up in the LRB.

The Women’s Prize for Fiction deserves a better drink than Baileys

Well, as a mere PR exercise, the Baileys Women’s Prize for Fiction, awarded last night, has done really well, what with the American woman from Diageo (owner of Baileys) causing Ian Hislop to fall asleep while standing up during her speech. I haven’t a clue whether Ali Smith’s book, How To Be Both, about sexuality-shifting, is any use, though I am still recovering from reading last year’s winner, Eimear McBride’s A Girl is a Half-formed Thing, which is sort of James Joyce, only with really gross stuff about sexual abuse. It’s nice and short though. Two questions to ask about the prize. One, why was Shami Chakrabarti, director of Liberty, chair of the judges?

Celebrations of song and humanity

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‘All my life, always and in every way, I shall have one objective: the good of Hungary and the Hungarian nation.’ Ask any musician for a one-sentence summary of Béla Bartók (1881–1945) and they will probably tell you that he is Hungary’s national composer — a musical modernist who passionately championed his nation’s folk music tradition. David Cooper’s new biography seeks both to enrich and complicate that statement, questioning the definition of musical ‘nationalism’ in a country of such pronounced ethnic heterogeneity, at a time when borders were being drawn and redrawn, peoples created and destroyed, across Europe.

To Hell in a handcart — again

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Despite the offer of joy proposed in the subtitle, this is a deeply troubling book by one of Britain’s foremost journalists on the politics of nature. Michael McCarthy was the Independent’s environmental editor for 15 years, and his new work is really a summation of a career spent pondering the impacts of humankind on the world’s ecosystems. The case he lays bare with moving clarity in the opening chapters is compelling stuff. Essentially he argues that the world of wild creatures, plants, trees and whole habitats — you name it — is going to Hell in a handcart as a consequence of what he calls ‘the human project’.

Beautiful, bedevilled island

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The Arabs invaded Sicily in the ninth century, leaving behind mosques and pink-domed cupolas. In the Sicilian capital of Palermo, Arab rule was generally tolerant, its dolce far niente evocative of sultans, minarets, concubines and other jasmine-scented delights. Walking round Palermo today, however, one is assailed by less lovely smells. Parts of the city remain unreconstructed since the Allies bombed it in 1943: fire-blackened palazzi and rubble-strewn slumlands speak of the Mafia’s systematic ransacking of the public coffers. A still darker side of Palermo finds expression in the 19th-century catacombs of the Capuchin friary, situated near the Arab-Fatamid pleasure palace of La Zisa (‘the magnificent’).

Nasty piece of work

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Finders Keepers is a sort-of sequel to last year’s Mr Mercedes, Stephen King’s first foray into what he called ‘hard-boiled detective fiction’. The new book is not so much hard-boiled as slowly poached, Heston Blumenthal style, in a sous-vide water oven, then finished on a violently hot grill. King has the popular novelist’s gifts in spades — a flawless sense of pace, an ear for dialogue, an eye for the telling detail, a no-mess-no-fuss approach to characterisation. He also has special insights into the uncanny: his frequent forays into the supernatural are wrenchingly plausible, while his rendering of ‘ordinary’ things — a face, a doorway, the hollowed-out roots of a tree — is steeped in mystery and threat.

Lulzfags v. moralfags

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It is almost a century since the Michelin brothers had the brainwave of supplementing their motorists’ guide with information about fine-dining establishments. Their star-rating system had become a mainstay of lifestyle reviews long before the Internet came along. In the digital age, this work has been comprehensively crowd-sourced: the immense success of review sites such as Yelp and Amazon has been built on the voluntary input of users. In theory, it should have been a consumer rights utopia. But product reviews are big business — and where there is lucre, there are shenanigans.

Dizzying swirls of impasto

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With a career of more than 60 years so far, Frank Auerbach is undoubtedly one of the big beasts of the British art world. His personal reticence, however, and the condensed, impacted idiom of his painting have contributed to his enigmatic, somewhat opaque reputation. Catherine Lampert, who has sat regularly and patiently for him since 1978, is uniquely qualified to throw light both on the man and his art, but the tactics she employs here are very different from those of Martin Gayford in Man with a Blue Scarf, his intimate, engrossing account of sitting for Lucian Freud. Matching Auerbach’s reticence with her own, she keeps herself largely out of the story, focusing instead on observations made by the artist over the many decades of his career.

A triumphant failure

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I must be an idiot for pointing out the failings of a novel that’s so screamingly, self-denouncingly about failure. Steve Toltz’s Quicksand is a nutty, occasionally hilarious, flaccid carrier bag of a comic romp, all dazzling one-liners and no comic paydirt. Like his debut novel, A Fraction of the Whole (about a misfit philosopher and his troubled son), it is narrated by a pair of human catastrophes: a New South Wales police constable, Liam Wilder, who’s a failed novelist; and his best friend, Aldo Benjamin, who’s a failed husband, entrepreneur, everything. Toltz probably intended this novel to be a failure. It’s that difficult beast, his second book, after all (his first made the shortlists of the Man Booker and the Guardian First Book Award).

Lost in the telling

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This is a thriller, a novel of betrayal and separation, and a reverie on death and grieving. The only key fact I can provide without giving away the plot is that Caroline, the film-making wife of Michael, the novel’s main protagonist, is killed in the badlands of Pakistan by a drone controlled from a facility near Las Vegas. Caroline is filming Taleban leaders when they and Caroline are killed. Michael, who is ‘an immersive journalist’, has spent some years on a project with gangs in the Upper West Side of Manhattan. It is dangerous but rewarding work, and after a few years his findings are published to some acclaim under the title of BrotherHoods. Now back in London, he falls in with Josh and Samantha, neighbours in the adjoining house and flat on Hampstead Heath.

When we were very young

Lead book review

Few monarchs could become novelists. They wouldn’t be able to develop the practice, or possess the necessary temperament. No monarch could sit in the corner of a room observing, or walk the streets unnoticed. They don’t have much of a chance of a long morning working quietly, without interruption, or of seeing what ordinary people are like at their most natural and unselfconscious. (Imagine what changes would have had to take place in Edward VII’s life before he could have thought of writing fiction.) If they are never going to have the chance to observe and to write, they are also unlikely to have the disposition to do so. The future monarch will be assured from birth that his is the existence that matters.

Craig Raine should ignore the angry feminists – they’re just jealous

I don’t know much about poetry, but I know this: whoever Craig Raine’s poem is about, she will be chuffed. When you are 22, you are, probably, nobody. Not many 22 year olds are somebody. So to be immortalised in a poem that's been published in the LRB will be pleasing. It may even be the defining moment in her life. No doubt some hack is currently trying to track down this girl. The doorstepping will begin. She met a poet at the airport and he wrote about her. Of course, she may not wish to tell this to the hack but: being immortalised in art, playing the muse, is many a young girl’s wish. People will be angry about this poem, but why? The girl is no doubt happy, the poet is happy. So why deny this moment of glory.

Spectator competition: Poems for Princess Charlotte of Cambridge (plus: the poetry of cricket)

The poet laureate Carol Ann Duffy’s failure to pen a poem commemorating the birth of Princess Charlotte of Cambridge prompted us to invite you to do it instead. You stepped into the breach with gusto: sonnets, odes and haikus poured in. The entry was diverse, full of charm and a pleasure to judge. I was particularly moved and impressed by the poems submitted by a group of seven- to eight-year-olds, which put some of the adult entrants to shame. Honourable mentions also go to Coco Hills and Marc Woodward. Sylvia Fairley’s entry, a neat riff on Duffy’s ‘22 Reasons for the Bedroom Tax’, was a winner. W.J. Webster’s sonnet earns him the extra fiver. The rest take £25. W.J.

Romance of the old kitchen garden

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Considerable areas of our memory are taken up with food: it might be the taste of Mother’s sponge, the melting texture of an aunt’s buttery pastry or something recent, like the flavour of the first spoonful of a sour and nutty south-east Asian dish. Especially good meals are recalled with the same clarity as revolting school dinners and the stench of stale fish — we can conjure aromatic memories with ease thanks to the olfactory nerve, the brain’s cache of stored eating experience that helps us to tell good from bad when choosing what to eat. Jennifer A. Jordan, an associate professor of sociology at the University of Wisconsin, believes we should be remembering more than just the sensual pleasures of eating, however.

A 50-year infatuation

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The subject of the least characteristic essay in this engrossing collection of meditations on painters, painters’ lives, painting and reactions to painting is René Magritte — whose best work David Sylvester rather rashly claimed induces ‘the sort of awe felt in the presence of an eclipse’. Julian Barnes discusses what he calls the artist’s doctrine (doctrine?) of ‘elective affinities’, which proposes the antipodes of Lautréamont’s ‘chance encounter on a dissecting table of a sewing machine and an umbrella’. Thus in the painting of that name a birdcage is filled not with a random safety razor or knuckleduster but with a giant egg.

Funny things happen on the way to the Scillies

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It’s a real skill, writing about a journey where nothing ever happens. We shouldn’t be surprised that Simon Armitage is so good at it: he’s a poet, and therefore used to reporting on nothing happening, or rather spotting the little things that are always happening but the rest of us are too busy to notice. His chosen route this time — the South West Coast Path through Somerset, Devon and Cornwall and on to the Scillies — is normally praised because it gets you away from everything. Yet while he’s there Armitage discovers … well, maybe not everything, but certainly a very entertaining book’s worth of stuff.

In the name of the father

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‘People talk about their childhood and it’s so mundane. I don’t remember much about it, if I’m honest. I can’t even tell you what my father’s voice sounded like.’ In Stuart Evers’s story ‘Frequencies’, in this collection, a besotted new father hears this pronouncement coming from the baby monitor. The monitor is picking up a radio signal, so the sound of eight-month-old Jack’s precious snuffling is overlaid with hardheaded recollections of an anonymous speaker’s parents. ‘They were such dull people… I… pitied them even before I knew what the word meant.’ Eventually the juxtaposition grows too much for the father, and he smashes the baby monitor. Then he goes to see his son.

Kultural icon

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The almond eyes that rise towards their outer edges. The cheekbones that curve down to the corners of those upholstered lips. The dark strands of hair that fall wisplike on to her chest. The hourglass extremities that will exercise your ciliary muscles until they snap. Dear me! After looking at this book, you’ll be more familiar with the particulars of Kim Kardashian’s body than with your own lover’s. For this is her hardback collection of selfies. It contains almost 500 photographs of Kim, by Kim. Six of them include her daughter; 60 of them feature at least one of her siblings; 100 have Kim in a bikini, in her underwear or completely naked. The book’s title, Selfish, might be the most knowing of all time. But who is Kim Kardashian?

The elite who tried to save Russia

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The veteran Russian historian Dominic Lieven’s new study of Russia’s descent towards the first world war is deeply researched, highly valuable in its focus on Russia, and unfailingly well-written: more proof of Lieven’s profound knowledge of the Russian empire. One of his earlier works, Russia’s Rulers Under the Old Regime (1989), focused on the 150 men who ran Russia until 1917. Towards the Flame shares that work’s careful attention to a tiny elite of well-educated, cosmopolitan, mostly aristocratic men. With breathtaking directness, he says that fewer than 50 men (and it was all men) in Europe in 1914 took the decisions that led their countries into war.