Peter Parker

Colin Thubron’s compact, elegant and beautifully written new novel opens with a woman undergoing surgery to remove a brain tumour. Kathleen has had a successful career as an actor and is married to Robert, a pompous neurologist with whom she is planning to go on holiday to Egypt. The operation stalls and so is postponed until their return from the Valley of the Kings. This passage to Egypt, where Robert, in an ironic echo of E.M. Forster’s Adela Quested, hopes to see the ‘real’ country, is complicated by the inclusion of Robert’s younger brother, Alan.

In 2005 Xandra Bingley published Bertie, May and Mrs Fish, an extraordinarily lively and enjoyable memoir of her childhood on a Cotswold farm during the second world war. Much of the writing was glancing rather than straightforward, its narrative not strictly chronological, while its title hinted at something not fully explained in the text. Dispensing altogether with conventional punctuation, the book contained not a single comma or quotation mark, using instead ellipses. This was brilliantly imitative of both the clipped speech of its upper-class characters, particularly when facing disasters large and small, and the hell-for-leather pace of lives spent galloping on horseback across the Gloucestershire countryside.

C.P. Cavafy, who had a very high opinion of his own work, would no doubt be gratified to learn that he is now one of the most admired poets of the 20th century. This is all the more remarkable because during his lifetime (1863-1933) he did not allow a single volume of his poetry to be published, preferring to circulate privately printed sheets and pamphlets among his admirers. He was also disinclined to co-operate with those who wanted to translate the poems from their original Greek into other languages; but in English alone there have now been more than 30 different volumes of his complete or selected poems.

On 3 June 1960, a letter appeared in The Spectator which began: Sir, We are homosexuals and we are writing because we feel strongly that insufficient is being done to enlighten public opinion on a topic which has for too long been shunned. The letter was prompted by the government’s failure to act upon the recommendation of the 1957 Wolfenden Report that homosexual acts between consenting adults in private should no longer be a criminal offence. This had led to the founding of the Homosexual Law Reform Society (HLRS) in 1958, and it was for this organisation that the letter’s three signatories worked as volunteers.

Interviewed on television for his 80th birthday in 1959, E.M. Forster said that one of the reasons he was so fond of King’s College, Cambridge, where he had lived as a Fellow since 1946, was ‘a very precious tradition, that the old people and the young can meet here very easily and without self-consciousness’. In this svelte and sprightly book, Simon Goldhill (himself a Fellow of King’s) traces this tradition over some 140 years, and describes the part it played in the creation of a remarkable, ever evolving community of gay men. He begins his story in 1885 when J.K. Stephen, the future tutor to Queen Victoria’s grandson Prince Albert Victor, became a Fellow of the college.

In January 1948, George Lucas, an unremarkable 21-year-old Roman Catholic who had just been demobbed from the Pay Corps, was living unhappily in Romford with his ill-matched parents, who relentlessly taunted him about his homosexuality. He would shortly get a job at the War Office and so embark on a lifetime’s career as a civil servant, commuting to central London every day to work at his desk and spend his evenings in search of sex and companionship, largely among the servicemen who hung around Marble Arch. In later life Lucas would trawl the pubs, streets and urinals of central London, more often than not paying for sex, and always keeping a detailed account of his exploits and expenses in his diaries.

In this intriguing and idiosyncratic book, which aims to present ‘a new history of queer culture and identity over the past 125 years’, Diarmuid Hester recalls how he went to look at E.M. Forster’s former sitting room in King’s College, Cambridge. This once ‘intimate space’, filled with possessions accumulated over a long life, in which Forster wrote and entertained many notable guests from 1946 to his death in 1970, had been repurposed as the college’s ‘grad suite’, filled with battered furniture from Ikea, a football table and a television set. The only remnant of Forster’s residency was a large mantelpiece designed by the writer’s father.

Most readers have favourite books or authors they feel have been either forgotten or unjustly neglected. R.B. Russell, an assiduous book collector, did something practical about this when in 1990 he co-founded the Tartarus Press in order to bring the works of the once popular Arthur Machen back into print. Machen’s particular speciality was ‘weird fiction’, novels and stories that inhabit the borderland of this and other worlds, and Tartarus went on to reissue other authors in this genre, notably Robert Aickman and Sarban (otherwise the British diplomat John William Wall), as well as to publish new writers and a handful of classics.

In the winter of 1952 the 21-year-old sculptor John Milne travelled to St Ives in Cornwall to take up a temporary job as an assistant to Barbara Hepworth. The arrangement was that he would become her pupil in exchange for helping her in the studio, but he was subsequently paid a small salary and ended up staying in her employ for two years. By this time, Milne had decided to settle in the town, which had become a thriving modernist artists’ colony, and in 1956 he acquired Trewyn House, a three-storey Victorian property next door to Hepworth’s studio.

‘There are a great many ways of holding on to our sanity amid the vices and follies of the world,’ wrote Ronald Blythe in 2008, ‘though none better than to walk knowledgeably among our native plants.’ To many today, when the age-old connection between people and their indigenous flora is in danger of being extinguished altogether, this pronouncement may seem eccentric; but is rightly endorsed by Leif Bersweden in Where the Wildflowers Grow, which vividly describes the botanical journey through Britain and Ireland he undertook last year. He was born in 1994 and, unusually for his generation, has been a keen amateur botanist since childhood.

‘To talk about Crabbe is to talk about England,’ E.M. Forster declared in a radio broadcast in May 1941, but few people today talk about this Suffolk-born poet or indeed read him. This makes Frances Gibb’s slender but thorough account of George Crabbe’s life and work all the more welcome. In his time he was considered a leading, though controversial, figure, who wrote with stark realism about the spiritually and morally impoverished lives of East Anglian villagers and townspeople, in particular the inhabitants of the ‘little venal borough’ of Aldeburgh, where he was born in 1754 and spent an unhappy youth.