Philip Hensher is professor of Creative Writing at Bath Spa University and the author of 11 novels including A Small Revolution in Germany.
This story is little more than a brutal anecdote, which Patrick Radden Keefe has chosen to tell at excessive length. It has the kind of fact-checked gravity that indicates a star American journalist bent on perpetrating an entire book. (‘Built in 1923 and originally known as the Empire Stadium, Wembley was the most iconic sporting
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On this week’s Spectator Out Loud: Ruaridh Nicoll reads his letter from Havana; Angus Colwell takes us through an A-Z of London horrors; Mary Wakefield points out the glaring flaw in Keir Starmer’s ‘cohesion plan; Philip Hensher reviews an increasingly reflective Alan Bennett; and finally, Nicholas Farrell reflects on Jeffrey Epstein, Silvio Berlusconi – and nudists
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It is a curious literary form, the published diary. A surprising number of the classic diarists did write for eventual, usually posthumous, publication – Chips Channon under a 60-year embargo, A.C. Benson, Samuel Butler, in his wonderful notebooks, and surely the possibility was in the minds of Samuel Pepys and the Duc de Saint-Simon. More
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If you read books for a living, the calling probably started with a moment of utter entrancement: a novel you couldn’t bear to set down; a few unforgettable days, as Bleak House, Earthly Powers, The Woman in White or Titus Groan worked its unsuspected magic on its millionth reader. Such books are rarer these days,
How a profession speaks to its subjects is always of interest to a writer, sometimes perversely so. Over the past few weeks a persistent problem with my foot worsened and appeared to take charge of things. (This isn’t going to be a piece moaning about ill health, I should reassure you.) The hospital took soundings
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Occasionally, the leader of a political party will be asked to name a favourite book. For years, this has produced a dispiriting response. Keir Starmer told an interviewer that he didn’t have a favourite novel or poem. On other occasions, he said that the comic Roy of the Rovers was his favourite book, and, more plausibly, two stories
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A far cry from the ‘roaring twenties’ of the early 20th Century, the 2020s can be characterised as the ‘boring twenties’, argue Gus Carter and Rupert Hawksley in our new year edition of the Spectator. Record numbers of young people are out of work but even those with jobs face such a dire cost-of-living situation that they
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Sam Leith is joined by Philip Hensher to pick over their books of the year.
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On this week’s special Christmas edition of Spectator Out Loud – part two: Dominic Sandbrook reflects on whether Lady Emma Hamilton is the 18th century’s answer to Bonnie Blue; Philip Hensher celebrates the joy of a miserable literary Christmas; Steve Morris argues that an angel is for life, not just for Christmas; Christopher Howse ponders the Spectator’s
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A Christmas Carol is pretty well unavoidable around now, with Little Women trailing somewhat behind. There’s no shortage of alternative literary Christmases among the classics, however, often less sweetly heartwarming and more invigoratingly grumpy. Nigel Molesworth, it will be remembered, foiled all attempts to inflict A Christmas Carol on him. ‘It is just that there
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Simon Winchester has found an excellent subject. While invisible, wind makes itself apparent through its effect on other things. This may mean flying detritus, scudding clouds and the rustle of foliage; or it may mean the ways in which it irresistibly alters and directs larger movements in society and culture. Much of the history of
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The Delft painter Johannes Vermeer, now probably the most beloved artist of the Dutch Golden Age, had an unusual career. His reputation in his lifetime was small. For some reason he painted almost exclusively for the van Ruijvens, so only those who knew the family would have been able to view much of the work.
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Dame Jilly Cooper, who has died at 88, had a remarkable career, turning herself from a sparkling writer for newspapers into the author of novels which survive, decades after they came out, very well. Few of the huge bestsellers of their day are read 40 years on – The Manxman, Peyton Place, Valley of the
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The Spectator’s cover story this week is an interview with Conservative leader Kemi Badenoch ahead of the Tory party conference. Reflecting on the criticism she received for being seen as slow on policy announcements, she says that the position the Conservatives were in was ‘more perilous than people realise’ and compares herself to the CEO
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This is a treasure house of a book, filled with curiosities and evidence of a rare breadth of patient investigation. Anyone who has read one of Graham Robb’s books, from his early biographies of classic French writers, through a wonderfully amusing study of 19th-century homosexuals, to a series of historical and geographical studies of France
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Slavery was – and importantly continues to be – a moral abomination. Its existence in the 21st century is a disgrace. Whole communities such as the Uighurs are subject to forced labour; two years ago it was estimated that 5.8 million people were living in slavery in China. And slavery is a problem much closer
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This week’s Book Club podcast marks the 80th anniversary this year of the publication of Brideshead Revisited. This conversation is from the archives, originally recorded in 2020 to mark its 75th anniversary. To discuss Evelyn Waugh’s great novel, Sam Leith is joined by literary critic and author Philip Hensher, and by the novelist’s grandson (and
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Stephen Greenblatt tells the story of being approached in the 1990s by a screenwriter who wanted to make a Shakespeare -biopic. Greenblatt repeatedly told him to forget Shakespeare and look instead at his predecessor Christopher Marlowe. The screenwriter knew what he was about and ignored Greenblatt’s advice – the result was Shakespeare in Love. The
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How do artists sustain a reputation? We’d like to think it’s on the basis of their work. In the case of visual artists, it would be nice to think they make it because their art is beautiful, original or absorbing. It shouldn’t be a matter of what the art is about, or Benjamin West’s epic
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The usual piece about public libraries runs like this. Public libraries are for ‘more than just books’. They are in a desperate plight after years of cuts, or better still ‘Tory cuts’. Librarians, who are heroes, struggle to go on serving their local communities. Libraries are hanging on by a thread, and because of those
