Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

His and her healthcare

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When I started this book, I have to admit, I did not think it would be as absolutely fascinating as it turned out to be. It’s by a professor of obstetrics and gynaecology, and it’s about the medical differences between men and women. There are lots of medical differences between men and women — something doctors in general should bear in mind during treatment. But they don’t, says Dr Glezerman — or, at least, not enough. This is all in the realm of the fairly interesting.

He blew his mind out in a car

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There was a touch of Raymond Radiguet, the young literary sensation of 1920s Paris, about Tara Browne. In life poetically beautiful, poetry-imbued, tender and trusting, deliciously precocious and eerily presumptive, androgenous in looks but not desires, Tara died —‘without knowing it’, as Cocteau said of Radiguet — tragically, but given his penchant for very fast cars, unsurprisingly young. And, like Radiguet, having touched the lives of those who knew him with a kind of iridescence that remained with them more than half a century later.

Paintbrushes at the ready

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When the old curmudgeon Edgar Degas died in 1917, a stunning trove of works by Edouard Manet — eight paintings, 14 drawings and 60 prints — was discovered in his studio. There, too, was a portrait of Manet and his wife Suzanne, painted by Degas 50 years earlier. But its right-hand third was missing — which included half of Suzanne’s body and all of the piano she was playing. For some reason, Manet had put a knife through the canvas and sent Degas packing with what remained. The duo’s relationship is one of four ‘friendly rivalries’ considered by the Boston Globe art critic, Sebastian Smee, in his new book (Matisse vs Picasso, Pollock vs de Kooning and Bacon vs Freud being the others).

The world in limbo

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In 1919 the economist and sometime prophet John Maynard Keynes left the glittering ballroom of Versailles feeling profoundly despondent. The treaty that determined the political geography of a postwar world inspired in him a fearful sense of inevitability. The punitive conditions imposed on Germany would be too harsh for the country to tolerate for long. One junior delegate in Paris observed: ‘There is not a single person among the younger people here who is not unhappy and disappointed with the terms.’ This was a world not only united by the devastating results of the Spanish ’flu epidemic, responsible for the deaths of five times as many as had lost their lives in the war, but by political and religious fragmentation that was already endemic.

And the answer is…

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Doorstoppers, slim volumes, loose leaves stacked in a box, bound pages fretworked with holes, epistolary exchanges, online postings, palimpsests…. Fiction comes in all shapes and sizes — and that’s just the format, before you get to the content, which might include fractured grammar, reversed chronology, parallel plots, contradictory footnotes, dead or unborn narrators and labyrinthine text. Never though, until now, have I encountered a work of fiction set out as an examination paper. From first page to last here are 90 questions, a sly parody of the Chilean Aptitude Test for university applicants, right down to the numbered multiple choice boxes to tick.

Behind the fringe

Lead book review

‘Sexual intercourse began / In nineteen sixty-three,’ Philip Larkin famously announced in his poem ‘Annus Mirabilis’, ‘Between the end of the Chatterley ban / And the Beatles’ first LP.’ But the key line is a far more private confession, caught in parentheses like a gloomy thought bubble: ‘(which was rather late for me)’. Few of Larkin’s contemporaries would have been more sympathetic than Alan Bennett.

Smoke and mirrors | 6 October 2016

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Nell Zink’s route to publication became something of a story in itself: one that involved an email exchange about birds with Jonathan Franzen, which led to Franzen’s subsequently championing her work, and ended with not one but two novels — Mislaid and The Wallcreeper — published together in a lavish, design-savvy edition. But it was Zink’s style and ideas that drew fervid, hyperbolic praise. Fresh and undeniably original, this is fiction at odds with much of American literary convention, Zink’s prose refusing to conform to received ideas of how novels are constructed; time shifts, perspective changes and characterisation, for example, are all treated casually, almost with disdain. The word ‘genius’ was bandied around.

The magic of bookshops

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It is not uncommon for writers to be obsessed by bookshops. Some even find their writing feet through loving a particular bookshop and developing a habit, which helps to form the writers they become. And often they end up in a rage with the common run of bookshops. Why would they not? It is, or used to be, a numbers game, and most bookshops fail to stock most writers. But in recent years online outlets such as Amazon have changed the stocking (and the hating) game. Since proper bookshops became an endangered species, a use-them-or-lose-them energy pervades the bookish classes. It is a form of virtue signalling to go to your local, if you have one, order in what they haven’t got and pay more than you would online.

Bolsheviks on board

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Full allowance must be made for the desperate tasks to which the German war leaders were already committed… Nevertheless it was with a sense of awe that they turned upon Russia the most grisly of weapons. They transported Lenin in a sealed truck like a plague bacillus from Switzerland to Russia. As so often, Churchill has the best lines. Here he is about one of the most famous episodes in European history: the safe passage given to Lenin by a Germany desperate for victory in the first world war. As long as German high command could dream up ways to eliminate the threat from either the West or East, there was hope it would not suffer defeat. Lenin, as Churchill wrote, was imperial Russia’s ‘Vengeance’.

More sinned against than sinning

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The 55-year-old ’flu-ridden John Charles Wallop, 3rd Earl of Portsmouth, his feet in a basin of warm water, shivered in the dock with fever but also with fear. Would the jury, assembled in 1823 in London’s jam-packed Freemason’s Hall at the end of an unpredecentally sensational two-week trial, find him eccentric, delusional, simple-minded or, instead, stark raving mad? Elizabeth Foyster, a historian and senior lecturer at Clare College, Cambridge, was alerted to this enthralling, almost unbelievable true story with the caveat that the vastness of the material in Lambeth Palace archives concerning a scarcely remembered trial of a hugely wealthy, relatively obscure aristocrat had deterred anyone else from attempting to make sense of it.

The spell of the pharaohs

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Here’s a book to make an Egyptologist of everyone. A compendium of accepted gen on the gift of the Nile, Rose-Marie and Rainer Hagen’s (updated and reissued) Egypt: People, Gods, Pharaohs ‘aims to answer some basic questions about life in Ancient Egypt and whet your appetite to find out more’, and achieves both in appropriate abundance. It looks great, reads well, even smells nice — and is positively jam-packed with wonderful things. Citing the fundamental continuity of 3,000-plus years of pharaonic culture, the Hagens tuck away a (very) concise chronology at the back of the book, and then get on with the business of showing us what Ancient Egypt looked like, and who/why/how/when/where.

Over hill and dale

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When it comes to speaking of foreign affairs, Rory Stewart is one of the few MPs who does not peddle bland abstractions. Many of his parliamentary colleagues inhabit a blah-blah land where terms such as ‘peace process’ and ‘international community’ have meaning. An upbringing in the Far East, where his father was a diplomat, as well as years spent in Iraq and Afghanistan, have given Stewart direct experience not only of nations but of town quarters, villages and individuals. Walking was his preferred method in Afghanistan, where he tramped across the country with a dog and a Punjabi fighting stick. The dog couldn’t keep up and died, but here for his latest tramp the Punjabi dang comes out again.

Jolly good fellows

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‘Leonard Michaels (1933–2003) was one of the most admired and influential American writers of the last half century,’ states the blurb on this reissue of the author’s first and penultimate novel, originally published in the US in 1978. Admired and influential Michaels may have been, but that was largely in his homeland and then as an essayist and author of short stories, rather than as a novelist. The Men’s Club was not published in the UK until 1981 (by Jonathan Cape) and is only now, 35 years later, being made available in paperback by Daunt Books in the category of ‘lost classics’.

A puzzling phenomenon

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Everyone has played it, or one of its manifold variations and rip-offs. Blocks of different shapes fall from the sky; you have to rotate and shunt them around so they fit perfectly together at the bottom, and then that horizontal line of blocks vanishes. This is Tetris, and it was created in 1984 by a Soviet mathematician called Alexei Pajitnov. But how it came to the West is a remarkably complicated cloak-and-dagger story, here given its first book-length treatment. The narrative opens with all the bad bravado of a Dan Brown novel, as one of the several businessmen chasing the rights to the game flies into Moscow for a meeting with Elorg, a department of the Soviet trade ministry.

Nazis and narcotics

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Norman Ohler is rather hard on the Nazis, for compared to what our little group got up to in the late 1960s and 1970s, they were shrinking violets in the drugs department. We smoked cannabis, ate opium and sometimes took strong LSD; lines of uncertain content went up nostrils; and we swallowed countless uppers (speed) and downers (tranquillisers, sleepers for looning on). Speed was amphetamine sulphate. Benzedrine, Dexedrine, Methedrine were the three original brands, in rising strength. Soon there were many other names, including slang: Desoxyn, Durophet, Durophet-M (speed with Mandrax), French Blues, Purple Hearts, Black Bombers. Many were prescribed by doctors who didn’t regard them as outrageously dangerous.

Lessons in sex

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Helen Gurley Brown’s internationally influential career, as the author of Sex and the Single Girl and editor of Cosmopolitan, is revealed in this intimate biography in 50 shades of pink. ‘Let it be understood at the outset,’ writes Gerri Hirshey, an American freelance journalist for many upmarket periodicals: Sex has imbued the soft core, hard times and glory days of this story — sex surrendered, sex wielded, lavished and revelled in, sex merely endured and sometimes coolly transactional, sex reimagined, promised and packaged on glossy magazine covers for global dissemination... Hirshey tells all about Helen’s life, every nook and cranny, from her childhood poverty in hillbilly Arkansas, steeply ascendant to the pizzazz of A-list Manhattan.

Thoroughly bewitching

Lead book review

Angela Carter was a seminal, a watershed novelist: perhaps one of the last generation of novelists to change both the art she practised and the world. Reading this splendid biography, it is hard to avoid the false conclusion that she always knew exactly what she was doing. Her life, in its swerves and unexpected corners, always turns out to be contributing to her work; how clever of her, one starts to think, to get a job on a local news-paper, to go to Japan, to have an array of dotty, oppressive or plain witchy aunts, mother and grandmother…. Of course it was not like that. Carter’s life seems rich and inevitable in the retelling because she made use of almost everything. There was not much that she wouldn’t look at with interest.

Spectator competition winners: famous authors’ prime-ministerial ambitions

In 1959 Ian Fleming wrote a fascinating essay for The Spectator under the headline ‘If I were Prime Minister’. In it he proposed, among much else, a combination of ‘benevolent Stakhanovism’ in the workplace and the conversion of Isle of Wight into ‘one vast pleasuredome ...where the frustrated citizen of every class could give full rein to those basic instinct for sex and gambling which have been crushed through the ages’. The invitation to supply a similar article written by the author of your choice produced some equally arresting proposals and Bill Greenwell’s Nevil Shute, Hugh King, C.J. Gleed and Barry Baldwin’s Samuel Johnson, and G.M. Southgate’s Virginia Woolf were extremely unlucky to miss out on a spot in the winning line-up.

Too much glam

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This mighty volume begs a question, although it doesn’t ask it, let alone answer it. Does anyone in the known universe really want to read 650 pages about glam rock? Simon Reynolds must do, because that’s how much he has written on the subject. All writers, if we are to be honest, write books because they themselves wish to read them. But what if you are the only person who wants to read it? It scarcely bears thinking about. Glam rock, as older readers may remember, was a phase of particularly visual and mascara-inflected pop that dominated Top of the Pops for a couple of years in the early 1970s. Before that, we had chug-a-chug blues rock and earnest singer-songwriters, and everyone had hair down to here.

The fallen Angel

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Ashraf Marwan was an Egyptian-born businessman, a son-in-law to Nasser and a political high-flyer in the administration of Sadat, who fell off the balcony of his flat in Carlton House Terrace, central London, in June 2007. His death was watched with incredulity by business colleagues assembled in an office across the road, who recalled seeing two burly, possibly Middle-eastern figures framed in the tableau. Investigations were inconclusive. Marwan, then in his sixties, wasn’t well, but hadn’t seemed suicidal. On the other hand, he had been afraid, and with good reason, because plenty of people wanted him dead. Marwan had been a spy. That seems to be the most concrete element about his story.

The Spectator launches new books podcast

Today we’re proud to launch the Spectator’s Books Podcast, a literary younger sibling of our popular weekly podcast on politics and current affairs. Each week I’ll be hosting a discussion about the most interesting recent books and the literary talking-points of the day. Books contain every subject known to man – and rather than focusing narrowly on fiction or literary biography, we want to take full advantage of their range. We want to roam as widely as the written word itself. In the coming weeks I’ll be talking to the Libyan novelist Hisham Matar, recently longlisted for the country’s most prestigious non-fiction prize for his exquisite memoir of his dissident father’s abduction by the Gadaffi regime.

Knight’s tale

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In The Cousins’ War (1999), the Republican political strategist Kevin Phillips argued that three ‘civil wars’ had defined politics in the English-speaking world: the English Civil War, the American Revolution and the American Civil War. The ideological battle lines of 1641 recurred in 1776 and 1865, and not just because the Sons of Liberty and the Yankee industrialists were frequently descended from English Puritans. Broadly, all three revolts pitted Protestants against Catholics, reform against tradition, and yeomen against landowners. Civil war cuts across geography as well as families: Phillips compared pre-revolutionary America to the Balkans.

Recent crime fiction | 29 September 2016

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There are two people in a prison cell: Frank and Hal. One of them is a member of a spy ring planning a terrorist act; the other is a police agent planted there to befriend the spy, and gather information on the terrorist cell. But the reader doesn’t know which is the cop, and which the criminal. This is the brilliant conundrum at the heart of Frédéric Dard’s The Wicked Go to Hell (Pushkin Vertigo, £7.99). The relationship between the two men moves from mutual loathing, suspicion and violence, to a begrudging partnership, to friendship, then to suspicion once more. Even after they escape prison together and go on the run, the fragile relationship continues: ‘Hatred like ours... is stronger than just affection, it goes much deeper!

Eden’s folly

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Until it was overtaken by the still more disastrous debacle in Iraq, the Suez Crisis of 1956 was widely judged to be Britain’s worst postwar foreign blunder. Not only, to use Talleyrand’s phrase, a crime, but an error of monumental proportions. The deceitful plot by Britain and France, in secret collusion with Israel, to invade Egypt disguised as peacemakers; restore the recently nationalised Suez Canal to western control; and overthrow Egypt’s charismatic nationalist leader Gamal Abdel Nasser into the bargain, went horribly and fatally wrong. Britain’s humiliating retreat, forced by a disapproving United States, marked the effective end of both the British and French empires, and raised the US to undisputed hegemony over the non-communist world.

All work, many plays

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‘Krapping away here to no little avail,’ writes Beckett to the actor Patrick Magee in September 1969. To ‘no little avail’, note, not to ‘little or no’: there is a difference. It’s the difference that Beckett makes — I can’t go on, I’ll go on, and all that. This final volume of Beckett’s letters contains much krapping away to both no little and little or no avail. ‘Perhaps my best years are gone,’ remarks Krapp in the play, ‘But I wouldn’t want them back.

Free love’s fallout

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Ann Patchett’s new novel is an American family saga involving six children, 50 years and too many coincidences to count. The premise is straight out of John Updike — a writer she admires — but her eye is on free love’s fallout, not its thrills. As the title hints, she’s interested in the larger family units that itchy-footed spouse-swappers inadvertently create when they do the dirty on their kin. It opens with Bert, a father of three with another baby on the way, sneaking a kiss from Beverly, a married woman hosting a christening party for her second child, Frances.