Culture

We can all share the anguish in the downfall of a simple soul — for movie-goers Brando’s despairing ‘I coulda’ been a contender!’ in On the Waterfront still resonates — but I have a problem with heroic thickos: Othello, so easily duped; purblind Lear… So I’m ambivalent about the leading character in the new novel by the French-Algerian writer Yasmina Khadra — his wife’s name, adopted by Mohammed Moulessehoul to evade the military censors when he was an officer in the Algerian army. The award-winning author of more than 20 novels, most notably The Swallows of Kabul, he now lives in France but retains the pseudonym.

Rupert Sheldrake had it coming. In A New Science of Life (1981), he argued that animals and plants have inherited a collective memory from their predecessors, thanks to ‘morphic resonance’. This also explained why animals had telepathic powers. ‘You see, I told you so,’ I said to my wife when reading about this in Steven Poole’s exciting new book, and exchanged a secret glance with our dog. Mothers, one might add, also seem to have such psychic powers and know exactly when their teenage sons are sneaking home late at night. But Sheldrake is not your average ‘new ager’ or dog lover. He is a cell biologist.

So, the 2016 longlist – aka the Man Booker Dozen – is out. It invites a cavalcade of instant commentary, almost all of which – as I wrote when I was helping judge the prize myself last year – is unavoidably incredibly stupid. Nobody other than the judges will have read all 150-odd of the books submitted, so in deploring this omission or groaning at that inclusion you say nothing much at all. That Graham Swift or Jonathan Safran Foer don’t appear this year doesn’t necessarily mean their books were bad. It means that the judges thought others were better. Have you read the others? No? Well, quite.

How’s this for a heartwarming set-up­­? Forty-something recovering alcoholic and aspiring artist Ginger copes with the disappointment of being unable to have children of her own by signing up to an organisation that sends underprivileged inner-city kids to the homes of middle-class couples in the countryside. When she is introduced to 11-year-old Dominican girl Velvet, the two bond over horses, with Ginger offering the girl a freedom denied to her by her domineering mother. It sounds perfect for book clubs, soon to be a life-affirming movie, and of little literary interest. But The Mare has much more merit than the synopsis suggests.