Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The hopes and fears of Bethlehem

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Before a certain baby was born there, Bethlehem was famous for its sweet water. Shepherd boys like the young David, king-to-be, herded their flocks into the town and drank from the fountain at the gates. Water, as well as Jesus Christ, helped shape Bethlehem’s story. Its aqueduct enabled nearby Jerusalem to function and expand as a city and pilgrimage site: every invader from the Seleucids to the Crusaders, the Mamluks, the Ottomans, the British and, in 1967, Israeli forces, has seized control of the water supply in order to take Jerusalem. As a result, Bethlehem was militarised from its early days. Having lived in Bethlehem for a number of years, Nicholas Blincoe knows the area intimately.

Murder, fraud and bankruptcy

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Hamilton, created by the remarkable Lin-Manuel Miranda, has brought the financial musical to the London stage: a serious biography of a great man translated into rap. What comes next? Now we know. It is the story not of one individual but of a national institution — the life and times of the Bank of England. I can’t wait for David Kynaston’s new history to reach the stage. We may have to call on Tim Rice, a revolutionary himself in the world of musicals, to generate a libretto from the long original text. But there is a wealth of material in this fascinating book. Often seen as a rather traditional and staid institution, the Bank of England’s more than 320-year life has been remarkably eventful.

Man of the hour

Lead book review

Last year, more than 6,000,000 people visited the Lincoln Memorial in Washington DC. By contrast, barely 80,000 went to General Ulysses S. Grant’s tomb in New York City. Some would argue that the neglect is no better than Grant deserves. But others, notably Ron Chernow, believe it’s time for a rehabilitation. Why do Americans pay so little attention to the man who beat the South in the Civil War and went on to become the 18th president of the United States? At least part of the answer can be found in the terrible alchemy of war. It spews out vast quantities of lead but, for some people, also spins gold. Grant was a failure in his early life. He was born in Ohio in 1822 to a domineering father and emotionally distant mother.

A complicated man

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‘There is only one thing in the world worse than being talked about, and that is not being talked about.’ Lord Henry Wotton said that. It is always better to read Bob Dylan than to read about him. I said that. Two new books by Dylan, and two about him, prove my point. Just out in a lovely slim hardback is Dylan’s Nobel lecture (Simon & Schuster, £14.99). Its 32 pages have already been well picked over and much written about, but Dylan’s own account of the way he took ‘folk lingo’ and ‘fundamental’ literary themes — by way of Moby-Dick, All Quiet on the Western Front and the Odyssey — to write ‘songs unlike anything anybody ever heard’ should be both read and heard.

Fiendishly puzzling

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There can be few challenges more daunting for the assiduous reviewer than a pile of Christmas ‘gift’ books sitting on his desk exuding yuletide jollity. But this year’s aren’t bad at all. Some are serious works of quasi-academic research, others are tooth-pullingly funny and one or two are utterly bizarre. For sheer magnificent pointlessness, you should look no further than Great British Pub Dogs by Abbie Lucas and Paul Fleckney (Robinson, £12.99). Lucas (a photographer) and Fleckney (a journalist) have, for no doubt pressing reasons of their own, roamed the nation to identify the ‘wonderful variety’ of Britain’s pub- dwelling dogs. Oh, and one pig, Frances Bacon.

Literary mafia boss

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Edward Garnett, radical, pacifist, freethinker, Russophile man of letters, was from the 1890s onwards for many years the pre-eminent fixer of English literature. D.H. Lawrence’s widow Frieda hailed him as ‘the midwife’ of Lawrence’s ‘genius’. And so he was; while he also nurtured Joseph Conrad, T.E. Lawrence, Edward Thomas, Liam O’Flaherty, H.E. Bates and Henry Green. He presided as ‘reader’ over the shoals of expectant manuscripts piling up daily at the publishers — starting out at Fisher Unwin, doing the business for Heinemann and Duckworth, putting in long stints at Dent and ending up at Cape. Jonathan Cape headhunted Garnett for his new firm in 1921 as ‘the best reader’ in the land.

Perturbed spirits

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The events of this book take place where the world of the living and the world of the dead rub shoulders. Mama, 12-year-old Jojo’s grandmother, hears the voices — singing, talking, crying — of ghosts; Leoni, Jojo’s mother, sees her brother — ‘given, that he’s been dead 15 years now’ — sitting at the table, in the car, on the sofa between her and her friend, and every time she is high; and Richie, a 12-year-old boy whom Jojo’s grandfather, Pops, knew in prison, haunts Jojo, searching for a way ‘home’.

What will Katie do next?

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In her memoir Rude, the former Mail Online columnist Katie Hopkins reveals her true self. She does this by accident, because she has no self-awareness, but it is there, on page 233: It may we’ll [sic] be that by the time you are reading this I will be going through a dominatrix phase… a fierce bedroom warrior, nipples pinched tight by clamps, an orange in my gob, more buckles than a boot store, locked into a metal girdle with only my front bottom on show. Oh Katie! Don’t you know anything? The dominatrix doesn’t wear the nipple clamps; she doesn’t suck the orange; she isn’t locked into a metal girdle. This is the costume of the masochist.

Close up and far away

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It’s difficult to keep a crime series going after 11 books but Boris Akunin manages it well in All the World’s a Stage (Weidenfeld, £20). His hero, Erast Fandorin, is now in his fifties. It’s 1911 in Russia, and while the Bolsheviks gather their power, another revolution is taking place in the theatre, and the Noah’s Ark Company are at the forefront of this new expression. When their star actress Eliza Altairsky-Lointaine’s life is threatened during a performance, Fandorin is called in to investigate. He’s working undercover as, of all things, the writer of their next production. This is a traditional crime drama in which members of the company are killed off one by one in ever more mysterious circumstances.

From Bradford to Belgravia

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In her debut novel, Adelle Stripe recounts the brief, defiant life of the playwright Andrea Dunbar. Dunbar was raised on the Buttershaw council estate in Bradford, one of eight siblings. Her first play, The Arbor, which premiered at the Royal Court in London when she was just 18, originated as a CSE English assignment. She was, according to one tabloid newspaper at the time, ‘a genius straight from the slums’. Rita, Sue and Bob Too (1982) was also a hit at the Royal Court and was subsequently filmed by the director Alan Clarke. Dunbar wrote one more play, Shirley, and died of a brain haemorrhage in 1990. She was 29.

Cold comfort | 7 December 2017

Lead book review

Mrs Thatcher once explained that she adored cleaning the fridge because, in a complicated life, it was one of the few tasks she could begin and end to total satisfaction. In this way are refrigerators evidence of our struggles, our hopes and our fears. Moreover, if you accept that the selection and preparation of food is a defining part of our culture, then you must acknowledge the primacy of the refrigerator in human affairs. In 2012, The Royal Society declared refrigeration to be the single most significant innovation in food technology since Fred Flintstone invented the barbecue. Me? I wrote these notes while chewing chilled sapphire grapes from Brazil, via Waitrose, messengers from our refrigerated global food chain. Your domestic fridge is your autobiography.

Books Podcast: Richard Flanagan

This week in the books podcast I’m talking to Richard Flanagan, the Man Booker prize winning author of Gould’s Book of Fish and The Narrow Road to the Deep North, about his new novel First Person.Drawing on Richard’s own experience of working as the ghostwriter for a celebrated con-man, First Person tells the story of a struggling young literary writer brought in to help write the memoir of a man who scammed Australia’s banks and public institutions out of millions. I talk to Richard about fiction and lies, what it means to be an Aussie writer now, post-Booker madness, Flaubert’s despair… and why North American writing really isn’t all it’s cracked up to be.

Only connect | 30 November 2017

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This newly translated novel by the Spanish writer Antonio Muñoz Molina is really two books, spliced together in alternating chapters. One is a deeply researched account of the squalid peregrinations of James Earl Ray, who spent two months on the run after murdering Martin Luther King, Jr., in 1968. The other is a memoir charting the gradual attainment of personal and professional happiness on the part of the author himself. The reader feels confident that both protagonists will eventually arrive at their historically appointed destinies: handcuffs at Heathrow airport for Ray; a career as a celebrated author for Muñoz Molina. But considerable suspense surrounds the question of what on earth these two stories will have to do with each other.

High stakes and chips

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According to the subtitle, this is a collection of ‘short stories of long nights at the poker table’. Were that the case, this would be a more enjoyable book, but there are too many stories here that stray from the baize. As a game, poker is relatively simple. The deal gives you your ‘hole’ cards, the ones you and no one else can see. They determine whether you play the hand or not. The betting follows as cards are further distributed. One by one players drop out, hopes dashed. Finally someone wins, not necessarily with the best hand. Beginning, middle, end. Poker has a richer literature than any other card game. Its attraction to writers is in its inherent suspense and the tension that creates. An old poker saw maintains that you play the players, not the cards.

Sculpture of the imagination

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At the height of his fame in the mid-1960s, the sculptor Geoffrey Clarke (1924–2014) was buying fast cars and flying to architects’ meetings by helicopter. Within a decade the commissions for public sculptures had dwindled, and the rest of his career was something of an anticlimax. Yet he remained largely undaunted and was exceptionally prolific, making some 900 sculptures and more than 200 etchings, as well as 3,500 monotypes. He first came to public attention in 1952, as one of the artists representing Britain at the Venice Biennale.

Turkish delights | 30 November 2017

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Patricia Daunt’s collection of essays is a fascinating exploration of some of Turkey’s most beautiful and evocative places, from the crumbling grandeur of Count Ignatiev’s Russian embassy summer villa on the upper shores of the Bosphorus to the remote and fog-bound manor houses of the Black Sea. But the Palace Lady’s Summerhouse is much more than a beautifully illustrated book: it’s about the people who lived — and live — in these buildings, and a portrait of the vanishing worlds they represent. We meet the gentlemanly descendants of a dynasty of grand viziers who quizzically watch the maritime traffic of the modern world passing by their ancestral waterside palace.

Just a few tweaks…

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As I ploughed through this semi-autobiographical behemoth about an author and travel writer obsessed with his siblings and mother, I tried to imagine what a hapless editor might have had to say about the manuscript. ‘I like the way you, I mean Jay the narrator, makes the point that your, sorry his, mother is just like a scheming medieval queen, but I think you can assume readers willing to tackle 500-page literary novels will remember, so you don’t need to keep saying it, especially since the idea’s implied in the title,’ such a person might begin. ‘Likewise, the idea that the siblings interact like members of cannibal tribes that Jay encounters on his travels. So funny and apt, but just the one mention will do.

On with the new

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I grew up knowing 1947 as the year of my father’s birth, in a black-and-white faraway time. I was told about rationing and petrol coupons, as yet another chapter in the long book of ‘how good you have it now’ — along with chilblains, measles, castor oil and walking ten miles to school neck deep in snow, uphill both ways. The Swedish author Elizabeth Åsbrink presents the year as the fulcrum of modern history, when ‘everything seemed possible, as it had already happened’. Month by month, she shows us the year through the eyes of a disparate cast of characters. Some of them are well known (George Orwell, Simone de Beauvoir, Chuck Yeager, Primo Levi), some are passers-by who happened to be in history’s path.

The colour of fate

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Before the narrator of The White Book is born, her mother has another child; two months premature, the baby dies ‘less than two hours into life’. The narrator is born in the dead baby’s place. ‘This life,’ she writes, in a passage directly addressed to her sister, ‘needed only one of us to live it. If you had lived beyond those first few hours, I would not be living now.’ In small, breath-like fragments, The White Book, written while Han Kang was on a writers’ residency in Warsaw, feels its way through and tries to find meaning in both lives, the narrator’s and her sister’s — or, rather, the single life they have each inhabited, at and for different times.

… while Rome freezes

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Why did the Roman Empire collapse? It’s a question that’s been puzzling writers ever since Edward Gibbon wrote The History of the Decline and Fall of the Roman Empire in the late 18th century. One classicist — a German, inevitably — bothered to count up all the various hypotheses for the fall, and came up with 210. The conventional explanation is that, in 410 AD, King Alaric and his Visigoths sacked Rome. Across the Empire, from Hadrian’s Wall to Africa, legionaries folded their tents and deserted their posts. Several centuries of self-indulgent, over-reaching and in-fighting emperors had done for the whole shooting match, leaving the Eastern Roman Empire to stumble on until the fall of Constantinople in 1453. And so Roman history came to a full stop.

Cat among the pigeons

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Back in 1990, Roald Dahl wrote a book called The Minpins, which was illustrated by Patrick Benson, a very good artist. By now we regard Dahl (when writing for children) to be inescapably linked with Quentin Blake, to the point where any other combination seems fundamentally unsatisfactory, like trying to decouple Goscinny and Uderzo in the Asterix books, or Kenneth Grahame and Ernest Shepard for The Wind in the Willows. The whole is somehow bigger than both halves. So it’s a matter of pure delight that Blake has now illustrated the book (Puffin, £10.99). At a stroke, the atmosphere of the story has changed from menacing to spirited and intrepid. The Midas touch of QB has worked again.

Love at first sight | 30 November 2017

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The novelist Mary Wesley never forgot the night of 26 October 1944. She was then 32, locked in a loveless marriage to ‘a perfectly nice but remarkably boring’ barrister, Lord Swinfen, and was dining at the Ritz with a friend from MI6 — she had worked there in April 1940, decoding the positions of German regiments — when she looked up and saw, seated at another table, the Royal Marines captain whom she had met only a few hours earlier at Les Ambassadeurs. ‘He kept sending me notes through dinner saying, “You can’t stay with that old bore. Come dancing.”’ Which she did.

A whistle-stop tour of the East

Lead book review

For many of us, life has become global. Areas which were previously tranquil backwaters are now hives of international activity. Leisure travel has given us the possibility of first-hand exposure to once very remote places. You don’t have to be particularly privileged or adventurous to go on holiday in January to south-east Asia: two weeks in a western chain hotel plus flights to Thailand may only cost £1,000. The increase in migration to western countries since the 1940s means that many lives are bound up with previously distant cultures — we have spouses, in-laws, lovers, friends and connections of all sorts whose origins lie in different countries and continents.

Spectator competition winners: Our Dawkins, who art in Oxford: Lord’s Prayers for the 21st century

The latest competition, to submit a Lord’s Prayer for the 21st century, drew a smallish but pleasingly varied entry. One of my favourites, among the many parodies of the Lord’s Prayer already out there, is Ian Dury’s ‘Bus Driver’s Prayer’: ‘Our father,/ who art in Hendon/ Harrow Road be Thy name./ Thy Kingston come; thy Wimbledon…’. Bill Greenwell’s ‘The Refugees’ Prayer’ started promisingly — ‘Half-hearted, we chant/ in haven, harrowed by the numb;/ deny kin can come,/ deny well, be dumb…’ — but I found bits of it puzzling. A.H. Harker, Alan Millard, Paul Carpenter, David Silverman and Meg Muldowney were also strong contenders.

Satire and self-deprecation

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If you’re Jewish, or Jew-ish, or merely subscribe to the view that Jews should be trusted to recognise anti-Semitism rather than be accused of making false allegations to further their own malign agenda, the chances are you could do with a laugh right now. The resurgent far right’s threat feels frightening but expected, whether from torch-waving American mobs or European ethno-nationalists directing the restive masses’ anger towards the traditional target, presently embodied by George Soros.