Culture

Many and various are the things one finds in Kentish pubs (I’m told); but few could top the sepoy’s skull discovered at The Lord Clyde, Walmer, complete with brief biography: Skull of havildar ‘Alum Bheg’, 46th Regt. Bengal N. Infantry... blown away from a gun. From this grisly starting point, Kim Wagner, lecturer in British imperial history at Queen Mary University of London, narrates how, in the swelter of mid-1857, following outbreaks throughout British India, native Bengal Army units at Sialkot mutinied, killing officers and civilians and looting the cantonment, and then set out for Delhi to join Bahadur Shah, the briefly-minted ‘Emperor of India’. They didn’t make it.

Like A Fiery Elephant, my biography of the experimental novelist B.S. Johnson, contains one particularly careless sentence: the one where I described Johnson as ‘Britain’s one-man literary avant-garde of the 1960s’. It was a silly thing to write, partly because it wasn’t true, but also because it was easily the most quotable line in the book and so every journalist and reviewer was bound to pick it up and repeat it. And so it proved. But Johnson was not Britain’s one-man literary avant-garde. The 1960s saw a significant flowering of what we might (for shorthand) call experimental writing in this country.

Many believed in Australia for 1,000 years before its discovery. There had to be a commensurate weight — somewhere Down Under — to counter the northern land mass; an ‘unknown Southland’ which was crucial to maintaining the balance of the world. To confuse matters, this theoretical continent was dubbed for a while Austrialia del Espiritu Santo — in honour of the House of Austria. A socially awkward Lincolnshireman, Matthew Flinders, in 1804, was the originator of Australia as the name for what had for centuries been called New Holland, but two French sailors, an aristocratic cartographer, Louis Freycinet, and a manipulative, one-eyed anthropologist, François Péron, showed for the first time the continent’s actual shape.

It’s hard not to love a book that starts with its author fearing a police sting while flogging sex toys at a hen party in Texas. The year is 2004 and Hallie Lieberman is attending grad school in Austin and supporting her studies by working as a home party organiser for Forbidden Fruit, local purveyor of marital aids: ‘Christy is rattling off her order: a jelly vibrator, a cock ring, a bottle of Eros lubricant.’ Just one snag; devices that are intended ‘primarily for stimulation of the human genital organs’ are deemed illegal in the state of Texas. They’re illegal to this day in Louisiana.

Halfway through Lady Fanshawe’s Receipt Book Lucy Moore takes a moment to regret the vast tracts of the past that are lost to us. How lucky we would be if more examples of our ancestors’ daily interactions with others, what she calls ‘the scraps of daily life we take for granted’, had been preserved. Instead, of course, we must make do with the flotsam that has survived, and to try to coax quotidian objects into offering up glimpses into lives that might otherwise have remained obscure. Court records, depositions and wills have all been interrogated by historians, as have more unlikely items, such as the collections of culinary and medical preparations compiled by women from ‘receipts’ given to them by their friends and relations.

There are currently 151,000,000 photos on Instagram tagged #Dog which is 14,000,000 more than those tagged #Cat. The enormous number shouldn’t surprise us. We’ve been obsessively depicting our dogs since prehistoric times, when we painted them on walls, carved them in ivory and buried them with bones and blankets for the afterlife. A Dog a Day is one of two marvellous new books that feed this atavistic devotion. A handsome collection of Sally Muir’s dog portraiture, it demonstrates the artist’s technical range and her keen understanding of essential doggishness. The images are deft sketches that capture the particular hang of a hound’s head, the Mikado-sticks jumble of lurcher legs or the crazy glint in a spaniel’s eye.