The West must win
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There is a Smiths lyric for almost every moment. Whether it’s telling a friend that their jokes just aren’t funny anymore or being herded into the corner of a Northern pub-cum-club and contemplating hanging the DJ, every song that contains Morrissey’s melodramatic teenage misery becomes useful vocabulary for the most mundane scenarios. Including visiting troops in Ukraine, as the Prime Minister proved earlier this week. Gen Z is proving rather less doctrinaire about culture than previous generations Perhaps that is just one reason that helps explain why, more than 40 years after The Smiths first appeared, they are finding a new audience amongst those who were not even alive when the band split up, let alone released their first album.
This week's magazine
When The Spectator asked me whether I would write an essay on ‘Why we need to strengthen the West’, I was delighted – and bemused. Why is this even up for debate? That we must explain and justify ‘the West’ at all indicates just how weak it has become. It would be better if it did not need strengthening at all but the truth is that the West has become an invalid. What exactly, though, needs to be strengthened? The West is an idea, not a location. It is not a matter of geography, it is a way of life. The idea of the West rests on four pillars: Athens – where democracy was born. Rome – the cradle of the rule of law. Jerusalem – where Judeo-Christian values placed the inviolable dignity of the individual at the centre.
When The Spectator asked me whether I would write an essay on ‘Why we need to strengthen the West’, I was delighted – and bemused. Why is this even up for debate? That we must explain and justify ‘the West’ at all indicates just how weak it has become. It would be better if it did not need strengthening at all but the truth is that the West has become an invalid. What exactly, though, needs to be strengthened? The West is an idea, not a location. It is not a matter of geography, it is a way of life. The idea of the West rests on four pillars: Athens – where democracy was born. Rome – the cradle of the rule of law. Jerusalem – where Judeo-Christian values placed the inviolable dignity of the individual at the centre.
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Birds do not sing. They bleep and rattle and buzz like a dial-up modem. That we consider what comes out of those pointy mouths as synonymous with natural beauty and the highest achievements of melody is all down to a musical sleight of hand – centuries of gaslighting and free PR from classical music. The first composer to level with us, to faithfully transcribe the monstrous noises that these creatures actually make, was Olivier Messiaen. His music is stuffed with this fabulous fax-machine weirdness. It reaches an apotheosis in his massive opera Saint François d’Assise (1983) – six hours with intervals.