Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The Irish Times: read by the smug denizens of Dublin 4 and responsible for the Celtic Tiger property bubble

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The most successful newspapers have a distinct personality of their own with which their readers connect. In Britain, the Daily Mail and the Guardian are perhaps the best examplars of that. In Ireland, the decent, if slightly smug, denizens of Dublin 4 know exactly where they are with the Irish Times, and that it will connect with them and reflect their values. Sometimes a newspaper’s personality even defies its actual content, and change encompasses an unexpected continuity. The Guardian moved seamlessly from being the organ of non-conformist opponents of horse-racing to the first newspaper in Britain to print the word ‘cunt’. And yet the personality remains intact — priggishness being an essential element.

Life after Vera: Patrick Gale’s hero finds happiness towards the end of the Saskatchewan line

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Patrick Gale’s first historical novel is inspired by a non-story, a gap in his own family record. His great-grandfather Harry Cane spent the first part of his life as a gentleman of leisure among the Edwardian comforts of Twickenham. What then suddenly prompted him to abandon his wife and small daughter and emigrate to the Canadian wilderness? The official line was that he had money troubles, yet he doesn’t seem to have been short of cash in Canada. As far as we know, Harry Cane’s motives went with him to the grave. In this re- imagining of his life, however — partly because homosexual love is a theme throughout Patrick Gale’s work — it feels entirely convincing that his secret should be ‘the love that dare not speak its name’.

Monstrous, beautiful, damaged people make for tiresome company in Polly Samson’s The Kindness

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Julian is clever, handsome and spoiled, a gilded youth who has all the girls wanting to mother him, and a mother who wants to mother him even more than they do. Part of his appealing vulnerability is that he has no father; another part is that he has a potentially fatal allergy to wasps. One hot summer day he is saved from anaphylactic shock by Karl, a medical student who is researching sperm motility. They become friends. Julian provides samples for Karl’s research, and — well, what Karl notices under the microscope provides the basis for the plot. You can see it coming, as the actress said to the bishop. Julian meets Julia, eight years older, married to an abusive husband with amber eyes, a hawk called Lucifer and a freezer full of baby mice.

Men behaving badly: Nero, Claudius and even Seneca could be intensely cruel to women — and fish

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They lived in barrels, they camped on top of columns, or in caves: the lives of the sages are often inconceivable to the modern reader. Seneca, however, that rich, compromised sophisticate of the first century AD, is instantly kin, his voice weary with consumerism, his problems definitively first-world. ‘Being poor is not having too little,’ he observed. ‘It is wanting more.’ Those in need might disagree. But from where Seneca was sitting, in his personal banqueting suite with 500 ivory-legged tables (all matching, no less — matching furniture in Rome was considered staggeringly smart, due to the lack of means of mechanical reproduction) he was able to cultivate the elegant indifference to luxury that speaks to our age so vividly.

Symbolism and a man called U: more avant-garde fiction from Tom McCarthy

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In a 2008 essay Zadie Smith held up Tom McCarthy’s austere debut Remainder as a bold exemplar of avant-garde fiction, comparing it favourably to Joseph O’Neill’s lush Netherland, which she deprecated as incarnating the worst delusions of realism. Funny how rapidly Smith’s distinction has disintegrated: McCarthy’s latest, Satin Island, bears an uncanny similarity to O’Neill’s recent novel The Dog. Both are narrated by an affectless young male professional known only by a single initial (X in the case of O’Neill, U in McCarthy’s); and both dramatise the moral and intellectual contortions imposed by commercial environments on people whose sympathies are with the left.

Why the cheating cuckoo may finally be getting its comeuppance

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In recent years there has been a fashion for so-called ‘new nature writing’, where the works are invariably heavy with emotion, while the descriptions of place and wildlife often serve as a hazy green backcloth against which the author depicts the main subject —their own personalities. It comes as something of a shock, therefore, to find a new nature book that returns to a traditional format. It’s one in which the character of the writer barely intrudes and the real subject, picked apart in meticulous detail, is nature itself. In the hands of a scholar who is also a first-rate storyteller, you realise just how entertaining such a work can be.

The art of political biography remains in intensive care if Giles Radice’s latest book is anything to go by, says Simon Heffer

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With the odd exception — I think principally of Charles Moore’s life of Margaret Thatcher — the genre of political biography has known hard times lately. There are few faster routes to the remainder shop, other, of course, than the political memoir, most of which I presume are now written to create a tax loss for their publishers. This decline is not down to poor scholarship, but, I suspect, to the general distaste so many literate and inquiring people feel for politicians. Reading accounts of the New Labour years in particular is rather like touring an abattoir before the cleaners have been in. So those who want to write about politicians must find new ways to do so, and Lord Radice, a former long-serving Labour MP, has chosen to look at partnerships of politicians.

This terrifying book puts me off going online ever again —except maybe to Ocado — says India Knight

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Jeremy Clarkson has been getting it in the neck from Twitter’s (I was going to say) tricoteuses — but social media is both thicko mob and gleeful, literal-minded public executioner. A couple of weeks ago it was George Galloway; and the week before that — oh, I can’t remember. I had a theory about 21st-century shame before I read Jon Ronson’s book — namely that it passes quickly. A Profumo would atone for a lifetime; a Huhne leaves jail to book deals and newspaper columns. The internet fire burns more intensely but turns to ashes faster. Yeesh, was I wrong. Ronson thinks it all started well.

Life in the LA ghetto was nasty, brutish and short — until one brave detective took on the gangs

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Los Angeles ghetto life — thrashed, twisted and black — is not a world that most Americans care to visit. Black Angelinos can be — and for a period in the 1980s and early 1990s, were — murdered for a trifle. The slightest act of ‘disrespect’ may call for a tit-for-tat killing, where an entire family is rubbed out to avenge a perceived affront. Such disregard for human life is unknown in the white neighbourhoods of LA. Is there a specifically black predisposition to gun crime? Or is that too narrow an assumption? The violence endemic to Watts, Compton and other black LA suburbs is reckoned (by some) to be a delayed response to the cruelty of plantation life.

Love child or bastard: the lottery of being born on the wrong side of the blanket

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My father was handed over a shop counter when he was a day old. His aunt had tried to pass him off to a hospital and couldn’t find any takers so she brought him into a draper’s shop, put him down on the counter and declared she didn’t know what she was going to do with him. The shop assistant piped up to say that her sister didn’t have any children of her own and would quite like a baby. So off she went to fetch her sister, who took him off, tucked inside her cardigan, and that, dear reader, is how he ended up with his mother and father. I mention this prior to discussing In the Family Way because it’s about illegitimacy and some bits ring true to my father’s experience in Ireland before the war.

Dickens’s dark side: walking at night helped ease his conscience at killing off characters

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In England, walking about at night was a crime for a very long time. William the Conqueror ordained that a bell should be rung at 8 p.m., at which point Londoners were supposed to put their fires and candles out and their heads down. Again and again, until modern times, Matthew Beaumont tells us, specifically nocturnal laws were promulgated against draw-latchets, roberdsmen, barraters, roysterers, roarers, harlots and other nefarious nightwalkers — including those ‘eavesdroppers’ who stood listening in the close darkness where the rain dripped from a house’s eaves. Beaumont reads such laws as being designed to exert political and social control.

‘Magna Carta Unification Event’ at the British Library: a magna balls-up

Early last month I tripped on up to the British Library for the 'Magna Carta Unification Event'. Manuscripts had been choppered in from Salisbury, Lincoln, and indeed (x2) from the British Library’s own collection. It was my chance to catch 'all four surviving original 1215 Magna Carta Manuscripts in one place for the first time’. Now, I don’t have any strongly-held views on how you pull out all the stops when it comes to exhibiting a handful of 800-year-old documents.

Anders Brievik: lonely computer-gamer on a killing spree

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In 2011, Anders Breivik murdered 69 teenagers in a socialist summer camp outside the Norwegian capital of Oslo, and eight adults with a bomb attack. His hatred was directed at the children of Norwegian politicians who had allowed immigration to contaminate the sturdy bond (as he saw it) of Nordic race and nationhood. ‘You will all die today, Marxists!’ he hurrahed as he stalked and shot his way to infamy. Inflated with self-importance, Breivik was a self-styled ‘Justicious Knight Commander’ come to cauterise Norway of bloody foreigners. He advocated the racial rejuvenation of his homeland through the expulsion of Muslims, and to this end he photographed himself in masonic Crusader regalia, sumptuously gold-braided and primed for holy war. Was he mad?

Hock and partridge help fascism go down in 1930s London

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Anthony Quinn’s fourth novel, set in London’s artistic and theatrical circles in 1936, is not the kind in which an anguished protagonist sits in lonely contemplation for 80 pages at a stretch. It moves along at a clippy pace, introducing us to a succession of appealing characters and throwing in a lurid murder for extra oomph. But despite its wealth of detail — the lino-clad corridors and ‘mournful furniture’ of a Marylebone boarding-house, lamplighters doing their rounds, actresses wearing Guerlain’s Jicky — it is more substantial than a period romp.

First novel choice: do you prefer your author on a skateboard, or in a vineyard?

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I’m not sure I know what the mark of merit is in a first novel, any more than in a fourth or a 14th. If nothing else, though, it’s surely an opportunity to make a new friend, to lock eyes with a stranger across a crowded room. So it was, one enchanted evening in February, that I carted a hodload of literary debuts across the threshold. Somewhere within, I hoped, was the beginning of a beautiful lexical relationship, or possibly several. Four weeks later, I’m not so sure. For one thing, most of the books were baroquely overpackaged and strenuously oversold.

John Aubrey and his circle: those magnificent men and their flying machines

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John Aubrey investigated everything from the workings of the brain, the causation of winds and the origins of Stonehenge to how to cure the fungal infection thrush by jamming a live frog into a child’s mouth (you hold it there until it — the frog — suffocates, then replace it with a fresh frog). He seemed half-cracked as often as not to less empirical 17th-century contemporaries, and for most of the next 200 years posterity forgot him. His astonishing renaissance in the last century owed much to two novelists: Anthony Powell, who published a biography, followed by a selection of Aubrey’s Brief Lives in 1949, and John Fowles, who brought out his Monumenta Britannica for the first time in 1980.

Sex, rebellion, ambition, prejudice: the story of 1950s women has it all

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Although the young women of the 1950s hovered on the cusp of change, many did not know it. Valerie Gisborn was the exuberant 15-year-old daughter of ‘a sharp-tempered, anti-social’ mother riddled with ‘neurotic restrictiveness’. But Valerie had fallen in love. She had met Brian in 1949 at the local ballroom in Leicester, her sole permissible social excursion of the week. Prevented from continuing her education by parents who insisted she earn her living at the city’s knitwear factory, Valerie’s early ambition to start her own business was crushed by the demotivating monotony of her job. Romance offered an emotional if not a physical escape.

British India — the scene of repeated war crimes throughout the 19th century

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‘Sometimes, strolling through the ruins of earlier civilisations, we idly wonder what it must have been like to live through the end of one of them,’ writes Ferdinand Mount at the end of The Tears of the Rajas. ‘Now we know for ourselves.’ This is a long, wonderfully discursive and reassuringly old-fashioned book which tells the story of the British in India through the lives of one British family — the author’s ancestors, the Lows of Clatto in Fife. The Lows also happen to be the ancestors of Mount’s cousin, David Cameron. The action opens in 1805, in the aftermath of the Second Maratha War, when the East India Company had established its dominant military position through most of the Indian interior.

Madly Modern Mary overcomes childhood hardships to become the Queen of Shops

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In this autobiography, Mary Portas doesn’t dip into the fabled store of her talents by giving an account of her countrywide progress as monarch and oracle of retail, but conjures a nostalgic cornucopia of the mid- 20th-century brands and frankly cheesy TV personalities (she often dressed up as Jimmy Savile) that dazzled her youthful Hertfordshire eyes. These were rapturously set on future journeys, of which we get only one — her great leap forward from North Watford to Knightsbridge, where her undoubted brilliance as a window-dresser eventually blossomed at Harvey Nichols.

All change: everything metamorphoses in Aquarium, including its author, who takes on the persona of a 12-year-old girl

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Books ought to be able to stand on their own, but perhaps it is important to know this about David Vann: a year after his stepmother’s mother had shot her husband and herself, his father also shot himself. Vann was 13 years old. The reason it’s important to know this is that what might seem implausible in the author’s new novel, Aquarium, probably does not at all seem like that to him. Vann has mined these events for his writing. The second tragedy he treated in his first, much acclaimed, book, Legend of a Suicide (2008), a hybrid work containing bits of all sorts of genre, but concerned chiefly with a son’s relationship with his father.

Jean-Paul Sartre was perhaps the 20th century’s most famous thinker – if you can get beyond the verbiage

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Thomas R. Flynn has written an avowedly ‘intellectual biography’ of Jean-Paul Sartre, which might seem fitting. Sartre was nothing if not an intellectual — so much so that one struggles to think of him as anything but an intellectual. Albert Camus, Sartre’s great rival for the title of the 20th century’s most famous thinker, was a strong swimmer and a stronger soccer player. A little adolescent boxing aside, Sartre did little but sit at zinc tables necking coffee and Corydrane (the amphetamine-based painkiller he was addicted to).

When two young Britons go camping in Yosemite their lives are changed for ever

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The title of A.D. Miller’s follow-up to his Man Booker shortlisted debut Snowdrops refers not to lovers but to two British men who befriend each other in their early twenties in 1993 when in the US. Among the sights they see on a tour of Yosemite is a pair of old trees with a conjoined trunk known as ‘The Faithful Couple’. Neil lost his mother as a child, and his father owns and runs a stationery store. He is the only one in his family to have been to university. Adam comes from a more entitled background and is full of confidence. When he speaks of his career ambitions in TV it is with certainty, not hope. Despite their differences, the two strike up a friendship.

The Dear Leader’s passion for films — and the real-life horror movie it led to

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Ahead of last year’s release of The Interview, the Seth Rogen film about two journalists instructed to assassinate Kim Jong-un, North Korea interpreted the film as ‘an act of war’. Sony Pictures were hacked by a group linked to North Korea and hundreds of humiliating titbits about spats between celebrities and Sony execs made public, most memorably the description of Angelina Jolie as ‘a minimally talented spoilt brat’. The film was first cancelled and then given a limited release. Kim Jong-un had the last laugh when the reviews came out, however. ‘About as funny as a communist food shortage, and just as protracted,’ said Variety.

A Father’s Day tragedy: what exactly happened when a car plunged into a reservoir in Australia in 2005?

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When Helen Garner, an award-winning Australian author, first saw the TV news images of the car being dragged out of the water, she uttered a prayer: ‘Oh Lord, let this be an accident.’ A strange, pessimistic, almost paranoid prayer. A car had swerved off a dark highway outside her hometown of Geelong, Australia, and plunged into a reservoir.Why wouldn’t that be an accident? But Garner seems to have had a premonition. This House of Grief is her account of the murder trial, and ultimate conviction, of the car’s driver, Robert Farquharson, who had escaped and swum ashore while his three young sons drowned.

If ‘incorrect’ English is what’s widely understood, how can it be wrong?

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In a cheeringly Dickensian fashion, the names of our supposed experts on grammar imply they want to bind writers (Lynne Truss); send them awry (Kingsley Amis); besmirch their prose (H.W. Fowler); deafen them with moos (Simon Heffer); or snort at their legitimate constructions (John Humphrys). At first glance, Oliver Kamm appears happy to keep them company. A leader-writer for the Times and its resident authority on style, Kamm is the most small ‘c’ conservative man I know. If he has ever left home without cleaning his shoes — and I doubt that he has — he would have realised his mistake before reaching the end of his road, and rushed back to apply the polish. Instead of joining the pedants, however, Kamm batters them.

Both Belgium and the United States should be called to account for the death of Patrice Lumumba

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For decades, all the outside world knew was that Patrice Lumumba, the Congolese independence leader, had been done away with. Like so much connected with the Congo, details were lost in the murk of Africa’s magnificent but broken giant. He had been fed to Katangan pigs, drowned in the river — or was perhaps even still alive and being held hostage in the Ituri rain-forest. So radiotrottoir assured me variously in January 2001 when I made my first visit to Kinshasa around the 40th anniversary of Lumumba’s disappearance. The reason for my trip felt darkly familiar: one of Lumumba’s successors as national leader, Laurent Kabila, had himself just been assassinated by a ‘turned’ bodyguard.