Tom Stoppard

Tom Stoppard’s Rock ’n’ Roll is at Hampstead Theatre until 27 January.

Why the story of the Holocaust still needs telling

From our UK edition

In Chekhov’s The Seagull Dr Dorn is asked which is his favourite foreign city. Genoa, he replies: in the evening the streets are full of strolling people and you became part of the crowd, body and soul. ‘You start to think there really might be a universal spirit,’ he says. I remembered Dr Dorn when I was discovering Genoa in October. Then it suddenly came to me that I had been to the city before. Genoa was where my family embarked for the Far East, when I was 18 months old, fleeing the Nazis. I don’t know about the universal spirit, though. I’m reading Enemies and Neighbours: Arabs and Jews in Palestine and Israel, 1917-2017 by Ian Black. I had reached 1953 when at midnight a text pinged in from an old friend: ‘Who will cross the street when we pass?

This is the life I’ve always wanted — social distancing without social disapproval

From our UK edition

Week five… which is to say I’ve been self-isolating in the country since 6 March. Meanwhile, engagements which threatened a return to town have been falling over like a row of dominos. If it were not for the terrors surrounding us, this is the life I’ve always wanted — social distancing without social disapproval. My wife Sabrina, who to my amazement is a techno whizz, has expanded her social life digitally, sometimes with pals by the roomful. I am learning not to blow my cover story (‘Tom’s working’) by passing behind her while she’s on FaceTime. Meanwhile, the days are not long enough for me to not work and keep up with my magazines.

A graceful writer and a graceful man

From our UK edition

I wonder what happened to my first edition of A Dandy in Aspic. I must have been careless about lending it when it could no longer be bought. Derek’s succeeding novels, from The Memoirs of a Venus Lackey (1968) to The Rich Boy from Chicago (1979), are in their place on my bookshelves; seven titles, lacking the first and ninth. The last novel, Nancy Astor (1982), based on his own screenplay, had passed me by. But it was A Dandy in Aspic, written in four weeks in a flat he shared with me and Piers Paul Read just off the Vauxhall Bridge Road in 1965, that changed Derek’s life. Derek, Piers and I were friends but not a trio. We each had a room and kept to it. We had a kitchen but seldom ate communally.