Culture

Sir John Lister-Kaye has adopted a very familiar format in his new book of wildlife encounters. Essentially he charts a single 12-month cycle in the life of the Scottish Highlands near his home at the Aigas Field Centre, just to the west of Inverness. The author has lived in the region since the 1960s, when he was lured north out of a business career to take up work with the famous naturalist Gavin Maxwell. In the intervening half-century he has acquired a deep knowledge of wildlife, and many of his observations are skilfully woven into the fabric of his 12-month narrative, so that we end up with a lifetime’s rich experience for the price of one year’s diary.

Jeffrey Archer is none too impressed with the Bollywood film industry. In an interview with India's DNA Newspaper, he said that several Bollywood films have ripped off his books without his permission. The comments came after the convicted perjurer was asked whether his novels have the potential to translate into Hollywood films: 'Well, forget Hollywood, just look at your Bollywood! These bunch of thieves have stolen several of my books without so much as a "by your leave".' According to Lord Archer, his books Not A Penny More, Not A  Penny Less and Kane and Abel have both inspired successful Bollywood films. In the interview Archer goes on to say that he has found Indian film producers difficult to work with.

Nicholas Carr has a bee in his bonnet, and given his susceptibilities this might well be a cybernetic insect, cunningly constructed by a giant tech company with the express purpose of irritating him — a likely culprit might be the Tyrell Corporation in Ridley Scott’s future-dystopic film Blade Runner. In 2012 Carr — whose name has homophonic overtones of Cassandra — published a minatory work on the internet and the web called The Shallows. The title does indeed say it all: Carr’s view was that our increasing use of these technologies is having an impact on our cognitive and other physical faculties, and that by and large it’s a negative one.

From ‘Pitfalls in Bookland’, The Spectator, 20 February 1915: EVERY bookman knows that the taste for buying books inevitably outruns the capacity for reading them. At first a man buys a book only when he wants it vehemently—when he is so anxious to enjoy it that he despatches the preface while he is waiting for his 'bus, and runs through the first three chapters in the suburban train. Then he begins to buy books because he will want them some day in the future; and he puts them on his shelves and forgets about them, and goes out to buy more. After this he becomes rapidly shameless and buys for all sorts of reasons.

In the pre-dawn hours of 20 September 1918, a train, its headlamp off, heading eastwards out of Kransnovodsk on the Caspian sea, came to an unscheduled standstill among the lonely desert dunes of Transcaspia. From one of the two carriages stumbled a group of bound and blindfolded prisoners, who were pushed and dragged up to the crest of a nearby dune, and there gunned down and their bodies hastily covered with sand. In the context of the times and the area — 15,000 men, women and children had just been slaughtered in Baku on the other side of the Caspian — the political execution of 26 Bolsheviks might not seem a major event, but it was a murder that would resonate down through Soviet history.

‘We all know there will be no real politics.’ A prominent Russian TV presenter is speaking off the record at a production meeting in 2001. ‘But we still have to give our viewers the sense that something is happening. They need to be kept entertained. Politics has got to feel … like a movie!’ When Peter Pomerantsev, a Brit of Russian descent, sat in on this meeting he had recently graduated and moved to Moscow to work as a TV producer. A decade in Russian television has now provided him with the material for his chilling first book. Nothing is True… is more than an evocative travelogue or an insight into a new system of authoritarian control, although it is both of these.