Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Mournful and meticulous

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After a curtain-twitching cul-de-sac, a Preston shopping precinct, and the Church of the Latter-Day Saints brought to Lancashire, Jenn Ashworth ups sticks for the seaside in her fourth novel. Set in the determinedly genteel resort of Grange-over-Sands, just across the bay from Morecambe on the Cumbrian coast, Fell is a disturbing, precisely rendered tale of charisma, misplaced faith and transgenerational trauma, with a touch — not too heavy-handed, fortunately — of the supernatural.

Making waves | 14 July 2016

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The tour guides of Ephesus, in Turkey, have a nice party trick to wake up their dozing coach passengers. As the coach drives along, they say, ‘This is the ancient port of Ephesus’, and the passengers look, as I did, at fields and trees and nothing else. They peer for the sea and are told it is miles away. Ephesus was a major river port in antiquity but the river has long since silted up and left its port stranded. This fact isn’t in Aldersey-Williams’s book on tides but there are plenty more to be told of the curious, attritional relationship of humans and the tidal waters of the planet.

The art of getting by

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Naples, ragamuffin capital of the Italian south, is reckoned to be a hive of pickpocketing and black-market manoeuvrings. (A Neapolitan gambling manual advises: ‘Rule Number 1 — always try to see your opponent’s cards.’) Crime is not the whole picture, of course. To look out across the Bay of Naples remains a visual education in the grand style as the twin, dromedary-like mounds of Vesuvius shadow the dead cities of Pompeii and Herculaneum. Erri De Luca, one of Italy’s bestselling authors, was born in Naples in 1950, and understands perfectly the city’s obscure exuberance of life. The Day Before Happiness, a novella, unfolds amid the card-sharps, prostitutes and barefoot scugnizzi (urchins) who scrimped and scuffled in the city during the postwar years.

Daddy dearest

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In 2004, after a 25-year estrangement, Susan Faludi’s father reappeared in her life via email. ‘I have had enough of impersonating a macho aggressive man I have never been inside,’ it read, and was signed, ‘Love from your parent, Stefánie.’ The 77-year-old had embarked on a new life as a woman, both a dramatic abruption and the continuation of a biography full of reinvention. He was born as a Hungarian Jew called István Friedman, survived the Holocaust thanks to a talent for imitating Nazis, adopted the name Faludi to show he was ‘100 per cent Hungarian’, and later settled in the US, where he became Stephen Faludi, archetypal ‘American Dad’ and, as a photographer, a master manipulator of images.

Worlds apart

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Classics is a boastful subject. Even the name — classics — has an inner boast; as does the classics course at Oxford, Literae Humaniores (‘more humane letters’), and the course’s second half, Greats. Michael Scott, a classics professor at Warwick University and a telegenic media don, tries to put an end to the boastfulness in this book. It has always understandably annoyed him that, in the field of Greek and Roman studies, book titles often include the words ‘Ancient World’ — as if there were only one ancient world, and it only included Greece and Rome. And so he attempts an ambitious reordering of ancient worlds — thus the book’s title — and brings the study of Greece and Rome together with Central Asia, India and China.

A familiar life (revisited)

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A Life Revisited, as the modest, almost nervous, title suggests, mainly concerns Evelyn Waugh’s life with comments on but no analysis of his books. There have been at least three major biographies already, as well as large volumes of diaries, letters and journalism and many slighter volumes. There is more to come. Waugh’s grandson, Alexander, who has defied current trends by writing a fine book on the males of the family, is editor-in-chief of The Complete Works of Evelyn Waugh, with the first of 43 volumes coming out next year. He has also collected an unrivalled archive containing unpublished notes, letters and interviews, and commissioned this book for the 50th anniversary of his grandfather’s death. All of which presents Philip Eade with a problem.

Good clean fun | 7 July 2016

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The Detection Club is rather like the House of Lords of British crime writing, though considerably more select. (I should declare an interest: I’m a member of the club, so it’s possible I may be biased.) Founded in 1930 by Agatha Christie and Dorothy L. Sayers among others, the club chooses new members by secret ballot. Candidates undergo an initiation ritual involving black candles, a billowing red robe originally designed for G.K. Chesterton, a terrifying sacred oath and a skull called Eric. (Forensic examination has demonstrated that Eric belonged to a female.) The story of the club’s early years has been well told in The Golden Age of Murder by Martin Edwards, the current president.

We’re all curators now

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In January 1980 Isaac Asimov, writer of ‘hard science fiction’, professor of bio-chemistry and vice-president of Mensa International, penned a column for Newsweek magazine in which he addressed a prevailing ‘cult of ignorance’ in America. ‘The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life,’ he wrote, ‘nurtured by the false notion that democracy means that “my ignorance is just as good as your knowledge”.

Back from the front

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In his preface Sebastian Junger tells us that this book grew out of an earlier article. It obviously didn’t grow much, since the main text is still only 138 (small) pages long, less than half the length of its predecessors The Perfect Storm and War, though it comes armed with a list of sources amounting to another 30 pages. Junger is attempting to explore the relationship between two ‘impulses’, as he oddly terms them. The first is that certain white captives of American Indian tribes chose to stay with their new communities even after release was possible, while the second is the disappointment felt by many American soldiers when returning home from war.

MPs and DTs

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In 1964, a newly elected Labour MP was put in charge of the House of Commons kitchen committee. (An unpromising start to a review, I appreciate, but bear with me.) His idea of selling off the House’s rather splendid wine cellar duly appalled some MPs, but was accepted as a useful money-making scheme. Only later did it emerge that he’d bought/ripped off a collection of the best bottles for himself at a bargain price, and that this was not untypical behaviour — because the Labour MP was Robert Maxwell. Order, Order! is packed with memorable tales like this.

Godly swingers

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There were two communist manifestos of 1848. One had no influence whatsoever on the revolutions of that year, but now symbolises the struggle against bourgeois capitalism. The other secured a small readership, and is almost forgotten today, but it also laid the foundations of a business that catered to bourgeois propriety. The gestation of Marx’s and Engels’s Communist Manifesto is fascinating — notably their attempts to peel socialism away from its roots in Christianity and the ‘utopian’ theories of Saint-Simon and Fourier. The gestation of John Humphrey Noyes’s Bible Communism is astounding. And gestation is the word.

A trick of the light

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There is a moment at the start of most authors’ careers when it is hard to get anything published, and there is a moment towards the latter stage of some authors’ careers when it is hard to stop everything being published. A.S. Byatt is in the latter stage of her career, and however great the claims for her back (and future) catalogue may be, it hard to see why Peacock and Vine came to be here. Byatt begins with an insight at the Palazzo Fortuny in Venice. Unfamiliar with the work of Mariano Fortuny, she describes something in the quality of the April light which brings to mind a very English green and thus William Morris. From this pleasant whimsy Byatt creates an essay that meanders through some connections between these men. These are not many.

Defeat by tweet and blog

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The Wake, Paul Kingsnorth’s Booker-longlisted debut novel, was set just after the Norman Conquest, and was told in an odd hybrid of pseudo-Anglo-Saxon and modern English. Its narrator, Buccmaster of Holland, being displaced by the incoming Frenchies, gathered a group of fighters to resist, holding them together by the strength of his personality. But something more complicated is also going on: Buccmaster, prone to visions, was an unreliable narrator; reading the book was a shocking, difficult but rewarding experience, capturing a moment in time when a whole way of life was almost entirely destroyed. Zoom forwards 1,000 years or so (the date is not specified) and we come to Beast, billed as the second part in a trilogy.

Piety and savagery

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First a confession. Like many modern British readers, I have contracted a severe case of Jihad Overload Syndrome. Symptoms of this unhappy condition include bouts of despair, melancholy, lassitude, irritation and impatience, and an ostrich-like tendency to pretend none of it is really happening. These can be regularly triggered by Muslim taxi drivers attempting to convert infidels to the true faith, newspaper headlines about the latest suicide bombing in Syria/Iraq/Turkey, and pious homilies from western leaders that Islam is a religion of peace. An Amazon search for books with ‘jihad’ in the title reveals 6,256 dispiriting choices. A deep breath may therefore be called for before embarking on Crusade and Jihad. Fortunately, the reader is in extremely good hands.

Food for thought | 7 July 2016

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Elisabeth Luard has a fascinating and rich subject in the relationship between food and place. Humans eat differently according to where they live. Their diets both in daily life and in feast-day magnificence are influenced by seasonal and regional availability, sumptuary laws, convention, history and even political diktat. I was in Norway last week, and was repeatedly tempted by the offer of grilled whale, though less so by the pseudo-cheese Brunost or Gjetost. (When a lorry carrying Gjetost crashed and burst into flames in a tunnel in 2013, the load of sugar in the ‘cheese’ fuelled an inferno that the firefighters could not approach for four days.

A choice of crime novels | 30 June 2016

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Pascal Garnier’s novella Too Close to the Edge (Gallic, £7.99, translated by Emily Boyce) deals with the boredom of middle age and how passion and violence can take on the guise of salvation. Éliette has moved to the French countryside following her husband’s death. She seeks an ‘atom of madness to stop herself sliding into reason’, and finds it in the form of Étienne, a man who helps her when her car breaks down. She invites him into her lonely home, and her life. When her neighbour’s son is killed in a road accident, it becomes obvious that her new lover is linked to this tragedy in some way, and yet Éliette reacts strangely: she welcomes the criminal behaviour, and in fact becomes criminalised herself.

The road to catastrophe

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France’s problems today should lessen the condescension of posterity towards Louis XVI. Presidents of the Republic have proved just as incapable as the King of reforming privileged corporations — stemming the flight of skills and capital — and winning popular confidence. Louis XVI’s failure to manage France after 1789 is easier to understand after reading John Hardman’s complex , well-researched, gripping 500-page biography . Louis XVI’s greatest problem was the French national debt. It had reached four billion livres — accumulated over many wars — and there was an annual deficit of 100 million livres. As a result, Hardman points out, in the 1780s, whereas the British government could borrow at 3.

Ce n’est pas la guerre

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On 1 July 1916, along a frontage of 18 miles, 100,000 British infantrymen — considerably more than the entire strength of the British army today — climbed out of the trenches to begin the great offensive that would become known as the Battle of the Somme. By nightfall there were 60,000 casualties, 20,000 dead or dying. No appreciable gains had been made, and there was no prospect of the breakthrough for which the commander-in-chief, General Sir Douglas Haig, had assembled three cavalry divisions, some 30,000 horses. No one very senior would be sacked; the scapegoats were regimental officers not judged to have pressed their attacks with sufficient determination in the face of machine guns and uncut barbed wire. It was inconceivable that the offensive be called off.

Life’s rich collage

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Such is the veneration in this country for the St Ives school of painters, it’s easy to forget that other art colonies existed, let alone thrived, in the mid-20th century: that in Great Bardfield, Essex, perhaps chief among them. The village near Saffron Walden was home to the likes of John Aldridge, Kenneth Rowntree, Michael Rothenstein, Eric Ravilious and Edward Bawden (1903–89). Maybe it’s going a bit far to say there has been a resurgence of interest in this loosely affiliated group of figurative artists.

Of microbes and men

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Which disease are you most scared of catching: Ebola or influenza? Before I read this medical memoir, I would have said Ebola. Now, I’d say flu. As Dr Ali S. Khan points out, Ebola is fairly hard to catch; flu is fairly easy. And unlike wimpy man flu, proper flu can be a killer. You’ve heard of the Spanish flu, which killed 675,000 Americans a century ago. But did you know that influenza still kills up to 50,000 Americans every year? Most pandemics are more like flu than Ebola: they don’t sound that spooky until they get out of hand. Yet instead, we worry about killer bugs which we stand much less chance of catching. When I was a teenager, I was terrified of contracting HIV, though the risk I faced was minuscule.

Preacher and prosecutor

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Craig Raine is a pugnacious figure in the fractious world of contemporary poetry. When his poem ‘Gatwick’ appeared in the LRB (2015), social media had one of its habitual spasms. Here was a piece which indulged the male gaze and celebrated lustful yearning — an older man for a younger woman. Hardly new ground one might have thought; but to be fair it’s actually rather more subtle than that, and Faber’s former poetry editor responded to the howls of protest by saying: ‘Of course the stupid are always with us.’ In fact Raine rather likes a scrap and My Grandmother’s Glass Eye, in which poets and critics are mauled routinely for their inability to read poems correctly, reminds us that the poet’s father was a boxer.

What did you do in the last war, Maman?

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‘La France,’ as everyone knows, is female. Perhaps this is due to gendered assumptions about the beauty, cuisine and couture of the French capital, the symbolic revolutionary Marianne, or the patriarchal nature of language. Between 1940 and 1945, however, Paris was more literally female. Most of the capital’s men were serving with the Allied effort overseas, were POWs or forced workers in Germany. The women of Paris had stayed behind to keep the city running, put food on the table and care for their children, parents and in-laws. For some when France fell, Paris felt emasculated in another sense. Suddenly Parisian women found themselves having to decide how they were going to live alongside their almost entirely male Nazi conquerors and occupiers.

Two little boys, one little toy

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Rose Tremain sets the true story of Police Captain Paul Grüninger, commander of the Swiss border force in Canton Saint Gallen, at the core of this powerful novel. Grüninger helped hundreds — some sources say thousands — of Austrian Jews fleeing the Nazis in 1938–1939 to enter Switzerland illegally. After a long trial he was dismissed in disgrace, deprived of his pension and forced to pay court fees. His family was destitute and treated as traitors. He died in 1972, penniless and forgotten. Tremain’s fictional Grüninger, Erich Perle, marries a simple peasant girl, who suffers a miscarriage and cannot forgive her husband for ruining her life for the Jews. He dies before the end of the war.

The laureate of repression

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In 1927, while delivering the lectures that would later be published as Aspects of the Novel, E.M. Forster made a shy attempt to get to know his Cambridge neighbour, the classical scholar A.E. Housman. At first all appeared to be going well. After one lecture the two men dined together, and Housman told Forster ‘with a twinkle’ that he enjoyed visiting Paris ‘to be in unrespectable company’. Emboldened by this confession, Forster ‘ventured to climb the forbidding staircase’ that led to Housman’s rooms in Trinity College. The door was firmly closed against him. He left a visiting card; it was equally firmly ignored. What might have been the start of a long and happy friendship turned out to be the academic equivalent of a one-night stand.

The child is father of the man

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Are writers born or made? The answer, by the end of Love from Boy — a selection of Roald Dahl’s letters to his mother drawn from the 40 years of correspondence they kept up, lovingly edited and deftly commented upon by his biographer Donald Sturrock — is surely that they are both. Even as a 12-year-old, regaling her with tales of derring-do at Repton, the economy and vivid turn of phrase are evident that would characterise both his grand guignol short stories for adults and the children’s books for which he eventually became both loved and lauded. Out ice-skating, ‘I had eight chaps pulling me with a long rope at a terrific lick and I sat down in the middle of it. My bottom is all blue now.

The great depression

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If it was not yet ‘The Age of Anxiety’ in 1947, when Auden published his long poem of the same name, now it most certainly is, given the manifold global uncertainties that keep any sane person awake with worry. Nearly 20 per cent of adult Americans have been diagnosed with a general anxiety disorder, while the pharmaceutical industry has produced a legion of drugs that promise to combat the effects of such conditions. In Adam Haslett’s beautiful new novel, Imagine Me Gone, mental illness rips through one New England family over the course of four decades. Told in alternating first-person chapters by the parents and their three children, it is a captivating portrait of the ways depression and anxiety mark both the afflicted and everyone who loves them.