Rose George

I remember little of my two years at boarding school, where I arrived aged eight, apart from the cloaks. Red, green, blue and yellow, for the houses of Ralegh, Nicholson, Gordon and Wellesley. They were called after generals, we were told, and of the four, Ralegh’s name is the best known. But why? I take a short survey of my colleagues. They all know the name but not why they know it. It is a curious fame to have, and perhaps David Gibbins’s book will do something to give it substance. Sir Walter Ralegh (Gibbins’s choice of spelling, as opposed to Raleigh, Rawleigh, Ralley and other versions in the elastic Elizabethan way with names) was more than a military commander.

‘We continue to grapple as a species,’ writes Carl Morris, ‘with a knotty philosophical divide between anthropocentric and biocentric approaches to the natural world. Our bodies are both transcendent – seemingly beyond nature and capable of rationalised enhancement – but also immanent – that is within nature and therefore subject to the same frailties and limitations.’ What is he addressing? Space travel? Diving to the bottom of the Mariana Trench without oxygen? Not quite. He is talking about the process of human locomotion. He is talking about running. Stay with me. Books about running can be as dull as a ten-mile road race in the Illinois flatlands, and I say that as a keen fell runner. This book isn’t.

Quiz. Which country had a successful court named the Court for the Elimination of Violence against Women, where women could seek redress for any perceived wrong? Was it the United Kingdom, this ancient democracy that operates according to the rule of law? Or Afghanistan, where we assume women have always had to wear hideous burqas, cannot work, go to school, play music or laugh out loud? It was Afghanistan between the two Taliban regimes (2001-21), when women could be employed and laugh and study, and when Afghanistan had a network of nearly 300 female judges, many of them sitting in that wonderfully named court and doing their best to make women’s lives a little better.

My cat can smell depression. Another family cat could smell my stepfather’s dementia. They both became more affectionate and tactile: the dementia-smelling cat would gently paw my stepfather, when he hadn’t even liked her when he had been well. My cat comes in close when my mood is darker. Perhaps both cats were using other cues, but I’m convinced it was smell. Up until the 18th century, doctors relied for diagnoses on smell as much as anything else For something that Jonas Olofsson calls ‘the easiest and most natural thing in the world’, smell is satisfyingly complicated. When it comes to humans’ ability to smell, as Olofsson persuades us in this captivating book, it has also been profoundly neglected. This wasn’t always the case.

I recently learned to dive in the bay of Dakar. It was exciting. I’d started learning in a Leeds swimming pool and though I knew the ocean would feel different, I didn’t expect it to feel comfortable. It shouldn’t. It is not my element, and humans have long since left it to the rest of the ocean’s creatures. I also didn’t think the ocean would sound like my neck when I roll it during yoga: that same crackle. With their remarkable sonar, dolphins can even tell when a human is pregnant That the ocean is not quiet is one of the most pleasing revelations of the past century (I mean the ocean’s native noise, the fish songs and grunting and whistles – not ships’ propellers). But it is not the best revelation.

Behold rat. Behold the magnificent, clever creature as it runs from the bin you have just opened or disappears into the nearest bush. Behold rat as it is cut open or drugged or injected to improve your health in the name of science, as many millions of its peers have been. Behold rat – though you may find that tricky, because the old adage that you are never more than six feet away from a rat is comprehensively skewered in this wonderful, charming book. Wonderful? Charming? Rats? Yes. Even Joe Shute, a man scared of the creatures, bravely takes two four-inch baby rats into his house and slowly grows to love them. He acknowledges that his fear is no less powerful for it having been socially instilled in him by a society that, for ignorant reasons, demonises rats.

We might be twins, Catherine Taylor and I. We were both girls growing up in Yorkshire in the same decades – I in the West Riding (where an alley is a ‘ginnel’), her in the south (where it’s a ‘gennel’). We are children of the Yorkshire Ripper years, conditioned to be constantly scared of the murderer, the dark, and our independence. We were both fatherless too young – mine dead, hers departed to another household; and we both had strong mothers keeping the remaining family afloat and forced to take in lodgers – in our case, Polish, German and French, in hers, Japanese and Senegalese. Much of this bookis familiar – but not all of it. There is still room for surprise and stirring.

Above a foul towering dump in Delhi a cloud of vultures and Siberian black kites fly in hope, ‘careening over the mountainside like some dreadful murmuration’. Here some of the world’s million waste pickers stash water bottles along their route, ‘like climbers making camp’. Oliver Franklin-Wallis concedes that his subject – the dirty truth of what happens to our rubbish – is not appealing. Much of the unusable, stained tat charity shops receive is sent abroad, whether it’s wanted or not But he does his best to make that untrue with arresting analogies and metaphors that shine like metal in trash in his account of his extensive travels through what the world discards and disdains.

Two thousand years ago, a young Cilician named Oppian, wanting to rehabilitate his disgraced father, decided to write Halieutica, an account of the world of fishes, as a gift for Marcus Aurelius. It was a mixture of possible fact and definite fiction – if only there were octopuses that climb trees and fishes that fancy goats – and it was a success. His father was forgiven, and the son’s written work accepted as authoritative knowledge.

I once threw Tony Parker’s Lighthouse across the fo’c’sle of a ship at sea when I read that his characters were composites. Oral history should be historical, or it goes into the ocean. So it is a shame that I sometimes question Xinran’s authenticity in this account of the loves and lives of four generations of Chinese women. I question conversations recalled verbatim when they clearly weren’t recorded; and perfectly rendered speech when only notes were taken. Is this too severe? Then it is appropriate, because severity is something you must get used to, though this is a book about the Chinese concept of ‘talk love’, defined as ‘the process of cultivating love or interacting on the basis of love’, possibly leading to marriage.

She was a foundling in her own family, shunted to adoptive parents for two years, then to the edge of China, to a fishing village on the East China Sea, and to a furious, alcoholic grandfather and a grandmother sold at 12 into marriage for some pottage, and never given a name. Is that colourful enough for you? But there is more: the life story of the young Chinese filmmaker and novelist Xiaolu Guo makes Cinderella’s seem bland. The hovel she lived in until she was seven was on Anti-Pirates Passage. Her grand-father, a failed and bitter fisherman, lost his livelihood in the 1970s, when the Chinese state collectivised fishing and stole everyone’s boats.

The tour guides of Ephesus, in Turkey, have a nice party trick to wake up their dozing coach passengers. As the coach drives along, they say, ‘This is the ancient port of Ephesus’, and the passengers look, as I did, at fields and trees and nothing else. They peer for the sea and are told it is miles away. Ephesus was a major river port in antiquity but the river has long since silted up and left its port stranded. This fact isn’t in Aldersey-Williams’s book on tides but there are plenty more to be told of the curious, attritional relationship of humans and the tidal waters of the planet.

In principle, freediving is simple and perilous: divers take one breath, then dive as deep as they can, with no tanks or air, and come back up again. Watch a video of this — or Luc Besson’s 1988 film The Big Blue — and you have to hold your own breath, because it is beautiful, streamlined, pitiless: a human in the most powerful and unnatural element for humans. The beauty of freediving is that it does not look unnatural, but pure. What Adam Skolnick conveys in One Breath is how deceptive that is, and what a dreadful toll diving takes on the human body. He does this by telling the tale of one death, but also of the small freediving community that travels the world from one deep ocean hole to another to go as deep as possible, on one breath.

I don’t like boxing. If I ever get into a boxing ring, I’ll be in the corner with the governor of California, Edmund ‘Pat’ Brown, who in 1963 called for ‘the abolition of this barbaric spectacle’ because another man had just been beaten to death in the ring. That man was Davey Moore, who had defended boxing before it killed him on the grounds that no one stopped the Indianapolis 500 when racing drivers get killed. But another dead man is the focus of this book: our hero is the captivating, frustrating, brutal Emile Griffith, who we meet at the age of 22, ‘happy and beautiful’, and who one year later battered to death the Cuban fighter Benny Paret, the first man whose death was shown live on television (the second was Lee Harvey Oswald).