There is nothing surprising about the Berlin pride attack
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In a pleasant but modest one-and-a-half-bedroom flat in Crouch End, the half bedroom-cum-boxroom boasts a bookshelf that indicates eclectic taste on the part of its owner. Amongst its dozen or so volumes are a score-settling memoir by a disgraced royal lady-in-waiting, petulantly entitled I Also Served, You Know; a revisionist history of WWII written by a television weatherman, called I Wish We Were German; and, most remarkably, a collection of homoerotic sonnets in the Petrarchan style that were privately printed at the behest of the former global finance director at Goldman Sachs.
This week's magazine
Andy Burnham’s centrist act isn’t fooling anyone
When Ed Miliband and Shabana Mahmood arrived in Downing Street on Monday afternoon, the image of political rivals arm in arm symbolised a new government of differing views taking shape. It might have been more awkward. As they neared the door of No. 10 and the waiting television cameras, Miliband turned to Mahmood and asked: ‘Should we turn around for a photo together?’ Mahmood gave the idea short shrift: ‘We’re not getting married, Ed!’ But in a sense Labour is seeking a new relationship with the British public and everyone around Andy Burnham is alive to the importance of images, symbols and vibes. As Wes Streeting, the new Defence Secretary, put it in cabinet on Tuesday: ‘We have a second chance to make a first impression with the voters.
When Ed Miliband and Shabana Mahmood arrived in Downing Street on Monday afternoon, the image of political rivals arm in arm symbolised a new government of differing views taking shape. It might have been more awkward. As they neared the door of No. 10 and the waiting television cameras, Miliband turned to Mahmood and asked: ‘Should we turn around for a photo together?’ Mahmood gave the idea short shrift: ‘We’re not getting married, Ed!’ But in a sense Labour is seeking a new relationship with the British public and everyone around Andy Burnham is alive to the importance of images, symbols and vibes. As Wes Streeting, the new Defence Secretary, put it in cabinet on Tuesday: ‘We have a second chance to make a first impression with the voters.
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
If you’re interested in how words work with music, the collected lyrics of Stephen Sondheim are an investment you’ll never regret. But Sondheim isn’t infallible, and when he writes about his mentor Oscar Hammerstein II he’s often plain wrong. Sondheim mocks one particular lyric from The Sound of Music: ‘Like a lark that is learning to pray.’ ‘Wait a minute – a lark praying?’ he snarks. But the character who sings those words is a devout young Austrian woman with a head full of Schubert and folksongs. Hammerstein is writing as Maria, not himself. It’s an art that Sondheim never quite mastered, which is why his characters – whether Swedish aristocrats or East End cannibals – all sound like New Yorkers in therapy.