Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

How the paralysed Franz Rosenzweig continued to translate the Bible

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In the early years of the 20th century, a young philosopher named Franz Rosenzweig (1886-1929) set himself the task of revitalising German Jewry – of bringing German Jews in from what he saw as the periphery of assimilation to the centre of a living faith. He thus became one of the pioneers of a Renaissance in German Jewry that occurred during the turbulent years of the Weimar Republic (1919-33). This short, dense biography by Paul Mendes-Flohr, an expert on 19th- and 20th-century Jewish thinkers, who died in 2024, aged 83, also highlights Rosenzweig’s existentialism (which saw him break from the western philosophical tradition by elevating subjective experience over abstract theorising) and his influence as an educator.

Rebarbative relatives abound: The Palm House, by Gwendoline Riley, reviewed

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Like its predecessor My Phantoms (2021), Gwendoline Riley’s new novel is stuffed to the gills with the sort of people she has come to specialise in – who, once assembled, supply a kind of casebook of rebarbativeness. To begin with there are the terrible men: – the thespian, Lawrence, for example, who says things like ‘cheery-bye’ and whose decrepit bathroom has ‘a Miss Havisham aspect’; or Chris, the lairy Irish stand-up, by whom, as a besotted teenager, the heroine Laura Miller is cheerlessly seduced.

The harm of dwelling on a traumatic past

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Back in the 1970s, people in Britain were mystified by the enthusiasm of Americans – especially New Yorkers – for shrinks. Since then, the vogue for therapy has spread and advice from non-experts on surviving divorce, bereavement and bankruptcy is now commonplace and not always insightful. By contrast, Gwen Adshead, a psychiatrist who has specialised in trauma, is invariably rewarding. Her previous book, The Devil You Know (2021), on the minds of violent criminals, was written with Eileen Horne, a former drama producer – as is Unspeakable. I wasn’t entirely sure why Adshead needed a collaborator here, being so obviously well-read. There are references to Homer, Shakespeare, Dante, Keats and Yeats, along with C.S. Lewis, T.S.

Is private equity secretly running your life?

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Did you know that a secretive thing called private equity owns almost 10 per cent of the UK economy? Did you know that it controls the jobs of several million people and may well own your local hospital, water supply, children’s school or even your home? No? Here is a book that aims to straighten you out on all that. Private equity is one of those things that you either know about or don’t. If you are in the finance business you know, because it is the story of the past quarter century. If you are not in that world, if leveraged buyouts and limited partners and debt pushdowns are all just so much business-page noise, then you are in the majority. And it turns out that means you may not know who is really running your life.

Living in the shadow of Etna

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The early Greek inhabitants of Sicily peered into Etna’s crater and declared the volcano to be full of monsters. Its ‘impenetrable darkness’ reminded Coleridge of his opium addiction. Helena Attlee, whose hugely enjoyable The Land where Lemons Grow (2014) won acclaim, brings to her portrait of Etna a softer, more admiring, yet respectful, eye. Unpicking its geological and human history and a landscape ‘cobbled together from the expressions of the Earth’s unrest’ became for her a way of returning to the very beginnings of life. Mount Etna, almost 3,500 metres in height, is Europe’s biggest volcano and one of the most active in the world, grumbling and spewing for many months at a time.

Only prigs and bores could object to the incongruity of Portmeirion

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The only answer to the question ‘What connects Brian Epstein, Frank Lloyd Wright, Portofino and Stevenage?’ is ‘Portmeirion’, a conceptualised village on the north Wales coast. You could call it a folly, except it is living, not dead; and it exerts a lasting fascination. Traditional modernists deplore its flamboyant historicism – ‘retro-kitsch whimsy’ – but Jan Morris, a neighbour, said that only prigs and bores are truly hostile. Portmeirion needs a lot of explaining, as Sarah Baylis does in this first independent study of an enchanting project. It is well-researched, but not an academic reference book nor a continuous narrative. Instead, it is an eclectic album of comment and recollection, and thus perfectly sympathetic to its subject.

Why the General Strike of 1926 could never succeed

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Although it may be in bad taste to have a favourite story about the General Strike of May 1926, one served up by David Torrance in his superb The Edge of Revolution is probably unbeatable. He quotes an anecdote told by Walter Citrine, the 39-year-old acting secretary of the TUC, who recalled a man ‘with rather sharp, hawk-like features’ turning up at the Congress’s London headquarters in Eccleston Square, near Victoria Station, and offering, in return for £1,000, to solve the unions’ problems.  He announced: I want 100 trusted men and if you cannot find them, I can. I will arm them, take them along to Downing Street, shoot the members of the cabinet and hold Princess Mary’s children as hostages.

Expect toddlers and parlour games at today’s dinner parties

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When I was in my twenties and giving dinner parties every week, I came up with a couple of money-saving devices. First, no snacks. This also ensures that, by the time dinner is served, your guests are so hungry they’ll mistake almost anything for a masterclass. Second, invite people on a Monday evening, so they won’t stay too late. As my millionaire cousin likes to say: ka-ching! I mention all this because one reason people don’t give more dinner parties is that they think they’re too expensive. Another is that they’re afraid of being judged. I remember being taken aback when a guest of mine said she would never dare to give a dinner party.

Who wants to bring back the Neanderthals?

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In the not-too-distant future, if your T-shirt starts giving fashion advice or we’re all enslaved by a race of disease-resistant metahumans, then blame Martin Amis. More precisely, blame his obsession with Space Invaders. With a foreword by Steven Spielberg, Amis’s 1982 Invasion of the Space Invaders: An Addict’s Guide to Battle Tactics, Big Scores and the Best Machines gave intellectual heft to a pursuit – videogaming – that had hitherto been the preserve of glassy-eyed youths. His advocacy proved prescient. Over the next couple of decades, the best minds of a generation dedicated their lives to making pixellated worlds as compelling and realistic as possible.

Tradecraft secrets: a choice of crime fiction

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If it takes one to know one, this may explain why spy fiction is enjoying such a renaissance, since among the best new titles are those written by former intelligence operatives. I.S. Berry and David McCloskey are both former CIA officers who happily acknowledge how much their novels rely on their past careers. Equally impressive is the work of ex-MI6 officer James Wolff, whose use of a pseudonym puts him at a comparative disadvantage when it comes to promoting his books, but whose Spies and Other Gods (Baskerville, £20) places him in the top tier of today’s spy writers. A young ex-academic, Aphra McQueen, is sent by a parliamentary oversight committee to investigate a whistleblower’s complaint about MI6.

Looking back in anguish: Good Good Loving, by Yvvette Edwards, reviewed

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Ellen is at the end of her life and is frankly waiting to die while her extended family surrounds her, discussing her shortcomings: It felt very unfair to be so completely mentally alert while she was lying there on her hospital bed trying to await a peaceful passing. Her hearing was perfectly intact, and as a consequence she was forced to endure the never-ending discussions about the mass of her failings. This is the first novel from Yvvette Edwards for a decade. Her debut, A Cupboard Full of Coats (2011), longlisted for the Booker, was inspired by a friend showing her a newspaper cutting about her former partner being convicted of the murder of his next girlfriend. The Mother (2016) was about a woman whose son is murdered.

With no coherent strategy, Britain seems perpetually adrift in the world

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The British state seems perpetually befuddled. Every international crisis catches it in its sudden glare like so many headlights trained on a nervous rabbit hopping hopelessly around a motorway. One moment Russia is invading Ukraine, then Hamas attacks Israel, Israel flattens Gaza, America knocks out Venezuela, then attacks Iran, while all the time China leers over Taiwan. Each new event leaves us spinning. Whose side are we on? What do we want? How do we get it? We use grand words to navigate our way in the confusion: ‘the special relationship’; ‘the national interest’; ‘the rules-based order’. But if these once signified some grand story we could all relate to they now feel empty and confusing.

Riddled with contradictions: the enigma of Jan Morris

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Jan Morris was driven by almost super-human levels of energy and ambition, producing more than 40 books as well as news and travel articles, introductions, interviews, reviews and essays, travelling incessantly and taking on every job that was offered. That’s as far as I can go without a pronoun, because of course Morris’s life is divided into two parts. For the first half he was James, for the second she was Jan. James Morris was born in 1926, aware from early on that she was female, trapped in a male body. The transition to Jan, made in the early 1970s, remains at the heart of our fascination with Morris.

Tales of quiet intensity: The News from Dublin, by Colm Toibin, reviewed

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Colm Toibin is a master of understatement, his work characterised by great emotional intelligence coupled with redoubtable restraint. This is his third anthology of stories, following Mothers and Sons (2006) and The Empty Family (2010). He fills the gaps between words – what he doesn’t say – with as much meaning as the prose. Familiar themes emerge. There is the Irish diaspora in the US (as in Brooklyn and Long Island); the Catalan Pyrenees (the setting for ‘The Long Winter’ in Mothers and Sons); and Argentina (as in the novel The Story of the Night). Feelings of exile and being an outsider are aroused, while Catholicism still taps on the shoulders of those long lapsed.

Two Tokyo misfits: Hooked, by Asako Yuzuki, reviewed

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Following the enormous success of Butter’s English translation in 2024, it seemed inevitable that another of Asako Yuzuki’s novels would surface in the UK. Nairu pachi no joshikai (The Nile Perch Women’s Club), published in 2014, has now become Hooked. Billed as a literary thriller about female friendship, loneliness and obsession, it is a deeply strange, unsettling read. The novel follows Eriko, a high-flying project manager, and Shoko, a slacker housewife blogger, who both struggle with life – or, rather, with the behaviour expected of Japanese women. Both have achieved a level of acceptance socially (Eriko in her career, Shoko in her relationship), but they find the pursuit of ‘gal pals’ a major stumbling block in their quest for the appearance of normality.

James Baldwin – dogged by painful uncertainties throughout life

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James Baldwin, like many American novelists before him, F. Scott Fitzgerald and John Dos Passos included, spent his formative years flitting restlessly between New York and Europe – New York being a source of fascination but also of creative burnout. He completed his first novel, Go Tell It On the Mountain (1953), not in Harlem, where he grew up and set the book, but in a Swiss chalet owned by the family of his then boyfriend, Lucien Happersberger. As he lived and worked in Loèche-les-Bains, Baldwin reasoned that the village children who shouted ‘neger’ at him did not mean to be unkind. They were simply curious and could never have known ‘the echoes this sound raises in me’.

The misery of working with Chuck Berry

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In Ian Leslie’s John & Paul, the creative relationship between the titular Beatles is treated as a platonic love story. Matt Thorne widens the paradigm with seven more pairings, variously rivalrous, amorous, respectful, disrespectful and occasionally frankly tenuous. The 11 American and three British musicians here have careers that collectively cover seven decades of popular music. There are three dynamics at play. First, there are the Thucydides tensions, where a waning power tangles with a rising one. Frank Sinatra invites Elvis Presley to join him on a television show; Keith Richards throws a filmed concert with Chuck Berry. (Richards, for once, is the younger partner.) The older player is not always generous.

Dark family secrets: Repetition, by Vigdis Hjorth, reviewed

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‘Back then, of course, I didn’t know my parents were locked into an impossibility even greater than mine. That I was living in a crime scene.’ So writes the narrator 48 years after the strange events that unfold in this bitter, brief, shattering novel. But what was the crime? Is the narrator the victim? Is her controlling mother’s hysteria over perfectly normal adolescent exploits explained by the fact that the father had abused his daughter? Is the narrator in truth Vigdis Hjorth? And is this book then the Norwegian novelist’s harrowing memoir? Is autofiction really fact in a cunning mask? Is all fiction waiting to be decoded into reality? Like the police, Hjorth doesn’t do answers.

Seeing the wood for the trees

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For a fortnight, four women have been combing through a 30-metre forest plot with infinite care. They have noted the age and height of every tree, measured every fallen branch and twig, identified every plant and assessed the depth and composition of the forest floor. The purpose of this backbreaking work is to understand the critical role played by old-growth forest in carbon storage. Unusually for a field experiment, the team includes a mother and her two daughters. Teenagers are not generally known for their willingness to spend weeks in the undergrowth, but then Suzanne Simard is not your average mother. She is the pioneering Canadian ecologist who has changed the way we think about forests.  Suddenly, lightning flashes overhead.

No Hungarian rhapsody: Lázár, by Nelio Biedermann, reviewed

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Few first novels, let alone literary debuts in translation from German, arrive with quite so many plaudits – or better covers for those who like horses – as the 23-year-old Nelio Biedermann’s Lázár, which sold more than 200,000 copies on its release in Germany and Switzerland last year. ‘A truly great writer steps onto the stage,’ trumpets Daniel Kehlmann, who is no stranger to great writing: his latest novel, The Director, is on the International Booker Prize longlist. To Patti Smith, Biedermann is ‘gifted’. He is also a scion of the eponymous Lázárs, an aristocratic Hungarian family, making this first foray into fiction a personal project.

Why Hitler’s suave architect escaped the noose at Nuremberg

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At the Nuremberg trial of the main Nazi war criminals, one man stood out: Hitler’s favourite architect and later armaments minister, Albert Speer. He cut a gentlemanly figure in a gallery of rogues. The strutting, smirking Hermann Goering reminded Rebecca West, who attended the trial, of ‘a tout in a Paris café offering some tourists a chance to see a black mass’. Julius Streicher, the Jew-baiting brute, was like ‘a dirty old man of the sort who gives trouble in parks’. On the same bench, all declaring their innocence in the face of overwhelming evidence of monstrous crimes, were the lantern-jawed SS leader Ernst Kaltenbrünner, the sour-faced ex-champagne salesman Joachim von Ribbentrop, Fritz Sauckel, the thuggish slave labour chief, and the rest of the sorry gang.

Will colonialism’s psychological legacy ever cease to be a source of pain?

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Whenever the legacy of colonialism comes up for debate, a Monty Python sketch springs to mind. It’s the one from Life of Brian in which Reg, the leader of the People’s Front of Judea, exclaims: ‘What did the Romans ever do for us?’ Corrected, he eventually concedes: ‘OK, apart from the sanitation, the medicine, education, wine, public order, irrigation, roads, a fresh water system, and public health, what have the Romans ever done for us?’ It’s a brilliant exchange. But as Simukai Chigudu’s beautifully written memoir testifies, one that misses an essential point, in that colonialism’s bequest extends beyond infrastructure and administrative systems. Its most abiding – if tantalising – legacy has been psychological and emotional.

Is it better to be reasonable or rational?

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You find yourself in the heat of an argument and your mulish interlocutor refuses to see the light. ‘Please,’ you implore, ‘be reasonable.’ But what exactly are you asking? Do you want him to be more rational? Or to act as a typical person might act in his shoes? Maybe the whole question is hopelessly subjective, as your paragon of reasonableness may be his idea of madness, and vice versa. Or else perhaps your request is a mere smokescreen – a sly piece of rhetoric to mask your will to power behind the language of decency? In a short and deftly argued book, Krista Lawlor, a professor of philosophy at Stanford University, dives into the questions of how to be reasonable and why it matters – in law, in our relationships, in morality and in political life.

The history of Moscow was one of extreme violence from the start

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‘Moscow is hard to love,’ Simon Morrison writes at the beginning of this engaging book, ‘but I love it.’ He deliberately sets out unconstrained by academic pieties, despite holding the post of Professor of Music and Slavic Languages and Literatures at Princeton University. He says he wrote A Kingdom and a Village ‘out of nostalgia for pre-oligarch decrepitude, when the world looked at Moscow with pity’. The Orthodox Church and the security services have been conjoined from the 16th century to the present The book is tripartite. The first part begins in 1147, when a prince named Yuri built a fort on a hill above a river. (When the authorities unveiled a monument to Yuri in 1954, Morrison reveals, a Muscovite yelled: ‘Doesn’t look like him.

Thoughtful fantasy: Travel Light, by Naomi Mitchison, reviewed

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Naomi Mitchison is now renowned for being the author of ‘lost classics’ – famous for being forgotten. She lived to be 101 and wrote nearly as many books. She supported anti-Nazi movements in 1930s Vienna, ran a sexual health centre for women, became an octogenarian campaigner for nuclear disarmament and an ‘adviser and mother of the Bakgatla tribe in Botswana’. Despite two biographies and attempts to revive her masterpiece, The Corn King and the Spring Queen, she remains undervalued – perhaps because of her refusal to settle into one genre and her determination to venture into the territory of historical epic spiced with mythic ritual and dark magic. Travel Light was originally published in 1952 as a children’s book.