Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

An alternative Paris: Château Rouge, by Amit Chaudhuri, reviewed

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Nearly ten years ago, the author, critic and classical Indian musician Amit Chaudhuri took up a visiting fellowship in Paris. It’s not quite clear from the pages of his autobiographical novel Château Rouge which branch of his professional life was to be nurtured by the experience, officially at least, but a glance at this slim hardback, liberally adorned with creative white space, will tell you that it is a book which leaves many things unsaid. Chaudhuri is determined to escape the oppressive influence of the many other writers who have gone before him, to try to see this great city afresh. Chief among these is inevitably Ernest Hemingway, a man with whom, on the face of things, Chaudhuri would have little to talk about if they were to meet.

Bringing Homer into the home: how the Iliad and Odyssey became widely available

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Homer’s ghost is particularly busy, popping up in the dreams of pretty much every poet going. In fact if you are a poet and haven’t been visited by Homer, you may find yourself wondering why you’ve been left out. The cultural reach of the two major poems that appear under Homer’s name – the Iliad and the Odyssey – is undeniable. I teach my creative writing students that there are only two stories: the siege and the journey, and there they are, right at the beginning of literary history. They’ve been read continuously for centuries. On my shelves is an edition of Alexander Pope’s Iliad which belonged to my great-great-great-grandfather, in which are still bits of paper put in by subsequent family members.

A feast of wartime espionage: the latest crime fiction

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Do novelists need credentials? Once, almost a century ago, the vogue for hard-boiled fiction meant that in the masculine Hemingway hegemony then holding sway, novelists needed to be graduates of the ‘University of Life’. Writers, it was argued, had to spend their apprenticeship riding the rails, tending bar in tough-guy saloons and doing almost any work that could be described as manual labour.  This changed postwar, with greater affluence and millions more people in higher education, including women. Among them were a growing number taking postgraduate degrees in creative writing – most famously at the Iowa Writers’ Workshop, but followed quite credibly in this country at the University of East Anglia.

Terrorists with a taste for luxury: the flamboyance of the Baader-Meinhof gang

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In the summer of 1970, a group of West German radical activists flew from Berlin to the Middle East. They wanted to acquire the necessary skills to launch a campaign of urban warfare against what they considered to be the fascist regime in their homeland. This would be their contribution to the global struggle against imperialism and capitalism that they believed was under way worldwide. Thousands of western European left-wing activists travelled to the Middle East out of sympathy with the Palestinian nationalist cause in the late 1960s.

The appeal of asymmetry: Contrapposto, by Dave Eggers, reviewed

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There are novelists who seem to spend their entire careers either apologising for being themselves or trying to become someone else entirely. And then there’s Dave Eggers, who has spent much of the last quarter century trying – and, it has to be said, as far as one can tell, very happily succeeding – to become Dave Eggers. Ever since A Heartbreaking Work of Staggering Genius appeared in 2000, fulfilling almost entirely the audacious promise of its title, Eggers has occupied that peculiarly American position of being not simply Yet Another Novelist, but the Guy, the Man, the yardstick by which all others might be judged and found wanting. He’s a publisher, campaigner, literacy activist, editor, artist, children’s author, philanthropist and impresario.

Good moaning: the subversive sitcoms of the 1980s revisited

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The foundations of all British situation comedy were laid by Charles Dickens. If you were to remove that tiresome fun-sponge Little Nell and her wholly meaningless death from The Old Curiosity Shop, for instance, you would have before you, in more pleasing proportions, a rich array of recurring comic characters in a variety of scenarios. There are Kit Nubbles and his oyster-adoring family; Abel Garland and his anarchy-prone pony; the preposterous boulevardier Dick Swiveller; and of course the monstrous Daniel Quilp, at war with his wife, his mother-in-law, and the boy who walks on his hands outside the wharf window. The point is that you look forward to seeing them all; it’s not so much about wit as about foibles.

Christian soldiers in retreat – the disastrous Fifth Crusade

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The Fifth Crusade, which was fought between 1217 and 1221, marked a new direction for the crusading movement of the Middle Ages. Instead of invading Palestine, as the first three crusades had done, and the Fourth Crusade might have done, the crusaders decided to attack Egypt. That was not the original idea. The formidable Pope Innocent III, who launched the Fifth Crusade, had envisaged a repeat of the old strategy of marching on Jerusalem from the sea. The invasion of Egypt was decided by the initial wave of forces after they had reached the Levant. There was a sort of logic behind the decision. The crusading kingdom of Jerusalem had been destroyed in 1187, when its army had suffered a crushing defeat at the hands of Saladin at the Horns of Hattin above the Sea of Galilee.

Buckle up for the smack-downs: the media behemoth that is modern wrestling

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For British readers of a certain age, wrestling occupies a very particular place in the collective memory. Long before the triumph of World Wrestling Entertainment (WWE), long before the pyrotechnics and the Trump-adjacent billionaire promoters, there were those long-lost innocent Saturday afternoons watching World of Sport with your nan, as men with cauliflower ears, wearing improbable hand-stitched trunks, wrestled in grim, determined, municipal fashion in local leisure centres and town halls up and down the land. If your last points of wrestling reference are those great monoliths Big Daddy and Giant Haystacks lumbering around like coal-fired power stations, today’s wrestling world is almost unrecognisable.

An ill-fated romance: Dark is the Morning, by Rupert Thomson, reviewed

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As a prolific writer of literary fiction, Rupert Thomson has had plenty of practice in creating a good story. In Dark is the Morning, he seems drawn to the question of whether a satisfactory narrative structure can be imposed on life. The tug between the meaningless, chaotic nature of reality and the more conventional art of storytelling is at the centre of the novel, which concerns the ill-fated romance between the narrator, Gino, and the enigmatic Franca. Thomson even appears awkward about how neatly fabular this tale turns out to be in his opening chapter: ‘I still find the whole thing hard to believe.’ This self-consciousness is apparent throughout, with Thomson making repeated reference to the power of storytelling in his characters’ lives.

The art of betrayal: Exhibition, by Alex Hyde, reviewed

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Exhibition, Alex Hyde’s second novel, recounts the intimate, messy, ambiguous and ultimately ill-fated relationship between two fictionalised Young British Artists in the early 1990s. Rosie ‘Rabble’ Stone, the narrator, is a gifted but grounded Mancunian photographer, newly arrived in London to begin her studies at a prestigious art school. There she meets, and soon moves in with, a beautiful and accomplished (and throughout nameless) figurative artist destined for greatness. They are inspired by, though very different from, Tracey Emin and Sarah Lucas and the works they produced in this period. The story begins in Brixton, at an ‘upside-down’ house to which Rabble has been directed to find lodgings.

What precipitated a worldwide total war in the 1930s?

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More than 80 years after it ended, we are still living through the aftermath of the second world war. When people use the word ‘postwar’ they invariably mean this war and the changes it wrought upon international relations, trade, economics, domestic politics, social values and much more besides. Yet it remains all too easy, certainly in the English-speaking world, to cleave to a rather parochial view of that conflict as something that ended up spreading to lots of exotic places while still ultimately concerning the great battle between good and evil that was the Allies vs the Nazis. Can there be any corner of Hitler’s psyche, any charming detail of the home front in Britain, which remains unprobed in books, TV programmes and museum exhibits?

How does the Catholic J.D. Vance justify Trumpian policies?

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‘Read Hillbilly Elegy,’ a friend messaged me a decade ago. ‘The author really gets it.’ So I did, and indeed he did. The young and then obscure J.D. Vance showed, through his family travails in Appalachia, how both Republicans and Democrats had in their different ways screwed blue collar, just-about-working-class families like his. The book went platinum and launched his public career. Three things saved the young Vance from the fate that awaited people like him: a fiercely defensive and religious grandmother (‘Mamaw’), enlisting in the US Marines, and evangelical Christianity. He fell away from this last, however, as he discovered that his fundamentalist faith may have had community love in spades but was very short on good answers to big questions.

Too close for comfort: Family Friends, by Chloë Ashby, reviewed

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‘Across the courtyard the water glistens a pale blue, the sun’s rays shimmering on its surface. The surrounding garden is wild and overgrown with trees and bushes tinged reddish orange, overlooking a valley of scorched grass fields.’ This is the setting of Chloë Ashby’s Family Friends. Taking place over one eventful holiday between old university friends in the south of France, it’s a sun-soaked work simmering with secrets that lurk just below the surface. First, a look at our cast of characters. There’s the ‘endlessly reliable’ Maggie, with weak, ‘beautiful in a boyish way’ Will and their two children, Alice and ‘gangly’ teenage Sammy.

Southern Gothic: the horror story of Alex Murdaugh, paterfamilias and ‘family annihilator’

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The central figure of The Family Man, the lawyer Alex Murdaugh (pronounced ‘Murdock’), spends his life getting implicated in so many heinous, melodramatic crimes that he seems cobbled together by a cabal of tabloid and commercial publishers, crime podcasters and providers of big budget cinematic sleaze. Memorably referred to by psychopathologists and public prosecutors as a ‘family annihilator’ (imagine a little bit of Medea, a little bit of the Menendez brothers and a whole lot of Oedipus Rex), he was arrested in 2021 for slaughtering his wife Maggie and their youngest son Paul with the same sort of high-tech military weaponry that he enjoyed wielding around his family compound to hunt hogs, and which visitors often found lying randomly about his home and gardens.

Will Cuba be reborn as a Caribbean Las Vegas?

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Cuba’s revolutionary spirit is giving out. Donald Trump has called on Cubans to ‘make a deal before it’s too late’ and has threatened military action. More than six decades on from the revolución of 1959, all talk is of the Yanqui dollar and how to acquire it. The scramble for greenbacks has fed into Cuba’s sex industry. In the dollar-happy resort of Varadero, the locals suffer police surveillance and the indignity of rationed food while prostitutes as young as 15 hover outside the motels. Yet for all the hardship and belt-tightening, Cuba commands sympathy from the international left as a last bastion of communism.

A century of movie magic: how cinema has changed the way we think

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The making of films is a process often on an industrial scale, and among the thousands of professionals contributing there are dozens whose practice might constitute a solid history of the artform. The great stars and directors are the usual routes into the history of film; but the roles of studio executives, producers, costume designers (Edith Head! Givenchy!), composers of scores, cinematographers and editors would make compelling narratives, too. A history of cinema audiences could also be interesting – ranging from those who are supposed to have fled in terror as a filmed express train came hurtling towards them in the 1890s; to the yobs who slashed the seats in cinemas showing 1950s rock’n’roll movies (but why?

The conspiracy of silence surrounding the Nord Stream bombings

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Six months after undersea explosions ripped through three of the four Nord Stream gas pipelines between Russia and Germany I wrote a 2,500-word story for The Spectator entitled ‘Were Ukrainians behind the Nord Stream bombings?’ Citing senior European security sources, the piece revealed a conspiracy of silence – for fear of an anti-Ukraine backlash – by western intelligence agencies, law enforcement authorities and government to cover up what they all knew to be the truth. Forensic evidence and a German police investigation had disclosed that pipelines carrying the Russian gas on which the economies of Germany and many other European countries depended had been blown up by a tiny team of Ukrainian saboteurs.

Our resentment of migrants is centuries old: the Little Englanders of the Tudor era

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This Little World opens with a description of the riots of 1517, an explosion of pent-up hostility and resentment against ‘strangers and aliens’. Recently arrived migrants from France and the Low Countries were blamed for aggravating the poverty and want suffered by locals. That Easter, a rabble-rousing preacher had called for Londoners to remedy this injustice: ‘As birds would defend their nest, so ought Englishmen to cherish and defend themselves, and to hurt and grieve aliens for the common weale.’ Soon afterwards, on the May Day holiday, apprentices gave drunken, unruly vent to their frustration in riots. Five hundred years flash by and so little has changed.

Small, skewed pictures that cast a spell: the art of Mollie Douthit

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In this clever, moving mosaic of a book, Sara Baume tells us she originally wanted to be an art critic and that she wrote exhibition catalogue copy. It has served her well, as Opening Night is an evolved form of that genre – including 39 excellently reproduced images of paintings by the subject, and one extra – but it is also a form of memoir. By that I do not mean ‘life writing’ or ‘autofiction’, as it is a work of remembering and memorialising, even if that involves recording the gaps and lapses. The lacunae operate like an undercoat: the occluded thing that changes how you see. Just before the pandemic, Baume states in the opening sentence: ‘I met Mollie’s paintings before I met Mollie.

Disability is becoming the new normal

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Before I became confined to a wheelchair two years ago after an operation for a spinal abscess, I’d never read a book about disability. More remarkably, considering the tiny amount of time it would have taken, I’d never read a newspaper article about it either. The only media stories about disabled people I’d bothered with concerned famous sufferers, such as Christopher Reeve and Robert Wyatt. I’d also followed with voyeuristic revulsion the 2021 story of Giles Coren celebrating the death of the young, working-class, disabled journalist Dawn Foster after she’d had the temerity to cross him. So there you go. My concern with disability was confined to where it overlapped with showbiz and media.

Persistent gossip about Brian Epstein’s death risks defining his life

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We know the facts about Brian Epstein’s death. The Beatles’ manager died in bed at his Belgravia home on 27 August 1967, six years after he struck gold in a Liverpool cellar, a month before his contract to manage the Beatles was due to end and four weeks after homosexual acts between men were partly decriminalised. At the time of his death, the 32-year-old Epstein was addicted, adrift and depressed – not least as a result of a long effort to hide his sexuality and the low-level anti-Semitism he encountered everywhere. One moment he was manically active, the next he was in despair, according to those around him. He had overdosed in the past and had been treated at a psychiatric hospital. On the day he died, his blood contained alcohol, antidepressants and barbiturates.

Do single women bother to cook for themselves?

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‘Let us begin with cookbooks. Or, rather, with a rejection of them. I cannot look at mine. They remind me of a person I no longer want to be.’ This is a bold start for a book whose title contains the word ‘cookbook’; but then much of The Spinster Cookbook is a subversion of the domestic and the expected. It is, for starters, not a cookbook (though it does contain a few recipes) but sits in several different realms: it is Eli Davies’s personal narrative, edging into memoir; it is a review of spinster literature from the interwar period onwards, taking in everything from Lolly Willowes to Sex and the City; it is a meditation on what it means to make a home; and it is a manifesto on different visions for co-existing. It is not a paean to cosy solo domesticity.

The uncertainty principle: The Interpreter’s Secret, by Andrew Rosenheim, reviewed

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You can’t really make this stuff up any more, political reality having long since outpaced fiction, but thank goodness there are people who continue to try. Recent history has supplied more than enough intrigue, misinformation, diplomatic doublespeak and sheer zone-flooding mad shit to challenge even the most inventive writer of political thrillers, but fortunately Andrew Rosenheim is more than up for it.

Are good people made by good surroundings, or the other way round?

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How can Britain cut its spiralling benefits budget and the number of alienated youths spending taxpayer-generated monies on frivolous consumer goods, facing off against the police and making life unpleasant for those of us not involved in creating poverty porn documentaries? Traditional answers – such as colonising Africa or declaring war on, let’s say, Russia – are off the table. Drones, AI and our defence budget mean that there is no prospect of a Crimean War II, led by the kind of martial Britons who so frightened the Duke of Wellington on the Peninsular campaign. What then? Britain’s current problem is one that the heroes of Joad Raymond Wren’s scintillating book never had: a complete want of thinking outside the box.

The joy of chucking little wooden blocks around

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It cannot have escaped the notice of readers of even this most refined of journals that once again the country is enjoying and enduring a legendary summer of sport. As happens every year, there is a World Cup of this, a grand prix of that and a nail-biting tie breaker of something or other. It takes a brave man, or a foolhardy one, to toss his quoit into this bubbling cauldron of balls, especially when the quoit in question is a stick of sustainable, though not inflammable, Finnish wood. But cometh the hour, cometh the memoir. Neil Squires’s amusing account of his year on the Mölkky circuit offers a salutary reminder that he who dares usually loses. Organised sport is notorious for its financial misdeeds, doping scandals and political usefulness.

Dull, duller and Dulles – was Churchill’s jibe about America’s Cold War icon unfair?

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In the era of Trumpian foreign policy incoherence, a new intellectual biography of the American Cold War icon John Foster Dulles might seem welcome for hawks and doves alike. Indeed, Dulles’s tenure as secretary of state during the first six years of the Eisenhower administration could be viewed – even by the harshest left-wing critic of American imperialism – as a useful and reassuring point of reference, despite its narrow anti-communist dogma and too cavalier approach to the dangers of nuclear confrontation with the Soviet Union and China. After all, the Eisenhower administration extricated the United States from President Truman’s stalemated Korean War and started no major new wars before the end of Eisenhower’s second term in January 1961.