Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Whispers of ‘usurper’ at the Lancastrian court

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When Shakespeare wrote Richard II, he billed his play as a tragedy: the downfall of a king riddled with fear, contempt and an obscure sense of majesty. Shakespeare’s portrait was a reasonably accurate one. Some historians have suggested Richard was a narcissist; others that he had borderline personality disorder. Helen Castor offers a candid and considered view. Though the king ‘always knew he was special... his presence in the world shaped by his God-given destiny’, he simply lacked the conventional qualities of kingship. Richard’s tragedy was that he was doomed to rule under the spectre of his father and grandfather’s martial legacy – the Black Prince, hero of Crécy and the military giant Edward III. His cousin, however, possessed all the skills that a ruler required.

The contagions of the modern world

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Nearly a quarter of a century ago, Malcolm Gladwell wrote The Tipping Point in which he explained how little things could suddenly add up to cause huge change, in phenomena as diverse as the popularity of Hush Puppies and the reduction of crime in New York City. The book achieved its own tipping point and became a bestseller. It was followed by Outliers, which proposed among other things that in order to be really good at something you had to have practised at it for 10,000 hours. This is my first shot at reviewing a book by Gladwell, so I am several thousand hours short of practice. The phrase ‘tipping point’ was first coined to describe the proportion of black families it took to drive white families from a neighbourhood, so its roots are somewhat ugly.

Man of mystery and friend of the Cambridge spies

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In April 1967 Tony Scotland, a cub reporter for Australia’s ABC television news, drove with a cameraman from Hobart to a sheep station in Fingal to interview Lord Talbot de Malahide, an Anglo-Irish aristocrat who had edited a book about Tasmanian flora. This was a delicate assignment. Lord Talbot was a retired British ambassador to Laos who divided his time between his family’s Tasmanian property and one of Ireland’s grandest castles. He was fearsomely well-connected, peppery and ‘not good with people’. ABC had been trying for years to interview him, and he only grudgingly allowed in the cameras to publicise the book. Scotland, a 22-year-old English public schoolboy, wondered why he’d been given the job. His cameraman smiled knowingly.

Voices from Gaza, historic city in ruins

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I have been reviewing for decades and this is by far the most difficult book I have taken on: difficult to read because it relates to what Israel has done in Gaza over the last year, and difficult to write about because the subject is so divisive. But whether you think Palestinians deserve what is happening to them or that Israel is a rogue state, please read to the end. First there is the title. Not Catastrophe, or Genocide, or Reckoning in Gaza, but Daybreak. This is a book that carries the promise of a new day, or a dawning – a book that looks forward, but does so also by looking back over 4,000 years of history.

A wish-fulfilment romance: Intermezzo, by Sally Rooney, reviewed

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An earworm from the time of Covid: the sound of Connell and Marianne having breathless sex, bedsprings squeaking. I’m talking not about 2020’s hit TV adaptation of Sally Rooney’s bestselling second novel, Normal People but about the relentless piss-take featured on BBC Radio 4’s Dead Ringers. After every few skits the show would cut to an audio clip of the two undergraduates going hard at it. The joke was in the repetition – an exaggeration of the extraordinary density of earnest sex scenes in Rooney’s writing. It was crude, cruel and very funny.

The hare-raising experience that changed my life

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One wintry day during lockdown, the parliamentary political adviser Chloe Dalton discovered a new-born leveret on the track by her converted barn. It was only as long as her palm’s width, with a white star shape on its forehead. Ambivalent about interfering, she nonetheless gave it houseroom, despite being warned that brown hares can never really be domesticated. This book, her first, is the chronicle of how the animal changed her life.

The Crimean War spelt the end of hymns to heroism and glory

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Leo Tolstoy served as a young artillery officer in the defence of the great Russian naval base of Sevastopol against British and French invaders in the middle of the 19th century. The first of his three short stories, collected as Sevastopol Sketches, came out as the siege was still in progress. In it he spelled out as no writer had done before the way people died in shattered trenches, their bodies shredded by shell fire and left to rot in the mud; or in filthy, overcrowded hospitals, where overwhelmed doctors hacked off limbs without anaesthetic. He wrote not about the generals but about the ordinary soldiers, the men and women caught up in the fighting, the Russian people themselves.

How the Rillington Place murders turned Britain into a nation of ghouls

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‘You never seem to get a good murder nowadays.’ With this ‘fretful complaint’ George Orwell imagined newspaper readers bemoaning the decline of the classic English murder. Gone were the ‘old domestic poisoning dramas’ – a solicitor or dentist killing his wife in a quiet suburban home – which made the perfect News of the World spread to curl up with after Sunday lunch. In their place was an altogether more brutish type of murder committed by ruthless serial killers. Everyone seemed to want to peep behind the curtains of 10 Rillington Place Orwell was writing in 1946. Seven years later, one of the most notorious serial killers in British criminal history was hanged at Pentonville.

When Britannia ceased to rule the waves

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When the Royal Navy celebrated Queen Victoria’s Diamond Jubilee in 1897, 173 ships and 50,000 sailors filled the Solent. The Spectator (3 July 1897) described the ‘endless succession of battleships, cruisers, destroyers, gunboats and torpedo boats’ as offering ‘the most magnificent naval spectacle ever beheld’. More importantly, the fleet at Spithead ‘would have been able to beat any navy or combination of navies that might be brought against it’. It constituted, the magazine proclaimed, a purely defensive weapon, designed only to safeguard the shores of the British Isles, protect the colonies and police the seas ‘for the benefit, not of Englishmen alone, but of the whole world’. Not everyone was entirely convinced.

A dark satanic cult: The Third Realm, by Karl Ove Knausgaard, reviewed

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I finished reading the third volume of Karl Ove Knausgaard’s latest series – no longer a trilogy, perhaps a sextet – in three days. The Third Realm is as unsettling, disturbing and riveting as the previous instalments, and I was even disappointed that it came in at a mere 500 pages – considerably shorter than the others. But all three books are less dense than those in his celebrated My Struggle series. There is a lot of dialogue, and Knausgaard’s skill in capturing conversation makes his characters spring vividly from the page. Ordinary failings, such as insecurity, jealousy, duplicity, lust and irritation, are subtly conveyed through a surly comment, a fleeting mutinous thought, a blurted accusation, a smooth lie.

Starving street urchins sell their sisters in the chaos of Naples, 1944

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Naples is ‘certainly the most disgusting place in Europe’, judged John Ruskin. The boisterous yelling in the corridor-like streets and beetling humanity filled the Victorian sage with loathing. (‘See Naples and die’ became for Ruskin ‘See Naples and run away’.) In the city’s obscure exuberance of life he could see only a great sleaze. Naples still has a bad name. Tourists tend to hurry on through to visit the dead cities of Pompeii and Herculaneum, or jet-set Capri, renowned for the debauched excesses of Tiberius. Naples may lack the monumental grandeur of Rome, but visiting it constituted the gracious end to the Grand Tour during the 17th and 18th centuries. Naples, one-time Arcady of Bourbon kings and queens, has seen better days.

The flowering of enlightenment under Oliver Cromwell

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In 1651, the poet Andrew Marvell was working for the parliamentarian military hero Sir Thomas Fairfax, tutoring his daughter Mary on Fairfax’s Nun Appleton estate near York. When he wasn’t delivering language lessons to his young charge, Marvell was busy composing one of the most astonishingly experimental poems of the 17th century. Opera in the 1650s first seeded the idea that women might be able to act and entertain for money in public ‘Upon Appleton House’, dedicated to Thomas Fairfax, is, on the one hand, just another variety of early modern patronage poem in which a writer praises a member of the aristocracy and their values in return for favour or reward. From another perspective, the poem is profoundly avant-garde.

Is now the most exciting point in human history?

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Yuval Noah Harari has sold more than 45 million books in 65 languages. He is a professor with a PhD from the University of Oxford, has spoken at TED and the World Economic Forum in Davos, and his latest book, Nexus, is considered ‘erudite, provocative and entertaining’ by Rory Stewart and ‘thought-provoking and so very well reasoned’ by Stephen Fry. This is the story the book’s cover tells us about its contents, and Nexus itself argues that it is stories which are fundamental to shaping the world. It posits that the strength of humanity comes from building large networks in which we work together co-operatively, but that our weakness is that once we have amassed power this way, we use it unwisely.

Nothing was off-limits for ‘the usual gang of idiots’ at Mad

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As many of us who grew up in America in the 1960s and 1970s learned, Mad magazine didn’t, as our parents warned us, warp our brains – because our brains were pretty warped to begin with. It was a time when what passed for culture was almost entirely scripted by Madison Avenue, promising that overpriced concoctions of sugar water and aspirin would eliminate all pain, social awkwardness and anxiety, or transport us to happy, sex-crazed beach parties with packs of photogenic young people.

The sad story of the short-lived Small Faces

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One Sunday in October 1967, about 16 per cent of the British population settled down at 8.15 p.m. to watch the Morecambe & Wise Show on ITV. This was mainstream family entertainment aimed at all age groups, but there was also a place each week for teen-friendly acts from the pop charts. That evening it was the turn of four sharply dressed East End mods, who managed to inject some real heart and soul into their band’s performance. ‘They look very nice, don’t they?’ said Ernie, to which Eric replied: ‘They look extremely nice, except for one thing. Their faces are too small, I feel. Much too small.’ Mild leg-pulling of this kind was par for the course.

Mysteries and misogyny: The Empusium, by Olga Tokarczuk, reviewed

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Nothing is ever quite as it seems in the world of Olga Tokarczuk. Her latest novel starts with an epigraph taken from Fernando Pessoa: ‘The visible world goes on as usual in the broad daylight. Otherness watches us from the shadows.’ Wild deer were murder suspects in her surreal and beautiful 2018 novel Drive Your Plow Over the Bones of the Dead. This time nature itself plays a significant role. A daily glass or three of schwarmerei restores good cheer, sometimes generating hallucinogenic euphoria Though the novel describes itself as ‘a horror story’, it’s more a salutation to the power of the natural world and a celebration of difference.

The troublesome idealism of Simone Weil

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The French philosopher Simone Weil, who died of self-starvation and tuberculosis in a Kent sanitorium in 1943 at the age of 34, remains a conundrum. ‘Mais elle est folle!’ had been the spluttering response of Charles de Gaulle the previous year, during her short wartime period analysing reports for the Free French in London. Her simple brief was to précis the ideas coming in from the Resistance movement on how to reconstruct France after liberation. The result – which was posthumously published, as were most of her writings – turned out to be a major work of original philosophy, Enchainement (The Need for Roots), running to hundreds of pages, a testimony to Weil’s lifelong need to go further than anyone could ever have required into what she saw as the truth of things.

Unrecorded lives: Tell Me Everything, by Elizabeth Strout, reviewed

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There was a time when Elizabeth Strout’s fans had to wait a few years for the next book; but Tell Me Everything follows fast on her two previous novels – part of what she has termed a ‘marathon’ of writing in her sixties. It has been an extraordinary creative flowering: a diverting pleasure for admirers of her psychological perceptiveness and her ability to transport us instantly to Crosby, her fictional town in contemporary Maine. Strout once described her characters as rolls of fabric, with her novels as her patterns to cut out. Much material is used in each novel, yet there is a lot of spare, too. It’s the fullness of these characters and their inner lives that give her work its depth.

Heartbreaking scenes: Annihilation, by Michel Houellebecq, reviewed

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Michel Houellebecq’s ninth and longest novel, anéantir, was published in France at the beginning of January 2022 with an initial print run of 300,000 copies. Translations into Italian, German and Spanish appeared a few weeks later. Only now, though, is it available in English, a belatedness all the more regrettable because, like several of Houellebecq’s novels, it is set a little in the future (Submission, for example, foreseeing the islamisation of France, was published in 2015 and set in 2022). Houellebecq has always maintained an absolute faith that love alone saves Annihilation looks forward to the presidential election of 2027, correctly assuming that Emmanuel Macron, never named but clearly referenced, would have won a second term in 2022.

Bones, bridles and bits – but where’s the horse?

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The German cultural scientist Ulrich Raulff has written that horses have as many meanings as bones. In the archaeologist William Taylor’s new history of horses and humans, we meet all those bones. Found in thawing permafrost, in caves, and buried ceremonially in graves in Siberia and Chile, the bones are cracked open by Taylor to show how the horse evolved in the Americas before its early encounters with human hunters. Does a 5,000-year-old worn tooth tell us it once chomped a bit? Does damage to vertebrae indicate a rider? Then came domestication, transforming the species from near extinction to tool and symbol on every major landmass on the planet. After that, horses and their keepers created empires, paced epically long trade routes – and brought plague from the steppes.

The SAS explode from the shadows in six days that shook Britain

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Ben Macintyre has a knack of distilling impeccably sourced information about clandestine operations into clear, exciting narrative prose. His latest book, about the April 1980 Iranian embassy siege in London, starts as it means to go on – with a snapshot of seven Range Rovers, two Ford Transit vans and two furniture lorries pulling out of Bradbury Lines, the then headquarters of the Special Air Service (SAS) in Hereford. Lying low inside were 45 soldiers and ‘enough weaponry to fight a medium-sized war’. Each man carried a submachine gun, mostly the ‘reliably lethal’ Heckler & Koch MP5, which fires 13 rounds a second, with four 30-round magazines of 9x19mm parabellum bullets.

From ugly duckling into swan – the remarkable transformation of Pamela Digby

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The tramp of lovers marching through our heroine’s bedroom in the first half of Sonia Purnell’s Kingmaker almost deafens the reader. But then not for nothing did Pamela Digby Churchill Hayward Harriman become known as the alpha courtesan of the 20th century. What is perhaps not so well covered is her decade-long influence on American politics before becoming the United States Ambassador to France under (no, not literally) Bill Clinton. The Hon Pamela Digby was born on 20 March 1920 and brought up quietly in Dorset, riding, hunting and meeting only those her parents (her father was the 11th Baron Digby) considered above the social plimsoll line. Early on she realised that what gave a woman supreme independence was great wealth – usually acquired through a man.

The pitfalls of privilege and philanthropy: Entitlement, by Rumaan Alam, reviewed

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Money can’t buy you love, the Beatles sang. But that doesn’t matter so much if you’re not interested in love, like Brooke Orr, the 33-year-old heroine of Rumaan Alam’s fourth novel, Entitlement. In contrast to Alam’s wildly successful, lockdown-resonant Leave the World Behind, the latest book is set in 2014, during the era of ‘Obama’s Placid America’, a world depicted as a virtually frictionless pre-Trump utopia in which ‘black, gorgeous, serious, passionate’ young women such as Brooke can thrive. When she leaves her teaching job and joins the charitable Asher and Carol Jaffee Foundation – started after the benign octogenarian billionaire Asher Jaffee lost his daughter – she realises that money is where her heart lies.

Man’s fraught relationship with nature extends back to prehistory

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It is now almost a prerequisite of any dispute among environmentalists to recall a judgment offered by the literary critic Raymond Williams – that ‘nature’ is perhaps the most complex word in the English language. Attempts to unravel its meaning are fraught with challenge. Does it signify just the living elements of the biosphere, or does it include inanimate parts, such as mountains and rivers? The extreme heat of the Sun at its core makes it the place least hospitable to life – yet it is equally the source of the whole process. Perhaps the greatest of all associated questions is whether humans are subsumed within, or inexorably separated from, the Sun’s operations. Jeremy Mynott’s book does an exceptional job of teasing out most of nature’s multiple meanings.

From tragedy to mockery: Munichs, by David Peace, reviewed

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If you have been to a football match in the past few years you will doubtless be familiar with what the Crown Prosecution Service defines as ‘tragedy-related abuse’. It is when supporters, David Peace writes, sing, chant or gesture offensive messages about disasters or accidents involving players or fans – including references to the Hillsborough Disaster, Munich Air Crash, Bradford Fire, the Leeds fans killed in Istanbul or the death of Emiliano Sala in a plane crash. The word ‘Munichs’, for example, is sometimes used as a term of abuse for Manchester United fans, and it’s not unknown for the opposition at Old Trafford to extend their arms, like little children pretending to be aeroplanes.