Culture

Being reflexively snotty about Dan Brown’s writing is like slagging off Donald Trump’s spelling: it just entrenches everyone’s position. In a world where a quarter of people read literally no books in any given year, can we give each other a break on this kind of thing? If you found Angels and Demons good fun, thoroughly enjoyed The Da Vinci Code (as I unironically did), but despised Inferno for the worthless piece of rat doodah that it was, then the good news is that Brown is back on form here. Origin is brisk, fun and filled with adorably pointless Wikipedia paragraphs; and what’s at stake is endearingly grandiose. Here, the premise is atheism vs religion.

Why would a writer like Marcel Proust, who quivered and wheezed at the slightest sensation, decide to live surrounded by neighbours in one of the busiest parts of Paris? In 1906, at the age of 35, shortly after the death of his mother, he moved to a first-floor apartment at 102 Boulevard Haussmann. ‘I couldn’t bear to live in a place that maman never knew,’ he explained. For this ghostly comfort, he paid a heavy price. Petrol fumes and tree pollen — to which he was almost fatally allergic — drifted up from the boulevard.

Jihadi Culture might sound like a joke title for a book, like ‘Great Belgians’ or ‘Canadian excitements’. But in this well-edited and serious volume Thomas Hegghammer — one of the world’s foremost experts on jihadism — has put together a collection of essays by an impressive group of scholars analysing what culture Islamism’s most adamant adherents might be said to possess. The book is not a long one. Designed for a primarily academic audience, Hegghammer’s introduction carries all of the baggage that such audiences demand. It is not writing so much as a set of pleas and signs sent out to academia’s own hostage-takers, who lurk in universities and colleges reading mainly for the hope of discovering a rival’s error.

In this week’s Books Podcast I talk to the incomparable Claire Tomalin — veteran literary editor, biographer of Mary Wollstonecraft, Pepys, Hardy and Dickens among others --  about her new memoir A Life of My Own.  Here’s a book that contains extraordinary hardship — domestic violence; the loss of loved ones — narrated with cool fortitude in fine prose. She talks about the sexism of old Fleet Street, the unexpected liberation of widowhood, her renunciation of poetry, and the extraordinary satisfaction, in literary biography, of finding her calling. And why being married to Michael Frayn keeps her from writing plays… You can listen to our conversation here: And do subscribe on iTunes for more discussion like this, every Thursday.

This delightfully good-humoured novel is the sort of genre scramble that doesn’t often work: there’s a bit of 1990s family saga, a bit of mobster crime thriller, a bit of Cold War goat-staring spy story and really quite a lot of psychic/psycho-kinetic fantasy. And yet Daryl Gregory, who won several impressive prizes a few years ago for his fabulous horror novella We Are All Completely Fine, pulls the whole thing off with the unflustered charm of a stage magician. The setting is Chicago in the summer of 1995, where the Telemachus family, formerly a bunch of stage psychics and entertainers (‘Teddy Telemachus and His Amazing Family!’) have fallen on hard times.

Philip Pullman’s new k, the prequel to his Northern Lights series — the one north Oxford academics very much prefer to Harry Potter — is an intriguing work. It’s notionally set some time near our own, but the world it evokes is the 1950s and 1960s England of the author’s youth. The hero, Malcolm Polstead, is the only child of an innkeeper — that timeless calling — and the inn was an old stone-built rambling comfortable sort of place. There was a terrace above the river, where peacocks (one called Norman and the other Barry) stalked among the drinkers...