Culture

My guest in this week’s Book Club is the rock musician, writer and sometime Faber editor Pete Townshend. Pete has just published his first novel The Age of Anxiety, an ambitious work jointly conceived as an opera. We talk about madness and creativity, Who lyrics popping up in the fiction, how he settled on an Aristotelian plot, and the unusual way his psychic second wife sends him off to sleep.

The call for the comically appalling first or final paragraph of the memoir of a well-known figure was one of those challenges where we raise a glass in memory of Edward Bulwer-Lytton, Victorian novelist and patron saint of purple prose. The oft-cited example of his florid style is the opening to the 1830 novel Paul Clifford — ‘It was a dark and stormy night’ — which was used by Charles Schulz as the first line of Snoopy’s novel, and by Brian Murdoch in his winning entry below. You didn’t quite hit the spot this week and the standard was patchy. Some creditable entries were disqualified because they didn’t strike me as plausible beginnings or endings.

I’m joined from beyond the grave on this week’s Spectator Book Club by the late Laurie Lee — to talk about Gloucestershire’s Slad Valley, the landscape that made him as a writer. Acting as medium, so to speak, is David Parker — whose 1990s interviews with Lee before his death provide the material for the new book Down In The Valley: A Writer’s Landscape — and who’s here to talk about the pleasures and difficulties of coaxing reminiscences out of this laureate of English rural life. Essential listening for anyone for whom Cider With Rosie and As I Walked Out One Midsummer Morning formed part of a literary education.

In this week’s Spectator Book Club, my guest is Christopher Tugendhat, whose new book offers a refreshing and thought-provoking survey of twentieth-century history; not through wars and treaties and policies, but through the pages of the books from his extensive private library. In A History of Britain Through Books: 1900-1964, Christopher argues that we can get a special understanding the temper of a given time through the pivotal works of fiction and nonfiction that expressed it; books written without the historian's hindsight. Here’s a survey of familiar landmarks — as well as texts that have fallen into undeserving (and sometimes deserving) obscurity.

When the sex trade survivor Rachel Moran published her memoir, Paid For: My Journey through Prostitution, she knew not everybody would be happy that she'd laid bare the realities of sexual exploitation. Pimps, brothel owners and punters would hardly be pleased that she'd lifted the lid on the world’s oldest oppression. What she could never have imagined was having to sue another woman for defamation, for repeatedly claiming that Moran had based her book on a pack of lies. Gaye Dalton, who was also a prostitute in Dublin’s southside red-light district, one of the spots where Moran was bought and sold, has repeatedly alleged that Moran fabricated her entire life history, and had never even been in prostitution.