More from Books

Thursday

Richard Walker

The pirate myth

Hear the word ‘pirate’ and what picture springs to your mind? I see a richly-bearded geezer in a tricorne hat and a frock coat, with a notched cutlass and bandolier stuffed with pistols. Never mind the real-life pirates of our present day, the maritime robbery-and-kidnap specialists of Somalia and West Africa — they are all too recent to have generated sufficient fiction for us to draw on. Our common pirate is like the zombie, the vampire, the robot — a creature of the imagination, coming to us via Robert Louis Stevenson, J.M. Barrie and Johnny Depp. But where did he come from, really? He or she, that is.

Elfreda Pownall

The best cookery books of 2013

Nigel Slater’s books lead the field in cookery book design, but his latest, Eat: The Little Book of Fast Food (Fourth Estate, £26, Spectator Bookshop, £20), is the most beautiful yet. The size of a large paperback and twice as thick, the single word Eat is embossed in black on a mustard-yellow cloth cover. The book is very easy to use. In the front is a list of recipes, organised by main ingredient; in the back a good index. The chapters are grouped by cooking method, and the recipes written in shortened form, with ingredients in bold type in the body of the text.

Michael Beloff

The vengeance of Alex Ferguson

For a quarter of a century Sir Alex Ferguson bestrode football’s narrow world like a colossus. Like his predecessor knight-manager, Sir Matt Busby, he ensured that it was England’s third city that was home to its top football club. His avowed aim in this reminiscence is to explain ‘some of the mysteries in my line of work’. In that he certainly succeeds. One does not need to know anything about football to recognise that Sir Alex knows everything about it. It is no more necessary to have been a great advocate to become a great judge than it is to have been a great player to become a great manager.

Kit Toda

Dining with a Picasso

We had decided to dine out with our latest Picasso. The Picasso sat at the head of our table. It looked at us both. We sat looking at each other. We did not move lest we realised, fork poised, that the naked, smudge-faced boy with the horse was drinking our wine.

Anthony Sattin

American Smoke, by Iain Sinclair – review

If you have read Iain Sinclair’s books you will know that he is a stylist with a love of language. You will also know that he has opinions to express and projects to promote or destroy: London’s Olympic park was one of his targets. He has lived in Hackney for much of the past 40 years and his previous book of that name was so provocative that Hackney council tried to ban him from giving a reading at a local library. He can be digressive to an extent that becomes challenging, as you would expect from a writer who long ago rejected the need for anything as banal as a narrative. And of the 41 earlier works of ‘documentary’, fiction and poetry listed on the flyleaf of this volume, many have been set in the UK, specifically London.

Christopher Howse

Charles Saatchi’s photo play

The game that Charles Saatchi plays in The Naked Eye is to find photographs of subjects that look surprisingly like something else. A stork in mid-flight seems to have a jet-trail streaming from it; an ant silhouetted on the rim of a cup seems to be the same size as a helicopter hovering in the sky next to it. An elephant, if you really suspend disbelief, looks as though it is balancing on outstretched trunk (but it was done, with the help of a taxidermist, by Daniel Firman, who wanted, for some reason, to show what an elephant might do in low enough gravity).

Thomas W. Hodgkinson

Did Hollywood moguls really make a pact with Hitler?

At the recent Austin Film Festival, at every ruminative panel or round-table discussion I attended, I slapped my copy of this book down in front of me. The cover, I felt, was bound to catch the eye of the screen legends and louche suits from the big production companies. Above the uncompromising title, it shows a photograph of Adolf Hitler watching a movie with his entourage, his stern, blunt features palely lit by the glowing screen, his mouth small, his nostrils flared in concentration. What, one wonders, was he watching? Laurel and Hardy? Mickey Mouse? It’s not impossible, actually. We know for a fact that the psychotic cinephile adored cartoons and slapstick of this kind.

William Leith

Why worship Prince Philip?

In this travelogue, Matthew Baylis, the novelist and TV critic and former Eastenders screenwriter, goes to Tanna, a Melanesian island, where, he believes, the locals worship Prince Philip. This sounds weird — to worship a man from far away, who knows little about them, about whose life they weave complex myths. But then again, some Melanesian people worship Christ, and yet others follow an American who might or might not have existed and who might or might not have been called John Frum. Baylis sets out to investigate. Prince Philip, he says, has interested him since he was a boy. Growing up in Southport, near Liverpool, the 11-year-old Baylis was aware of Philip’s visit to Salford university in 1982 and one of his reviled gaffes.

David Blackburn

Hurrah for Andrew Strauss

Andrew Strauss is a serious man and Driving Ambition (Hodder, £20, Spectator Bookshop, £18) is a serious book. It looks like most other sporting autobiographies: there are heroes, jokes and solecisms aplenty. Yet it is also the Bildungsroman of a determined bloke making the most of his talents. Strauss rejects the truism ‘You make your own luck’; but in his case, I’m not convinced. He matured as an adolescent when his contract with Middlesex County Cricket Club was threatened. Then he conquered mental frailty to make a career-saving century for England against New Zealand in 2008. There was lots of graft in between. It was his personality principally that turned the England team from a demoralised rabble in 2009 into an irresistible host by 2010.

James Mcconnachie

In the heart of darkness, the atom bomb

At the dark heart of this dark book is a startling fact: Joseph Conrad was employed to steam up the Congo river by the same company, Union Minière du Haut Katanga, that later shipped uranium from the Congo to the US, where it was used to make the bombs that devastated Hiroshima and Nagasaki. Patrick Marnham develops that historical oddity into a brilliant travelogue, blended with an angry history of America’s atomic bomb and a meditation on what the creation of nuclear weapons means for the human psyche. It is his own journey into a Heart of Darkness. He follows not a river, however, but the flow of uranium.

Harry Mount

The men who demolished Victorian Britain

Anyone with a passing interest in old British buildings must get angry at the horrors inflicted on our town centres over the last half-century or so. Gavin Stamp is wonderfully, amusingly, movingly angry. And he has been ever since the early 1960s when, as a boy at Dulwich College, he saw workmen hack off the stiff-leaf column capitals in the school cloisters. He reserves particular rage for that ‘cynical, philistine Whig’ Harold Macmillan for murdering the Euston Arch. Not that Stamp’s a ranting fogey, reserving his anger only for the demolition of Victorian buildings.

Ian Shircore

The wounded Kennedy – and the people who gave him strength

Ten years ago, a determined historian transformed our picture of John F. Kennedy. Robert Dallek had finally got his hands on the president’s medical records and discovered just how big a part JFK’s constant health problems played in his life. Instead of a young, fit, athletic leader, Dallek revealed a man racked with pain, suffering from Addison’s disease and excruciating spinal damage and swallowing a daily pharmacy of drugs and potions. During the Cuban Missile Crisis, for example, when his finger hovered over the nuclear button, he was pumped full of steroids and antibiotics, amphetamines and testosterone, ritalin and sleeping pills. He had been given the last rites on three occasions before he was 35.

Thursday

Roland Elliott Brown

A place of paranoia, secrecy, corruption, hypocrisy and guilt

‘Is he a good writer? Is he pro-regime?’ an Iranian journalist in London once asked me of Hooman Majd. Majd is an Iranian-American journalist who was born in Tehran in 1957, but is better known in America. His father was a well-travelled Pahlavi-era diplomat, and his grandfather was an ayatollah. His cousin is married to the brother of Iran’s former president Mohammed Khatami. Majd is not religious, but his criticisms of the Islamic Republic have tended toward the procedural rather than the substantive. He is married to an American, Karri, with whom he has a young son. Family is the great theme of his books. His writings give the impression that Iranians are a big family in need of reconciliation, not another traumatic reckoning on the model of 1979.

Mark Mason

Through It All I’ve Always Laughed, by Count Arthur Strong – review

Fans of Count Arthur Strong (and yes I know he’s so Marmite you could spread him on a cheese sandwich) love the failed performer because he does what we all dream of: ranting at others to cover our own mistakes. At the same time he reminds us what a fool this makes one look, so as well as being an entertainer he’s a cautionary tale. The warning is now available in book form, Through It All I’ve Always Laughed. If you’re unfamiliar with the Count’s work you should probably sample him on radio or television first. Converts, however, will relish the revelations about what made Strong the man, the legend, the sole proprietor of the Doncaster Academy of Performance he is.

John Gimlette

How many positions are there in the Kamasutra?

Numbers, as every mathematician knows, do odd things. But they’re never odder than in the human context. Ever since we crept out of the swamps, we’ve been making numbers lucky, fearsome, ominous and even sacred. Across the cultures, we’re nuts about numbers, with little thought for logic. Take 23, for example. In 1960, William Burroughs met a sea captain who, after exactly 23 years at sea, was lost with all hands. The same day, Flight 23 was reported lost in Florida. After that, Burroughs became obsessed by the portentousness of 23, and others followed. At last, 23 was exposed; it’s the psalm of choice at funerals; in ancient Chinese tradition, it meant ‘breaking apart’. There were plenty of other ominous 23s.

Ursula Buchan

The most important gardening book of the year

I’ll own up at once. Tim Richardson and Andrew Lawson, the author and photographer of The New English Garden (Frances Lincoln, £40, Spectator Bookshop, £30), are friends of mine — no very unusual circumstance in the small world of garden writing. Moreover, I wrote this book’s forerunner, The English Garden, also in collaboration with Andrew Lawson. However, my reputation would falter if I sold you an expensive pup so, if I tell you that The New English Garden is one of the more important and interesting gardening books published this year, you may believe me. The book looks at 25 innovative gardens or public spaces that have either been made, or re-made, since 2000.

Gavin Stamp

The Briton whose achievement equals that of the Pharaohs’

We constantly need to be reminded that the consequence of war is death. In the case of the first world war it led to death and destruction on an inconceivably vast scale. To convey the enormity of what the industrialised slaughter that supposedly civilised governments unleashed between 1914 and 1918, film-makers like to pan the camera over a vast sea of white crosses. But if they do, that cemetery will probably be French or American. It will certainly not be British. The only cross in a cemetery maintained by the Commonwealth War Graves Commission will be a free-standing one with a bronze sword attached, a rather ‘Onwards Christian Soldiers’ symbol designed by Reginald Blomfield.

Peter J. Conradi

Blonde, beautiful — and desperate to survive in Nazi France

Around 200 Englishwomen lived through the German Occupation of Paris. Nicholas Shakespeare’s aunt Priscilla was one. Men in the street stopped to gaze at this blonde with the careless allure and raw beauty of Grace Kelly. Some fell instantly in love. Her second mother-in-law thought her face showed truth and sincerity, and the reader shares this impression of integrity under duress. She was a reckless driver, yet was also shy, gentle and biddable. She had a beguiling habit of stroking your arm to show affection. She was not vain. Born in 1916, hers was a rackety childhood. Her self-engrossed parents, imprisoned within a failed marriage, then in new partnerships, rejected her.

Cecilia Grayson

Rebus is good, but not as sharp as he once was

Cig 1 Auld Reekie . . . Edinburgh . . . brewers’ town, stinking of beer, whisky, tweeness, gentility, hypocrisy, corruption . . . DS Rebus awoke with a start, his hand still clutching a can of lager. He’d been asleep in his chair, as usual. He rarely went to bed. Bed was for sober people. The phone was still ringing, so stumbling over LP sleeves, full ashtrays and empty bottles, he picked up the receiver, greasy from last night’s fry-up. ‘It’s Siobhan,’ his colleague DI Clarke announced herself. ‘A new case has popped up.’ Rebus massaged his brow with an Irn-Bru can and grunted. ‘An old case, I mean,’ Siobhan corrected herself. ‘Thirty years old.

David Sexton

One Leg Too Few may be one biography too many

It’s no joke, writing about comedians. Their work is funny, their lives are not. Rightly honouring the former while accurately relaying the disasters of the latter is a challenge few writers can well meet. Peter Cook and Dudley Moore have been extensively studied before. Harry Thompson published his excellent biography of Cook in 1997, Barbara Paskin her authorised biography of Moore the same year; Alexander Games’s joint biography Pete & Dud followed in 1999. There have been memoirs of Peter Cook by his first and second wives, Wendy and Judy, and his third wife, Lin, has edited Something Like Fire: Peter Cook Remembered. What’s to add?