Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Margaret Thatcher vs everyone else: the making of the 1985 Anglo-Irish Agreement

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Diplomatic negotiations are rarely fully described by their participants in books, for two reasons. They are usually secret until much later, and their intricacies can be boring. Politicians often include brief accounts in their memoirs, but these seldom reveal much about the process as a whole because, as I discovered by interviewing scores of them for my biography of Margaret Thatcher, they cannot avoid focussing almost exclusivelyon what they did and said (or think they did and said). This book, however, overcomes the secrecy rule, because it is published nearly 40 years after the events described; and it overcomes the boredom problem because of the literary skill and intellectual grasp of its author. It is clear, precise, readable, sometimes drily funny.

Are the English exceptionally gullible?

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The word ‘hoax’ did not catch on till the early 19th century. Before that one spoke of a hum, a frump, a prat or a bilk. But 18th-century Britain, even if not rife with talk of ‘hoaxes’, was full of incautious souls at risk of being bilked. James Graham, a Scottish quack, was able to charge infertile couples £50 a night to lounge in his Celestial Bed, which had a mattress lined with hair from stallions’ tails. The artist Ann Jemima Provis and her father, Thomas, caused embarrassment to the Royal Academy by conning its president, Benjamin West, into thinking they had stumbled on a rare manuscript that would allow him to emulate the luminous style of the Venetian masters.

Why did the Allies dismiss the idea of a German resistance movement?

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In 1928, a modest young lecturer from Wilwaukee, Mildred Harnack, née Fish, arrived in Berlin to begin her PhD in American Literature. In the febrile, polyglot atmosphere in the city at the ‘crossroads of Europe’, the media was still mocking Adolf Hitler and few took him seriously. Mildred saw, close up, the brokenness of American and German capitalism and, distantly, the apparently level playing fields of communist Russia. As the Nazis gained increasing control over the body politic, she taught an overtly socialist syllabus — Dos Passos, Theodore Dreiseret al. When, halfway through her dissertation, the university fired her, she promptly started teaching at a night school for working-class students. ‘Should Hitler be chancellor?’ she asked her pupils.

The history of transplants had many false starts

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On watching transplant surgery, I can give prosaic but essential advice: have a good breakfast. Each operation can last 12 hours, and you’re unlikely to get a seat. Relocating a liver that was recently inside someone else is a feat of preparation, choreography and collaboration (with the patient too, who must agree to alcoholic abstinence). However, transplants can also be organised in minutes. Every day, thousands of units of red cells are requested from NHS blood banks and delivered through IV drips with little ceremony. What then actually is a transplant, which moves ‘life itself... from one man’s body into another’s’? Spare Parts edges up against this question, revealing our hopes of both restoration and enhancement.

Interpreting for a dictator: Intimacies, by Katie Kitamura, reviewed

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If this is a cautious and circumspect novel, it’s because it involves a cautious and circumspect job: that of interpreter. The young woman at the centre of the story speaks fluent English, Japanese and French, with some German and Spanish. She grew up in Paris, then lived in New York, but death and disruption in the family mean that city no longer feels like home. On a sudden impulse, she applies for a temporary job at The Hague, working at ‘the Court’. What she doesn’t speak is Dutch, though linguistically she’s a quick study. The instability felt when negotiating a new city without fully understanding the language is echoed by the moral relativity involved in her new task, translating for a Francophone African former dictator accused of genocide.

Glasgow gangsters: 1979, by Val McDermid, reviewed

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Like a basking shark, Val McDermid once remarked, a crime series needs to keep moving or die. The same could be said of crime writers themselves, who work in a genre that has an inbuilt tendency to encourage repetition, often with dreary results in the long term. McDermid herself, however, has a refreshing habit of rarely treading water for long. Over the past 34 years, she’s published four very different crime series, a clutch of standalones, two books for children, a modern reworking of Northanger Abbey, and several non-fiction titles. And now comes 1979, the first in a planned five-book series set at ten-year intervals up to the present. It’s the story of Allie Burns, a young woman from a working-class Fife family who has a job as a reporter on a Glasgow tabloid.

Should the Duke of Windsor have been tried for treason?

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In Traitor King, Andrew Lownie shows how the Duke of Windsor — the former Edward VIII, who abdicated in 1936 — gave aid and comfort to his country’s enemies before and during the second world war. Reading this meticulously researched book, it seems extraordinary that he remained at liberty. A less deferential society would have interned him in 1940 along with the followers of his friend Oswald Mosley, most of whom were far less dangerous. He could even have been tried for treason after the war. To Lownie, the duke was an aberration, a one-off. But in Tea with Hitler, Dean Palmer shows us a family into which he fitted naturally.

W.G. Sebald’s borrowed truths and barefaced lies

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W.G. Sebald is the modern master of the uncanny — or perhaps that should be ‘was’, as he died in a car crash near Norwich in 2001 at the age of 57. Deciding which tense to use depends on whether you mean ‘W.G. Sebald’ as a shorthand for his body of work, which outlives him, or to refer to the man who wrote it, known to his acquaintances as Max. The question poses its own Sebaldian conundrum, reflecting his strange crepuscular writings with their meditations on the dead and the living, past and present, culture and identity. His ghost lives on in the flickering half-light, the most enigmatic, perhaps, of his characters.

The roots of conflict: The Island of Missing Trees, by Elif Shafak, reviewed

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The Island of Missing Trees feels like a strange title until you realise how hard Elif Shafak makes trees work in her latest novel, an epic tale about love, grief and memory set in Cyprus and London between 1974 and the ‘late 2010s’. One tree, a fig or ficus carica, narrates half the story, tipping Shafak’s 12th novel into myth territory. The others — the missing trees — are stand-ins for those killed in the 1974 Cypriot civil war, metaphors labouring as hard as plants for the British-Turkish author who fled Turkey after being prosecuted for ‘insulting Turkishness’ in her 2006 novel The Bastard of Istanbul.

David Keenan, literary disruptor in chief

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Near to the heart of this wild and labyrinthine novel — on page 516 of 808 — a character in a letter addressed to his future self within the reminiscence of a disfigured and imprisoned second world war sailor who will subsequently be transformed via sorcery, surgery and sex into a medium and prophet, eventually finding his way to Scotland where he will marry his own wife again, though possibly not in that order, states the following: My studies in magic and experimental psychology and of course alchemy suggested that the goal of magical practice, which had become the goal of art practice, was a reuniting of fractured selves across time… This feeling of union, of union with the past, the present and the future, in a place that was outside of time, well, it was palpab.

How we did the locomotion: A Brief History of Motion, by Tom Standage, reviewed

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Audi will make no more fuel engines after 2035. So that’s the end of the Age of Combustion, signalled by a puff of immaculately catalysed smoke from polished chrome exhausts designed by fanatics in Ingolstadt. But some say the age of motion itself will have shuddered to a halt before then. A trope of the New Yorker is a cartoon showing cavemen inventing the wheel, a companion to the other trope of desert island castaways. The adventure promised by the wheel and the limitations of boring stationary solitude are ineffably linked. Since Homo erectus left Africa 1.75 million years ago, without wheels, moving our bodies through space has been a defining characteristic of civilisation. The urge to travel may be, as the biochemist Charles Pasternak says, very nearly innate.

Keeping yourself angry, the Hare way: We Travelled, by David Hare, reviewed

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A character in David Hare’s Skylight claims she has at last found contentment by no longer opening newspapers or watching television. ‘Well,’ says her astounded interlocutor, ‘you’re missing what’s happening. You’re missing reality.’ Hare himself can never be accused of missing (or missing out on) the reality of what is happening. He has already even mounted his response to ‘what it was like to experience Covid-19’ in Beat the Devil, starring Ralph Fiennes. His instinct has always been to tackle current affairs, sometimes with surreal consequences.

The poet with many lives

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This is an ingenious and infuriating book about an ingenious and infuriating writer. I first encountered Fernando Pessoa in the wonderful and lamented Penguin International Poets series, and what intrigued me was that he was more than one person. There was his poetry, but also sections attributed to his heteronyms, or imaginary alter egos. Stylistically they were very different. There was the rustic naïf, Caeiro; the neo-classicist, Reis (later to be a subject for one of Portugal’s other major literary figures, José Saramago); and the loud-mouthed modernist, Alvaro de Campos, a naval engineer who apparently studied in Glasgow. Later, I bought a copy of The Book of Disquiet, a posthumous publication and the stuff of much mythology.

Churchill as villain – but is this a character assassination too far?

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The veteran journalist Geoffrey Wheatcroft claims in his prologue to Churchill’s Shadow that: ‘This is not a hostile account, or not by intention, nor consciously “revisionist”, or contrarian,’ before launching into a long book that is virtually uninterrupted in its hostility to Winston Churchill, his memory and especially anyone who has had the temerity to admire Churchill or learn lessons from his life and career. Churchill revisionism is hardly new.

More than one bad apple: the sorry demise of English cider

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Can you imagine if, in the 20th century, wine producers in France had switched from a product made (almost) entirely from grapes to something that was essentially grape-flavoured alcoholic sugar water? It’s inconceivable. In fact, they did just the opposite. To stamp out the growth of ersatz wines, the appellation contrôlée system was created, which, for all its faults, provides a guarantee that a particular wine will be made from grapes from a certain area. But there was no such regulation in England. After the second world war, large-scale cider-makers in the West Country began lowering the amount of fruit in their products, specifically characterful bittersweet cider apples, and making up the rest with dessert apples and sugar. Quality plummeted.

It all started with Dracula

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The title of the journalist Paul Kenyon’s second book on crazy leadership, Children of the Night, leaves the reader in no doubt of its approach. This is a narrative that feeds off the macabre legacy of Vlad Dracula, the Impaler, the country’s most infamous anti-hero, while examining Romania’s recent collection of demented dictators and cult heroes. Imagine the history of Britain cast exclusively through the flamboyant prism of Henry VIII, Princess Diana, Nigel Farage and Boris Johnson and you’re nearly there, only in the case of 20th-century Romania the pickings are far richer.

Borges: the man and the brand

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‘The story that Jay Parini recounts in Borges and Me is untrue,’ a recent letter in the TLS claimed, ‘and it should be understood as fiction.’ The author, Maria Kodama, Borges’s widow and literary executor, has also told the press that she ‘will have to act in some way or other’ should the book come out in Argentina. Borges memoirs have long exceeded the master’s oeuvre by what must amount to the library of Babel in volume. The author of one classic of the genre, Norman Thomas di Giovanni, Borges’s translator and collaborator, told me a decade ago: ‘I’m not going to lie to you now and say, you know, we were so close Borges cried every time he saw me.

Nazis and Nordics: the latest crime fiction reviewed

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Social historians of the future may look back at the reading habits of this era and conclude that we were almost exclusively interested in Nazis and Nordics. Certainly there seems no diminution in these twin tastes. Widowland (Quercus, £14.99) by C.J. Carey (a pseudonym for the writer Jane Thynne) is the latest Nazi-related novel in a crowded field, and its author wisely opts for a different, if not altogether original, conceit. An alternate Britain which lost the war has featured in fiction before — notably in Robert Harris’s Fatherland and Len Deighton’s SS-GB — but even with such celebrated predecessors, Carey more than holds her own.

The musical gravy train: Leaving The Building, by Eamonn Forde, reviewed

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Musicians cast a long cultural shadow. Politicians may wield considerable power in their time, but although today’s young people are still generally aware of John Lennon, they are less likely to have heard of Sir Alec Douglas-Home, despite the fact that he was running the country during the year the Beatles first came to international prominence. This is not the place to discuss the relative merits of writing ‘I Am the Walrus’ as against introducing the Resale Prices Bill (1964), but try offering T-shirts of both gentlemen on eBay today, and see which one sells.

The AI future looks positively rosy

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In the future, men enjoying illicit private pleasures with their intelligent sexbots might be surprised to find that even women made from latex and circuitry can learn to talk back and say no. Or, alternatively, that their ‘love dolls’ — in the current marketing-speak — have been hacked by anarchist feminist programmers. Please enjoy the next, cyborg-mediated stage of the war of the sexes. Some men, of course, still believe that women are inherently no good with computers, a dumb prejudice that Jeanette Winterson ably rebuts in this collection of interlinked essays, with stories from early computing history and several outbursts of amusing ire.

Funeral gatecrasher: The Black Dress, by Deborah Moggach, reviewed

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Here is a rare dud from the usually reliable Deborah Moggach. Her protagonist, Pru, finds herself alone at 69 after Greg, her husband of decades, leaves her out of the blue. There is a further loss to come for Pru, and Moggach is good on her ‘howling loneliness’; but what she decides to do about it doesn’t quite ring true. Urged on by her sexy, bolshy friend Azra (who was Linda from Sunderland before a sudden reinvention) to meet someone new, Pru begins searching out the funeral notices of strangers, so that she can gatecrash the ceremonies and hit on the widowed husbands. Azra has told her that widowers are less likely than divorcees to be bitter, and that young women don’t understand bereaved men.

Startlingly sadistic: Once Upon a Time in Hollywood, by Quentin Tarantino, reviewed

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There’s no doubt that Quentin Tarantino is a movie director of brilliance, if not genius. But can he write? Well he can certainly tell a good story. What we have here is Tarantino’s ninth feature film, a 1960s Hollywood yarn about a fictional actor and his stunt double, but rendered in book form. Rick Dalton is the TV and B-movie actor, while his stuntman, Cliff Booth, ruined his own career by beating up Bruce Lee during a shoot. He’s now reduced to being Rick’s driver and drinking buddy. The two of them are on the slide, but things start to look up when Rick lands a role in a new cowboy TV drama.

The complex character of Tricky Dick

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In this Age of Trump, as we cast about for some moment in American history that might help us make sense of the present, the name Richard M. Nixon keeps resurfacing. Nixon, who resigned the presidency in 1974 after being swept up in investigations into the crimes and cover-ups known collectively as Watergate, offers easy comparisons with Donald J. Trump: two corrupt American presidents who left office in disgrace; who considered the press their enemy; who accused the previous administration of surveilling them; who weaponised racism as a way to win elections; who employed the politics of division as a way of keeping power; who possessed and indulged an outsized thirst for revenge.

Lucy Ellmann is angry about everything, especially men

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Is Lucy Ellmann serious? On the one hand, yes, very. The novel she published before this collection of essays was the Booker-shortlisted Ducks, Newburyport, which relayed the internal life of an Ohioan mother of four via a single sentence across 1,000 pages. Her publisher tells me that between the proof and final publication of Things Are Against Us, Ellman made 1,700 changes. She is, in short, an undoubted paragon of highbrow meticulousness. Then again and on the other hand, no, Ellmann is not being serious at all here. Things consists mostly of pieces written before the pandemic but is nonetheless influenced by the plague world into which it emerges, reacting against solemnity with provocation. She supplies her own epigraph: In times of pestilence, my fancy turns to shticks.

An interest in the bizarre helps keep melancholy at bay

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If you crush the right testicle of a wolf and administer it in oil or rose water it will induce a loathing for sex. The Turks have a drink called coffee (for they use no wine). The Chinese have no nobility, or only those philosophers and doctors who have raised themselves by their worth. If you allowed a human being 25 square feet each, the Earth could bear 148,456,800,000,000 people. The Persian kings trained sparrows to hunt butterflies, inspired by hunting with hawks. Speaking of sparrows, the reason they are so short-lived is because of their salacity, which is very frequent.

To appreciate Finnegans Wake you must hear its sounds and rhythms

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‘How good you are in explosition!’ The first ever unabridged recording of James Joyce’s Finnegans Wake is a monumental achievement by Naxos AudioBooks. Before its publication in 1939, Joyce had spent 17 years on this notoriously impenetrable work. Since then it has sparked dedicated study — and derision. Many serious readers have abandoned attempts to understand it — referred to within the Wake itself as a worthless ‘pinch of scribble’.