Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

A matter of life or death: Should We Stay or Should We Go, by Lionel Shriver, reviewed

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Leave or remain? That’s the question hanging like a cartoon sledgehammer over Lionel Shriver’s 17th novel. Although she makes merry with the parallels, her subject isn’t Brexit. It’s how long a person should choose to live. Should we allow ourselves to shamble, with gentle optimism, into decades when mental and physical decay are statistical probabilities? Or should we Take Back Control, and off ourselves before revolted strangers are required to wash our private parts at great cost to our struggling NHS? The characters Shriver charges with assessing the options are Cyril and Kay Wilkinson. We meet them in their early fifties as they return home after Kay’s father’s funeral.

The man at the heart of punk: the late Pete Shelley recalls his Buzzcocks years

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Manchester, in the words of the artist Linder Sterling, is a ‘tiny little world’. Nearly three million people live in its sprawl, but its centre is compact. Like-minded Mancunians have always found one another easily. Cultural life is febrile, which partly explains how, in the pre-digital late-20th century, England’s third city produced such startling bands: Joy Division, the Fall, New Order, the Smiths, the Happy Mondays and Tony Wilson’s era-defining Factory record label — and Buzzcocks, less celebrated, but without whom Manchester’s creative energy would have failed to detonate. Pete Shelley was Buzzcocks’s charismatic co-founder and chief songwriter, whose sharp lyrics and bratty vocals shaped much of British punk.

Germany’s post-war recovery was no economic miracle

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Lord Macaulay wrote that ‘during the century and a half which followed the Conquest there is, to speak strictly, no English history’, because everything in England was decided by an elite who spoke French. This, of course, makes it one of the most fascinating and overlooked parts of our national story.By a similar token, the years 1945-1955 have been neglected by German scholars, because their national history, in Macaulay’s terms, also did not properly exist. Germany, prostrate, shorn of its ancient east, its fate as yet undecided, was entirely run by occupying powers. Yet, as Harald Jähner argues, this is the very era which defined modern Germany. His Aftermath is what every reviewer longs for: a scholarly masterpiece which is also a good read.

The US tech companies behind China’s mass surveillance

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In January, the United States declared that China’s brutal treatment of the Uighur people in Xinjiang amounted to genocide. ‘I believe this genocide is ongoing, and we are witnessing the systematic attempt to destroy the Uighurs by the Chinese party-state,’ said Mike Pompeo, the former US secretary of state. British MPs made a similar declaration in April. Beijing fervently denies the accusation, and some experts maintain that ‘cultural genocide’ is a more appropriate label. But whatever we call it, the systematic attempt to erase Uighur identity, culture and history is a heinous crime against humanity.

Richard Dawkins delights in his own invective

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The late Derek Ratcliffe, arguably Britain’s greatest naturalist since Charles Darwin, once explained how he cultivated a technique for finding golden plovers’ nests. As he walked across the featureless moor, ‘the gaze’, he wrote, had to be ‘concentrated as far ahead as possible, not in one place, but scanning continuously over a wide arc from one side to the other and back’. Should you look down at your feet, or allow yourself to be distracted for a second, chances were that this elusive wader would slip off its eggs and you would never work out whenceit came. Reading Richard Dawkins strikes me as requiring a similar kind of disciplined attention.

Abandoned by Paul Theroux: the diary of a sad ex-wife who sadly can’t write

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When I interviewed Paul Theroux 21 years ago at his home in Hawaii, there were already rumours that his ex-wife Anne had written a book about him. In fact their son Marcel said in an interview that she had sent Paul the manuscript. Theroux denied it to me, and said breezily that he wished Anne would write a book, because then she’d have greater respect for the work involved. And: I don’t see that if she wrote a book it’s going to be an attack on me. I don’t think it’ll be ‘I discovered his lies’. So it doesn’t worry me. I’m sure she’d show it to me, but it doesn’t really matter — I’m happy to just buy it off the bookstalls. So is this the long-awaited book?

Salman Rushdie’s self-importance is entirely forgivable

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I have the habit, when reading a collection of essays, of not reading them in order. I’m pretty sure I’m not alone in this. So, as it happened, I had read nearly all of Languages of Truth before I arrived at the second piece in the book, ‘Proteus’, and came across the Salman Rushdie I had been looking forward to: the worst Rushdie, the infuriating, humble-bragging, know-all, preposterous and tone-deaf Rushdie. Up until then I had been going through the book, pencilling marginal notes which were saying, essentially, ‘oh, this is rather good’, ‘excellent point’, or ‘very well put’. It was all getting a bit too chummy between Salman and me.

The cut-throat business of the secondhand book trade

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For almost as long as there have been books, there have been books about books — writers just love to go meta. As well as all that midrash, those Biblical commentaries, the SparkNotes, the interpretations, retellings and the endless online fan fic, there are also of course plenty of guides, manuals and handbooks designed to instruct the gentleman or gentlewoman in the gentle arts of book buying, book collecting and other vaguely book-related activities. (Henry Petroski’s The Book on the Bookshelf — a book about bookshelves — being one of the all-time metabook greats.) I happen to have, by chance, a small library of books about books, including a collection of guides to book collecting.

Experiences of Eton — and the success it rewards

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In the summer of 2019, the journalist Anita Sethi was on a train travelling across northern England when she was racially abused by another passenger. Besides using several words too offensive to quote, the man spat that Sethi should go back to where she came from. And so she did. Sethi comes from Manchester. Her first reaction to the experience was to speak out, to alert a member of staff and to ensure her abuser faced justice; her second was to start planning a trek across northern England, the landscape that was hers and where she belonged.

Studies in vulnerability: A Shock, by Keith Ridgway, reviewed

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Keith Ridgway’s seventh book is a sultry, steamy shock of a novel, not least because nine years ago, despite the critical success of Hawthorn & Child, he retired from writing, telling his publishers he was done with making up stories. He also stopped reading — although only for a year, lured back by the likes of Muriel Spark and Georges Simenon’s Maigret series. Reading made him want to write again. The result is A Shock, a provocative collection of nine interlinked stories, jostled together like neighbours on a London street or regulars in a pub, which is where most of his characters cross paths. The composite form, popular with the likes of Polly Samson, Jennifer Egan and David Szalay, creates something stronger than its parts.

Liberate yourself from sexual repression the Wilhelm Reich way

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When she was 22, Olivia Laing had a sensual epiphany in Brighton. She’d been drawn into a herbalist’s massage parlour by the sign outside claiming that headaches, anger, depression and colds — in fact any symptoms at all — were caused by stuck energy from past traumas that body psychotherapy could release. ‘The idea of the body as a storage unit for emotional distress excited me,’ she writes. Just as well she didn’t present with cancer or the symptoms of Covid. At the time, Laing’s body was, she thought, a cataclysm of inaccessible traumas: ‘I was so rigid and stiff I flinched when anyone touched me, like a mousetrap going off. The massages of Anna, a herbalist, helped.

Is Serena Williams’s fame as a cultural icon eclipsing her tennis?

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Serena Williams is not exactly an elegant tennis player — her game is based overwhelmingly on raw power — but one of her shots is an exception. Her serve is not only one of the most destructive strokes in tennis, it’s also one of the most beguilingly beautiful. Her action begins slowly, even ponderously — as if her limbs are reluctant to emerge from stillness. But from this heaviness comes a sudden gathering, an explosive acceleration, as racket, arm, trunk and legs are flung up in unison towards the ball. Gerald Marzorati devotes a couple of pages to Williams’s serve in Seeing Serena, and he points out something I’d never noticed, which is how ‘effortlessly smooth’ her ball toss is.

Life’s a bitch: Animal, by Lisa Taddeo, reviewed

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Lisa Taddeo’s debut Three Women was touted as groundbreaking. In reality it was a limp, occasionally overwritten account of the sexual hang-ups of three ordinary women. It took eight years to research and write. It didn’t seem worth it. Luckily, she was also gathering material for a novel, Animal, a book teeming with the rage, frustration and drama so lacking in the debut. The same motifs and ideas —mothers, desire, shame — appear, but with a story that twists and turns. Animal is the first-person account of Joan, a slightly unhinged 37-year-old woman: ‘I am depraved. I hope you like me.’ She leaves New York after her former lover shoots himself in the face in a restaurant while she’s on a date with another man.

Journey to the end of the world: the full horror of the Belgica’s Antarctic expedition

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The epic story of the Antarctic voyage of the Belgica (1897-9) has all the ingredients of a truly glorious misadventure: an aristocratic expedition commander who carries the pride of a small nation on his shoulders; an eccentric American surgeon who was to become known as one of the greatest frauds in the history of polar exploration; a cantankerous crew, racked by madness, scurvy and mutiny; a desperate sunless polar winter stuck in shifting sea ice that threatens to crush the ship; and finally an escape plan that involves half a ton of explosives and hand-sawing through a mile and a half of sea ice.

Return to LA Confidential: Widespread Panic, by James Ellroy, reviewed

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Even by James Ellroy’s standards, the narrator of his latest novel is not a man much given to the quiet life. Freddy Otash breaks legs for Frank Sinatra. He gets Dean Martin’s pregnant Latina maid deported. He sticks the hand of someone blackmailing Liberace into a deep-fat fryer. He sleeps with the 21-year-old Elizabeth Taylor while she’s only on her second marriage. And all that’s in the first 20 pages, while Otash is still an LA cop. Once he goes freelance as a private eye, things turn rather more lurid. Widespread Panic is a rare stand-alone novel among Ellroy’s assorted trilogies and quartets. But, as you can maybe tell already, that doesn’t necessarily make it a radical departure.

A lesson in understanding serial killers and child molesters

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True crime is having a moment: every day there’s a new documentary, book, podcast, or blockbuster film announced, detailing the grisliest, most depraved actions imaginable. Once only the domain of fanatics, true crime is now mainstream. At its best, it’s fascinating, shining a light on human behaviour, but at its worst, it can be voyeuristic and dehumanising. So I approached The Devil You Know, Dr Gwen Adshead’s memoir of forensic psychotherapy charting her encounters with serial killers, murderers and paedophiles with a little trepidation. The book is divided into 11 chapters, each telling the story of an (anonymised) patient of Adshead. They come from her time spent working in prisons, secure hospitals such as Broadmoor and private practice.

A load of oddballs: the eccentricities of past cricketing heroes

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For reasons I can’t seem to remember, I have read an awful lot of cricketing histories. The dullest, by a distance, was Sir John Major’s plodding effort, a labour of love to write, I’m sure, but a real labour to read. One of the most astute was Sir Derek Birley’s magisterial A Social History of English Cricket. It apparently helps to be a knight of the realm if you wish to get your cricketing history into hard covers. Richard H. Thomas isn’t there yet — he’s an associate professor of journalism at Swansea university — but his book is so absorbing and entertaining I would be surprised if the offer of at least a CBE wasn’t already in the post. For Thomas has done something unusual but actually very simple and effective.

The short, unhappy life of Ivor Gurney — wounded, gassed and driven insane

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The poet and composer Ivor Gurney (1890-1937) is a classic but nevertheless shocking example of literary neglect. Although he brought out two respectfully received collections of war poetry during his lifetime, the idiosyncrasies of his style have prevented him from being widely recognised as the equal of his greatest contemporaries. His history of mental illness has further destabilised the reception of his work, not just by encouraging people to think of him as crazy, but by compounding practical difficulties surrounding its publication. In the 1980s Michael Hurd wrote a somewhat sketchy biography, and P.J. Kavanagh edited an expanded, but still partial, sample of his work.

Not so dryasdust: how 18th-century antiquarians proved the first ‘modern’ historians

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Antiquaries have had a bad press. If mentioned at all today, they are often derided as reclusive pedants poring over details of manuscripts and shards with little relevance to the wider world. As recently as 1990, the respected ancient historian Arnaldo Momigliano skewered their pretensions when he described them as ‘interested in historical facts without being interested in history’. Rosemary Hill, the biographer of Augustus Pugin, the architect of Gothic revivalism, which owed much to antiquarianism, has other ideas.

Leni Riefenstahl is missing: The Dictator’s Muse, by Nigel Farndale, reviewed

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Leni Riefenstahl was a film-maker of genius whose name is everlastingly associated with her film about the German chancellor, Triumph of the Will, which won the gold medal at the 1937 Paris World Exhibition. It is an unforgettable piece of cinema, with the lonely hero descending, like one of the immortals, from the clouds. As he enters the podium at Nuremberg, we only see the back of his head as he wows the tens of thousands. In Nigel Farndale’s riveting novel, Riefenstahl remarks to one of the athletes at the 1936 Olympics that the only thing which she really cares about is film. This seems indeed to have been the case. Farndale’s story does not concern Triumph of the Will.

The strangest landscapes are close to home

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This pleasant volume, the author announces in the introduction, is ‘not a nature book, or even a travel book, so much as a book of fantasy: four small pilgrimages into imagination’. In its pages Nick Hunt unfurls his sleeping bag under a pink moon, breakfasts on a raw white onion and meditates both on what remains and on what we have lost. Outlandish is divided into four parts, each covering a short walk through a uniquely unusual landscape: Arctic tundra in the Cairngorms; a remnant of primeval forest straddling Poland and Belarus (‘the closest thing that Europe has to a true jungle’); the continent’s ‘only true desert’, in Spain’s south-eastern Andalucía; and the grassland steppes of Hungary. What unites the four?

Sweet and sour: Barcelona Dreaming, by Rupert Thomson, reviewed

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I’ve never been to Barcelona, but Rupert Thomson makes it feel like an old friend. The hot, airless nights and the car engines, ‘exhaust fumes mingled with frangipani’ and beneath the smell of jasmine ‘the stale, slightly medieval smell of drains’. Cafés con leche and jugs of caipirinha with wedges of lime and crushed ice. The clutter of pink-and-white buildings and the port, ‘the masts of boats swaying and clicking in the offshore breeze, the sunlight glassy, dazzling’. In places, those buildings give way to dusty wastelands — ‘areas like this were common in Barcelona’.

A tender portrait of Leonora Carrington, painter, writer — and a mother who was not always there

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Ever since Leonora Carrington, the last of the Surrealists, died in 2011, having made it to her 94th year with her creativity undimmed — like that other postwar English exile P.G. Wodehouse — her afterlife has reaffirmed the old maxim ‘Now that I’m dead I’m finally making a living’. Her collected short stories (as grotesquely funny and sharp as her paintings and their titles) were published on her centenary in 2017. So, too, was a biography by Joanna Moorhead which to most editors would barely have qualified as a proposal. It ran to just over 200 pages, written by a journalist who is ‘especially interested in relationships and family life’ — but didn’t discover until middle age that her second cousin was a world-famous painter.

Singing to the gods: a millennium’s span of ancient Greek hymns, gloriously portrayed

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We are experiencing a boom of popular books on Greek mythology: Stephen Fry’s Mythos; Natalie Haynes’s Pandora’s Jar; Liv Albert’s Greek Mythology: The Gods, Goddesses, and Heroes Handbook, to name a few. Admittedly, Greek mythology has it all: love, sex, murder, incest, cannibalism, magical transformations, pirates, monsters, miracles. Surely some readers, though, will want to go even deeper, to tap into the ancient sources, incorrigibly plural and various. These sources include Homer’s Iliad and Odyssey and Hesiod’s genesis and who-begat-whom of the gods, the Theogony. (Plus a chunk of ‘Greek’ mythology which we actually get via the Roman poet Ovid.

The sexploits of Mariella Novotny

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Orgies! Gangsters! Drugs! Spies! Scandals! This biography promises much but I’m not sure it actually delivers, or not in any credible way. Searching for facts in the foetid gloop of Pizzichini’s prose feels like bog-snorkelling. The subject, Mariella Novotny, was a ‘party girl’, or prostitute, who turns up like Zelig in many 1960s scandals. She claimed to have had sex with John F. Kennedy and his brother Bobby when she was only 20, and she was on the scene when Christine Keeler was having her affairs with Profumo and the Russian spy Ivanov. She featured in several News of the World exposés, and later contributed an autobiographical serial to the porn magazine Club International. She was born Stella Marie Capes in 1942 in Sheffield.

In search of Great-Aunt Pearl’s will: a black comedy of familial strife

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Lendal Press has found a brilliant novelist in Matt Cook: funny, shrewd, satirical, disturbingly and entertainingly analytical in his psychology of character. This debut novel is narrated by a precocious 14-year-old, Benjamin Carter, whose family on his father’s side is having a collective nervous breakdown. Great-Aunt Pearl has died; her derelict house, ‘a riot of mould and malfunction’, must be sold for the benefit of family members, but first, within the chaotic mess, they must find her will. Cook is master of the judicious turn of phrase.