Jonathan Coe

Before Billy Wilder became the celebrated director of films such as Sunset Boulevard, Some Like It Hot and The Apartment he was a busy jobbing screenwriter at UFA Studios in Berlin in the early 1930s, writing or co-writing the scenarios to more than 20 movies. And before that, he was a journalist. Starting in Vienna in the mid-1920s, where his earliest assignments included setting the crossword puzzle (a charming example is included in this volume), he quickly moved on to Berlin and became a prolific writer of occasional pieces for papers such as Der Querschnitt and the Berliner Börsen Courier. Selections of these articles have been published before but are long out of print, and were never translated into English.

Like A Fiery Elephant, my biography of the experimental novelist B.S. Johnson, contains one particularly careless sentence: the one where I described Johnson as ‘Britain’s one-man literary avant-garde of the 1960s’. It was a silly thing to write, partly because it wasn’t true, but also because it was easily the most quotable line in the book and so every journalist and reviewer was bound to pick it up and repeat it. And so it proved. But Johnson was not Britain’s one-man literary avant-garde. The 1960s saw a significant flowering of what we might (for shorthand) call experimental writing in this country.