Culture

In this Age of Trump, as we cast about for some moment in American history that might help us make sense of the present, the name Richard M. Nixon keeps resurfacing. Nixon, who resigned the presidency in 1974 after being swept up in investigations into the crimes and cover-ups known collectively as Watergate, offers easy comparisons with Donald J. Trump: two corrupt American presidents who left office in disgrace; who considered the press their enemy; who accused the previous administration of surveilling them; who weaponised racism as a way to win elections; who employed the politics of division as a way of keeping power; who possessed and indulged an outsized thirst for revenge.

The great Latinist D.R. Shackleton Bailey was once said to have been pinned into a corner at a party and ordered to reveal what he actually did. ‘I just look things up all day,’ came the tetchy reply. That will ring a loud bell with those who learned ancient Greek or Latin at school, especially when it came to looking up the meaning of a word in LSJ, Oxford’s big Greek-English dictionary, or rather lexicon (Greek lexikos, ‘of or for words’). It was named after the initials of its two original editors (Henry) Liddell and (Robert) Scott, and a later revising editor (Henry Stuart) Jones, and was so full of Greek that it took about a day to find the meaning you were actually looking for.

Is Lucy Ellmann serious? On the one hand, yes, very. The novel she published before this collection of essays was the Booker-shortlisted Ducks, Newburyport, which relayed the internal life of an Ohioan mother of four via a single sentence across 1,000 pages. Her publisher tells me that between the proof and final publication of Things Are Against Us, Ellman made 1,700 changes. She is, in short, an undoubted paragon of highbrow meticulousness. Then again and on the other hand, no, Ellmann is not being serious at all here. Things consists mostly of pieces written before the pandemic but is nonetheless influenced by the plague world into which it emerges, reacting against solemnity with provocation. She supplies her own epigraph: In times of pestilence, my fancy turns to shticks.

Consider the hare and the hyena. The hare, Clement of Alexandria told readers of his 2nd-century sexual self-help manual Paedagogus, was thought to possess both male and female sexes and swapped their roles from year to year. As for the hyena, it was believed to acquire an extra anus annually and ‘to make the worst use of these added orifices’, as Michel Foucault puts it in the newly translated fourth volume of his History of Sexuality. For early church theologians the moral lesson was clear: we must not emulate gender-bending hares or randy hyenas. Rather, sex should be procreative, not pleasurable; we must go forth and multiply, borne by duty, not ecstasy.

The other day a friend asked me what a lascar was. Fair enough: it’s not a word you come across in everyday conversation. Perhaps he’d been reading Spike Milligan, where I last met it. A similar question struck me about the ‘unreasonable virtue’ which the American writer Mark Kurlansky sees in fly fishing. I have fished all my life and am no more or less virtuous that the next man. I searched for the answer in this book but failed to find it. It is hard to understand why it was published. True, British writing about fly fishing has become a lackadaisical, threadbare thing.

November 1974 was the month to disappear. On the 7th, Lord Lucan went missing, and a fortnight later John Stonehouse MP dis-appeared from a beach in Miami. Lucan was never found, so remains prominent in our national mythology. Nothing endures like a mystery. Stonehouse, on the other hand, was discovered in Melbourne six weeks later, living under an assumed name. His vanishing trick, so carefully rehearsed, had unravelled — partly due to Lucan, as it happened. Having been alerted to a suspicious Briton by a beady bank clerk, the Australian police thought he might be Lucan. Their first act after arresting their suspect was to lift his trouser leg to look for the missing earl’s telltale scar. Stonehouse had long had a tendency to vanish.