Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The Prince and the F

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Anyone interested in the history of Germany, of nationalism or of dynasties will be gripped by this book. Born at the start of the 20th century, heirs of an ancient German dynasty, Princes Philipp and Christopher of Hesse-Kassel were good-looking, modern young men. English was their second language, Queen Victoria’s liberal daughter the Empress Frederick their grandmother. No other German princes, however, rose so high in the Nazi party. Prince Philipp became a member of the Nazi party and the SA in 1930. Prince Christopher joined the SS in 1932. The timing of their adhesion, before Hitler came to power, proves its sincerity.

A member of the awkward squad

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On an autumn Saturday in 1944 Private Robert Prentice, an 18-year-old rifleman trainee, makes a long journey from his camp in Virginia to New York City, to see his mother. He is soon to be sent abroad, France most likely, and there he’ll see action, which will at least be a change from tedious, thankless camp duties. ‘Oh, Bobby!’ exclaims his ageing mother as she greets him. ‘My soldier! My big, wonderful soldier!’ A touching tableau, one would think, except that it’s riddled with falsity. Alice Prentice is a self-centred, self-indulgent, attitudinising spendthrift, who will occupy herself during Bobby’s long and endangered absence with plans for him to rescue her from an indigence largely her own fault.

Meandering with a mazy motion

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Kate Atkinson’s previous novel, Case Histories, was a successful experiment in crime fiction. One Good Turn is its sequel. In the first book, which was set in Cambridge, Brodie Jackson was a standard-issue private eye — ex-army, ex-police, with a broken marriage and a penchant for country music. Now, thanks to a £2 million inheritance from a grateful client, he’s an ex-private eye with a house in France and a swimming pool. Another legacy from Case Histories is his lover Julia, an actress in the Nell Gwyn mould, both physically and emotionally. Brodie and Julia are in Edinburgh, where Julia has a role in a doomed Fringe production, largely funded by Brodie.

The past is always present

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‘Nothing was over. Nothing is ever over.’ Thus muses Humphrey Clark as he travels towards the small windswept northern port of Finsterness, scene of formative childhood holidays. Humphrey, a reclusive marine biologist, is on his way to collect an honorary degree. Much more significantly, at Finsterness he will re-encounter Ailsa Kelman, his childhood companion and later — secretly, briefly — his wife. The idea that ‘nothing is ever over’ provides the momentum for this, Margaret Drabble’s 17th novel. As young adults, Humphrey and Ailsa believed that they had found a perfect, time-cheating happiness together.

On the Wight track

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In one of P. G. Wodehouse’s stories the attempts made by Oliver Sipperley, editor of the Mayfair Gazette, to inject some pep into the mag are hampered by poor old Sippy’s inability to ward off unwelcome contributions from his formidable prep school headmaster on recondite classical topics. I experienced not dissimilar difficulties when editing the Telegraph’s obituaries page as I was constantly being assured by the 2nd Viscount Camrose, the paper’s erstwhile deputy chairman, that one of his old sailing chums would make ‘a jolly good obit’ (though his brother, Lord Hartwell, always maintained that obits were a waste of news space).

The eyes have it

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Early in January 2000 the art historian T. J. Clark arrived in Los Angeles for a six-month stint at the Getty Research Institute. He was fortunate to see, in the Getty Museum, two great pictures by Poussin, the Getty’s ‘Landscape with a Calm’ and the National Gallery’s ‘Landscape with a Man Killed by a Snake’, on loan from London. Over a period of weeks Clark visited the pictures almost every day and was able to register the tiny but memorable changes brought about not only by the process of intense contemplation but the traces left in memory and dream fragments which could only be clarified by more looking. Attempts to translate these experiences stimulated but never dogmatically proposed a new form of art historical writing.

Fatal attraction

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When Prince Harry stirred up a fuss by wearing Nazi uniform to a fancy-dress party he found a gallant defender in Paul Johnson who wrote that ‘in treating Nazi insignia as a party joke’ the young prince ‘reflects the instincts of his generation’. ‘The Nazis,’ he added, ‘do have an undoubted fascination for many young people’, because of their style, not their ideology. ‘Hitler still exerts some of the dread appeal he exercised in his lifetime ... A lot of his appeal, I suspect, is visual. Hitler was a kind of artist’ who ‘put his  artistic and inventive instincts to work’. This is surely undeniable, and Johnson is by no means the first to remark it. Thomas Mann was there before him.

Surprising literary ventures | 3 August 2006

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ZABIBA AND THE KING (2000) by Saddam Hussein The first of several novels by the world’s bestselling war criminal, Zabiba and the King is a clunking allegory in which the king represents Saddam, Zabiba (a beautiful maiden) represents the Iraqi people, and Zabiba’s abusive husband represents the USA. Most of the book is presented in the form of a dialogue on statecraft between Zabiba and the king, who loves her madly (as Saddam loves his people), though he never has relations with her (that might be going a little too far). One of Zabiba’s musings, which may refer to Russia (the bear), reads as follows: ‘Even an animal respects a man’s desire, if it wants to copulate with him.

Shedding light in dark places

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Scholars who want to accuse others of ignorant obscurantism have long taunted them with the phrase lucus a non lucendo. This is supposed to exemplify the stupidest kind of concocted etymology, and here it is in Book XVII of Isidore’s stout old compilation: ‘A “sacred grove” (lucus) is a dense thicket of trees that lets no light come to the ground, named by way of antiphrasis because it “sheds no light” (non lucere).’ So, if Isidore was so dim, why should anyone be interested, after 1,400 years, in an English translation of his magnum opus, The Etymologies? First because we have missed something big. The Etymologies was one of the most influential books from the time of its compilation around the year 620 until into the Renaissance and beyond.

Not all Scary Monsters (and Super Creeps)

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Born in 1965, Howard Sounes was scarcely out of short trousers by the time that Margaret Thatcher took power and kicked us out of the mire of complacent consensus and began to crush the tyranny of the unions. Perhaps his vivacious and enjoyable new book about the culture of the Seventies does romanticise ‘a low dishonest decade’ that he did not fully experience, but there is something to be said for his refusal to follow the common view that it was an era merely ‘amusingly stupid and vulgar... all about flared trousers, Starsky and Hutch, Chopper bikes and Showaddywaddy’.

Touching the hem of a lost world

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First and most importantly, Hugh Thomson is a good thing. It takes a rare combination of scholarly focus and Boys’ Own derring-do to write books about adventuring in Peru (this is his third) which consistently rise above the level of backpackers’ companions, and convey not only Thomson’s great knowledge of the ancient civilisations of the Andes, but also the thrill of the chase for such knowledge. To a lay audience, academic archeologists are often dreadful communicators either of the excitement of discovery or of the human stories of the discoverers. Indeed to the general public they regularly fail to communicate even the meaning of their discoveries.

A never-ending story

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You know the famous story about Freud and Einstein? Freud writes to Einstein, sending him one of his books and asking for his opinion of it. Einstein writes back, saying he enjoyed the book very much, that he thought it was outstanding, exemplary even, but that, alas, he was in no position to judge its scientific merits. To which Freud replied, if Einstein couldn’t judge its scientific merits, then the book could hardly be judged exemplary. About this, Freud, as in a number of other things, was gloriously and absolutely wrong. Greil Marcus is no scientist, but we shouldn’t hold that against him.

Taking it lying down

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Europe thinks ‘that to achieve peace no price is too high: not appeasement, not massacres on its own soil, not even surrender to terrorists... Europe is impotent. A foul wind is blowing through [it]... the idea that we can afford to be lenient even with people who threaten us... This same wind blew through Munich in 1938... It could turn out to be the death rattle of a continent that no longer understands what principles to believe.’ This is not Michael Gove but Marcello Pera, President of the Italian Senate. But in fact the views of the three authors fit remarkably well. Celsius 7/7 is centrally about the political response to Islamist terrorism. Pera discusses the relativism that undergirds so much of the thinking that responds to terrorist Islam.

Plain speaking and hard drinking

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Craig Murray, formerly Our Man in Tashkent, was not your average ambassador. He put the wind up the Uzbeks with his uncompromising position on President Islam Karimov’s unspeakably grisly human rights record. This is the country that infamously boiled a dissident to death and then sentenced his mother to six years of hard labour when she had the temerity to complain about it. It is thanks to Murray’s efforts that the case was publicly aired in the first place and that the unfortunate mother’s sentence was subsequently commuted to a fine. Upsetting Uzbekistan is one thing.

The trouble with being a lie-detector

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Novels narrated in the first person by dysfunctional adolescent boys are no rare thing. Nor is there a yawning gap in the market for novels detailing the squalor and eccentricity and thwarted dreams of life in 20th-century Ireland. I opened Carry Me Down, therefore, with a sense of weariness in advance. But I found that M. J. Hyland doesn’t deal in cliché. The stock ingredients are all there — the school bullies, the drunken uncles, the creepy teacher, the feckless father — but the dialogue is nimble and the observations are acute. Hyland can do humour, horror and pathos all at once, as in an early scene when the show-off father fails to drown a litter of kittens.

Leading the way in the dark

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It was Peter Fleming who noted a principal difficulty for the traveller in the 20th century. There were no journeys to be made, he said, that had not been made already, and he knew that in anything he chose to do, ‘other, better, men’ would have gone before. Under such circumstances, ‘only the born tourist — happy, goggling, ruminant — can follow in their tracks with the conviction that he is not wasting his time’. James Holman, the hero of A Sense of the World, was probably happy and possibly ruminant. But what he was most definitely not was goggling. For by the time he set off to travel hither and yon around the world, Holman was blind. His blindness began suddenly in 1787, the summer of his 25th year. At first he hoped — as who would not?

A choice of recent audio books

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Even though Rudyard Kipling died 70 years ago, listeners to Plain Tales from the Hills are sure to gain the beloved storyteller some new followers. I’m certainly joining the fan club. Never engrossed by ‘Gunga Din’, ‘If’ or ‘the great grey-green greasy Limpopo River’, I was astounded how quickly I became hooked on these stories — I’ve listened to the majority more than once. This is early Kipling — he was only 23 when commissioned to write them for the Civil and Military Gazette, a local English-language newspaper for the British in northern India.

Snow on the way again?

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Anthony Powell’s centenary last year was rightly celebrated; not much notice, I think, was taken of C. P. Snow’s. This was hardly surprising. Shares in ‘Snow Preferred’ are, in Wodehouse’s phrase, ‘down in the cellar with no takers’. I would guess that very few under the age of, say, 50 have read the 11 volumes of his Strangers and Brothers sequence, published between 1940 and 1970. Yet he was then regarded as a major English novelist, and the sequence as being as important and ambitious as Powell’s.

Firebrand turned diehard

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‘Do you pronounce it Sowthy or Suthy?’ asked a friend when I mentioned I was reviewing this book. Today, that small controversy probably marks the limit of public curiosity as to this remarkably prolific but not otherwise exceptional poet, novelist, historian, critic and political commentator, who flourished as a radical alongside his friend Coleridge in the early stages of the French Revolution, and later retreated to the Lake District where he became a diehard Tory and Poet Laureate, earning himself the contempt of Shelley, Byron and Hazlitt. This new biography follows relatively recent volumes by Geoffrey Carnall and Mark Storey; it adds little of significance to them.

Blowing your mind on the road

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Sex, Afghanistan without the risk of death, Nepalese temple bells; more sex, India when it wasn’t deforested and covered in a cloud of smog; yet more sex and a lot more drugs: yes, I can quite see why travel-writer Rory MacLean wishes that he’d been old enough to have done the Hippie Trail in its late Sixties/early Seventies heyday. I wish I’d been there, too — either that or a door gunner in Nam, anyway — and the only consolation is that I know damned well that it can’t have been nearly as much fun as the hippies cracked it up to be. How do I know? Because hippies are a bunch of mendacious, self-deluding, intellectually dishonest scuzzballs, mainly.

The minimum of turbulence

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Glorious, bloodless, last, perhaps all of those things, but the revolution of 1688 was hardly a revolution at all. It was the neat solution to a succession crisis: how to keep the throne of England secure against a Roman Catholic successor to the Roman Catholic James II. The essential ingredients were the resolve of James’s Protestant son-in-law, William of Orange, to bring Great Britain into permanent alliance with the Netherlands against France and, in the face of that resolve, James’s timidity and eventual flight.

Pudding time for Whigs

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Compared with the romance and legend of the Jacobite rebellion of 1745, the ’15 is, as Daniel Szechi ruefully concedes, ‘a dowdier bird’. It has been ill-served by history, just as the Jacobites as a whole have been neglected by historians of the 18th century in favour of the broader trend of Britain’s march of progress. There is perhaps a failure to understand why people should have risked everything for a dynasty that had been twice kicked off the throne and in support of James Stuart, every bit a dowdy bird himself. That was certainly how the Whigs felt at the time. It was the ‘unnatural rebellion’ for them, started and carried out by stubborn and savage Scottish irreconcilables and a handful of Tory malcontents.

In the Brisbane Botanical Gardens

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In the Brisbane Botanical Gardens,Walking the avenue of weeping figs,You can see exuded latex stain the barkLike adolescent sperm. A metamorphosis:The trunks must be full of randy boys. At home, the Java willowsWhen planted alongside a watercourseWere said to stem the breeding of mosquitoes.Here, they have nothing else to doExcept to stand there looking elegantIn Elle Macpherson lingerie. From the walkway through the mangrove mud-flatsSpread south from overwhelming Asia,You can see the breathing tubes of Viet-Cong crabsAnd imagine Arnie hiding from the PredatorLike a mud-skipper playing possum,Although he did that, of course, in South America.Below the tangled branches, bubbles tick.

The Voltaire of St Aldates

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Ah Oxford! Welcome to the City of Dreadful Spite, otherwise known as Malice Springs, the permanent Number One on the Bitch List. Not since the vituperative pamphleteers of the English Civil War has there been a community so dedicated to character assassination as the dons of Oxford. Living on the same staircase, dining side by side, night after night, term after term, dries up the milk of human kindness. Here is Hugh Trevor-Roper, Regius Professor of Modern History for 23 years, describing C.S.

Castrated by a grateful nation

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Some people’s lives drive you into a rage. Alan Turing’s is one. In The Man Who Knew Too Much David Leavitt unexpectedly compares him to Alec Guinness playing Sidney Stratton in The Man in the White Suit. Like Stratton, who invented a suit that would never wear out, Turing was a brilliant scientific deviant, interested in ‘welding the theoretical to the practical, approaching mathematics from a perspective that reflected the industrial ethos of the England in which he was raised’. And, like Stratton, he was ‘hounded out of the world’. But Stratton was playing an Ealing comedy. The injustice done to Turing makes you want to spit at someone. Snow White and the Seven Dwarfs was Turing’s favourite film.

A tendency to collect kings

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Some day this book may be in the footnotes of all social histories of the early 21st century, not for what it contains but for what it is: 500 pages of not the collected, but the selected letters of one human being. For, sidelined by the telephone and the email, the letter-writer is about to follow the fletcher and the high-street fishmonger into the past. And until they find some way of retrieving the spoken word from space, future historians, with only printed emails to go on, will puzzle over the terseness which at the turn of the century came into human communication. Suddenly we are as tight-lipped and purposeful as Western gun-fighters. Will anyone ever again write letters the way Martha Gellhorn did, 3,000 words, 4,000 words long, and one of 40 pages?

Painter, dreamer, governor, spy

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Of all the odd, forgotten corners of eastern Europe, the province of Volhynia must be among the oddest and most forgotten. A land of marshes and forests, memorable for its impassable roads and its lonely villages, Volhynia now lies in the north-west corner of Ukraine, along the Polish border. But before the second world war Volhynia was one of the easternmost provinces of Poland — as well as one of the poorest. In 1921, when the Polish state incorporated the province, having fought over it (and often in it) during the Polish–Bolshevik war, no Volhynian town had a regulated street network, only one had a sewage system and only three had electricity.