Selina Hastings

Stage Blood, as its title suggests, is as full of vitriol, back-stabbing and conspiracy as any Jacobean tragedy. In this sequel to Arguments with England, his superb first volume of memoirs, Michael Blakemore presents us with an enthralling account of his five embattled years as an associate director of the National Theatre. When in 1970 Blakemore was offered the position by Laurence Olivier, he had a distinguished career as an actor behind him and was already well-established as a successful director.

On 12 February 1952 the novelist Anthony Powell received a letter from a bookseller in New York. Robert Vanderbilt Jr was the proprietor of a couple of Manhattan bookstores and a great admirer of Powell’s. He wrote to ask if he might himself publish a couple of the novelist’s out-of-print works. Powell was delighted. The two titles chosen were Venusberg and Agents and Patients, the covers of both to be designed by Powell’s old friend Osbert Lancaster. As their letters make clear, Powell and Vanderbilt quickly found they had much in common, and as Powell had worked in publishing before the war, he was able to engage very much on a level with Vanderbilt when discussing the more technical aspects of the process.

Selina Hastings recalls her visit in 1989 to Lady Beauchamp, mistress of Madresfield Madresfield: the name is now almost as lustrous with literary association as Little Gidding or Adlestrop. To the admirers of Evelyn Waugh, Madresfield is hallowed ground: ‘It’s where Waugh stayed, you know, when he was writing Brideshead Revisited. In fact Madresfield is Brideshead, and the Lygon family is the absolute model for the Flytes, for Sebastian and Bridie and Julia and so on. I mean, look at Lord Marchmain living in exile abroad with his mistress: exactly the same as Lord Beauchamp — only it wasn’t a mistress in his case, of course.’ Well, yes and no. Mad World by Paula Byrne, reviewed last week, has further disentangled truth from fiction.

Rick Gekoski is an expatriate American, long established as one of the leading antiquarian book-dealers in Britain. As one might expect, books have been his passion for as long as he can remember, his reading as integral a part of his development as anything experienced in the world outside. ‘Every reading experience vibrates subtly across the jelly of being,’ he writes. ‘We are made and continually transformed by what, and how, we read.’ This autobiography, Outside of a Dog, described as a ‘bibliomemoir’, is extravagantly enjoyable, lively, candid, and wonderfully well-written.

The Pursuit of Laughter: Essays, Articles and Reviews, by Diana Mitford, edited by Deborah Devonshire Nancy was the only one of the six Mitford sisters who, throughout her life, bitterly complained of the fact that she had not been sent to school. Her younger sister, Diana, on the other hand, dreaded the very thought of school, and when they were children it was one of Nancy’s favourite teases to pretend she had overheard their parents planning to pack Diana off. ‘I was talking about you to Muv and Farve,’ Nancy would begin, a wicked gleam in her eye. ‘We were saying how good it would be for you to go away to school.

In her introduction to this extraordinary memoir, Etti Plesch warns the reader that the life she is about to describe will seem unfashionable as it contains no ‘stories of great suffering’. True enough. As recounted in Horses & Husbands, Etti’s 99 years seemed to have been passed at a level of luxury and self-indulgence almost impossible now to imagine. Knowledgeably edited by Hugo Vickers, this is the story of a woman who, uniquely, was the owner of not one, but two Derby winners, and who married wealthily six times. Born to aristocratic parents in Vienna in 1903, Etti was brought up in a romantic castle in Czechoslovakia belonging to her grandmother, her parents having divorced when she was four.

B y now Heywood Hill’s bookshop in Curzon Street must be almost as famous as 84 Charing Cross Road. Opened in 1936, the shop first became familiar through the lively accounts of Nancy Mitford, who worked there from 1942-45. Then came A Bookseller’s War, the correspondence between Heywood Hill, away in the army, and his wife, Anne, left in charge of the shop; and most recently, in 2004, The Bookshop at 10 Curzon Street, the letters written to each other by Nancy and Heywood. Now, published in the same attractive format, comes A Spy in the Bookshop, which might be described as reports from the front line in an ongoing shop war which had begun exactly as the other war ended.

While staying at Chatsworth for Christmas 1994, James Lees-Milne records an exchange with his old friend, Patrick Leigh Fermor, on the subject of keeping a diary. Leigh Fermor regrets not having done so: ‘It might have helped him pick up the threads … so difficult for horny old fingers to feel. Yes, I said, a diary does keep the fingers flexed.’ So it would seem. This is the 12th and final volume of Lees-Milne’s incomparable journal, which he continued to write until a few weeks before his death in December 1997. He was in his 90th year when he died, and in this latest instalment, The Milk of Paradise, one might expect to find a slacking off, a blunting of the sharp observation and highly critical views: one might expect it, but one would be wrong.