Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Reynolds produced some of the finest portraits of the 18th century – and a few of the silliest

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On Monday 21 April 1760 Joshua Reynolds had a busy day. Through the morning and the afternoon he had a series of sitters. Each of these stayed for an hour in the painter’s premises on St Martin’s Lane and was no doubt ‘greatly entertained’ — as another of Reynolds’s clients recorded — by watching the progress of their portraits in a large looking-glass strategically placed behind the easel so the subject could view the artist at work. However, Mark Hallett suggests in this masterly and pioneering new study of Reynolds at work, the most interesting hour of the day would have begun at one o’clock. That was the time at which the Revd Laurence Sterne arrived for his appointment.

The Jane Austen of Brazil

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When the American poet Elizabeth Bishop arrived in Brazil in 1951, she expected to spend two weeks there and ended up staying 15 years, a time of emotional turbulence and creative productivity. Bishop wrote poetry and prose and translated Latin American writers, including Octavio Paz, but this project, suggested by friends as a way to improve her Portuguese, is something completely different. It’s a teenager’s diary, written between 1893 and 1895 in the remote mining town of Diamantina, the highest town in Brazil. It’s a delightful, funny and revealing memoir, a little bit of Austen in the Americas. Helena’s real name was Alice Dayrell, (the pseudonym came from her English relations).

Falling in love with birds of prey

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Is it the feathers that do the trick? The severely truculent expressions on their faces? Or is it their ancient origins? Or the places where they live? Whatever their secret, birds of prey have exercised an extraordinary hold on human beings for tens of thousands of years. In the bad old days, their fans ranged from ancient Teutonic kings to Hitler’s right-hand-man Hermann Göring. Today, it seems to be artistic types and country-lovers who keep the flag flying. Or, do I mean keep the tail feathers fluttering? In this exhilaratingly honest and passionately broadminded book, the poet and Cambridge academic Helen Macdonald combines her ‘sorry story’ of hawk addiction with the similar trials and tribulations suffered by the great T.H.

An invisibility cloak? You might just be able to see it on the horizon…

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The best books by good writers — and Philip Ball is a very good writer indeed — are sometimes the ones that don’t quite work. This brilliant study of how occultists and scientists alike have attempted to see the invisible is very much that kind of fascinating failure. Its subject is just too large — and, well, it is just too hard to see its edges clearly. Ball begins with pseudo-medieval recipes for invisibility: Take a black cat and a new pot, a mirror, a lighter, coal and tinder. Gather water from a fountain at the strike of midnight...

Harry Chapman Pincher – ‘Fleet Street’s spy-hound’ (1914 – 2014)

Harry Chapman Pincher, the veteran investigative journalist, has died aged 100. He was renowned for unearthing military secrets and exposing spies. Earlier this year, The Spectator published a review of his book 'Dangerous to Know': Dangerous to Know Chapman Pincher Biteback Publishing, pp.386, £20, ISBN: 9781849546515 Anyone brought up as I was in a Daily Express household in the 1950s — there were approaching 11 million of us readers — knew the writings of Chapman Pincher. His frequent scoops, mostly defence- or intelligence-related, sometimes political, scientific or medical, were unusually well-sourced and headline-grabbing. Now, aged 100, he has written his autobiography. He writes as directly and vividly as ever.

‘Tolerance’ is the last thing gays need

There I was flexing my defensive muscles, waiting for the tsunami of hatred to come my way once my new book hit the shelves, when I discovered that not only did I have some great reviews for Straight Expectations (which rails against the complacency and conservatism of today’s gay rights movement), but the book has an American sister. Perhaps the timid capitulation to straight folk is about to turn, both here and in the US, the birthplace - and now perhaps the graveyard - of the gay liberation movement? The Tolerance Trap, by US academic and political activist Suzanna Walters, has ‘disappointment’ running right the way through it. But Walters does not complain, rather she offers a way forward.

How to ruin a country – the belligerent life of ‘Kaiser Bill’

Wilhelm II: Into the Abyss of War and Exile, 1900–1941 John C.G. Röhl, translated by Sheila de Bellaigue and Roy Bridge The role of personality in politics is the theme of this awe-inspiring biography. This is the third volume, 1,562 pages long, of John Röhl’s life of the Kaiser. It has been brilliantly translated — the labyrinth of imperial Germany navigated by many headed subdivisions in each chapter — by Sheila de Bellaigue. The fruit of what Röhl calls a ‘dark obsession’ with the Kaiser, it had its origin when, writing about Germany after the fall of Bismarck at the apogee of social and institutional history in the 1960s, he realised that he was analysing not a modern government but a court society.

Spectator competition: provide snippets of misleading advice for British tourists travelling abroad (plus Margaret Thatcher’s secret love poetry)

The recent challenge to unmask a secret poet among well-known figures from 20th-century history produced a postbag full of politician-bards, which included poignant lines from the pens of Edward Heath and Michael Foot. The real life poetic efforts of politicians such as Jimmy Carter have not gone down well with the critics. Harold Bloom branded him ‘in my judgment literally the worst poet in the United States’. I’m not sure that Bloom would have been any kinder to the winning entries below — or to Adrian Fry’s John Prescott. Here he is, just getting into his stride: ‘Don’t call me unsophisticated, I’ve been to Villanelle,/ I know me assonance from elbow, I’ve a cracking tale to tell...

Murakami drops magic for realism in this tale of a lonely Tokyo engineer

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When Haruki Murakami — Japan’s most successful novelist at home and abroad — was interviewed by the Paris Review in 2004, the questions weren’t always characterised by their pithiness. Many of his novels, the interviewer suggested at one point, are variations on a theme: a man has been abandoned by, or has otherwise lost, the object of his desire, and is drawn by his inability to forget her into a parallel world that seems to offer the possibility of regaining what he has lost, a possibility that life, as he (and the reader) knows it, can never offer. Would you agree with this characterisation? Murakami’s answer, in full, was ‘Yes’. Ten years on, his new novel won’t require him to revise that answer a great deal.

Banned – and booming: the strange world of Chinese golf

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I was in Shanghai interviewing a Chinese film director and an actor. We were discussing government censorship. How did anyone manage in China, I lamented. The two men burst out laughing. I had not understood at all. ‘Because everything is forbidden, everything is permitted. You are free to do anything,’ they assured me. Dan Washburn in his book The Forbidden Game: Golf and the Chinese Dream, uses golf and the business around it to pin down the paradox that is China today. Golf is his back door into understanding the last 20 years, as China has grappled with modernity and an unnerving speed of change.

Creepy, dizzying and dark: a choice of recent crime fiction

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Philip Kerr is best known for his excellent Bernie Gunther series about a detective trying to survive with his integrity more or less intact in Nazi Germany. His latest novel, however, is a standalone thriller set in literary territory that might have appealed to Hitchcock. Research (Quercus, £18.99, Spectator Bookshop, £15.99) opens with the murder of the beautiful Irish wife of one of the world’s bestselling novelists in the couple’s luxurious Monaco apartment. Her husband, John Houston, has disappeared. He is the prime suspect. Houston researches and plans his thrillers but employs an ‘atelier’ of jobbing novelists to do the hard grind of writing what he describes as ‘books for people who have never read them before’.

Potato prints, paintings and the Soviet Union: the real Miss Jean Brodie

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During the second world war, when not only food, but paper and artists’ materials were scarce, Peggy Angus made a virtue of necessity. Potatoes were one of the few foods not rationed, so she began cutting them in half, carving designs into the cut side and printing them onto old newspapers in repeated patterns of oak leaves, smiling suns, waves, chevrons and Welsh dragons. It was with these playful, naïve designs — which she later turned into tiles and wallpapers — that she made her name. Angus, like Eric Ravilious and Edward Bawden, her contemporaries at the Royal College of Art, moved easily between media: potato prints, silkscreens, oil paintings, watercolours, and ‘stained glass’ made from coloured tissue paper.

Like Birdsong – only cheerful

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It is difficult to know whether Clive Aslet intended a comparison between his debut novel, The Birdcage, set in Salonica during the first world war, and Sebastian Faulks’s similarly titled Birdsong. Whilst Faulks’s novel sits comfortably within the generally accepted narrative that the first world war was an unmitigated disaster, with lion-like Tommies led by donkey-like officers, Aslet has written what is effectively a panegyric to the officer class. Indeed, so casually heroic is every officer in the book it is almost as though Richard Attenborough’s version of Oh! What a Lovely War never existed.

The mad, bad and sad life of Dusty Springfield

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Call me a crazy old physiognomist, but my theory is that you can always spot a lesbian by her big thrusting chin. Celebrity Eskimo Sandi Toksvig, Ellen DeGeneres, Jodie Foster, Clare Balding, Vita Sackville-West, God love them: there’s a touch of Desperate Dan in the jaw-bone area, no doubt the better to go bobbing for apples. It is thus a tragedy that Dusty Springfield’s whole existence was blighted by her orientation, which explains ‘the silence and secrecy she extended over much of her life, and her self-loathing’. One glance at her chin should have revealed all — but the Sixties was not a fraction as liberated and swinging as people now assume.

The robber baron who ‘bought judges as other men buy food’

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The robber barons of the gilded age, at the turn of the 20th century, were the most ruthless accumulators of wealth in the history of the United States, and none of them was less handicapped by moral scruples than W.A. Clark. He was up there near the pinnacle of acquisitiveness with Rockefeller but was not as legendary in popular imagination. While other pioneers were searching for gold, Clark developed copper-mining at the most opportune time, when there was a great and growing demand for copper for electrical wiring. The copper lode he discovered in Butte, Montana, produced 11 million tons and earned the town its nickname ‘The Richest Hill on Earth’. In those days, US senators were appointed by the state legislators, rather than elected.

Kaiser Wilhelm’s guide to ruining a country

Lead book review

The role of personality in politics is the theme of this awe-inspiring biography. This is the third volume, 1,562 pages long, of John Röhl’s life of the Kaiser. It has been brilliantly translated — the labyrinth of imperial Germany navigated by many headed subdivisions in each chapter — by Sheila de Bellaigue. The fruit of what Röhl calls a ‘dark obsession’ with the Kaiser, it had its origin when, writing about Germany after the fall of Bismarck at the apogee of social and institutional history in the 1960s, he realised that he was analysing not a modern government but a court society. Personalities and dynasties were as important as classes and parties.

Spinning Jenny

Competition

In Competition No. 2857 you were invited to take the first line of Leigh Hunt’s mini rondeau ‘Jenny Kissed me’, substitute another word for ‘kissed’ and continue for up to 16 lines. Jenny proved to be a real crowd--puller and produced a high-calibre entry. A congratulatory slap on the back all round. Those printed below earn their authors £20 each and Mae Scanlan takes £25. Jenny stunned me when we met; It had been ten years or better. She’d grown old and heavy-set — Rolls of fat beneath her sweater.   Underneath each eye a sack that You could fit a cat inside of; Frankenstein’s the likely quack that She could maybe be a bride of.   Jenny used to be a knockout; Not a fellow could resist her.

Lenin, Hitler, Sloane Square – a Polish noble’s 20th-century Odyssey

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If Vincent Poklewski Koziell has really drunk as much as he claims in this book I doubt he would be the spry and handsome 88-year-old to be seen bicycling around Sloane Square that he is today — a slight fall having proved no impediment to his progress. He came from a grand family of diplomats on his mother’s side. She, Zoia de Stoeckl, was clearly ravishingly pretty and became, aged 18, a maid of honour to the last empress of Russia. Vincent’s father derived from what he describes as ‘run-down Polish nobility’ (only 56 peasants); but the family seems to have had an astonishing ability to rise, phoenix-like, from successive reverses, a huge fortune disappearing overnight in the Russian revolution.

Main villain: the aftermath of war

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Most crime novels offer a curious kind of escape, to places that jag the nerves and worry the mind. Their rides of suspense give a good thrill, but it’s rarely a comfortable one. If it’s cosy detection we’re after, we usually look to the past, as Dylan Thomas clearly did: ‘Poetry is not the most important thing in life… I’d much rather lie in a hot bath reading Agatha Christie and sucking sweets.’  Rennie Airth, with his series of John Madden mysteries, provides a middle way, and one that in many ways feels altogether nobler. The Reckoning is the fourth of Madden’s cases. It sees our man in retirement from his role in Scotland Yard, a few years after the conclusion of the second world war.

The British countryside in prints and paper-cuts

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The Yale Center for British Art holds the largest collection of British art outside the UK. An impressive collection it is too, largely bequeathed by Paul Mellon of the American banking dynasty. He holidayed in England as a child before the first world war and, having developed a taste for ‘dappled tan cows in soft green fields’, began acquiring British works on natural history as a young man. In this book, Elisabeth R. Fairman, a curator of rare books at Yale, has gathered images, largely from the collection, of all that the British countryside has to offer, recorded by artists and naturalists from the 16th century to the present day. The sheer beauty of some of the watercolours, prints and paper-cuts is astounding.

The many lives of Richard Nixon

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Winston Churchill once said of politics that it’s ‘almost as exciting as war and quite as dangerous. In war you can only be killed once, but in politics — many times.’ Perhaps no one personified this dictum better than Richard Milhous Nixon. From his election to Congress in 1946 to his resignation from the presidency in 1974, Nixon had been written off time and again. After each setback, though, ‘Tricky Dicky’ was incredibly formidable on the rebound. Even after Watergate, the disgraced former president transformed himself into a bestselling author and something of an international elder statesman.

Tip-toeing through Sri Lanka

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‘The first night I stayed in Kilinochchi, I was a little apprehensive,’ admits the usually cool-headed Vasantha, van-driver and narrator of all the stories in Noontide Toll. Kilinochchi was the operational centre of the LTTE (Liberation Tigers of Tamil Eelam) until the Sri Lankan army’s entry in January 2009. Now the town offers amenities like the Spice Garden Inn, with glass-walled cafeteria and reception desk overflowing with coconut flowers and bougainvillea. Yet its assistant manager, Miss Saraswati, belies such luxurious blandness. A rat suddenly appears in the café; immediately she hurls a bottle, breaking the creature’s skull without destroying the implement. ‘I stared at Miss Saraswati. “You learn to do that at Jaffna hotel school?

John Wayne, accidental cowboy

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I’m not making a picture [The Green Berets] about Vietnam, I’m making a picture about good against bad. I happen to think that’s true about Vietnam, but even if it isn’t as clear as all that, that’s what you have to do to make a picture. It’s all right, because we’re in the business of selling tickets. It’s the same thing as the Indians. Maybe we shouldn’t have destroyed all those Indians, I don’t know, but when you’re making a picture, the Indians are the bad guys. — Mike Wayne, producer of The Green Berets, starring his father, John Wayne The words above appeared in a 1968 issue of Esquire magazine above a colour drawing of Wayne’s father in blue cavalry uniform and green beret, astride a stagecoach.

How good an artist is Edmund de Waal?

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For Edmund de Waal a ceramic pot has a ‘real life’ that goes beyond functionalism.This handsome book (designed by Atelier Dyakova) at the mid-point of his career, raises the question: ‘How good an artist is he?’ It is discursive, comprising essays by A.S. Byatt and Alexandra Munroe, short stories by Colm Tóibín and Peter Carey, an elegant photographic essay by Toby Glanville, a look at de Waal’s life to date by Emma Crichton-Miller and a piece by the man himself. ‘I am a potter who writes,’ de Waal said in a 2000 article in the Ceramic Review, although since then his book The Hare with Amber Eyes has carried his celebrity round the world. Is he a domestic potter or is he now making for museums and galleries?

The age of the starving artist

Lead book review

What remains of art is art, of course; and what chiefly interests us is the creative talents of a painter or a sculptor. What we forget is that the work of art wouldn’t be there without some kind of engagement with the brutal forces of money. James Hamilton’s riveting book is a richly detailed study of how, in Britain in the 19th century, artists and a small army of opportunists, art lovers, collectors and businessmen of all sorts used their ingenuity to turn the visual arts into money.

Spectator competition: craft a voter-repelling party political broadcast (plus James Joyce and co. give Phil Neville a masterclass in football commentary)

Unkind comparisons were drawn, after his commentary debut, between Phil Neville’s style and a speak-your-weight machine. One Twitter user speculated, when the England physio was stretchered off injured, that it was because he’d ‘slipped into a coma when a live feed of Neville’s commentary was played into his earpiece’. https://twitter.com/Fiendish_Swine/statuses/478615778359783425 The latest challenge, in which competitors were invited give poor Phil a few pointers courtesy of a well-known writer, produced some lively and stimulating punditry. G.M. Davis offered the World Cup Dan Brown-style: ‘After a secret convocation in March 2002 Fifa proclaimed that the 2014 World Cup would be held in South America.

The author’s father didn’t want you to read this book. It’s hard to understand why

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There were several times when reading A Dog’s Life that I felt as if I’d fallen into a time warp. It starts with a quote on the cover from Hugh Massingberd: Holroyd is ‘a brilliant writer blessed with perfect pitch’. Nothing wrong with that, except that Hugh, alas, is no longer in a position to review books, having died seven years ago. The book itself, a novel closely based on Holroyd’s own family, was written in the late 1950s but never published in the UK after his father took violent exception to the way he’d been portrayed. He also warned that publication could well kill Holroyd’s elderly aunt. Under the circumstances, he decided it might be prudent to withdraw it. At this distance, it’s hard to see what all the fuss was about.