Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Morrissey’s reading list

Morrissey caused a stir last month when he used a blog post to lambast the Indy for an article - aka 'an extreme Hate Piece so loaded with vile bile that it almost choked on its own endless capacity to be appalled' – daring to criticise him. Happily, the former Smiths frontman's latest entry is more jolly – with Morrissey discovering a tome he actually wants to read: 'We plan a release for our Back on the chain gang single for August - if the wind remains at our backs and in our sails. If you find yourself at a loose end until then, please read Douglas Murray’s The strange death of Europe.

A beautiful enigma

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Often dubbed the Mona Lisa of the ancient world, the bust of the Egyptian queen Nefertiti is as immediately recognisable as the pyramids and the Rosetta Stone. Yet almost everything about this sculpture is mysterious at best, or bitterly controversial at worst, from the context of its creation to questions surrounding its acquisition by the Berlin Museum. The cultural and political capital of ancient culture is sharply in our awareness — think of the Elgin marbles or Palmyra — so writing a biography of Nefertiti’s bust requires the author to navigate hotly competing opinions.

The great seducer

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Peyrot, the chef at Le Vivarois in Paris, had a fascinating theory of how one of his regulars, the otherwise taciturn psychoanalyst Jacques Lacan, communicated. ‘He was convinced that the farts and burps which Lacan, as a free man, did not restrain in public, were meant to signal to Peyrot the two syllables of his name,’ recalls Catherine Millot. A translator’s footnote helpfully explains that in French pet means fart and rot burp. I love this story as told in this beguiling memoir by Lacan’s last lover — and not just because it evokes a time when deference to Gallic intellectuals was such that even their airy nothings were submitted to bravura semiotic analysis.

The incredible journey

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Sweet lovers, Shakespeare reminds us, love the spring. How can they not? All that wonderfully wanton colour, all that sensual fragrancy, all those budding promises of new life. And, lest we forget, all those yummy insects. For birds adore spring as well. Every year, regular as clockwork, hundreds of millions of our feathered friends take flight and head north. To hear their happy birdsong is to know that winter’s lugubrious cloak has lifted and that longer, livelier days lie ahead. No species is more symbolic of the season than the swallow. Before the age of smartphones and calendar apps, we relied on these fork-tailed speedsters to inform us of spring’s arrival. People would stare from their kitchen windows in anticipation.

Hooked for life

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In Havana, one week before President Obama unthawed half a century of cold relations with Cuba, I talked to the last fisherman to have known Ernest Hemingway. Oswald Carnero came from Cojimar — where the writer kept his boat, the Pilar — and was one of the villagers to whom Hemingway dedicated his Nobel Prize after publishing The Old Man and the Sea. Carnero had met him in 1950, aged 13. ‘He was bringing in a big marlin on his boat. He asked me if I could skin the fish.’ Thereafter Carnero sold Hemingway turtle flesh for soup and ran errands, scurrying back to the Pilar with bottles of White Horse, and going up to his house, the Finca Vigía.

Babes in the wood

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Mona — single, childless, pushing 60 — sells wooden dolls made by a carpenter friend, which she delicately costumes from odds and ends of fabric sourced in charity shops. But her business has an odd spin-off: mothers who’ve suffered past stillbirths can come and ‘order’ a lump of carved wood made to the specified birthweight of their dead child. By cradling this weight and imagining the future the baby never had, they work towards a kind of closure. Meanwhile, Mona herself — who grew up in Ireland but lived in Birmingham through the IRA bombings — has a tragedy of her own on which she has little or no closure.

An act of piety

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Census is a curious, clever novel. It depicts a dystopia with a father and his Down’s syndrome son journeying from town A to town Z taking a census. The father, the narrator, knows he is dying. As a retired doctor he can interpret the fatal signs of his disease. His is a bizarre family; his wife, who has pre-deceased him, trained as a clown. Condemned to death and left with his disadvantaged son — ‘Our lives, my wife’s and mine, bent round him like a shield’ — he decides to register as a census-taker in an Orwell-ian state office. He asks questions of those interviewed, to which he sometimes but not always gets an answer The novel becomes a parable, or rather a series of parables, complete with riddles.

Scooby Doo, where are you?

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There are two sorts of people: those who can’t wait to grow up, and those who wish they never had to. It’s fair to say that women figure predominantly in the first group and men in the second, hence the preponderance of male fans of science fiction and fantasy — and dewy-eyed reminiscence about children’s television. I’ve been in many female friendship groups and can’t remember a single occasion on which we’ve sat around thinking about past puppets. On the contrary, the childish things we typically recall are our awful choices of make-up and clothes, and our adoration of the pretty-boy pin-ups in our teenage bedrooms: that is, the things we used to hasten the arrival of longed-for adult life.

The executor’s song

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In 1999, Patrick Hemingway published True at First Light, a new novel by his father Ernest. In his role as literary executor of the late writer’s estate, Patrick edited an unfinished manuscript of some 200,000 words down to a more marketable ‘fictional memoir’ of less than half that length. The book hit the bestseller lists but received largely negative reviews, most notably from Joan Didion in the New Yorker. ‘This was a man to whom words mattered,’ she wrote. ‘His wish to be survived by only the words he determined fit for publication would have seemed clear enough.’ To which the man charged with safeguarding Papa’s posthumous reputation responded, somewhat plaintively: I think it’s a very valid argument.

A heartwarming spectacle of desolation

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In 2008, the Scottish poet Kathleen Jamie characterised the typical exponent of modern nature writing as ‘the lone enraptured male’. This was a more solemn, grown-up Basil Fotherington-Thomas, the effete schoolboy of the Molesworth books who prances about in puerile pantheistic ecstasy, saying, ‘hullo clouds, hullo sky’. Ten years on, there is barely a British landscape that has not been visited by the species. He sits in a car until he reaches the chosen spot. Then, winding down the window, stunned by emptiness and silence, he savours the momentary disconnection from global networks. The void is soon filled with childhood memories, poems learnt at school and Wikipedia articles.

Tawdry lustre

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‘Nine hours,’ boasted my friend the curator about his trip to the Prado. Nine! Two hours is my upper limit in a gallery. After that I’m gasping for the tea room and gift shop. Knowing my lack of stamina, my own trip to the Prado was focused: just Velázquez and Goya. Then lunch. And a bit of Rubens, because that large room of lovely bottoms is so ‘Hello, sailor!’ it would be rude not to look. It helps to have a mind’s gallery of Diego Velázquez portraits while reading Amy Sackville’s novel Painter to the King. Not essential, but definitely enriching. If you haven’t a Madrid mini-break booked, have a nose around the Prado collection online.

Something in the air

Lead book review

’68 will do as shorthand. Most of ’68, as it were, didn’t happen in 1968. It was, at most, the centrepoint of a long accumulation of radical protest. It began with duffle-coated marches against nuclear war, a well-mannered and respectful movement whose spirit persisted to the end of the decade. (In October 1968, a rally against the Vietnam war finished with demonstrators linking arms with policemen and singing ‘Auld Lang Syne’). It continued into the 1970s with real political violence — the Baader-Meinhof gang and many other groups. It is not very much like 1848 as a year of political upheaval, more the symbolic statement of a large-scale change of mind. That change of mind is probably still happening.

The weird world of the hapax legomenon

Today is National Indexing Day (#indexday) – at least according to the UK's Society of Indexers. 'Celebrating book indexes, indexers, and the profession of indexing.' As I write, they're wrapping up their annual jamboree, at London's Foundling Museum. A few months back, I was out walking the dog and listening to Dracula on my phone when I could've sworn I heard a character described as 'indexy'. Now, audio recordings are not always perfect, and glitches – digital or human – do creep in (I recently heard one narrator trip over a word, say 'sorry', then repeat the word and carry on – all of which remaining in the finished version). But I thought I'd give Greg Wise, narrating, the benefit of the doubt. I rewound the tape. Nope: 'indexy', for certain.

Books Podcast: Waiting for the Last Bus

In this week’s Books Podcast, I’m talking to Richard Holloway about his new book Waiting For The Last Bus. Richard is famous for having, as some would think rather inconveniently, “lost his faith” while serving as Bishop of Edinburgh. He talks to me about how it’s all a bit more complicated than that, and about how being half in and half out of Christianity has given him a special perspective on old age, death and dying. Does he look to an afterlife? Not since a particularly momentous walk in the Pentlands. And how is it that he maintains Philip Larkin — who wrote of religion as a “vast moth-eaten musical brocade” — had “the soul of a priest”? Listen in and find out.

Preachers, princes and psychopaths

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On 23 May 1618, Bohemian Protestants pushed two Catholic governors and their secretary through the windows of Prague Castle, in protest at the anti-Protestantism of Bohemia’s King Ferdinand, soon to be elected Emperor Ferdinand II. The defenestration was only injurious to dignity, and had farcical aspects, a rebel shouting: ‘We shall see if your Mary can help you!’, only to exclaim, ‘By God, his Mary has helped!’ when the men landed in a midden. This sparked what C. V. Wedgwood termed ‘the outstanding example in European history of meaningless conflict’ — the bloodiest campaign ever waged on German soil.

Look back in anguish

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Look Back in Anger, John Osborne’s 1956 play, was a fertile cultural seedbed: out of it sprouted the Angry Young Men and kitchen-sink drama. What was less clear at the time was the extent to which it was autobiographical, based on Osborne’s failed first marriage to the actress Pamela Lane. In the play, Jimmy, the working-class anti-hero, harangues his wife, the cool, emotionally distant and upper-middle-class Alison, attacking her parents and her background. When Lane saw the play she immediately recognised this portrayal. When asked, many years later, about her reaction, she said: ‘I felt as though I had been raped.’ The play was a theatrical version of revenge porn.

Fire and brimstone

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Industrial factories huddle at the very edge of our world view. Most of us have never visited one, but we know what to expect. The ugly buildings. The dull work of the shop floor. The worker reduced to a mere fleshy extension of a machine, his existence condensed into a series of jerks, twists and spasms. A life at best eroded by monotony — an eternal inhabitant of Dickens’s Coketown, ‘to whom every day was the same as yesterday and tomorrow, and every year the counterpart to the last and the next’ — or at worst snatched up and tossed onto the sacrificial flames of Fritz Lang’s modern ‘Moloch’ of the 1927 epic, Metropolis. They are places either too boring or too bleak to be of interest.

Love’s myriad forms

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Carmen Maria Machado’s debut collection Her Body & Other Parties (Serpent’s Tail, £12.99) takes a confident straddle across speculative fiction, erotica, fable and horror. In these electric stories, the author explores the challenges and promises of women’s bodies with forceful verve. In ‘Real Women Have Bodies’, a mysterious illness makes women gradually fade away; many of them ask a seamstress to stitch their disappearing bodies into the fabric of dresses. In ‘The Husband Stitch’, a woman gives herself completely to her husband and son, insisting only that they never touch the ribbon she always wears around her neck. When this tiny privacy is not permitted, we see just how much unravels.

The strangest Icelandic saga

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Everyone in Iceland has heard of Gudmunder and Geirfinnur. They were two (unrelated) men who disappeared in 1974, albeit ten months and several miles apart. Gudmunder Einarsson was a teenage labourer who loved to arm-wrestle; Geirfinnur Einarsson a construction worker and family man. Other than shared national hysteria in a country where people rarely go missing, there was nothing to link these mysteries — until, one by one, a ragtag group of petty criminals started to confess to their murders. The investigation was the biggest in Iceland’s history. It spanned decades, and saw ten people arrested in relation to the crimes, some of whom spent several years in prison. But as the fever for justice gradually gave way to journalistic scrutiny, the entire narrative began to unravel.

The hell-raiser from Baghdad

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You know you’re in good hands when the dedication reads: ‘To the writers, drinkers and freethinkers of the Arab and Islamic worlds, long may they live.’ Abu Nuwas was all three, and a complete hoot. Why he is so little known in Britain should be a mystery. But outward-looking as we are as a nation, we remain peculiarly parochial in our literary tastes outside the Western canon. Born in the late 750s in Ahvaz, Abu Nuwas came to Baghdad during the reign of the Abbasid caliph Harun al Rashid in what was Islam’s golden age. In and out of favour as much as he was in and out of prison, he led a free-spirited, wine-drenched, sex-filled life, recorded in electrifying verse.

Not all bunk

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This book reminded me of Kurt Andersen’s Fantasyland — but where Andersen thinks only Americans have lost their minds, David Andress thinks everyone has. I can’t say I disagree, being a subscriber to the Hourly Outrage, also known as Twitter. Andress refers to Brexit, Donald Trump’s election and Marine Le Pen’s rise in French politics as things that should have been ‘punchlines’, comparing those who voted for them to dementia sufferers. And that’s just in the first couple of pages. So I’m guessing that as a Leave voter, I’m not the intended audience — nor do I, as someone with a PhD in history, fit into Andress’s analysis of uninformed and delusional Brexit voters.

Into the heart of Bow

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Cockney feet mark the beat of history, sang Noël Coward, as if he had ever been east of Holborn. Yet the sugary wartime sentiment finds a moving and resonant echo in Melanie McGrath’s new work of social excavation. The past casts an unusually deep shadow over Bow. And, cleverly, she has found a fresh means of exploring these striated layers of heritage: through the enduring local appetite for minced beef pie, mashed potatoes, and side orders of stewed eels. G. Kelly’s Pie and Mash is the 100-year- old restaurant in question, on the Roman Road in Bow (there are branches elsewhere). Pie and mash served with ‘liquor’ (parsley sauce) and eels might be described as the forerunner of fried chicken: comfort food devised at a time when comfort was badly needed.

Children and slaves first

Lead book review

In the reign of Constantine, whose conversion to Christianity in AD 310 set the entire Roman world on a course to becoming Christian, a Palestinian scholar named Eusebius pondered the reasons for the triumph of his faith. Naturally, he saw behind it the guiding hand of God; but he did not rest content with that as an explanation. The purposes of heaven were to be traced in the patterns of earthly history. ‘It was not merely as a consequence of human agency that the greater part of the world’s peoples came to be joined under the sole rule of Rome — nor that this should have coincided with the lifetime of Jesus.’ A global faith, Eusebius argued, had been rendered possible by a globalised age.

A sea of troubles

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Donal Ryan is one of the most notable Irish writers to emerge this decade. So far he has produced five volumes of fiction set in post-millennial Ireland. What sets him apart is a striking facility for narrative voice as well as a startling diversity of protagonists. His first novel, The Spinning Heart — about a town’s slump when the Celtic Tiger died — had no fewer than 21 narrators, mostly speaking in effervescent vernacular. His latest work revisits tragedy and loss with just four narrative perspectives. With the first, however, he puts aside Irish provincial life to tackle global tragedy. Farouk is a Syrian doctor who is working in a local hospital after his family drowned during a desperate sea crossing to Europe.

Getting away with murder | 22 March 2018

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This true-crime narrative ought, by rights, to be broken backed, in two tragic ways. One is that the serial attacker it concerns, a sneaking California rapist who graduated to multiple murder, was never caught. The other is that its author died aged 46 before the book could be completed. That it is nevertheless so gripping and satisfying is thanks to its sensitive editors and compilers, but mainly due to the remarkable skills of Michelle McNamara herself. The subtitle is ‘One Woman’s Obsessive Search for the Golden State Killer’. McNamara coined the catchy nickname for the shadowy figure that slaughtered five couples and two women between 1978 and 1986.

The priest’s tale

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Samantha Harvey is much rated by critics and those readers who have discovered her books, but deserving of a far wider audience than she has hitherto gained — so much so that just before Gaby Wood’s appointment as literary director of the Booker Prize Foundation, the critic wrote a lengthy exploration of Harvey’s prodigious qualities, describing her as ‘this generation’s Virginia Woolf’. The reasons for her relative neglect are not complex: her work is deeply serious, her novels rarely mining the same seam; she has featured on numerous long- and shortlists but failed to scoop any major awards; and we don’t see her on the telly or at the head of newspaper columns.

Bird of ill omen

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With bird books the more personal the better. Joe Shute was once a crime correspondent and is today a Telegraph senior staff feature writer. It is his investigative journalism, a series of meetings with people who deal with ravens first-hand, which provides novelty. Historical, mythological and other diversions add ballast. In the prologue he writes: ‘I was born in 1984, making me the flag-bearer of a strange generation.’ Raised comfortably and lovingly in London, his future seemed serene. Then ‘came the financial crash of 2007; and with it the collapse of all the misplaced entitlement of my youth... Rather than better, it was going to get far worse’. At this juncture, he found solace in birds in the Yorkshire countryside.