Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Things mankind was not supposed to know — the dark side of science

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One day someone is going to have to write the definitive study of Wikipedia’s influence on letters. What, after all, are we supposed to make of all these wikinovels? I mean novels that leap from subject to subject, anecdote to anecdote, so that the reader feels as though they are toppling like Alice down a particularly erudite Wikipedia rabbit-hole. The trouble with writing such a book, in an age of ready internet access, and particularly Wikipedia, is that, however effortless your erudition, no one is any longer going to be particularly impressed by it. We can all be our own Don DeLillo now; our own W.G. Sebald.

Masculinity in crisis: Men and Apparitions, by Lynne Tillman, reviewed

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Masculinity, we are often told, is in crisis. The narrator of Men and Apparitions, Professor Ezekiel (Zeke) Stark, both studies this crisis and personally confirms it. ‘I came naturally — haha — to observing my posse and me, guys late twenties to forty, and our attitudes to women, ourselves as “men,” etc’ he says, by way of introduction to his anthropological thesis about growing up under feminism. Prepare for mansplaining littered with tedious verbal tics, which is oddly compelling to read. Zeke is between things. Born on the cusp of Gen X, a middle child to middle-class parents, he’s loitering on the tenure track of East Coast ‘Acadoomia’.

Gardening books for Christmas — reviewed by Ursula Buchan

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Dan Pearson is one of the finest of all British garden designers, blessed with sensitivity, a wonderful eye, deep plant knowledge and a willingness to experiment. In Tokachi Millennium Forest: Pioneering a New Way of Gardening with Nature (Filbert, £40) he describes how a 400-hectare parcel of agricultural land and forest in the shadow of the Hidaka Mountains on Hokkaido has been returned to an augmented natural landscape, thanks to a newspaper magnate, Mitsushige Hayashi, with deep pockets and vaulting ambition, who bought it 30 years ago.

The autistic mind could hold the key to the future

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An old, cynical adage holds that ‘if all you’ve got is a hammer, everything looks like a nail’. I remembered that aphorism while reading the new book by Simon Baron-Cohen, one of the world’s leading authorities on autism, in which he unpicks the instincts and processes that have driven human progress. His conclusion? The great engine of our advancement as a species has been autistic behaviour. It’s a bold, rather startling claim. In this intriguing volume, the author explains that it is the habitual pattern-seekers who are responsible for human invention. These are people who display what he calls ‘the Systemising Mechanism’, which developed in humans around 70,000-100,000 years ago.

Humiliating the IRA was a fatal mistake

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It was said that Reginald Maudling, as home secretary, once boarded a plane in Belfast and immediately requested a stiff drink, muttering: ‘Get me out of this awful bloody country!’ This does not appear in Ian Cobain’s compelling, interwoven narrative about a killing in Lisburn, near Belfast, in April 1978, but it emblemised some of London’s attitudes to what was sometimes called ‘Ulster’. Even during the height of the Troubles, with daily shootings, bombings and killings, the Province was frequently ignored at cabinet level: the spirit of Maudling prevailed in both Conservative and Labour administrations. By Cobain’s measure, Labour’s Roy Mason was as bad as any Tory.

The courage of a madman: Maurice Wilson’s doomed assault on Everest

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Reinhold Messner, the first person to climb all 14 of the planet’s peaks higher than 8,000 metres, is probably the finest high-altitude mountaineer in history. His list of astonishing achievements on dangerous ice-clad crags includes the first solo ascent of Mount Everest without use of oxygen. Yet as he sat exhausted at 26,000 feet with two days still to go on that pioneering ascent, he thought of an eccentric Englishman ‘tougher than I am’ who had set out before him with one crippled arm and no crampons, let alone knowledge of some basic climbing techniques. ‘Do I understand this madman so well because I am mad myself?’ he wondered.

From light into darkness: the genius of Goya

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The great Spanish artist Francisco Goya was born in Zaragoza in 1746, the son of a gilder whose livelihood was doomed by the new fashion for marble. The young Goya first studied in his home town before graduating to Madrid, rising through academy and court circles and navigating his way through the reigns of three Bourbon kings and the intervening rule of Joseph Bonaparte before retiring to Bordeaux in his late seventies. From early commissions for religious frescoes, altarpieces and tapestry cartoons for royal palaces, he went on to paint celebrations of everyday Spain en fête and to establish a portrait practice encompassing all the leading figures of the wildly fluctuating political scene in the capital.

Driven to distraction — the unhappy life of Vivien Eliot

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Do you think your mother slept with T.S. Eliot? That was the question I needed to ask the 98-year-old in front of me. It wasn’t easy. I’d never met him before. After some preliminary chat, though, I realised this affable man knew exactly where our conversation was heading and had pondered the question a good deal himself. The barrister Jeremy Hutchinson — Baron Hutchinson of Lullington — was the son of Mary Hutchinson, Eliot’s close friend. Infatuated with the poet for a time, she had met ‘Tom’ and his wife Vivien before Vivien’s adultery with Bertrand Russell, and some years before the publication of The Waste Land in 1922.

Books of the Year II — chosen by our regular reviewers

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David Crane If nothing else, this has been a good time for catch-up. Theodor Fontane’s Effi Briest (translated by Walter Wallich, Persephone Books, £13) was a treat. But the real discovery of the year was an author I had never heard of, Wallace Breem. He seems to have spent his life as a librarian in the Inner Temple but found time to write three historical novels, one of which, The Leopard and the Cliff (Faber Finds, £13), set during the Third Afghan War of 1919, is up there with the very best novels of military life: vivid, tense and deeply moving, with a central character who has a touch of Guy Crouchback about him.

Comforting brown food from the Domestic Goddess

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Nigella Lawson is many things to many people: the perfect hostess, the TV star, the thinking man’s crumpet. To me she’s always embodied the joy of sharing food with friends and family. Her books and television shows burst with conviviality, with parties and suppers. Now we are in the middle of a pandemic that has all but taken that pleasure away, but luckily the Domestic Goddess has always had an uncanny knack for moving with the times. Cook, Eat, Repeat, Lawson’s 12th book, is a celebration of home cooking — a defence of repetition in the kitchen and on the dining table which couldn’t feel more apposite.

Lionel Barber leaves the pink ’un in the pink

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As Lionel Barber recounts unrolling his pitch to replace me as editor of the Financial Times to the newspaper’s proprietor Marjorie Scardino, he retrospectively makes fun of his presentation: ‘You have to change the editor,’ he recalls telling the Pearson CEO in the summer of 2005. ‘Otherwise this sucker’s going down.’ Then an aside for readers: ‘Maybe she thought I had been watching too many Hollywood movies.’ Well, yes. There are some cinematic touches to Barber’s memoir of his long reign as FT editor from October 2005 to January 2020. This is true of his own self-portrait (gun-slinging journalistic enforcer in the Evans and Bradlee tradition, friend to the powerful, nemesis to the damned).

Books of the year, chosen by our regular reviewers

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Clare Mulley In the past I have sometimes wondered how many books I would read if only someone had the kindness to lock me up. It turns out, this Covid year, not to be so many — but the quality has been high. Amelia Gentleman’s brilliant and devastating The Windrush Betrayal: Exposing the Hostile Environment (Guardian Faber, £10.99) fuelled me with an outrage in no way diminished by David Olusoga’s masterful and hugely compelling Black and British: A Forgotten History(Pan, £12.99). I know I was late to the party for that book but, as statues tumbled, I enjoyed Keith Lowe’s very timely and thought-provoking Prisoners of History: What Monuments Tell Us About History and Ourselves (William Collins, £20).

Gift books for Christmas — reviewed by Marcus Berkmann

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We have a fine crop of Christmas gift books this year, so good that some of them actually qualify as real books. This is a rare and beautiful thing. What Cats Want (Bloomsbury, £12.99) is by Dr Yuki Hattori, billed here as ‘Japan’s leading cat doctor’, as though anyone is going to argue with that. It’s simply a guide to understanding your cat — clear, concise, very pleasingly designed and with some lovely, quintessentially Japanese illustrations, mainly of cats.

A love story — with clothes as heroes

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On the weekly ‘opinions’ afternoons, the public would arrive with carefully wrapped parcels holding items to be identified, writes Claire Wilcox. Sometimes this was a length of Brussels lace, sometimes a gown that could be dated not just to the year but to the season, because the fashion then was known: Once, someone brought a box of medieval leather shoes and everyone was sent home while a specialist in protective clothing and mask was called in, in case they had come from a plague pit. She was talking of the textile department of the Victoria & Albert Museum, where she had been senior curator of fashion since 2004.

A literary scoop: the passionate correspondence between R.L. Stevenson and J.M. Barrie

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This book has appeared with no fuss or fanfare and yet by any account it is something of a scoop. For here, published for the first time, is the correspondence between J.M. Barrie and Robert Louis Stevenson, revealing one of the most intriguing literary bromances of the 19th century. The existence of the letters is well documented. In the early 1890s, gossip columns were agog with the news that two of the most popular writers of the day were corresponding, with Barrie reported to be writing ‘reams of letters’ to Stevenson. But while Stevenson’s letters to Barrie were published after the former’s death, Barrie’s letters to Stevenson never surfaced.

A 13th-century guide to fraud and skulduggery

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Eight centuries ago in Turkey, at a gathering of intellectuals, a Muslim sultan insisted that one of his courtiers write a book about an unlikely subject: thieves and con artists. The sultan, Rukn al-Din, had secured another such book from Spain, but he wondered: ‘What’s left out of it?’ The set-upon courtier was Jamal al-Din Abd al-Rahim al-Jawbari, and the commissioned Arabic work, Kashf al-asrar (Exposing Secrets), his only surviving text. But why would a powerful ruler such as Rukn al-Din, presumably safe from street-level scammers, order a guidebook about the medieval Islamic underworld?

The ruthless politics of Pakistan — and the curse of being a Bhutto

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Hours after Benazir Bhutto arrived back in Pakistan on 18 October 2007, two bombs exploded near the bullet-proof truck carrying her as it inched through hundreds of thousands of supporters in Karachi. She had returned after eight years in exile in an attempt to become prime minister for a third time. As with other major incidents in Bhutto’s life, Victoria Schofield, her friend from their time at Oxford, was there. ‘Suddenly, without warning, there was a loud explosion, the impact of which literally blew me out of my chair,’ she writes. More than 140 people died. Bhutto survived. Straight after the blasts Schofield found her at home. ‘She showed me the same affection that she always had: “Come sit,” she said.

Short and sweet: Xstabeth, by David Keenan, reviewed

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Aneliya, the Russian narrator of David Keenan’s enjoyably weird new novel, is worried about her dad. Tomasz’s modest music career is coming to an end; his wife left him years ago, and he lives in the shadow of his louche and much more successful best friend Jaco. ‘The famouser musician’ pulls some strings to get Tomasz one last gig, as a favour to Aneliya, with whom he is having a secret affair. Tomasz has a stinker in front of 20 people. An audio sample from his performance subsequently turns up on an obscure LP released under the mysterious moniker Xstabeth. The track is hailed in underground circles as a work of avant-garde genius. Duly heartened, father and daughter travel to St Andrews to watch some golf.

Sybille Bedford — a gifted writer but a monstrous snob

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Sybille Bedford died in 2006, just short of 95. She left four novels, a travel book, two volumes of legal process and a memoir. Selina Hastings has written a wonderful biography, with lashings of lesbian lovers, which provides a soundtrack to one version of the 20th century. Born German in 1911, Bedford grew up in a schloss in Baden’s Feldkirch, near the French border, her father a Bavarian Catholic baron and old soldier, her mother a beautiful and unstable bolter. ‘Her childhood,’ writes Hastings, whose previous books include lives of Nancy Mitford, Somerset Maugham and Evelyn Waugh, ‘was both intellectually inspirational and... emotionally deprived.’ Both parents were wealthy.

Wistful thinking: Mr Wilder & Me, by Jonathan Coe, reviewed

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Mr Wilder & Me is not in any way a state- of-the-nation novel — and thank goodness. Brilliant as Jonathan Coe’s last work, Middle England, was, I’m not sure I could stomach a fictional barometer of pandemic Britain. Coe’s new book is instead a comfortingly nostalgic coming-of-age novel, or rather, a coming-of-old-age novel, probing the twilight years of a Hollywood great. Billy Wilder is predominantly famous for his work in the Golden Age of Hollywood, when post-war studios had plenty of cash to splash on the Oscar-winning comedies and noirs Wilder wrote and directed, including Sunset Boulevard, Some Like it Hot and The Apartment.

London’s 598 railways stations have made the capital what it is

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I began this book waiting for a diesel train to Derby, under the windy, boxy, flat-roofed bit which one of Sir Norman Foster’s team added to the back end of St Pancras station. At around 7 p.m. on a weekday only a dozen or so people were travelling. In the arcade below — built by the proud Midland Railway, as Christian Wolmar reminds us, to the dimensions of the Burton beer barrels the space was designed to store — shops are being boarded up. No one buys a new wheelie case or jewellery before catching a Eurostar to Paris anymore. Among the many entertaining facts he has assembled, Wolmar calculates that London has 598 railway stations. There are mornings now when it feels as though that is greater than the number of peak-hour passengers across the city.

Too much sound and fury in Christopher Nolan’s movies

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In 2006 the director Christopher Nolan filmed an adaptation of one of my novels, written a decade and a half earlier. Other than providing the source book, I had no involvement with any part of the filming. Unlike some novelists who have a Hollywood film made, I was not at all disappointed with the result: it struck me as an intelligent, skilful and imaginative adaptation, both similar to but also subtly different from the novel. That it has since become something known as ‘Christopher Nolan’s The Prestige’ seems slightly odd from my point of view, but that’s the name of the game. Another decade and a half further along, The Prestige still looks pretty good to me. Some people describe it as his masterpiece, which is probably debatable but close to what I think.

Kicking up a stink: Dead Fingers Talk, by William S. Burroughs, reviewed

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William Burroughs was introduced to a British readership in November 1963, and the welcome he received was ‘UGH...’ The headline stood guard over a review in the Times Literary Supplement of Dead Fingers Talk, the first legally obtainable book by Burroughs to be offered to the public in this country. Included in the round-up was a trilogy of novels issued in previous years by the Olympia Press in Paris: The Naked Lunch (1959), The Soft Machine (1961) and The Ticket That Exploded (1962). The three had been compressed, disassembled and rearranged in selected parts by Burroughs himself to create Dead Fingers Talk.

Demystifying the world of espionage

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John le Carré once wrote sadly that he felt ‘shifty’ about his contribution to the glamorisation of the spying business. David Omand doesn’t deal in glamour. He was at the top of the Ministry of Defence and the Home Office, director of the code-braking Government Communications Headquarters, chairman of the Joint Intelligence Committee, and responsible for structuring the government’s current anti-terrorist organisation. He thinks and writes deeply about the intellectual and moral problems thrown up by a business that depends on stealing other people’s secrets. He knows what he is talking about. How Spies Think is engagingly readable, even though the arguments are complex.

The humble biscuit has a noble history

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Sin-eating is an old European practice. After a person’s death, during the period of lying-in, a biscuit would be placed on the corpse in its coffin. Before the burial, one of the mourners would eat it in order to take on the sins of the departed and allow them to move on into the next life free of the burdens of their transgressions. Such fascinating info is the stuff of Lizzie Collingham’s book The Biscuit. This review, sadly, won’t touch on a tenth of it. Collingham has bagged a senior place among writers telling history through a single item of food. The book ranks up there with Salt and Cod by Mark Kurlansky. Her previous such book was Curry: A Tale of Cooks and Conquerors, which I thought would be hard to match, but Collingham has pulled it off again.

Aunt Munca’s murky past

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Kiss Myself Goodbye. It sounds a bit like a William Boyd novel. It looks likea William Boyd novel, too: the cover shows an old hand-coloured photograph of a fur-stoled woman, determinedly leading a man in morning dress towards the camera. And, indeed, the raw material would likely make a very good William Boyd novel — only Boyd would have to jettison at least half of the breakneck hairpin bends in the mad, mazy plot for the sake of believability. This could be the ultimate case of a tale too strange to be fiction. Ferdinand Mount has crafted the perfect, custom-made receptacle for his extraordinary story. The (anti)-hero is the millionairess Aunt Munca, self-named after the mouse in the Beatrix Potter story. It turns out to be just one of her many names and identities.