Culture

Claire Adam’s compelling first novel Golden Child won the 2009 Desmond Elliot Prize and was also picked as one of the BBC’s ‘100 Novels that Shaped Our World’. It told the story of contrasting twins in Trinidad – one an academic high-flyer, the other a misfit. When the latter is kidnapped, the father must act to rescue the son he has never quite understood. Adam has followed this with an ostensibly quieter novel about a Trinidadian woman called Dawn, divorced with two adult sons, who lives in south London and works for an estate agent, after abandoning her medical career. She decides to search for the baby girl she gave up for adoption more than 40 years earlier, having got pregnant by a tourist at Carnival, aged 16.

Be under no illusions: this is not a food memoir. Chopping Onions on My Heart is a linguistic exploration of belonging; a history of the Jewish community in Iraq; and an urgent endeavour to save an endangered language. Above all, it is a reckoning with generational trauma. The subjects of Samantha Ellis’s previous books include the life of Anne Brontë, heroines of classic literature, feminism and romantic comedy. She is the daughter of Iraqi Jewish refugees, and the language she grew up around, the language of her people and culture, is dying. Judeo-Iraqi Arabic ‘came out of the collisions of Hebrew-speaking Jews and Aramaic-speaking Babylonians, and then absorbed linguistic influences from all the other people who conquered Iraq’.

I have to be honest: I’ve never been much concerned with what happened in the Grand Duchy of Lithuania in 1387. I suspect that may even be true for many Lithuanians. In Silence of the Gods, Francis Young pinpoints this year – of the conversion of the duchy to Christianity – as the official triumph of Christianity in Europe over paganism and idolatry. But he then goes on to examine the debris – and the survivors of paganism and their traditions in the northern regions of Europe. The first difficulty is defining and identifying paganism. The book is published by Cambridge University Press, so there is an unmistakably academic, seminar-ready, conference-hardened edge to the text.

Studies of Christianity’s problems and prospects often entail a distinction between the singer and the song. At an institutional level, the world’s largest faith is in deep trouble throughout much of western Europe – and increasingly in North America, too. Widely rehearsed elsewhere, the reasons for this steep decline include the spread of individualism along with an allied flouting of deference, mistrust of agencies said to lie beyond the tangible, and self-inflicted wounds such as the abuse crisis. Yet many who mourn the spread of secularisation remind us that for all its flaws, the Church has a good story to tell overall. How so? Two answers stand out. First, Christian outreach still forms the largest single source of social capital on Earth.

Horace suffers from a reputation as an old man’s poet. Classicists often joke that Catullus and Martial are for the young, and Horace for those of a certain vintage – wine being a favourite Horatian theme. Many lose their thirst for his Odes at school, only to realise their brilliance decades later. Classroom Horace is just a bit too bombastic and patriotic to be cool. The Horace of Peter Stothard’s beautifully written new biography surprises with his sexiness. Not many pages in we find him poring over scurrilous papyri in the libraries of Athens. A verse by the Archaic-era poet Archilochus has caught his eye. It describes a woman with a man, ‘head-down, as she did her work like a Thracian drinking beer through a straw’. Golly.

I have counted the days. It is my 122nd eighteenth of November. I have come a long way from the seventeenth and I do not know whether I will ever see the nineteenth. But the eighteenth arrives again and again. This is life for Tara Selter, the protagonist of On the Calculation of Volume, a mesmerising projected septology by the Danish writer Solvej Balle that will make anyone who has ever longed to pause time rethink their wish list. Book I, published in Denmark in 2020 and on this year’s International Booker Prize longlist, opens on Day 121. Tara, an antiquarian bookseller, is hiding from her husband Thomas in the spare room of their cottage in Clairon-sous-Bois, a fictional town in northern France.