Culture

‘Below the Forties there is no law, and below the Fifties there is no God.’ Most sailors know some version of this saying, referring to the dangerous waters more than 40º south of the equator. In Wild Sea, Joy McCann focuses on these waters with a history of the Southern Ocean. The ocean surrounds Antarctica, its northern bound still open to dispute. In the 1928 first edition of Limits of Oceans and Seas, the Southern Ocean was delineated by land-based limits: Antarctica to the south, and South America, Africa, Australia and Broughton Island, New Zealand to the north. More recently, cartographers have tried to limit its scope.

‘I am very, very pleased,’ murmured Queen Victoria in 1895, when she dubbed Henry Irving, Britain’s first theatrical knight. He and Ellen Terry, who so often played opposite him, were international celebrities. Bram Stoker was their intimate friend and associate. He managed Irving’s Lyceum Theatre for 27 years and spent much of his career in their shadow. More than 100 years after his death, however, Stoker’s name is almost certainly more widely known than theirs, solely because of his most famous creation, Dracula (who is believed to have been partly modelled on his employer). In Shadowplay, Joseph O’Connor focuses on the three-cornered relationship between Stoker and the two actors.

It must be rare for a popular song to have such a lasting influence on a posthumous reputation. However, this is the case with Tom Lehrer’s deliciously satirical tribute, ‘Alma’. Reading Alma Mahler’s obituary in 1964 — the ‘juiciest, spiciest, raciest’ he’d ever come across — Lehrer was amazed by her matrimonial CV and proceeded to immortalise it in a catchy lyric. Not only had Alma been married three times, to the composer Gustav Mahler, to Walter Gropius, the founder of Bauhaus, and, finally, to Franz Werfel, author of the runaway bestseller The Song of Bernadette, she’d also managed to bag as lovers some of the top creative men in the Europe of her time.

Several years ago, I was interviewing the garden writer and designer Sarah Raven at her home in Sussex when a tall, tanned figure bounded up from the woods towards us. It was Adam Nicolson, her husband, and he carried an axe over his shoulder. A few months later, an email arrived from Nicolson, inviting me to come with him and a gang of his friends on a ‘moon walk’ in the Quantocks. I couldn’t make it, but realise now that the night walk was part of the research for his extraordinary and engrossing record of the time William and Dorothy Wordsworth spent in Somerset with Samuel Taylor Coleridge. This ‘year of marvels’ (from June 1797 to September 1798) would end with the publication of the first great work of Romanticism, the Lyrical Ballads.

Mary Norris’s book about her love affair with Greece and the Greek language starts with a terrific chapter about alphabets. That may sound like an oxymoron, but I was fascinated to learn why the Y and the Z come at the end of our alphabet. When the Romans were adapting the Greek alphabet, they ditched these letters because they didn’t need them. Later, when they started using Greek words, they wanted them back, so they tacked them on at the end. Equally, it’s nice to know how it comes about that, in England, we pronounce the letter Z as Zed — unlike in America, where Zed’s dead (and they say Zee, baby). It’s a throwback to a time we would have called it Zeta, after the Greek letter. Obvious, once you know.

We ought to cherish the haunted landscape of the Thames Estuary while we can. The grey hulks of old power stations, the white domes of oil refineries, the sternly rectilinear factories, all of which once seemed oppressive, are now instead poetic because of their near extinction. Caroline Crampton’s atmospheric and movingly written exploration of the Thames, and that once-industrial estuary, is especially illuminating on the soul of the river; and she investigates satisfyingly what it is in these silent marshes and concrete embanked paths that still generates such an odd sense of unease.

Charles Kay Ogden once proposed that conversations would be conducted more efficiently if participants wore masks. Apart from confirming the hypothesis that Britons don’t care much for philosophising but rarely miss an excuse to dress up, this made me think if only Theresa May had visited Brussels as Darth Vader to meet Jean-Claude Juncker in his Princess Leia mask, Brexit would have been sorted out years ago. Ogden, who not only translated Wittgenstein but wrote a book offputtingly called The Meaning of Meaning, also had the idea that English could be boiled down to 850 words — which, as you know, is 830 more than you’ll need to take part in a football phone-in.

The rebranding of John Browne has been a long and, to those of us living overseas, instructive affair. Readers will recall the unedifying circumstances leading to his dismissal from BP ten years ago, when the country’s usual gang of disagreeable and unkindly figures such as Paul Dacre and Tom Bower were snapping busily at his heels. Much has happened since. In the classic style of the British establishment, his disgrace has been followed by a steady stalactitic drip of preferments and praise, committees and chairs and board memberships, much aided by quires of unctuous journalism, most tending to focus on the impeccable taste and artistic judgment (not to say financial savvy) with which he has furnished and stocked his digs in the fashionable quarters of London and Venice.

I am so, so sad to hear about the death of Judith Kerr. I last saw her only a month or two ago, at an Oldie Literary Lunch, where she was in fine form and did not stint herself on a glass or two of wine. She seems to have been constitutionally a merry person, and a modest one. Among the greatest privileges of doing our books podcast was meeting Judith at her house in Barnes, where we recorded our interview with her and her son Matthew Kneale. What made it really special was that – thanks to one of my routine childcare emergencies – I had my then four-year-old son Jonah in tow. I have a photograph, therefore – which I hope will be a lifelong treasure for him – of Jonah, aged four, sitting with Judith, aged 94.