Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Homage to Clement and La Frenais, the writing duo who transformed British comedy

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Ray Galton and Alan Simpson remain pre-eminent as writers of television comedy, but their closest rivals Dick Clement and Ian La Frenais — still with us and in their eighties — always possessed more variety. Until I’d wolfed down this genial memoir I’d not known that the script-writing-and-directing duo had adapted Iris Murdoch’s A Severed Head for the screen. They also developed Lucky Jim as a television series and found Kingsley Amis pie-eyed, maudlin and testy, ‘jealous of his son’s success’. They wrote The Jokers and Hannibal Brooks for the disgusting Michael Winner (who once told a starlet: ‘What this part does not require is a diploma from Rada. What it does require is a great pair of tits.

How the Lyons Corner House became a haven for the single working woman

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In Whitechapel, in the mid 19th century, rolling and selling cigars was a way for a newly arrived immigrant to scrape a living. This is what Samuel Glückstein did, after he landed in London from Belgium in 1843. He built up his cigar business until he could send for his parents and siblings. One of his sisters married a man named Salmon (also in the tobacco trade) and thus the Salmon & Gluckstein firm was born. The fortunes of these intertwined families and their business empire are traced in this book. Within 20 years they had a large chain of tobacconists, and their brand was known across the country.

Haunted by a black cat: Earwig, by Brian Catling, reviewed

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Genuinely surrealist novels are as rare as hen’s teeth. They are a different form from the magic realist, the absurdist, the wacky, the mimsical and the nastily satirical. But Brian Catling is a genuine surrealist novelist, and it no doubt helps that his artwork is surreal (he is professor of fine art at Ruskin College, Oxford: how Ruskin would have loathed him). He has previously written a trilogy of novels, The Vorrh, which has been among my highlights of the past few years. This is a more slender book, but it is slender like a stiletto. If there is one defining feature of truly surreal literature, it is that it defies the imposition of meanings while retaining an affective hold on the reader. Oh, and horrifying them.

Compassion fatigue is as damaging to a doctor’s health as to a patient’s

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Medical training is a process of toughening up: take iron that’s vulnerable to rust, add carbon and make steel. That’s the hope. In a large university lecture hall, I remember a consultant standing in front of a PowerPoint slide showing two triangles, one widening to its base, the other tapering to a point. They represented how our clinical knowledge would expand with time, while our compassion would very probably diminish. It was a warning, but one delivered with a tone of inevitability. As a student I deeply resented this idea, but also worried it might prove necessary for survival. Doctors and their patients are surprised when training’s protection proves not to be that of an alloy but rather a metal paint that can be scratched and worn away.

An uncanny gift for prophecy — the genius of Michel Houellebecq

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The backdrop of Michel Houellebecq’s novel is by now well established. In this — his eighth — the bleak, essentially nihilistic nature of life is once again only relieved by equally nihilistic humour and sex. From the opening of Serotonin it is clear that we are in safe Houellebecqian hands. About the new anti-depressant that the narrator has been prescribed: ‘The most undesirable side effects most frequently observed in the use of Captorix were nausea, loss of libido and impotence. I have never suffered from nausea.’ There are also those volcanic side explosions which are occasionally mistaken for bigotry by people who don’t recognise that Houellebecq suffers just one bigotry, which is species disgust.

Gales and Gaels — sailing solo from Cornwall to the Summer Isles

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This is the story of a solo voyage in a 31ft- wooden sailing boat called Tsambika. Philip Marsden pilots his sloop along the west coast of Ireland, then the west coast of Scotland. The Summer Isles lie at his journey’s end, but in fact he is unable to land, owing to unfriendly headwinds — hence those islands ‘must remain in the imagination of the book’s subtitle’. An award-winning writer whose previous books include Rising Ground: A Search for the Spirit of Place, Marsden was a competent sailor before the off (his grandfather taught him), but ‘had never skippered a boat to anywhere I couldn’t reach by lunchtime’. His achievement is all the more impressive as he claims to be ‘not naturally practical’.

Everything you always wanted to know about classical music but were afraid to ask

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Novelist, essayist, painter, poet, composer. Oh yes, and pianist: Stephen Hough does all of these things very well — and one of them superlatively. Most of us will know Hough as a dazzling but thoughtful concert pianist, at home with almost all repertoire, but with a special affinity for 19th- and early 20th- century works. He recently played a gilded royal piano at the Proms — and before that published his first extended work of fiction. But don’t call him a Renaissance man. He flinches — and points out he’s not much cop at maths or science. That makes the rest of us feel only marginally better. A pianist has to do something while on the road — all those flights and lonely nights in distant hotel bedrooms.

Hitler’s legacy: two books examine different aspects of the horror that was Germany, 1945

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Two new books offer very different takes on the utter ruination of Germany in 1945. Each in its own way shows the enfeebling results of our modern obsession with amateur psychologising. Françoise Meltzer’s Dark Lens is based around a couple of dozen snaps which her mother, a Frenchwoman who had been in the Resistance, took of ruined German cities immediately after the war. This personal angle whets the reader’s appetite, as does the reminder of just how strangely fascinated we all are by ruins.

The tsunami of stuff we have and want is based on culture and economics

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In 1993, the photographer Peter Menzel travelled across the globe to capture our material world. In each country, he asked a family to empty their home and pose in front of their possessions. In Texas, the Skeen family held up their large illustrated Bible, surrounded by their Ford pickup truck, their mini-van and their dune buggy, their two TVs, multiple electrical appliances, shelves and storage cabinets filled with clothes. But even households in poorer countries revealed more things than one might expect. In Mali, the Natomo family had to make do with $250 a year but had a cassette player. In Ethiopia, the even poorer Getu family lived in a straw hut, yet owned an umbrella. Possessions have been a central feature of human life since the beginning.

Rushdie at his best – Quichotte reviewed

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It’s hard to get your head around Salman Rushdie’s latest novel Quichotte, which has been shortlisted for the Booker. It’s a literary embarras de richesse, whose centre can’t really hold, yet it’s written with the brilliant bravura of a writer who can really, really write. More to the point, it’s also funny and touching and sad and oddly vulnerable, rather like its eponymous hero. His name is taken from Cervantes’ Don Quixote, via its Frenchified version, courtesy of the composer Massenet (one cultural allusion at a time is never enough for Rushdie, whose references range from Prospero to Pinocchio, from Ionesco to Oprah, from Wordsworth to The Wizard of Oz).

The best of journeys: Justin Marozzi’s monumental trek through the history of the Muslim world

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This impressively clever, careful, and often beautiful book is the best sort of journey. It takes us through 15 cities that represent Islamic civilisation, but also through 15 centuries of Islamic history. Our voyage takes us through the core of the Middle East, but also to Fez in what is now Morocco and to Samarkand, in what is now Uzbekistan. We are introduced to very attractive characters such as Akbar, the tolerant and cultured warrior-poet who was Mughal emperor in the 16th century, and Harun al-Rashid, who turned Baghdad into a cultural and commercial centre so rich and powerful that its fame resonates more than a millennium later.

Two faces of a single calamity: how the war against inequality backfired dramatically

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In 2015, Daniel Markovits, a professor at Yale Law School, delivered a commencement address to that year’s graduating class in which he attacked the idea of meritocracy. It was, he said, a gilded cage that imprisons the elite and leaves the rest feeling excluded and undervalued. For Markovits to make these remarks at one of the cathedrals of the meritocratic church — students at Yale typically score above the 99th percentile in the nationwide Law School Admissions Test — was a kind of heresy and it attracted enough attention for him to secure a book deal. Four years later, The Meritocracy Trap is the result.

Rod Liddle on Brexit: The Great Betrayal reviewed

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Rod Liddle has taken a huge gamble with this book. It could be out of date very soon. The book’s premise is a conversation he had with his wife on the day after the Brexit vote in 2016. She, like Liddle, is a Brexiteer and said to him that morning, ‘They won’t let it happen.’ Liddle agreed. ‘Betcha we don’t leave,’ he said. And that is the book’s principal argument: we’ll never leave the EU. The Great Betrayal was published in July and, so far, Liddle is right. But what about on 1 November: will this book be massively outdated and will Britain be out of the European Union? It’s anyone’s guess. Even now, quite a few of the references in the book are dated. It was published before Boris Johnson became Prime Minister.

The great American trauma in minute detail

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Why, I asked some months back in these pages, do the protagonists in American fiction these days seem so lost? What is it they’re all so het up about? Well... everything. At least according to the narrator of Ducks, Newburyport. Lucy Ellmann’s monster novel is a more or less non-stop narration of the thoughts of one Ohio housewife, a former college teacher who now bakes pies for money, attempts to keep her household shipshape, feels the pinch of post-bail-out America, is frustrated in the usual ways, and frets persistently about the physical, moral and emotional safety of her offspring (other people’s too) in those ostensibly United States.

Welcome back to Gilead: Margaret Atwood’s triumphant reclaiming of her work

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‘Penises,’ Aunt Lydia muses, ‘them again.’ Penises are always causing trouble, even in the God-fearing dystopian state of Gilead. The Testaments is set 15 years after the end of The Handmaid’s Tale, at a time when young girls, carefully and modestly brought up to become wives to the regime’s male elite, are beginning to rebel; some would rather die than get married and there has been an attempted suicide via secateurs in the flower-arranging class. ‘Perhaps we need to change our educational curriculum,’ Aunt Lydia thinks, ‘less fear-mongering, fewer centaur-like ravishers and male genitalia bursting into flame.

Spectator Books: Elif Shafak on life after death

My guest in this week’s podcast is the Turkish novelist Elif Shafak, whose latest novel 10 Minutes 38 Seconds in this Strange World has just been shortlisted alongside Salman Rushdie and Margaret Atwood for this year’s Man Booker Prize. Elif talks to me about living in exile, writing in a second language, her relationship with Istanbul, and how the West’s culture war over 'free speech' looks to someone from a country where free speech can get you thrown in jail, or worse.

Watch: Douglas Murray celebrates his book launch

A suitably mad crowd gathered at the Spectator offices last night to celebrate the launch of Douglas Murray’s new book, The Madness of Crowds. Mr Steerpike marvelled at Mr Murray’s ability to bring such an intriguing mix of people together: where else in the world could you find Kevin Spacey, Paul Joseph Watson and a member of the bin Laden family in the same room? Almost a hundred journalists, authors, politicians, pundits and friends flocked to the Old Queen Street office. The guests included Michael Gove, Rod Liddle, Robert Gascoyne-Cecil, Nadira Naipaul, Martin Ivens, Sarah Baxter, Toby Young, Ruth Dudley Edwards, Henry Newman, Freddie Sayers, Dan Hitchens, Iain Martin, Jacob Burda and Bloomsbury's Robin Baird-Smith.

Spectator competition winners: ‘If you don’t whistle the correct tune, you may get maltweeted’: 21st-century fables

Your latest challenge was to come up with a fable for the 21st century, complete with moral. James Michie, my predecessor in the judge’s seat, was a celebrated translator of fables and if you were looking for inspiration, and don’t speak French, his 1973 rendering of a selection by La Fontaine serves as a shining example (they were described by the exacting Geoffrey Grigson as ‘earthier and sharper than Marianne Moore’s’). Though this challenge didn’t see you at your sharpest — some entries tended towards the heavy-handed — those that stood out are printed below and earn their authors £25 apiece. W.J. Webster One day a man was strolling through a wood when he heard a bird singing.

Tobias Jones finds in Italian football hooliganism a mirror image of Italy itself

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Ultras (Italian football hooligans) initially evolved along the same lines as their more infamous English counterparts, emerging in the 1960s and becoming fully fledged in the 1970s. Their ritual, tribal aggression supplied an outlet for youthful male violence in the relatively peaceful second half of Europe’s most savage century. At first, the curve’s semi-circular ends,behind the goals where ultras congregated were, for all their territorial violence, politics-free, but Tobias Jones notes ‘how hard certain ultras were rubbing the lamp [of fascist revivalism]before the genie appeared’.

Edna O’Brien’s heroic tribute to the girls kidnapped by Boko Haram: Girl reviewed

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This novel is strikingly brave in two ways: first, in the fortitude of its writer, the redoubtable Edna O’Brien, who, aged 88, travelled twice to northern Nigeria, her bra stuffed with thousands of dollars, in order to research this story. With some irony, she ended up staying in a convent with kindly nuns who helped introduce her to its subject: the girls kidnapped by Boko Haram in 2014. Second, the way, in these days of cultural appropriation, that O’Brien takes on the persona of a very young (she doesn’t know how old she is) kidnapped African girl, Maryam. But this book is at its core a misery memoir about the dreadful things done to women and girls in the name of religion. It’s hardly an area O’Brien can’t lay claim to.

Inside the unassuming house where the Brontës’ creativity thrived

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‘Do you think, because I am poor, obscure, plain and little, I am soulless and heartless?’ Jane Eyre asks Mr Rochester in Charlotte Brontë’s most famous novel. What is true of Brontë’s heroine is equally true of her Yorkshire home: plain in every sense of the word and yet perennially mysterious. The muted colour palette of the house reflect the rain-soaked moors surrounding it in a pleasing way. Tucked up a cobbled lane behind Haworth’s church, you would easily pass by without stopping to notice it, were you not aware of its former inhabitants. Much like Jane, Charlotte Brontë believed herself to be physically unremarkable. Even after the success of Jane Eyre, she struggled to make a strong impression in social situations.

20th-century assassins – How to be a Dictator reviewed

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Frank Dikötter has written a very lively and concise analysis of the techniques and personalities of eight 20th-century dictators: Mussolini, Hitler, Stalin, Mao Zedong, Kim Il-sung, Duvalier (Haiti), Ceausescu (Romania) and Mengistu (Ethiopia). As a comparative study of those individuals, it is enlightening and a good read. The title and parts of the foreword indicate that it aspires to be a guidebook of tactics for those aspiring to be dictators and to retain their status as such. There are some weaknesses in this broader ambition. These eight men were not altogether uniform in their methods of obtaining power, retaining it, or losing it, and certainly not in their abilities. Stalin, Mao, Kim Il-sung and Duvalier died in office to great public lamentations.

One insider’s view of the thorny subject of immigration

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Probably this happens to every generation: the moment when you can’t believe what’s going on; when events seem too preposterous to be true. I never thought I’d witness government and parliament in this country tearing themselves to tatters and becoming so irrelevant that Westminster might as well be located on the dark side of Jupiter. Perhaps the most incendiary topic lumbering about in the disintegration of our governance is immigration. No other subject manages to beget such nonsense and fury. The claims of anti-migrant, anti-immigrant sentiment are rife, despite the fact that even on the far right it is almost impossible to find anyone who is completely against the notion of immigration; it’s all about how it should be conducted.

A page-turning work of well-researched history: The Mountbattens reviewed

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He would want to be remembered as the debonair war hero who delivered Indian independence and became the royal family’s elder statesman. But something went wrong for Lord Louis Mountbatten. Andrew Roberts anticipated many modern historians when he called him ‘a mendacious, intellectually limited hustler’. Field Marshal Gerald Templer told him to his face he was so crooked that if he swallowed a nail, he’d shit a corkscrew. As reputations go, the turnaround has been extraordinary.

A New York state of mind – Doxology reviewed

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Doxology covers five decades and a spacious 400 pages, with all the subplots and digressions you would expect of a baggy monster realist novel. It moves from the subculture of straight edge punk to the backrooms of political powerbroking, and surveys ground from East Harlem to rural Ethiopia. There are at least half a dozen characters who take command of the narration for a substantial chunk of the story, and many more whose consciousnesses we breeze through as cameos. Yet the overall feeling isn’t of plenty, but of precarity. From the opening sentence, it seems that time is always about to run out.

The Lost Girls of World War II – a tribute

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It is to Peter Quennell in his memoir The Wanton Chase that D.J. Taylor owes his concept of wartime London’s ‘Lost Girls’: ‘adventurous young women who flitted around London, alighting briefly here and there, and making the best of any random perch on which they happened to descend’. They were courageous, living ‘without any thought for past or future’ in that bomb-blasted city, but what most touched Quennell’s heart was ‘their air of waywardness and loneliness’. He should know: he was married to one Lost Girl (Glur) while madly, frustratedly in love with another (the high-octane Barbara Skelton) who he introduced to Cyril Connolly alongside a third, Lys Lubbock, with ultimately cataclysmic results.