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In the footsteps of the Romantic poets

Shelley, walking as a boy through his ‘starlight wood’, looking for ghosts and filled with ‘hopes of high talk with the departed dead’, found nothing in reply. Nothing reverberated. The ghosts were silent. But he felt something else non-human: the springtime breezes bringing a sense of the marvellousness of life itself. And so in that instant (or so he says) his mind changed. No more seeking after gothic horrors or pining for the worst; no more listening to the dead. Instead, ‘the spirit of beauty’ descended on him, illuminated him, shaping his life, becoming his goddess, the only force he could imagine that ‘could free/ This world from its dark slavery’.

Nazi on the run: The Disappearance of Josef Mengele, by Olivier Guez, reviewed

Who would have thought that someone would write a novel about Josef Mengele, the Auschwitz doctor and infamous experimenter on live human bodies? Other characters in the French writer Olivier Guez’s story are also from the Nazi gang of debased criminals: Adolf Eichmann, Franz Stangl, the concentration camp commandant, and Klaus Barbie, the Butcher of Lyons. This is a historical novel, and Guez has researched it well. He invests the structure of events with his imagination and has Mengele relate his experiences throughout his long avoidance of capture. There’s a vivid sense of reality about the crazed, unrepentant eugenist’s attempt at an acceptable fugitive way of life, and Guez holds our attention by building dramatic suspense.

Courage on the high seas

The Shetland Islands and the Faroes may seem to be somewhere out there in distant waters, marginal and in the greater scheme of things not very important in the history of the world. But from a maritime perspective it is precisely the fact that they are suspended in mid-ocean, surrounded by water that teems with fish (if one knows where to look) that has given them a role in human history out of all proportion to their size. In his fascinating account of the part played by these islands in the harvesting of cod and herring from the North Atlantic, John Goodlad raises vital questions about the world’s food supplies.

The nondescript house that determined the outcome of the second world war

Sometimes the struggle for a single small strongpoint can tip the whole balance of a greater battle. One thinks of the closing of the gates of Hougoumont farm at Waterloo, or the bloodless German seizure of Fort Douaumont at Verdun – an error it took an estimated 100,000 French lives to reverse. According to Iain MacGregor, this role at Stalingrad was played by a non-descript four-storey building in the city’s central district, codenamed ‘the Lighthouse’, but subsequently known as ‘Pavlov’s House’, after one of its garrison’s leaders, Sergeant Yakov Pavlov.

A shaggy drug story: Industry of Magic & Light, by David Keenan, reviewed

The Scottish writer David Keenan has published five novels in five years: This is Memorial Device (2017), For the Good Times (2019), Xstabeth (2020), last year’s magnum opus Monument Maker and now Industry of Magic & Light. At a comparatively modest 250 pages (Monument Maker weighed in at more than 800), it is practically a novella, or perhaps the sort of pamphlet one might once have picked up in a ‘head shop’ such as Compendium Books in Camden. The last book of Keenan’s I reviewed here I described as ‘either a cycle of novels or one vast fictional gallimaufry’ – to which I now approvingly add a third category. Industry of Magic & Light confirms the enterprise as a shaggy drug story: Then the main band came on.

Cosy crime flourishes in the pick of the summer’s thrillers

Cosy crime was once the literary world’s guilty secret, a refuge for any reader seeking entirely unchallenging entertainment – like an Escoffier chef with a private penchant for Mars Bars. It has always proved a great getaway in tough times, which helps explain the extravagant success of Richard Osman’s novels. Murder Before Evensong by the Reverend Richard Coles (Orion, £16.99) follows on Osman’s heels, with the advantage of it being both a more interesting story and a better writer telling it. It begins with an array of clichés, a feature of the cosy genre. Daniel Clement is a man of the cloth, tending the rural flock of a small village whose church’s living is in the hands of the local estate’s predictably irascible squire.

Joy, fear and regret in contemporary Britain

For two and a half years, as Britain adjusted from normality to the most disorienting collective trauma of our lifetimes, Will Ashon trawled the country for strangers’ stories. He wrote letters to random addresses, went hitchhiking, talked to the drivers and followed chance connections in pursuit of glimpses into other people’s lives. Once they had consented to speak, he asked some to tell him a secret and others to answer a question from a list. The resulting anonymous confessions, reminiscences, philosophical reflections and anecdotes were obtained via interviews, emails or voice recordings.

The diary of a tortured man: Deceit, by Yuri Felsen, reviewed

Yuri Felsen, born in St Petersburg, was an exile in Riga, Berlin and Paris and died at Auschwitz in 1943. Had his archive not been destroyed, we might find him on the same shelf as Vladimir Nabokov, Vladislav Khodasevich and Ivan Bunin – the glittering Russian literati of 1930s Paris – and Georgy Adamovich, who said that Felsen’s prose ‘left behind a light for which there is no name’. With this new translation of the 1930 novel Deceit, that light has been brought back from dim obscurity. In this first of three novels Felsen published, we follow the unnamed narrator’s tortured obsession with the ‘unequivocally irresistible’ Lyolya Heard, who drifts in and out of his life in Paris, leaving him in an intoxicating loop of ecstasy and despair.

Rocked by rebellion: the short, unhappy reign of Edward VI

As Tory writers reflected on the safe passage of the Stuart dynasty through the Exclusion Crisis of 1679-81, an anonymous author urged contemporaries to learn the lessons of English history. The Rebels Doom (1684) offered some thumbnail sketches of various unsuccessful rebellions and attempted revolutions that had threatened the monarchy since the reign of Edward the Confessor, in order to show ‘the Fatal Consequences that have always attended ... Disloyal Violations of Allegiance’. The writer paused especially over one Tudor insurrection from 1549, in which 10,000 rebels from Devon and Cornwall took up arms against the administration of Edward VI and besieged the city of Exeter, but were ultimately crushed by forces led by Lord John Russell.

Why was Henrietta Maria, Charles I’s beautiful wife, so reviled?

On 15 June 1645, as Thomas Fairfax’s soldiers picked over the scattered debris on the Naseby battlefield, they made a sensational discovery. Amid the corpses and musket balls, dismembered limbs and severed swords there nestled a carrying case of personal letters and papers. It was nothing less than the king’s private correspondence. The cache included letters between Charles I and his queen, Henrietta Maria – his always opened ‘My deare harte’ – which discussed in detail the tactics and strategies of the war. Never ones to miss a PR opportunity, the Parliamentary high command ordered that a selection should be published with a guiding commentary.

Harpo Marx – genius, idiot savant or lovable overgrown child?

It’s hard (if not impossible) to imagine a world worth living in that doesn’t include the Marx Brothers; and equally impossible to imagine the Marx Brothers without their forever silent, animal-loving, hilariously unpredictable Harpo, he of the moppet wig, trampish overcoat packed with stolen silverware and blow torches, and recurringly grotesque facial expressions. For while the greatest comic performers of the silent film era (such as Chaplin and Keaton) couldn’t speak to the camera, Harpo was the only comic of the talkie era who simply wouldn’t, as if human conversation were somehow beneath him.

Adrift in Berlin: Sojourn, by Amit Chaudhuri, reviewed

Feelings of dislocation are at the heart of Amit Chaudhuri’s award-winning novels. Friend of My Youth (2017) followed a writer’s unsettling trip back to his childhood home in Bombay. Before that, Odysseus Abroad (2014) charted the day of a lonely English literature student from India as he meandered around London. Now, in Sojourn – Chaudhuri’s eighth novel – we meet a nameless first-person narrator adrift in Berlin. It is the early 2000s, and the 43-year-old, Indian protagonist has just arrived as a visiting professor at a university for four months. He doesn’t know anyone, and navigating the streets is confusing.

An angry poltergeist: Long Shadows, by Abigail Cutter, reviewed

Long Shadows, a powerful novel set mainly in the American civil war, is very unlike Gone with the Wind. The narrator, Tom Smiley, is now an unhappy ghost trapped in his old home, which, apart from snakes, mice and silverfish, has been uninhabited since his widowed daughter Clara died. A young couple arrive: Harry, who has inherited the property, and Phoebe, a psychic. To Tom’s indignation, they start renovating, getting rid of loved objects such as his family’s kitchen table and piano. Letters, medals and his sisters’ clothes are unearthed, prompting painful memories for him.

Seize the moment: Undercurrent, by Barney Norris, reviewed

Barney Norris’s third novel opens with a wedding in April. The couple tying the knot don’t matter; it’s the occasion that does, paving the way for a story about love, family and stories themselves, which is apt from a writer who is known for his dramas on the stage as much as on the page. Ed, who narrates half the novel, is there with his girlfriend Juliet, wondering why they’re yet to get married. It’s the expense, he supposes, and the not knowing what sort of ring to buy. And so he allows time to drift by, ‘just letting it happen to me, rather than me doing very much with it’. But then the wedding photographer, Amy, recognises Ed from a chance encounter as children and his story starts to change.

Aleister Crowley was even more beastly than we’d imagined

I have never had much time for Aleister Crowley. Magic(k) is nonsense; the mystical societies he founded were simply pretexts for him to take as many drugs and have as much sex as he could. And he was a second-rate writer at best. When the novelist Arthur Calder-Marshall said he had gone ‘from Great Beast to Great Bore’, I thought it a fair summing-up. Crowley initiates were some of the dodgiest people in the western world – either frauds or hucksters themselves or the most gullible of fools. There was always the matter of his self-reinvention. Aleister Crowley was not christened thus: he changed his first name because he thought that a dactyl followed by a spondee conferred the greatest chance of becoming famous. (I cannot say it has done me any favours.

Propaganda from the Russian Front: The People Immortal, by Vasily Grossman, reviewed

On its posthumous publication in 1980, Vasily Grossman’s Life and Fate was widely compared with War and Peace. For all the novel’s many virtues, the comparison was hyperbolic. In one respect, how-ever, Grossman’s was the more remarkable achievement. Whereas Tolstoy wrote about historical events with the benefit of hindsight, Grossman wrote about ones that he had recently endured. Life and Fate was the third of Grossman’s novels set during the Nazi invasion of the former Soviet Union. The first was The People Immortal, which, like the second, Stalingrad, is now available in an unexpurgated edition, superbly translated by Robert and Elizabeth Chandler.

The bizarre history of London’s private members’ clubs

At the height of the IRA’s terrorist campaign on mainland Britain in December 1974, a bomb was lobbed through the front window of the In & Out – the Naval and Military Club, then in Piccadilly. Exploding, it knocked everyone off their feet, including the barman Robbins, and trashed the Long Bar. But in the silence that followed came the unwavering request of senior member Commander Vaughan Williams: ‘Another pink gin please, Robbins.’ A subsequent cartoon in the London Evening Standard depicted the scene of devastation (no one was injured or killed) with a mess-jacket-wearing member calmly wondering what the barman had put in his pink gin: ‘But I’ll have another!

How the travel industry convinced us we needed holidays

In September 2019, Thomas Cook filed for compulsory liquidation, leaving 600,000 customers stranded abroad. It was a sorry end to a company that had lasted 178 years and survived both world wars. Founded by a Baptist preacher who began organising railway trips to Midland cities for local temperance societies, the company grew into one of the largest travel agencies in the world, thanks to the transformation of tourism from an activity for the idle rich to an experience open to all. This opening up of travel is the story Lucy Lethbridge tells in Tourists, taking the reader from the last years of the Grand Tour to the first years of the package holiday.

The invisible man: The Glass Pearls, by Emeric Pressburger, reviewed

Not all Germans were swayed by Hitler, but the majority were. Karl Braun, the fugitive Nazi doctor at the heart of Emeric Pressburger’s 1966 novel The Glass Pearls, was devoted to the furtherance of so-called ‘science’ under the Führer. In the interests of research he cut up the brains of a number of concentration camp inmates. His chosen victims – Jews and other ‘useless mouths’ – were crematorium fodder. Yet Braun sees himself as a decent, God-fearing family man. Undoubtedly he had to carry out unpleasant work, but does that mean he has no conscience? Pressburger, a Hungarian-born Jewish émigré, had reason to dislike the Germans: his mother and other close relatives were murdered at Auschwitz.