More from Books

If buttons, balloons or premature burial terrify you, rest assured you’re not alone

Every summer, during our holiday in Orkney, there is a moment of panic. We’re standing on a dizzying cliff – looking across a sleeve of sea at the Old Man of Hoy, maybe – and I’m consumed with a longing to fling myself over. It’s not suicidal. I just yearn to feel the wild rush of air against my cheeks: I want to fly. I’ve never met anyone who shares this compulsion, but The Book of Phobias and Manias assures me it’s quite common. Indeed, it has a name: acrophobia. Kate Summerscale understands it perfectly: ‘The whirl of vertigo,’ she says, can ‘seem like the giddiness of yearning.’ A new book from Summerscale is always a treat.

The agony and frustration of reporting from the Middle East

For 25 years, Abed Takkoush assisted foreign reporters like Jeremy Bowen when they arrived to cover the chaos and conflicts in Lebanon. He drove them around in his battered Mercedes, pointing out with grim relish the places where dark deeds had taken place: the assassinations, atrocities, kidnappings and slaughter of civilians that scar this mesmerising nation. During one Israeli onslaught in 1996, Abed sped past a gunship firing at cars on the highway between Sidon and Tyre, laughing with relief when shells exploded on the road rather than the car. ‘We laughed with him,’ writes the veteran BBC reporter. ‘It was a calculated risk. The alternative was turning back to Beirut without a story.’ Four years later their luck ran out on the last day of Israeli occupation.

Explorer, author, soldier, lover: The Romantic, by William Boyd, reviewed

William Boyd taps into the classical novel tradition with this sweeping tale of one man’s century-spanning life, even to the extent of providing the accustomed framing device: the chance discovery of a cache of papers and mementoes. The items listed by ‘WB’ in his ‘Author’s Note’ – a musket ball, a fragment of a Greek amphora, a crinkly lock of hair – all find their place in the tale of this 19th-century adventurer, lover, traveller and author. Cashel Greville Ross (his name turns out to be as mutable as his identity and nationality) is born in Ireland in irregular circumstances – so irregular that a swift flight to England as a boy is effected, the first of his many transitions.

The ‘delishious’ letters of Lucian Freud

Love him or loathe him, Lucian Freud was a maverick genius whose life from the off was as singular as his paintings were celebrated. He never really knew his famous grandfather, who left Vienna in 1938 only a year before his death, and one can only speculate what Sigmund would have made of his wayward and wildly gifted grandson on the strength of this effervescent collection of early correspondence. He certainly would have admired it on aesthetic grounds: a handsome quarto volume, cloth-bound and embossed, whose contents are a model of intelligent design.

‘I always made an awkward bow’: John Keats’s poignant farewell

On Sunday 17 September 1820, John Keats and his travelling companion, the young painter Joseph Severn, set sail for Italy, where it was hoped that the warmer climate would benefit the poet’s failing health. It didn’t. He died of tuberculosis in Rome the following February at the age of only 25. The last five months of Keats’s life – the sea voyage to Naples, including ten exhausting days stuck in the bay in quarantine; the overland journey to Rome; his last weeks spent in the rooms above the Spanish Steps that are now a museum – are the focus of this enthralling and original new study. Its author, Alessandro Gallenzi, the publisher of Alma Books, is well acquainted with Keats’s letters, having recently translated them into Italian.

A complicated bond: The Best of Friends, by Kamila Shamsie, reviewed

When I think of Kamila Shamsie’s Home Fire, I picture a pot boiling on a hob, the water level rising until it spills over the lip and onto the stove. In Best of Friends, the author’s seventh novel, the tension is still there, but the bubbles are contained. It’s more of a simmer, gentle but insistent – not unlike the ‘shared subtexts’ that pass between the protagonists. We first meet Maryam and Zahra as 14-year-olds. It’s the summer of 1988 in Karachi and the two girls are preoccupied with standard teenage stuff (budding bodies, boys) and the kind of concerns that sadly become standard when living under a ‘repellent dictator’ (censored television, bomb and riot alarms, everyday violence).

An empire crumbles: Nights of Plague, by Orhan Pamuk, reviewed

Welcome to Mingheria, ‘pearl of the Levant’. On a spring day, as the 20th century dawns, you disembark at this ‘calm and charming island’ south of Rhodes from a comfortable steamer after sailing from Smyrna, Piraeus or Alexandria. A crew of Greek or Muslim boatmen will row you to the picturesque harbour of Arkaz, flanked by the radiant White Mountain and the gloomy turrets of the medieval castle. The fragrances of honeysuckle, linden trees and the famous Mingherian roses waft over azure seas. Admire the ancient churches and newer mosques, the neo-classical State Hall, the grand buildings funded by the sultan’s government in faraway Istanbul. Savour figs, oil, nuts and cheeses in the bustling markets.

Was Nato expansion worth the risk?

This is an important and topical book. Mary Sarotte traces the difficult course of Russia’s relations with Europe and the United States during the decade which followed the fall of the Berlin wall in 1989, a period which saw Russia’s brief dalliance with democracy and Nato’s advance to the frontiers of the old Soviet Union. The story has been told before, but never so fully or so well. In a remarkable historical coup, Sarotte has persuaded the German foreign ministry to open its archives to her, and the Americans to declassify thousands of documents previously closed to researchers. When Vladimir Putin’s spokesman Dmitry Peskov was moved to denounce so much disclosure of confidential diplomatic material, it became obvious that Sarotte was on to something.

A translator’s responsibilities are as formidable as a transplant surgeon’s

When asked what it is we do, translators often resort to metaphors. We liken the act of translation to performing a piece of music, taking on a role in a play, kissing a bride through a veil or building bridges between cultures. But as the peerless Norwegian translator Damion Searls has said, when we sit down to work ‘there’s no metaphor at all really. The metaphors are just for interviews, or for talking with people about what translators do’. In this series of passionate, thoughtful essays, Jhumpa Lahiri uses metaphors, and more especially Ovid’s Metamorphoses, to explore the nebulous, almost ineffable nature of living between languages.

The Index of Prohibited Books makes a fine reading list

In a classic paradox of bureaucracy, the Index of Forbidden Books only really hit its stride when its original task became impossible. By the 17th century, Robin Vose relates in his new history of the Index Librorum Prohibitorum – established 1559, venerated and cursed for four centuries as ‘the Index’ – it was broadly accepted that censoring literature, senso stricto, was no longer possible. The ubiquity of printers, the ease of transportation and concealment and the sheer number of new books all made most texts available, most of the time, to those with time and cash to spare. The Index of Forbidden Books couldn’t, practically speaking, forbid.

An outcast in Xinjiang: The Backstreets, by Perhat Tursun, reviewed

Like Dostoevsky’s Underground Man, Perhat Tursun’s unnamed protagonist is an outcast. A young Uighur in an increasingly Han city (Urumchi, the capital of Xinjiang), he is alone, angry, unstable and homeless. The events of The Backstreets take place over one long night, as he looks for somewhere to stay (‘I just wanted a small space – the space a person would need in a graveyard’) or, more accurately, somewhere to belong. In this poignant and disturbing short novel, the influence of Dostoevsky and Camus, among others, is clear. It’s not meant to be comfortable reading. Identity permeates the book in the same way that a fog forever buries Urumchi. Almost everyone the narrator meets, as he walks through the smog-filled streets, seems terrified of him.

Mad men plotting: The Unfolding, by A.M. Homes, reviewed

Fifteen years ago, A.M. Homes published The Mistress’s Daughter, an explosive, painful account of how she met her birth mother, Ellen, who had placed her for adoption as a baby when, as a very young woman, she became pregnant in the course of an affair with an older, married man. Perhaps the most memorable scene depicts her mother, who had instigated the contact between them when Homes was in her early thirties, appearing without warning at a reading Homes was giving in a bookshop. The writer’s panic and discomfort at this unexpected ambush, and her sense of what it might foreshadow, were palpable (and she was not wrong.

Back on the road: Less is Lost, by Andrew Sean Greer, reviewed

Get ready for more of Less: Andrew Sean Greer’s hapless novelist is back on the road. First things first: you need to have read Less, Greer’s Pulitzer-winning first outing for his creation, to appreciate this slighter but equally charming sequel. That’s no hardship. Less was hilarious and humane: a hymn to second acts. In it, Arthur Less – a tentative, faded Battenberg blond-and-pink man, around whom embarrassments and misunderstandings coalesce – scuttled across the world to avoid facing his 50th birthday and the wedding of his long-time lover Freddy to someone else, both imminent. In Less is Lost, Arthur has a stranger and scarier destination for a West Coast homosexual: America’s heartlands.

James Bond and the Beatles at war for Britain’s soul

‘Better use your sense,’ advised Bob Dylan: ‘take what you have gathered from coincidence.’ John Higgs is a master of taking what he can gather from coincidence – or, as he would insist, synchronicity. From the filigree of connections and echoes in the KLF (Discordianism through the lens of 1990s pop provocateurs) to the psychogeography of Watling Street to more recent deep dives into William Blake, he confronts the modern Matter of Britain: who wields power, and who resists it? Love and Let Die starts with another perfect coincidence, namely that it was 60 years ago – to be precise, 5 October 1962 – that saw the first Beatles single appear in shops and the first James Bond film appear in cinemas.

Robert Harris’s gripping Act of Oblivion is let down by anachronisms

When Charles II became king of England in 1660, he pardoned most of those who’d committed crimes during the civil war and Commonwealth. The Act of Indemnity and Oblivion, from which Robert Harris’s propulsive new novel takes its title, promised to wipe the slate clean and ‘bury all seeds of future discords’. But the monarch, generally tolerant, made an exception of the 59 men who, 11 years earlier, had signed his father Charles I’s death warrant. Act of Oblivion opens on a drowsy midsummer day as two of those 59, having fled across the Atlantic, arrive in Boston. One is Oliver Cromwell’s cousin, Edward Whalley, and the other Whalley’s son-in-law, William Goffe.

Ballet comes of age with Sergei Diaghilev

‘What exactly is it you do?’ asked a bamboozled King Alfonso XIII of Spain upon meeting Sergei Diaghilev at a reception in Madrid, while the Great War raged on in Europe. ‘Your Majesty, I am like you,’ came the impresario’s quick-witted reply. ‘I don’t work, I do nothing. But I am indispensable.’ At first glance, the Russian expatriate’s estimation of his own worth may seem theatrically grandiose, but as the dance critic Rupert Christiansen shows in Diaghilev’s Empire, his new history of the Ballets Russes and their buccaneering onlie begetter, ‘indispensable’ was really no overstatement.

Finally, the Sherpas are heroes of their own story

John Keay has for many years been a key historian and prolific contributor to the romance attaching to the highest mountains on Earth. His latest book is described as a summation of that lifetime’s contribution, offering an overview of the Himālaya – the Sanskrit version (‘Abode of Snow’) that Keay bids us use – both as a physical place and as a realm of intellectual inquiry. The book opens with a bang. Its first theme is the astonishing mountain-making forces that created the region. Specifically, Keay gives us the prolonged intellectual skirmishes among geologists as they tried to piece together the formative processes.

A single meal in Rome is a lesson in Italian history

Farmer, restaurateur, critic, foodie activist, traveller (he’s worked in Zimbabwe as well as South Africa), cookery book writer, longtime TV presenter of New Scandinavian Cooking, food columnist for a couple of Norwegian papers as well as formerly for the Washington Post, Andreas Viestad’s belt has many notches. He lives between Oslo and Cape Town and for 25 years has been a regular visitor to Rome. His favourite restaurant there is La Carbonara, by the Campo de’ Fiori, and he has had the strikingly good idea of writing a foodie history of the world by examining a single meal eaten there. Early in the narrative we get a few lessons in geography, economic history and even contemporary mores.