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The ‘delishious’ letters of Lucian Freud

Love him or loathe him, Lucian Freud was a maverick genius whose life from the off was as singular as his paintings were celebrated. He never really knew his famous grandfather, who left Vienna in 1938 only a year before his death, and one can only speculate what Sigmund would have made of his wayward and wildly gifted grandson on the strength of this effervescent collection of early correspondence. He certainly would have admired it on aesthetic grounds: a handsome quarto volume, cloth-bound and embossed, whose contents are a model of intelligent design.

‘I always made an awkward bow’: John Keats’s poignant farewell

On Sunday 17 September 1820, John Keats and his travelling companion, the young painter Joseph Severn, set sail for Italy, where it was hoped that the warmer climate would benefit the poet’s failing health. It didn’t. He died of tuberculosis in Rome the following February at the age of only 25. The last five months of Keats’s life – the sea voyage to Naples, including ten exhausting days stuck in the bay in quarantine; the overland journey to Rome; his last weeks spent in the rooms above the Spanish Steps that are now a museum – are the focus of this enthralling and original new study. Its author, Alessandro Gallenzi, the publisher of Alma Books, is well acquainted with Keats’s letters, having recently translated them into Italian.

A complicated bond: The Best of Friends, by Kamila Shamsie, reviewed

When I think of Kamila Shamsie’s Home Fire, I picture a pot boiling on a hob, the water level rising until it spills over the lip and onto the stove. In Best of Friends, the author’s seventh novel, the tension is still there, but the bubbles are contained. It’s more of a simmer, gentle but insistent – not unlike the ‘shared subtexts’ that pass between the protagonists. We first meet Maryam and Zahra as 14-year-olds. It’s the summer of 1988 in Karachi and the two girls are preoccupied with standard teenage stuff (budding bodies, boys) and the kind of concerns that sadly become standard when living under a ‘repellent dictator’ (censored television, bomb and riot alarms, everyday violence).

An empire crumbles: Nights of Plague, by Orhan Pamuk, reviewed

Welcome to Mingheria, ‘pearl of the Levant’. On a spring day, as the 20th century dawns, you disembark at this ‘calm and charming island’ south of Rhodes from a comfortable steamer after sailing from Smyrna, Piraeus or Alexandria. A crew of Greek or Muslim boatmen will row you to the picturesque harbour of Arkaz, flanked by the radiant White Mountain and the gloomy turrets of the medieval castle. The fragrances of honeysuckle, linden trees and the famous Mingherian roses waft over azure seas. Admire the ancient churches and newer mosques, the neo-classical State Hall, the grand buildings funded by the sultan’s government in faraway Istanbul. Savour figs, oil, nuts and cheeses in the bustling markets.

Was Nato expansion worth the risk?

This is an important and topical book. Mary Sarotte traces the difficult course of Russia’s relations with Europe and the United States during the decade which followed the fall of the Berlin wall in 1989, a period which saw Russia’s brief dalliance with democracy and Nato’s advance to the frontiers of the old Soviet Union. The story has been told before, but never so fully or so well. In a remarkable historical coup, Sarotte has persuaded the German foreign ministry to open its archives to her, and the Americans to declassify thousands of documents previously closed to researchers. When Vladimir Putin’s spokesman Dmitry Peskov was moved to denounce so much disclosure of confidential diplomatic material, it became obvious that Sarotte was on to something.

A translator’s responsibilities are as formidable as a transplant surgeon’s

When asked what it is we do, translators often resort to metaphors. We liken the act of translation to performing a piece of music, taking on a role in a play, kissing a bride through a veil or building bridges between cultures. But as the peerless Norwegian translator Damion Searls has said, when we sit down to work ‘there’s no metaphor at all really. The metaphors are just for interviews, or for talking with people about what translators do’. In this series of passionate, thoughtful essays, Jhumpa Lahiri uses metaphors, and more especially Ovid’s Metamorphoses, to explore the nebulous, almost ineffable nature of living between languages.

The Index of Prohibited Books makes a fine reading list

In a classic paradox of bureaucracy, the Index of Forbidden Books only really hit its stride when its original task became impossible. By the 17th century, Robin Vose relates in his new history of the Index Librorum Prohibitorum – established 1559, venerated and cursed for four centuries as ‘the Index’ – it was broadly accepted that censoring literature, senso stricto, was no longer possible. The ubiquity of printers, the ease of transportation and concealment and the sheer number of new books all made most texts available, most of the time, to those with time and cash to spare. The Index of Forbidden Books couldn’t, practically speaking, forbid.

An outcast in Xinjiang: The Backstreets, by Perhat Tursun, reviewed

Like Dostoevsky’s Underground Man, Perhat Tursun’s unnamed protagonist is an outcast. A young Uighur in an increasingly Han city (Urumchi, the capital of Xinjiang), he is alone, angry, unstable and homeless. The events of The Backstreets take place over one long night, as he looks for somewhere to stay (‘I just wanted a small space – the space a person would need in a graveyard’) or, more accurately, somewhere to belong. In this poignant and disturbing short novel, the influence of Dostoevsky and Camus, among others, is clear. It’s not meant to be comfortable reading. Identity permeates the book in the same way that a fog forever buries Urumchi. Almost everyone the narrator meets, as he walks through the smog-filled streets, seems terrified of him.

Mad men plotting: The Unfolding, by A.M. Homes, reviewed

Fifteen years ago, A.M. Homes published The Mistress’s Daughter, an explosive, painful account of how she met her birth mother, Ellen, who had placed her for adoption as a baby when, as a very young woman, she became pregnant in the course of an affair with an older, married man. Perhaps the most memorable scene depicts her mother, who had instigated the contact between them when Homes was in her early thirties, appearing without warning at a reading Homes was giving in a bookshop. The writer’s panic and discomfort at this unexpected ambush, and her sense of what it might foreshadow, were palpable (and she was not wrong.

Back on the road: Less is Lost, by Andrew Sean Greer, reviewed

Get ready for more of Less: Andrew Sean Greer’s hapless novelist is back on the road. First things first: you need to have read Less, Greer’s Pulitzer-winning first outing for his creation, to appreciate this slighter but equally charming sequel. That’s no hardship. Less was hilarious and humane: a hymn to second acts. In it, Arthur Less – a tentative, faded Battenberg blond-and-pink man, around whom embarrassments and misunderstandings coalesce – scuttled across the world to avoid facing his 50th birthday and the wedding of his long-time lover Freddy to someone else, both imminent. In Less is Lost, Arthur has a stranger and scarier destination for a West Coast homosexual: America’s heartlands.

James Bond and the Beatles at war for Britain’s soul

‘Better use your sense,’ advised Bob Dylan: ‘take what you have gathered from coincidence.’ John Higgs is a master of taking what he can gather from coincidence – or, as he would insist, synchronicity. From the filigree of connections and echoes in the KLF (Discordianism through the lens of 1990s pop provocateurs) to the psychogeography of Watling Street to more recent deep dives into William Blake, he confronts the modern Matter of Britain: who wields power, and who resists it? Love and Let Die starts with another perfect coincidence, namely that it was 60 years ago – to be precise, 5 October 1962 – that saw the first Beatles single appear in shops and the first James Bond film appear in cinemas.

Robert Harris’s gripping Act of Oblivion is let down by anachronisms

When Charles II became king of England in 1660, he pardoned most of those who’d committed crimes during the civil war and Commonwealth. The Act of Indemnity and Oblivion, from which Robert Harris’s propulsive new novel takes its title, promised to wipe the slate clean and ‘bury all seeds of future discords’. But the monarch, generally tolerant, made an exception of the 59 men who, 11 years earlier, had signed his father Charles I’s death warrant. Act of Oblivion opens on a drowsy midsummer day as two of those 59, having fled across the Atlantic, arrive in Boston. One is Oliver Cromwell’s cousin, Edward Whalley, and the other Whalley’s son-in-law, William Goffe.

Ballet comes of age with Sergei Diaghilev

‘What exactly is it you do?’ asked a bamboozled King Alfonso XIII of Spain upon meeting Sergei Diaghilev at a reception in Madrid, while the Great War raged on in Europe. ‘Your Majesty, I am like you,’ came the impresario’s quick-witted reply. ‘I don’t work, I do nothing. But I am indispensable.’ At first glance, the Russian expatriate’s estimation of his own worth may seem theatrically grandiose, but as the dance critic Rupert Christiansen shows in Diaghilev’s Empire, his new history of the Ballets Russes and their buccaneering onlie begetter, ‘indispensable’ was really no overstatement.

A single meal in Rome is a lesson in Italian history

Farmer, restaurateur, critic, foodie activist, traveller (he’s worked in Zimbabwe as well as South Africa), cookery book writer, longtime TV presenter of New Scandinavian Cooking, food columnist for a couple of Norwegian papers as well as formerly for the Washington Post, Andreas Viestad’s belt has many notches. He lives between Oslo and Cape Town and for 25 years has been a regular visitor to Rome. His favourite restaurant there is La Carbonara, by the Campo de’ Fiori, and he has had the strikingly good idea of writing a foodie history of the world by examining a single meal eaten there. Early in the narrative we get a few lessons in geography, economic history and even contemporary mores.

A ghoulish afterlife: The Seven Moons of Maali Almeida, by Shehan Karunatilaka, reviewed

Ten years ago Shehan Karunatilaka’s first novel, Chinaman, was published and I raved about it, as did many others. Set in the 1980s, it intertwined the stories of a vanished, forgotten cricketer who was able to bowl unplayable deliveries and the particularly brutal war that was ravaging Sri Lanka. My review ended with the words: ‘Karunatilaka is, I gather, writing another novel, but how it can be as good as this I can hardly imagine.’ We now have that novel, and I was right: it isn’t as good. Which is not to say it’s bad. In fact, there are parts of its design and telling that are very good indeed. But I had problems with it, as you will see. We are in 1990, and Sri Lanka is as dangerous a place is it was in Chinaman, and in reality.

As normal as blueberry pie: Oscar Hammerstein II, through his letters

Tolstoy or Dostoevsky? Picasso or Matisse? Lennon or McCartney? Impossible to call? No such quandary with Rodgers and Hart and Rodgers and Hammerstein. There are those that laugh at the city smarts of the words Larry Hart wrote with Richard Rodgers. And there are those that weep at Oscar Hammerstein’s home-on-the-range cornpone lyrics. But there is nobody that loves them both. Over to the pros then: while the likes of Frank Sinatra, Sarah Vaughan, Ella Fitzgerald and Tony Bennett have all given us their takes on Rodgers and Hart, nobody but Bryn Terfel has seen fit to make a Rodgers and Hammerstein CD. Not that Hammerstein would have worried.

Britain’s recent darkest hour: the betrayal of the Chagos Islands

Philippe Sands’s compelling new book opens in 2018 at the International Court of Justice in The Hague, where Liseby Elysé – ‘a distinctive lady dressed in black’, who can neither read nor write – is making a video statement before 14 judges. In Creole, she describes how, in 1973, she and the last of her 1,500 fellow islanders from Peros Banhos (part of the Chagos archipelago, south of the Maldives) were forcibly deported to Mauritius. They were herded in the dark onto a boat for a four-day passage, with neither notice nor explanation given, restricted to one wooden trunk of possessions apiece, homes abandoned and all their pets rounded up and gassed. The boat’s captain said he had ‘never transported people in such terrible conditions’.