More from Books

Thursday

Christopher Bray

The amazing grace of Bruce Lee’s fight scenes

Early on in Enter the Dragon our hero, the acrobatic Kung Fu fighter Bruce Lee, tells a young pupil to kick him. Needless to say, the kid’s kick comes a cropper. ‘What was that?’, Lee sneers, clipping the lad’s ear. ‘An exhibition? We need emotional content, not anger.’ Even at 12, when I first read about this scene (in the poster magazine Kung Fu Monthly, whose first 26 issues are handsomely reproduced in Volume I of Carl Fox’s Archive Series), I thought it sounded like a load of chop suey hooey. An exhibition is precisely what I’d have wanted, if by some miracle I could have wise-guyed my way into seeing Lee’s X-rated picture. Anyway, if anger isn’t an emotion, what is it?

Stephen Bayley

Must we now despise colonial architecture too?

Here’s a thing. A disturbing book about disturbing cities. And it’s full of loaded questions. Like Hezbollah, the publisher uses the silhouette of an automatic weapon as its logo. This is a trigger warning. Jonathan Swift wrote: All poets and philosphers who find  Some favourite system to their minds  In every way to make it fit  Will force all Nature to submit. So I give you Owen Hatherley, an architectural critic of the left, adept in the predictable tropes of Guardian-sprache, who exists in a world, as he often tells us, defined by concepts of colonial domination, exploitation and ocean-going misery. As Lionel Trilling observed, leftish people are always glum because things are never quite as perfect as they wish them. Rightish people have more fun.

Duncan Fallowell

Russian escapism: Telluria, by Vladimir Sorokin, reviewed

Vladimir Sorokin, old enough to have been banned in the Soviet Union, flourished in the post-Gorbachev spring, and he fled to Berlin several days before Russia attacked Ukraine. He writes phantasmagorias, as so many Russians do, because Russia is a nation that has never allowed its writers to examine society directly. Solzhenitsyn said: ‘Russian literature gives a poor notion of Russia, because after 1917 all truth was suppressed.’ But even in the so-called Golden Age, the Tsar’s censorship was brutal. Voinovich said: ‘Depicting reality as it is, it’s very alien to Russians.’ Gogol provided one way out – satire – but he escaped to Rome. Later writers escaped into the historic past, romantic passivity, surrealism.

Oliver Balch

Has Cuba’s revolution finally fizzled out?

In 1968, the US anthropologist Oscar Lewis arrived in Cuba with a tape recorder and a mission to capture the revolutionary zeal of everyday Cubans. Eighteen months later, he was sent packing. ‘We have nothing to hide,’ Fidel Castro, the leader of the country’s 1959 revolution, had supposedly told him. That wasn’t quite true: production targets were being missed, dissidents were being locked up and the US trade embargo was already beginning to bite. The project briefly – and unsuccessfully – passed into the hands of Boom-era author and friend of Fidel, Gabriel García Márquez. After that, the voices of Cubans vanished from the official record. Lots of vituperative denunciations from Cuban exiles, certainly.

Stuart Kelly

Close to extinction: Venomous Lumpsucker, by Ned Beauman, reviewed

Ned Beauman’s novels are like strange attractors for words with the letter ‘Z’. They zip, zing, fizz, dazzle and sizzle. They are a bizarre bazaar of pizzazz. Some readers no doubt might find his form of literary hyperactivity exhausting. Personally, I find it exhilarating. In part this is because the novels do not just have propulsive plotting but the ideas are high-octane as well. Venomous Lumpsucker does not pause for breath, yet simultaneously induces a weary, melancholy exhalation. The venomous lumpsucker in question throws together two very different characters and works as an effective McGuffin for the novel. Mark Halyard is the environmental impact coordinator (Northern Europe) for the Brahmasamudram Mining Company.

Michael Henderson

In praise of burning pianos

How are non-conformists assimilated within the cloistered walls of tradition? Richard Wagner supplied the best answer to the age-old question in Die Meistersinger von Nürnberg, when Hans Sachs, the cobbler-poet, reconciles youthful ardour with the wisdom bestowed by experience. Learn from the masters, he tells the townsfolk, if you want to start afresh. It was a lesson absorbed by all the great modernists. Stravinsky, Joyce, Eliot, Picasso, Kandinsky and the rest of the gang understood thoroughly what had come before. Alas, it is a lesson as yet unlearned by Kate Molleson, whose pleading on behalf of ten musical misfits is unlikely to ‘open our ears’, despite her best intentions. For who do we open them to?

Michael Arditti

A gay journey of self-discovery

Seán Hewitt, born in 1990, realised that he was gay at a very early age. ‘A kind, large woman’ who was babysitting him told him that it was wrong. ‘I was perhaps only six or seven at the time, but she knew. I knew it too. It was as if she had peered into the deep, secret part of my soul and seen what I was hiding.’ Alongside the precocious knowledge came desperate attempts to conceal the truth. Hewitt adopted alien ways of being: ‘I regulated myself; I policed myself.’ As an adolescent, he spread rumours about his exploits with girls. He even watched heterosexual porn on the sitting room television in the hope that his classmates would spot him from the street.

Mia Levitin

A post-racial world: The Last White Man, by Mohsin Hamid, reviewed

Mohsin Hamid’s fifth novel opens with a Kafkaesque twist: Anders, a white man, wakes to find that he has turned ‘a deep and undeniable brown’. Unrecognisable to his entourage, he first confesses his predicament to Oona, an old friend and new lover. Similar metamorphoses begin to be reported throughout the country and violence ensues as pale-skinned militants stalk the streets. In its use of a speculative device, The Last White Man recalls Hamid’s 2017 Booker-shortlisted Exit West, in which migrants teleport through Narnia-like doors.

Horatio Clare

A poet finds home in a patch of nettles

Towards the end of a long relationship – ‘resolved to have a conversation about the Future, which meant Separating’ – Nancy Campbell’s partner suffered a stroke. Campbell’s life then became a hell of hospital visits, supporting and fearing for the brilliant Anna, an intellectual who worked with virus analysts in Moscow, reduced by brain insult and aphasia to a kind of infancy. Thunderstone is the story of Campbell’s response to this crisis. Her diary extracts jump from Anna’s stroke in 2019 and her slow healing, to Campbell’s own new life, which begins when Anna is strong enough to be encouraged to move on, from June to September 2021. Campbell is a poet and travel writer, with many friends and contacts.

Jane O’Grady

What exactly do we mean by the mind?

Given the ingenuity of machine-makers, said Descartes in the 17th century, machines might well be constructed that exactly resemble humans. There would always, however, be ‘a reliable test’ to distinguish them. ‘Even the stupidest man’ is equipped by reason to adapt to ‘all the contingencies of life’, while no machine could ever be made with enough pre-set ‘arrangements’ to be convincingly versatile. But suppose it could? In 1950 Alan Turing proposed a test remarkably similar to Descartes’s. A computer and a human are asked questions, each being invisible to the questioner, and their respective responses compared.

Wednesday

Robert Tombs

These polemics against Brexit both fall into the same trap

It is good for historians to take the plunge into political writing, using their knowledge where they can to illuminate our present predicament. I declare an interest: I have tried it myself, on the other side of the debate. One has to be open with the reader as to one’s intentions and willing to expose one’s own opinions to the test of evidence. Otherwise, the result is something like these intriguingly confused and confusing books, which are really polemics against Brexit while purporting to be something else. Though very different in style and assumptions, their prejudices lead to the same intellectual dead end.

Thursday

Alan Judd

Behind the Five Eyes intelligence alliance

In February 1941 four US officers were landed from a British warship at Sheerness, bundled into vehicles and driven to Bletchley Park, Buckinghamshire, a large redbrick house amid wartime huts. They were greeted at midnight by the head of Bletchley with sherry, whisky being in short supply. They carried with them a secret device called the Purple Machine, which deciphered previously impregnable Japanese communications. In return, they were given full details of Bletchley’s breaking of the German Enigma cipher. Yet it would be another ten months before the US entered the war.

Susie Mesure

Dark days in Hollywood: Mercury Pictures Presents, by Anthony Marra, reviewed

Summer is a time for blockbusters and Anthony Marra has delivered the goods with Mercury Pictures Presents, a sweeping book about 1940s Hollywood, Mussolini’s Italy and America’s entry into the second world war. The action opens in the executive offices of Mercury Pictures International, a struggling film studio run by Artie and Ned Feldman, two brothers modelled on Jack and Harry Warner. It’s late summer 1941, and as well as fighting each other, the Feldmans are fighting the isolationist senators accusing Hollywood of pushing America into war. The battle to get the script for Devil’s Bargain approved is ‘shaping into a pivotal confrontation between campaigners for free speech and crusaders for government censorship’.

Tom Williams

The price of courage: On Java Road, by Lawrence Osborne, reviewed

Lawrence Osborne’s novels are easy to admire. They tend to deal with characters trapped in morally questionable situations and their backdrops, from Macau to Greece, are often glamorous and exotic. Like any British novelist who deals with morality in foreign places, he gets compared with Graham Greene, but On Java Road, his sixth novel, owes much to Patricia Highsmith too. At its heart is a crime – the disappearance of a young woman in contemporary Hong Kong – but this, as much as anything, is a structural device on which to hang an examination of moral courage. What, Osborne asks, is required to protect democracy when doing so comes with great risk?

Amelia Butler-Gallie

Fleshing out family history: Ancestry, by Simon Mawer, reviewed

DNA test kits may have been all the rage in recent years, but how much can they really tell us about our ancestors? Cold, hard data is, by definition, neither sentimental nor sympathetic. Or so says Simon Mawer, whose latest novel asks where, in our austere conception of the past as a graveyard of artefacts, bones, facts and figures, are the personalities of the dead? ‘Where is the flesh and blood?’ Mawer is well known for expertly pillaging the treasure chest of history to serve his fiction. His previous forays into the past, such as the second-world-war-era and Man Booker-shortlisted The Glass Room of 2009, struck an admirable balance between meticulous historical accuracy and deeply original imaginative character studies.

David Horspool

The poet and the polymath: two 16th-century Portuguese travellers

In 1866, Dante Gabriel Rossetti visited a London print shop to buy a large canvas of a Renaissance street. He recognised that the bustling scene – black-robed clerics, bargaining merchants, black porters and children teasing a monkey, played out on a wide boulevard in front of a colonnaded row of slightly rickety houses – was Iberian, but could be no more precise. Only in 2009 did scholars identify the street as Lisbon’s Rua Nova dos Mercadores, painted in the late 16th century, and lost like so much of the city in the great earthquake of 1755. One of the many virtues of Edward Wilson-Lee’s fascinating, elegantly written book is to plunge us into that scene, and to follow a trail outward from this global city across Europe, to Africa, India and beyond.

Roy Foster

Who planned Field Marshal Sir Henry Wilson’s murder?

Until very recently, political assassination was a mercifully uncommon occurrence in British politics, though that has changed. Previously when such murders did happen, they were usually associated with Ireland: the 1882 Phoenix Park murders of Lord Frederick Cavendish and Thomas Burke, the killings of Airey Neave and Lord Mountbatten, and numerous unsuccessful plots and near misses. One spectacular example occurred in June 1922, when Field-Marshal Sir Henry Wilson was shot dead outside his Mayfair house by two IRA operatives called Reginald Dunne and Joseph O’Sullivan, who were swiftly captured and hanged, after a trial whose procedures were sharply criticised by George Bernard Shaw among others.

Ian Sansom

The sad, extraordinary life of Basil Bunting

Funny old life, eh? Small world, etc. In one of those curious, Alan Bennett-y, believe-it-or-not-but-I-once-delivered-meat-to-the mother-in-law-of-T.S.-Eliot-type coincidences, it turns out that Mark Knopfler once worked as a copy boy on the Newcastle Evening Chronicle when Basil Bunting was working there as a sub-editor. Knopfler being Knopfler, he eventually wrote a sad sweet song about it, ‘Basil’, in which he describes England’s most important modernist poet sitting stranded in the newspaper offices, surrounded by up-and-coming Bri-Nylon-clad jack-the-lads, wearing his ancient blue sweater, puffing on his untipped Players, clearly ‘too old for the job’ and ‘bored out of his mind’.

Alexander Larman

Homage to Sydney Kentridge, South Africa’s courtroom giant

Sydney Kentridge, the protagonist of Thomas Grant’s superb legal saga The Mandela Brief, is that trickiest of biographical subjects: a great man. Grant acknowledges ‘it is rare that, on closer acquaintance, a person touted as a “great” man or woman conforms to the initial description’, but the South African lawyer has been described by countless barristers as the greatest courtroom advocate they had ever seen. Notable for the apartheid cases he conducted as a defence lawyer of especial distinction and passion, Kentridge has also been admired for his calm and assured bearing in court.

Graham Robb

The pleasures – and perils – of getting on your bike

Jody Rosen lives and cycles in Brooklyn, which makes him what the Mexican essayist Julio Torri calls ‘a suicide apprentice’. He has been ‘rear-ended’ and ‘doored’ several times. He quotes an unnamed cyclist who likens the click of a car door being opened to the sound of a gun being cocked. ‘Get a bicycle,’ said Mark Twain. `You will not regret it, if you live.’ This rangy, digressive book contains just about the right amount of bicycle history and mechanics for the unobsessed. Rosen is not a bicycle fetishist.