More from Books

Thursday

Susie Mesure

Dark days in Hollywood: Mercury Pictures Presents, by Anthony Marra, reviewed

Summer is a time for blockbusters and Anthony Marra has delivered the goods with Mercury Pictures Presents, a sweeping book about 1940s Hollywood, Mussolini’s Italy and America’s entry into the second world war. The action opens in the executive offices of Mercury Pictures International, a struggling film studio run by Artie and Ned Feldman, two brothers modelled on Jack and Harry Warner. It’s late summer 1941, and as well as fighting each other, the Feldmans are fighting the isolationist senators accusing Hollywood of pushing America into war. The battle to get the script for Devil’s Bargain approved is ‘shaping into a pivotal confrontation between campaigners for free speech and crusaders for government censorship’.

Tom Williams

The price of courage: On Java Road, by Lawrence Osborne, reviewed

Lawrence Osborne’s novels are easy to admire. They tend to deal with characters trapped in morally questionable situations and their backdrops, from Macau to Greece, are often glamorous and exotic. Like any British novelist who deals with morality in foreign places, he gets compared with Graham Greene, but On Java Road, his sixth novel, owes much to Patricia Highsmith too. At its heart is a crime – the disappearance of a young woman in contemporary Hong Kong – but this, as much as anything, is a structural device on which to hang an examination of moral courage. What, Osborne asks, is required to protect democracy when doing so comes with great risk?

Amelia Butler-Gallie

Fleshing out family history: Ancestry, by Simon Mawer, reviewed

DNA test kits may have been all the rage in recent years, but how much can they really tell us about our ancestors? Cold, hard data is, by definition, neither sentimental nor sympathetic. Or so says Simon Mawer, whose latest novel asks where, in our austere conception of the past as a graveyard of artefacts, bones, facts and figures, are the personalities of the dead? ‘Where is the flesh and blood?’ Mawer is well known for expertly pillaging the treasure chest of history to serve his fiction. His previous forays into the past, such as the second-world-war-era and Man Booker-shortlisted The Glass Room of 2009, struck an admirable balance between meticulous historical accuracy and deeply original imaginative character studies.

David Horspool

The poet and the polymath: two 16th-century Portuguese travellers

In 1866, Dante Gabriel Rossetti visited a London print shop to buy a large canvas of a Renaissance street. He recognised that the bustling scene – black-robed clerics, bargaining merchants, black porters and children teasing a monkey, played out on a wide boulevard in front of a colonnaded row of slightly rickety houses – was Iberian, but could be no more precise. Only in 2009 did scholars identify the street as Lisbon’s Rua Nova dos Mercadores, painted in the late 16th century, and lost like so much of the city in the great earthquake of 1755. One of the many virtues of Edward Wilson-Lee’s fascinating, elegantly written book is to plunge us into that scene, and to follow a trail outward from this global city across Europe, to Africa, India and beyond.

Roy Foster

Who planned Field Marshal Sir Henry Wilson’s murder?

Until very recently, political assassination was a mercifully uncommon occurrence in British politics, though that has changed. Previously when such murders did happen, they were usually associated with Ireland: the 1882 Phoenix Park murders of Lord Frederick Cavendish and Thomas Burke, the killings of Airey Neave and Lord Mountbatten, and numerous unsuccessful plots and near misses. One spectacular example occurred in June 1922, when Field-Marshal Sir Henry Wilson was shot dead outside his Mayfair house by two IRA operatives called Reginald Dunne and Joseph O’Sullivan, who were swiftly captured and hanged, after a trial whose procedures were sharply criticised by George Bernard Shaw among others.

Ian Sansom

The sad, extraordinary life of Basil Bunting

Funny old life, eh? Small world, etc. In one of those curious, Alan Bennett-y, believe-it-or-not-but-I-once-delivered-meat-to-the mother-in-law-of-T.S.-Eliot-type coincidences, it turns out that Mark Knopfler once worked as a copy boy on the Newcastle Evening Chronicle when Basil Bunting was working there as a sub-editor. Knopfler being Knopfler, he eventually wrote a sad sweet song about it, ‘Basil’, in which he describes England’s most important modernist poet sitting stranded in the newspaper offices, surrounded by up-and-coming Bri-Nylon-clad jack-the-lads, wearing his ancient blue sweater, puffing on his untipped Players, clearly ‘too old for the job’ and ‘bored out of his mind’.

Alexander Larman

Homage to Sydney Kentridge, South Africa’s courtroom giant

Sydney Kentridge, the protagonist of Thomas Grant’s superb legal saga The Mandela Brief, is that trickiest of biographical subjects: a great man. Grant acknowledges ‘it is rare that, on closer acquaintance, a person touted as a “great” man or woman conforms to the initial description’, but the South African lawyer has been described by countless barristers as the greatest courtroom advocate they had ever seen. Notable for the apartheid cases he conducted as a defence lawyer of especial distinction and passion, Kentridge has also been admired for his calm and assured bearing in court.

Graham Robb

The pleasures – and perils – of getting on your bike

Jody Rosen lives and cycles in Brooklyn, which makes him what the Mexican essayist Julio Torri calls ‘a suicide apprentice’. He has been ‘rear-ended’ and ‘doored’ several times. He quotes an unnamed cyclist who likens the click of a car door being opened to the sound of a gun being cocked. ‘Get a bicycle,’ said Mark Twain. `You will not regret it, if you live.’ This rangy, digressive book contains just about the right amount of bicycle history and mechanics for the unobsessed. Rosen is not a bicycle fetishist.

Michael Ledger-Lomas

What has become of the 19th-century explosion of religiosity?

Matthew Arnold cannot have been much fun on holiday. Watching waves crash on the pebbles at Dover Beach, he heard only metaphors for the decay of religion. The ‘Sea of Faith’ had once been full, but now its ‘melancholy, long, withdrawing roar’ filled his ears. Dominic Green thinks he was much too gloomy. He prefers Arnold’s chirpy contemporary Ralph Waldo Emerson, who perceived that faith was not so much ebbing as flowing into new channels. From the time of the 1848 revolutions to the century’s close, railways, industrialised wars and questions raised by geologists and biologists shook people’s faith in Christianity. But the crisis of religion fuelled the expansion of religiosity.

Margie Orford

The lost world of the Karoo

Julia Blackburn’s Dreaming the Karoo is the diary of a very bad year: from March 2020, when a research trip to South Africa was cut short by the sudden emergence of Covid, to March last year. Blackburn had gone to Cape Town, and then into the dry interior, the Karoo, to explore the lost world she had found in an obscure volume that she had once chanced upon in the London Library. Specimens of Bushman Folklore, by the linguists Wilhelm Bleek and Lucy Lloyd, published in 1911, contains the texts – life stories, origin myths, tales about animals, accounts of murders of women and children by the encroaching colonists – given by many of the /Xam, a Bushman group of hunter-gatherers. These informants were captives, hundreds of miles from their homes.

Wednesday

Julie Burchill

Is self-loathing the British disease?

Whatever one thinks of the government’s plans to send refugees to Rwanda, it was amusing to see this country’s left suddenly finding all sorts of reasons why only the UK – ‘a cake-filled, misery-laden, grey old island’ according to Emma Thompson, patron of the Refugee Council – would do as a final destination for these poor people. It was especially ironic that the place which the great and the good decreed unfit for humane habitation was a country of which liberals have historically approved: France. The phrase ‘French flu’ was coined in the 1950s to describe the cultural cringe of British progressives towards France as the source of all things civilised.

Thursday

Boyd Tonkin

When did cheerfulness get so miserable?

We’ve all met the sort of facetious oaf who orders any non-giggling woman to ‘Cheer up, love, it might never happen’. As Timothy Hampton grasps, enforced cheeriness feels about as much fun as compulsory games. His invigorating book about the quest for true cheerfulness in literature and philosophy dismantles the various ‘prosthetic or counterfeit’ versions of the real thing that bullies, bosses, self-help gurus and household tyrants inflict on their victims. Jane Austen’s heroines, as he shows, chafe against the elevation of cheerfulness into a ‘social norm’. It suffocates them like stays: ‘Thou shalt be cheerful, at least if thou art woman.’ For sound reasons, the prospect of cheerfulness fails to gladden many modern hearts.

John Sturgis

The sweet and sour sides of growing up in a Chinese takeaway

Angela Hui was born into a life of service: Chinese takeaway service. Her parents had fled mainland China, where they experienced borderline starvation under the communist regime before arriving as exotic newcomers to provincial South Wales in 1985. There they become part of a Chinese diaspora, financially sustained by dozens of family-run takeaways dotted across the Valleys. The Huis set up in Beddau, a former pit town of 4,000 people that was still struggling socially and economically after the then recent closure of the mines. They call their restaurant Lucky Star.

Travis Elborough

The folly of garden cities

In his 1981 autobiography A Better Class of Person, the playwright John Osborne described an encounter he’d recently had with an actor who’d bought a house in Finlay Street, Fulham for £15,000. Osborne, having lived on the same street in the 1930s when properties there changed hands for £300, was astonished by the sum. Yet, as Simon Matthews notes in House in the Country, £15,000 was then only 3.5-3.75 times the average national earnings, while to buy a house on Finlay Street today you’d need £2,136,667 – which works out at 69 times the current average annual salary.

Susie Mesure

A child’s-eye view of the not-so-good life

Since winning the Costa prize for best first novel in 2008 with The Outcast, Sadie Jones has become known for well-crafted plots exploring isolation, shame and troubled families. In Amy and Lan, she sticks with some similar themes but shakes things up by using two child narrators to tell their own stories. As the seasons spiral past, the writing fizzes with childish energy ‘Me and Amy are both seven now,’ says Lan, kicking things off in a chapter called ‘Halloween’, which alternates between his voice and Amy’s. They are friends, not siblings, and live on the same West Country farm. Their mothers left the city for the good life as fledgling farmers when they were both pregnant.

Nikhil Krishnan

A frictionless history of fieldwork: In Search of Us reviewed

To be an anthropologist today is to understand, as few in the secular modern university can, what it is to be marked by a consciousness of original sin. Contemporary ethnographies are full of passionate mea culpas from scholars concerned that they have inherited the guilt of their discipline’s founding fathers, men who inhabited a world of red-cheeked missionaries and pith-helmeted viceroys. Lucy Moore is not the most natural candidate for a historian of the discipline. Her back-catalogue shows her to be a generalist and belletrist – a book on the Roaring Twenties, one on Indian princesses and another on Georgian rakes. Her prose is fluent and soothing, her narratives informative without being especially taxing, their outlook humane but never subversive.

Nicholas Lezard

The Everybody Inn: what happened when a hotel opened its doors to the homeless?

What do you do when you pass someone sleeping or begging in the street? I’ll tell you what I do: pretty much the bare minimum to appease my conscience. Pound coins distributed, some names asked for and learned, sandwiches and snacks for those outside supermarkets (Müller Corners and bottles of chocolate milk particular favourites). After reading this book I realise there is rather a lot more I could be doing. And indeed a lot more others, particularly the government, could be considering. Here is how Christina Lamb describes what Mike Matthews, owner of the historic Prince Rupert Hotel in Shrewsbury, was doing a few years before the pandemic struck: He couldn’t help remembering...

Peter Parker

The well of happiness – and despair: Queer St Ives reviewed

In the winter of 1952 the 21-year-old sculptor John Milne travelled to St Ives in Cornwall to take up a temporary job as an assistant to Barbara Hepworth. The arrangement was that he would become her pupil in exchange for helping her in the studio, but he was subsequently paid a small salary and ended up staying in her employ for two years. By this time, Milne had decided to settle in the town, which had become a thriving modernist artists’ colony, and in 1956 he acquired Trewyn House, a three-storey Victorian property next door to Hepworth’s studio.

Thursday

Bryan Karetnyk

Reclaiming the siege of Leningrad from the Russian state: Living Pictures reviewed

Take the Red Line north, heading out of St Petersburg, and you’ll eventually reach Courage Square on the city’s outskirts (if you pass Polytechnic you’ve gone too far). From there, it’s a brisk 20-minute walk along the birch-lined Avenue of the Unvanquished to Piskaryovskoye cemetery, home to some 186 mass graves and almost half a million civilians and soldiers who died during the 900-day siege of the ‘hero city’ during the second world war – or, as it’s known to Russians, the Great Patriotic War.

Ian Sansom

Plain tales of crookedness and corruption: Rogues reviewed

Do not be deterred, but do be warned. Rogues isn’t a book book: it’s a kind of high-end sizzle reel, a ‘best of’ articles by Patrick Radden Keefe, a staff writer for the New Yorker. The magazine has always had its stars, among them James Thurber, E.B. White, Joseph Mitchell, Janet Malcolm, Anthony Lane and Malcolm Gladwell. Let’s be honest, Patrick Radden Keefe is not one of them – or wasn’t, until the publication last year of Empire of Pain, his book about the Sackler family and America’s opioid epidemic, based on an old New Yorker article. An overnight sensation, it was years in the making.