More from Books

Thursday

Michael Paraskos

What would Raymond Chandler do?

If the inclusion of the erstwhile master of the genre, Raymond Chandler, as a fictonalised character in a pastiche 1930s detective novel is a bit of a gimmick, it is a nice gimmick. In The Kept Girl it keeps us guessing whether the author, Kim Cooper, believes Chandler’s greatest invention, Philip Marlowe, was a self-portrait, or based on someone he knew. The most likely candidate Cooper offers is Tom James, a Los Angeles detective inspector busted down to traffic cop for trying to expose police corruption. But equal billing might go to the fictional Chandler’s secretary, Muriel Fischer, a woman with more pluck than the average Chandler heroine. In this story Chandler is forced to investigate the fate of money that has gone missing from his employer, Dabney Oil.

Lee Langley

Who’s raiding the fridge?

There is a problem with describing what happens in Nagasaki: impossible to reveal much of the plot without flagging up serious spoiler alerts. The story demands an innocent eye; the gaining of knowledge should come page by page, and not be hurried. To set the scene: Shimura-san, a bachelor of 56, set in his ways, lives quietly in a house on the steep hillside above the Nagasaki dockyards. He has an undemanding job as a meteorologist, analysing weather patterns. One day, returning after work, hot, sticky and tormented by the clamour of cicadas, he notices, not for the first time, that a pot of yoghurt is missing from the fridge. Is the fruit juice bottle exactly where he left it that morning? He measures the level, and next day it has dropped.

Duncan Fallowell

The fruitcake island of Sicily and its legion of literary visitors

At the opposite end of the Continent to ourselves, Sicily has always been an attraction for the English who, from the vantage of Europe’s historically most stable society, have gazed with fascination at perhaps its least stable. There were already links between us in the age of the Normans, who conquered Sicily at roughly the same time as they conquered us. The revival of classical learning in the Renaissance made the English increasingly familiar with the Sicilian connections of Homer, Plato, Archimedes, Aeschylus, Pindar, Empedocles, Theocritus, Virgil and Cicero, and with the island’s mythological and classical geography. Shakespeare set several plays there. English travellers and reprobates were among the first to make Naples and Sicily their playground.

Sam Leith

Shooting prize-dispensing fish in literary barrels

Edward St Aubyn’s new novel is a jauntily malicious satire on literary prizes in general, the Man Booker Prize in particular and, it may be presumed, the 2011 Man Booker Prize in especial particular. That was the year of the great ‘readability’ brouhaha in which — as every reviewer will point out — among many unexpected omissions from the longlist was Edward St Aubyn. He afterwards told an interviewer that ‘the Booker 2011 is of no more interest to me than the World Heavyweight Championship, which I’m not going to win either.

John McEwen

How seriously should we take Ruskin as an artist?

This stout and well-designed volume nicely complements Tim Hilton’s classic biography of John Ruskin. It is the catalogue for the exhibition at the National Gallery of Canada, Ottawa (till 11 May) and the Scottish National Portrait Gallery (4 July–28 September). A Scottish venue is especially appropriate. Ruskin (1819–1900) was a Londoner but proudly Scots by descent. He retained the slight Scottish accent of his father, a successful sherry merchant, who had been brought up in Edinburgh; and already at nine drew a highly competent map of Scotland, which is illustrated but regrettably not exhibited.

Julie Burchill

The book that brought out the Lady Bracknell in me

I’ve always said that speech is my second language, so naturally I’m somewhat slang-shy; I love words all written down properly and punctuated to within an inch of their lives. Not so Jonathon Green, who has the same relationship with slang as Jordan does with eating wedding cake in a thong; five books about it published and another one in the pipeline. According to Wikipedia, Green is often referred to as ‘the English-speaking world’s leading lexicographer of slang’, and has even been described as ‘the most acclaimed British lexicographer since Dr Johnson’.

Peter Scupham

For God, King and Country

Flags and flowers: three bloody years worked in silk. At the needle’s eye stand easy, ghost, slip through my fingers your blue, indelible, weightless kisses for the children. Tell Charlie, Min, time is short now. Up to the firing line for night operations — a ‘fabrication française’ where threads unravel, unvarnished truths must be embroidered by cheery cards. Not the only one not by a long way, your loving brother Albert.

Harry Mount

To be topp at lat., throw your Cambridge Latin Course away

The wisest words about learning Latin were said by that gifted prep-school boy, Nigel Molesworth: ‘Actually, it is quite easy to be topp in lat. You just have to work.’ But things have changed since Molesworth learnt Latin at St Custard’s in the 1950s. Over the last half-century, the work has been extracted from Latin learning and, without the work, the whole point of the language disappears. As Gwynne’s Latin — an uplifting throwback to the good old days — reveals, many schools now don’t teach the vocative case. In the Cambridge Latin Course, used in 85 per cent of schools, you learn the nominative, accusative and dative cases in the first volume. Two more cases appear in the second, and you only learn the ablative at the end of the fourth.

Thursday

Caroline Moore

An escape from New South Wales

Thomas Keneally has constructed his latest novel around a framework of true events: the mass break-out of Japanese PoWs from a camp in New South Wales. This intrinsically thrilling incident, triggered by a fascinating clash between mutually uncomprehending cultures, is an obvious gift to a writer. There may be some who claim that any novelist could therefore have produced an interesting fictional version of it; but this is like saying that anyone could have made a landscape out of the fine park at Blenheim. Keneally spotted both the tale and its possibilities, which in itself is a truly enviable talent. His imagination is fired by the incongruities of the camp in the small town of Cowra, here fictionalised as Gawell.

Mark Mason

The train stations that don’t really exist

In 1964, as part of his railway cuts, Dr Beeching ordered the closure of Duncraig, a small, little-used station in the Scottish Highlands. The train drivers working the line simply ignored him. They continued to stop there, and the station remains open to this day. A world where nothing ever changes, or indeed happens — this is just the sort of world that appeals to Dixe Wills. His latest travelogue takes in 38 of the 150 or so remaining ‘request’ stops on Britain’s railway network. I didn’t know such things existed at all, but apparently there they are (including Duncraig), only seeing action as and when a passenger informs the guard accordingly.

Andrew Taylor

Recent crime fiction | 24 April 2014

Louise Welsh rarely repeats herself, a quality to celebrate in a crime novelist. Her latest novel, A Lovely Way to Burn (John Murray, £12.99, Spectator Bookshop, £10.99) is a dystopian thriller set in an all-too-plausible version of contemporary London. Three members of the establishment have shot dead innocent bystanders. The weather is broiling. A plague-like virus known as ‘the sweats’ spreads, bringing panic in its train. Stevie Flint, a cynical TV presenter on a shopping channel, is one of the few survivors. She contracts the disease shortly after stumbling on her boyfriend’s body. The boyfriend, a surgeon who apparently died of natural causes, had concealed a laptop in her loft shortly before his death.

Simon Baker

The gambler’s daily grind

Lord Doyle is a shrivelled English gambler frittering away his money and destroying his liver in the casinos of Macau. Aptly, since he is in a place filled with mock-Venetian canals and poor reproduction paintings, he himself is a fake: the man is not a real lord, and the money is not his own. He is a disgraced solicitor of modest origin, who ran off with a client’s savings after befriending her. Lawrence Osborne’s novel is a bleak and enjoyable account of someone who, perhaps through unacknowledged guilt, finds bitter solace in losing and in driving himself towards extinction.

Richard Ryder

What most imperilled country houses in the 20th century was taxes and death duties, not requisition

Servicemen used paintings as dartboards.   Schoolchildren dismantled banisters and paneling for firewood. Architects from the Ministry of Works acted like pocket Stalins. Sarcophagi were dumped in gardens beside beheaded statues. And overhead, Luftwaffe Dorniers droned with menace. Such hazards ravaged requisitioned country houses during the last war. Yet nothing imperilled them more, in the 20th century, than super-taxes and the rattle of death duties. When the country houses were handed back, the majority were defiled as well as decaying from leaking roofs and dry rot. Cash-poor owners, already penalised by towering taxation, could not afford to carry out major repairs to their caves of ice — to borrow from Coleridge and James Lees-Milne.

Ursula Buchan

Beauty in beastly surroundings

The vast majority of books written about British gardens and their histories are concerned with large ones, made and maintained, sometimes over several centuries, by people with money. ’Twas ever thus. In this country, recognisable gardens began in monasteries, as well as the surroundings of palaces and noblemen’s houses, and it is only in the last couple of centuries that the middle classes have got into the act. As for the poor and dispossessed, theirs has been a very different story, too rarely told.

Wednesday

Richard Walker

Sudan was always an invented country. Maybe we should invent it again

Sudan — a country that ceased to exist in 2011 — is or was one of the last untouristed wildernesses on earth. And for good reason: while it still existed it was the biggest country in Africa, a mainly flat and uninhabitable wasteland, mostly brown, with barely a mountain or a bosky valley to its name, unbearably hot, unhealthy, poor, and full of every sort of trouble. And yet … The author of this new book on what are now the two Sudans — the country has voluntarily split into two lesser states — says that this is one of the world’s most interesting places. That is true. As anyone who has spent time there will tell you, the Sudans (as we must now call them) both north and south exert a fascination.

Molly Guinness

From Göring to Hemingway, via Coco Chanel – the dark glamour of the Paris Ritz at war

In Midnight in Paris, Woody Allen did a good job of showing how foolish it is to be obsessed by previous generations who’ve passed through Paris. Going back through the years, each group of geniuses turns out to be just as drunk and silly as the next, albeit with longer cigarette holders. Tilar Mazzeo, who has written biographies of Coco Chanel and the woman behind Veuve Clicquot, has done a similar service with this history of the Ritz. Focusing on the hotel is partly a device to write about the German occupation, but it’s mainly a way of gathering all the old Paris icons under one roof. Marcel Proust, Ernest Hemingway, Marlene Dietrich and Coco Chanel all drank cocktails there, and no one comes out of it well.

Nicky Haslam

Tea with Greta Garbo’s decorator

Many people write, or at least used to write, fan letters to their film favourites. Usually all they received in acknowledgement was a 10 x 8 glossy with a mimeographed signature. A little persistence sometimes resulted in another, with a brief ‘personal’ message written by the ladies toiling in the fan-club HQs. Not so for the two authors of this riveting book. The Mutti-Mewse twins, early on, became obsessed with all things Hollywood, firing off missives not just to the major stars but to every man Jill they saw or heard was connected to that once fabulous industry. They must have had a magic formula in their letters. Replies flowed back hand over fist.

Lee Langley

A Mughal Disneyland and a ripping yarn

Mysore, once the capital of a princely kingdom in South India, has lost its lustre. In Mahesh Rao’s darkly comic novel, grandiose futuristic visions are being floated: in a city desperate to reinvent itself for today’s brave new world, ancient temples and palaces are no longer enough. With India’s space programme about to send a man to the moon, Mysore must make its own giant leap. All hopes are pinned on what is destined to be a global tourist attraction: HeritageLand, planned as Asia’s largest theme park (think Mughal Waterworld — the Disneyland of south India!) And Mysore needs a new marketing slogan — ‘The Geneva of the East?’  suggests a desperate PR person. Well, at least there’s a lake.

Marcus Berkmann

Roger Mortimer writes again

After Dear Lupin and Dear Lumpy, here’s a slightly more prosaically titled collection of letters from Roger Mortimer, longtime racing correspondent of the Sunday Times and frequent purchaser of stamps. Who would have thought that one man could write so many letters that, 20 years after his death, so many people would still want to read? But that’s the beauty of publishing: the oddest books can find a readership. And this encourages enterprising publishers to look out for even odder books, which benefits us all: writers, readers, even reviewers.

Charlotte Moore

Start with a torpedo, and see where you go from there

Sebastian Barry’s new novel opens with a bang, as a German torpedo hits a supply ship bound for the Gold Coast. We experience everything through the senses of ‘temporary gentleman’ Jack McNulty — an Irish officer in the British army with a short-term commission. Brimful of whiskey, his racing winnings jingling cheerily in his pocket, McNulty stands on deck ‘somewhat in love with an unknown coastline’, and the reader is, instantly, somewhat in love, and completely bound up with, this red-haired chancer. In the seconds that follow the torpedo, McNulty, almost a medieval Everyman, experiences a vision of heaven and hell and all stages between.