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The nervous passenger who became one of our great travel writers

Sybille Bedford all her life was a keen and courageous traveller. Restless, curious, intellectually alert, she was always ready to explore new territories, her experiences recounted in a sophisticated style that Jan Morris in her introduction refers to as ‘a kind of apotheosised reportage’. Bedford’s first book, A Visit to Don Otavio, describing an expedition to Mexico, was to become a classic of travel literature, and the essays in Pleasures and Landscapes show many of the same exceptional qualities. Over three decades, from 1948 to 1978, Bedford journeyed through Italy, Switzerland, France, Denmark, Portugal and Yugoslavia.

You’ll never look at dried pasta in the same way again

A calculated ordinariness unites the protagonists in Graham Swift’s new collection of short stories. In each of these mini fictions, as in his novels, Swift revisits his conceit of the narrator as man (or woman) on the Clapham omnibus. Invariably he endows these blank ciphers with aspects of the extraordinary — percipience, insight or understanding — or exposes them to feelings and events which place them in extraordinary positions and offer them opportunities to behave remarkably while remaining apparently run of the mill. Swift revels in the trappings of Pooterishness while denying his protagonists Mr Pooter’s silliness. His vision may be contrived but it never patronises.

A tribute to the King – or a compendium of journalistic bad habits?

With Elvis has Left the Building, the longstanding editor of GQ has inexplicably written a book that could serve as a handy, if perhaps overly comprehensive, compendium of bad journalistic habits: from the over-arching flaw of failing to decide what you want to say to such specifics as the excessive use of the phrase ‘American dream’ and wildly random scene-setting. (In the lengthy section on 1977, the year of Presley’s death, we learn that ‘five days before Luciano Pavarotti made his first appearance on American television, the rings of Uranus were discovered’.

A paean to the British passion for our very own ‘castles’

‘Phlogiston’ is an interesting, if obsolete, word. Of Greek origin, it referred to the ‘fire-making’ quality thought to be present in, among other things, the ashes gathered by London dustmen. In the mid-18th century these ashes were mixed with earth and even ‘excrements taken out of the necessary houses’ to create the vast numbers of bricks needed for the explosion of house-building taking place at the time in London and elsewhere. The dramatic rise in building is pivotal to this densely detailed observation of the British obsession with their ‘home’ and ‘comfort’ which, we’re told, Robert Southey describes as particularly English and untranslatable.

The completely ludicrous – and sometimes believable – world of the First World War spook

There can’t have been this many books about the first world war since — just after the first world war. One publishing craze of the 1920s was books about spying, in which retired war spooks gave away their trade secrets and told tall stories about dead-letter drops and invisible ink. Melanie King has read them all, filleted them and collated her researches in Secrets in a Dead Fish (Bodleian Library, £8.99, Spectator Bookshop, £8.54). ‘Ingenious methods of communication were developed,’ she writes. ‘The entire Western Front, from its windmills to its laundry lines, must have seemed charged with secret meanings.’ This is Le Carré, but a Janet and John version.

The soundtracked novel that won’t sit still

The Emperor Waltz is long enough at 600 pages to be divided, in the old-fashioned way, into nine ‘books’. Each book has a date, sliding from 1922 to 1979 to next year to 203 ad to last month. This might suggest an overly systematic novel in the mode of David Mitchell’s Cloud Atlas or Eleanor Catton’s Booker Prize-winning breezeblock The Luminaries. But Hensher has always been a writer with a wandering, curious eye (on its most exhilarating display in 2011’s King of the Badgers), and The Emperor Waltz is a novel that, despite its superficial restraints, won’t sit still.

The cruellest present you could give a hated old in-law

It takes a special sort of talent to be able to make drawings of your own 97-year-old mother on her deathbed funny. The person with that gift is Roz Chast. Subscribers to the New Yorker will already be familiar with her marvellous cartoons, which often feature elderly and over-neurotic parents shouting dire imprecations to their rather dazed and mild-looking adult offspring. Their warnings tend to concern such mortal perils as crossing the road, running to answer the telephone or touching the handrail on public transport (the germs!). The subjects are from Brooklyn, but the appeal is universal: visiting a friend in Athens the other day, I saw a Chast cartoon stuck to the fridge door. Can’t We Talk About Something More Pleasant? is a graphic memoir of Chast’s own parents.

Lillian Hellman lied her way through life

Lillian Hellman must be a maddening subject for a biographer. The author Mary McCarthy’s remark that ‘every word she writes is a lie, including “and” and “the”’ wasn’t far off. Navigating through the hall of mirrors that Hellman left behind, trying to sort fact from self-aggrandising fiction, seems to have worked Dorothy Gallagher into a fury. Perhaps this book is her revenge. One of America’s most successful playwrights, Hellman had her first Broadway hit before she was 30. She was a close friend of Dorothy Parker and her long-term lover was Dashiell Hammett. Ardently left-wing, she was summoned before Joseph McCarthy’s House Un-American Activities Committee to answer questions about her links with the Communist party.

A coming of age novel? Or an age of coming novel?

At a time when feminism is grimly engaged in disappearing up its own intersection (two transsexuals squabbling over a tampon is the image that comes to mind) Caitlin Moran is to be bravo’d till the sacred cows come home for bringing her super-brightness to bear on this most vital of subjects. Like the rest of the western world and its stepdaughters, I loved How To Be a Woman and was excited to see what she would come up with next; when I heard it would be a novel, I was a little underwhelmed, having read her previous attempt at Young Adult fiction, The Chronicles of Narmo.

From Edwardian idyll to meetings with Nehru: the life of Lady Ursula D’Asbo

This is the Real Thing, an evocative account of English upper-class life throughout the 20th century. It begins amidst the Edwardian feudal splendours of Belvoir Castle, where Ursula d’Abo spent much of her childhood with her beloved grandfather ‘Appi’. At the coronation of George VI she was a maid of honour to the Queen. During the second world war she worked with 2,000 women making bullets. Postwar life was hardly less varied and amazing, with an other-worldly stay in princely India, and meetings with Nehru. Married life at West Wratting Park and Kensington Square, two beautiful Georgian houses she restored, was followed in her widowhood by five years with Paul Getty at Sutton Place.

What are the Chinese up to in Africa?

Few subjects generate as much angst, or puzzlement, among Western policymakers in Africa as China’s presence on the continent. In his new book, China’s Second Continent, the American journalist Howard French recalls meeting US officials in Mali to sound them out on the matter. Instead, he finds himself barraged by questions. ‘It would really be useful for us to know what the Chinese are up to,’ one American official tells him. ‘So far we’ve been limited to speaking with them through translators. We’ve got very little idea about any of this.’ Grasping the range and scale of China’s activities in Africa is indeed a tall order. Commercial deals are cloaked in secrecy. Immigration statistics from African countries are poor.

Having a moral compass just gets in the way of being smart

Steven D. Levitt was a Harvard economist who specialised in politics and spent a lot of time watching cop shows on TV. Then he had an idea: why not switch from politics, which he found dull, to crime? Soon he was studying the crack cocaine economy. Stephen J. Dubner was the guitarist in a rock band called the Right Profile. But he didn’t like the rock’n’roll lifestyle; he was a bookish type. So he became a journalist, got a job at the New York Times, and found himself interviewing a go-ahead Harvard economist who had written interesting stuff on the crack cocaine economy, among many other fascinating things. This, of course, was Levitt. Dubner made a suggestion: why not write a book together, based on Levitt’s work?

Maigret’s new clothes – this month’s best new crime novel, published 1931

The publisher has whipped up a tsunami of excitement around The Truth About the Harry Quebert Affair (translated from the French by Sam Taylor; MacLehose, £20, Spectator Bookshop, £16). More than two million copies have already been sold. Its author, Jöel Dicker, is apparently ‘Switzerland’s coolest export since Roger Federer’.The novel, which is billed as a literary thriller, has been garlanded with ecstatic reviews and prizes on the continent. It’s the story of a young, successful but blocked writer who tries to re-energise his muse by visiting Harry Quebert, the Great American Novelist who put him on the road to fame. Harry lives in a beachside house in Maine.

J.K. Rowling is just too nice – and too lucky – to satirise publishing

J.K. Rowling’s second novel under the Robert Galbraith moniker is a whodunit set in the publishing industry. This isn’t a rare set-up for crime fiction. Authors, no matter how grungy and streetwise they pretend to be, spend most of their time doing dreary things with people they dislike in the name of selling books. They are itching to put their agents, publishers and fellow authors on the page so that they can slay them. Thing is, if you’re the most famous author in the world, bearing a grudge against publishing might look a bit ungrateful. Rowling realises this and adjusts her approach accordingly. The Silkworm is a soft, toothless, inept novel with a kind heart. Our private eye Cormoran Strike is back.

The cold, remote plateau of Vichy France where good was done

It is with a heavy heart that I pick up anything to do with the Holocaust. Not because it’s wearisome or too familiar, or because — in Solzhenitzyn’s memorable phrase — you need only a mouthful of seawater to know the taste of the ocean. No: my reluctance to contemplate that world, even as a distant spectator, is because it was so awful and the detail so compelling that I’ll be unable to put the book down. It will echo inside my skull for as long as I inhabit one. So it is with this vivid account by Caroline Moorehead of remote mountain villagers high up in France’s Massif Central during the second world war.

Spoken For

What I want to tell you is I can dream with my eyes wide open, like riding a bicycle without hands down a tree-lined road, weaving in and out of shadow. What I count as treasure is a robin’s nest neatly cached in a corner of my windowbox, a tight squirm of five hatchlings, mum cheeping menaces nearby. What I long for is more than a memory of sharing a skiff tied out of river drift, feeding Pimm’s salad from an   upturned cup to pairs of paddling ducks, with one eye on the fruit and one on   each other.

Only tourists think of the Caribbean as a ‘paradise’

A couple of years ago in Jamaica, I met Errol Flynn’s former wife, the screen actress Patrice Wymore. Reportedly a difficult and withdrawn woman, her life in the Caribbean (apart from the few details she cared to volunteer) could only be guessed at. The Errol Flynn estate, an expanse of ranchland outside Port Antonio, was grazed by tired-looking cattle. ‘Haven’t we met before?’ Wymore said to me as I walked into her office after knocking. ‘You remind me of someone I know.’ I took in the riding crops and spurs hanging on the wall. After eight years of marriage, in 1958 Wymore had divorced Flynn, who died the following year at the age of 50 having more or less boozed himself into the grave.