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Romance of the old kitchen garden

Considerable areas of our memory are taken up with food: it might be the taste of Mother’s sponge, the melting texture of an aunt’s buttery pastry or something recent, like the flavour of the first spoonful of a sour and nutty south-east Asian dish. Especially good meals are recalled with the same clarity as revolting school dinners and the stench of stale fish — we can conjure aromatic memories with ease thanks to the olfactory nerve, the brain’s cache of stored eating experience that helps us to tell good from bad when choosing what to eat. Jennifer A. Jordan, an associate professor of sociology at the University of Wisconsin, believes we should be remembering more than just the sensual pleasures of eating, however.

The strangest objects we know of

The idea of black holes sounds so quintessentially modern and 20th-century that it may come as a surprise to learn that it originated over 200 years ago; John Michell, a natural philosopher and clergyman, used Newtonian physics to conceive of a star massive enough to prevent even light from escaping its gravitational pull. Marcia Bartusiak’s lively and readable account of the history of black holes kicks off with an account of Michell’s 1784 paper. There’s a lull in the story after that, because a proper formulation of the physics had to wait until Einstein’s general theory of relativity in 1915.

A 50-year infatuation

The subject of the least characteristic essay in this engrossing collection of meditations on painters, painters’ lives, painting and reactions to painting is René Magritte — whose best work David Sylvester rather rashly claimed induces ‘the sort of awe felt in the presence of an eclipse’. Julian Barnes discusses what he calls the artist’s doctrine (doctrine?) of ‘elective affinities’, which proposes the antipodes of Lautréamont’s ‘chance encounter on a dissecting table of a sewing machine and an umbrella’. Thus in the painting of that name a birdcage is filled not with a random safety razor or knuckleduster but with a giant egg.

Funny things happen on the way to the Scillies

It’s a real skill, writing about a journey where nothing ever happens. We shouldn’t be surprised that Simon Armitage is so good at it: he’s a poet, and therefore used to reporting on nothing happening, or rather spotting the little things that are always happening but the rest of us are too busy to notice. His chosen route this time — the South West Coast Path through Somerset, Devon and Cornwall and on to the Scillies — is normally praised because it gets you away from everything. Yet while he’s there Armitage discovers … well, maybe not everything, but certainly a very entertaining book’s worth of stuff.

Kultural icon

The almond eyes that rise towards their outer edges. The cheekbones that curve down to the corners of those upholstered lips. The dark strands of hair that fall wisplike on to her chest. The hourglass extremities that will exercise your ciliary muscles until they snap. Dear me! After looking at this book, you’ll be more familiar with the particulars of Kim Kardashian’s body than with your own lover’s. For this is her hardback collection of selfies. It contains almost 500 photographs of Kim, by Kim. Six of them include her daughter; 60 of them feature at least one of her siblings; 100 have Kim in a bikini, in her underwear or completely naked. The book’s title, Selfish, might be the most knowing of all time. But who is Kim Kardashian?

The elite who tried to save Russia

The veteran Russian historian Dominic Lieven’s new study of Russia’s descent towards the first world war is deeply researched, highly valuable in its focus on Russia, and unfailingly well-written: more proof of Lieven’s profound knowledge of the Russian empire. One of his earlier works, Russia’s Rulers Under the Old Regime (1989), focused on the 150 men who ran Russia until 1917. Towards the Flame shares that work’s careful attention to a tiny elite of well-educated, cosmopolitan, mostly aristocratic men. With breathtaking directness, he says that fewer than 50 men (and it was all men) in Europe in 1914 took the decisions that led their countries into war.

Pursuing the perfect scoop

Paradise City, Elizabeth Day’s third novel, comes with an accompanying essay on The Pool — an online magazine for the Instagram, iPhone woman. Day, a feature writer for the Observer, discusses the novel’s male protagonist (you couldn’t call him hero) Sir Howard Pink, an East End Jewish boy turned rag-trade multimillionaire. Day urges women to stop being so self-effacing, people-pleasing, and permanently apologetic and instead to ‘Be More Howard’. ‘He sprung on to the page as unashamedly male and blessed with a defiant sense of his own entitlement,’ she writes. ‘He saw money, sex and power as his due. He took what he could, where he could get it and the world rewarded him for it.

A nation in trauma

Albania is a small country of 2.7 million people, wedged within the Balkan peninsula. Separated from both Greece and Italy by mere kilometres of seascape and shoreline, it borders the European Union, and, with official candidate status as a member country, strongly hopes for closer ties. As Fred C. Abrahams describes it, the country’s transition from cultish Stalinist dictatorship to functioning democracy in only three decades should be a source of debate, intrigue and pride. The principal protagonists in the ‘drama’ of transition are ‘a paranoid dictator, an ambitious doctor, a scheming economist and an urban artist’.

It takes a thief…

In the words of one of his contemporaries ‘a man of down look, lean-faced and full of pock holes’, the 17th-century ne’er-do-well Thomas Blood sounds an unattractive proposition. His latest biographer, Robert Hutchinson, works hard to imbue him with the pantomime glamour of a lovable rogue. Hutchinson roots Blood’s rackety life firmly within the context of the equally rackety Restoration underworld, with its network of spies and spymasters, venial courtiers and religious fanatics. Appropriately he makes vivid use of the sort of rhetoric more often associated with old-fashioned adventure stories.

Calm after the storm

I hesitate ever to criticise an author for the inappropriateness of a book’s title, since it’s more likely the fault of someone in marketing, who’s had a Bright Idea. But whoever is the culprit, the omission of the dates ‘1650–1800’ from the dust jacket certainly risks annoying the bookshop browser, who may grumpily set the book to one side in a huff. This would be a pity, since there is a great deal of value in Mark Laird’s exposition of his multifarious research projects. He is senior lecturer in landscape architectural history at Harvard Graduate School of Design, but probably best known this side of the Atlantic for the leading part he took in the restoration of Painshill, that most delightful of 18th-century gardens, near Cobham in Surrey.

Cats, curates and cardigans

Anyone who has ever listened to the thump of a rejected manuscript descending cheerlessly on to the mat can take comfort from the roller-coaster career of Barbara Pym. Between 1950 and 1961 Miss Pym (1913–1980) had published six modestly successful novels with the firm of Jonathan Cape. Then, on 24 March 1963 — ‘a sobering fourth Sunday in Lent’, as Ann Allestree is careful to remind us — came a bolt from the skies, in the shape of a letter from Cape’s editorial director, Wren Howard, turning down the seventh with the age-old publisher’s bromide that ‘in present conditions we could not sell a sufficient number of copies to cover costs’.

Happy Retirement

Retired persons are not necessarily retiring or withdrawn although we are entitled to feel tired and/or rejuvenated by our superannuated state. In France they are en retraite or they have retreated. In Italy they are pensionati if they are lucky and in Germany Rentner. In Spain they are jubilados and in Portugal simply reformados. Happy euphemisms! In the fullness of time as a senior senior citizen you will have to re-retire stateless into a non-state where not one word of language exists in the breathless air.

‘What will they do when I am gone?’

Edward Thomas was gloomy as Eeyore. In 1906 he complained to a friend that his writing ‘was suffering more & more from a silly but unavoidable nervous interest in the children’s movement in and out of the house’. The following year, he noted, I have no ‘interests’ at all, and marriage, he said, is ‘continually encrusting the soul’. To be fair, his life was a torment — depression, worrying about and writing for money, a miserable marriage — and perhaps most cruel of all he was denied the comfort we have, as later readers, of knowing that it will all turn out all right in the end. His was a messy life which found an elegant ending: with the writing of a handful of perfect poems, and then an abrupt death.

Micro-managing the terror

‘Lately, the paradoxical turns of recent Russian history… have given my research more than scholarly relevance,’ remarks Oleg Khlevniuk in his introduction. Indeed, in Putin’s Russia Stalin’s apologists and admirers seem daily to become more vocal. The language of the 1930s is used in televised tirades against ‘internal enemies’ and ‘foreign agents’. Stalin himself is upheld not only as a strong leader, but also as an ‘effective manager’ who, despite his mistakes, did what was necessary to modernise the Soviet Union; or, contrarily, as a benevolent dictator who was unaware of the corrupt actions of his officials.

Demonised Barber of Fleet Street

We know a great deal about Samuel Johnson and virtually nothing about his Jamaican servant, Francis Barber. The few facts of which we can be certain are these: born into slavery, Barber was aged about seven when his owner, Colonel Richard Bathhurst — who may, Michael Bundock suggests here, have been his father — brought him to England in 1750 and placed him in a Yorkshire school. Five years later, on his deathbed, Bathurst bequeathed Barber £12 and his freedom. It was Bathurst’s son who introduced Francis, now 12 years old, to Dr Johnson, whose wife had died two weeks earlier. Thus Barber spent his next 30 years in Gough Square, Bolt Court, and Johnson’s Court.

Throw away the Valium and start bragging instead

This is not a book to be read in solitude. Not for the obvious reason that it’s frightening, but because every few lines some fascinating or unexpected fact forces you to exclaim: ‘Blimey! Listen to this ...’ The three authors are American psychology professors. As young academics they were much influenced by the work of the anthropologist Ernest Becker, whose final book, The Denial of Death, won the 1974 Pulitzer Prize. This work struck them as a most important and potentially fruitful area for further investigation. Over the past 30 years, between them, they seem to have invented a new area of research with the unpromising name of Terror Management Studies. This makes it sound as if they could win a lucrative contract as ideas men for IS or Boko Haram.

God help me shippies!

T.H. White complained that the characters in Walter Scott’s historical novels talked ‘like imitation warming pans’: those in Amitav Ghosh’s Ibis trilogy, of which Flood of Fire is the final volume, talk like a whole Benares brass bazaar. As an avid reader of both Hobson-Jobson (the dictionary of Anglo-Indian slang) and Patrick O’Brian, I thought that the trilogy, set in the First Opium War, would combine the delights of both. And so it does; but one can have too much of a good thing. The linguistic pudding is often so over-egged that it clogs the arteries of the narrative.

Raiders of the lost Ark

Years ago, in an ill-conceived attempt to break into natural history radio, I borrowed a nearly dead car from a friend in West Hollywood and drove across town to the Los Angeles Zoo to report on a project to save the California condor from extinction. By the 1980s the number of condors had — thanks in part to the birds’ tendency to fly into live power lines — plunged to a few tens, and the species was on the brink. The remaining individuals were taken into captivity and a breeding programme begun. Newly hatched chicks were raised by hand — that is, by glove puppets made to look like adult condors. The chicks, imprinting on the puppets, would imitate their behaviour, which included avoiding dummy power lines.