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Following the fickle fish

Fish stories come in two varieties: the micro-version of a hundred riverside bars, blokeish boastings of rod-and-line tussles with individual fish in which man and beast are fairly evenly matched. Then there is the macro-version, the one that tells of the fate of entire stocks — the cod of the Grand Banks, the European hake, the bluefin tuna of the Mediterranean, the haddock of the Atlantic, the whale everywhere. In this version, technology and greed have the upper hand and the narrative invariably moves from scenes of boundless plenty to ones of catastrophic scarcity. Donald S. Murray’s Herring Tales is one of these. As a native of Lewis, a Gaelic speaker, he recalls Stornaway crammed with herring boats; you could cross the harbour on their decks.

The continent in crisis

Sir Ian Kershaw won his knight’s spurs as a historian with his much acclaimed two-volume biography of Hitler, Hubris and Nemesis. He is now attempting to repeat the feat with a two-volume history of modern Europe, of which this is the opening shot.Inevitably, the figure of the Führer once again marches across Kershaw’s pages as they chronicle the years dominated by Germany’s malign master. First the Great War that gave Hitler his chance to escape obscurity, and then the greater one he launched himself. Opening with the continent’s catastrophic slide into generalised conflict in 1914, Kershaw apportions blame or the disaster more or less equally to all the combatant nations.

Review

(reading Daphne Rooke) Thank you for the book. It reminded me in the way she writes, dry as the Karoo, of the long hot drive from Matjiesfontein the day Paul stopped to give a girl a lift even though she wasn’t expecting one. She sat uneasily in the front seat beside him, saying thank you baas until he said don’t call me baas I’m not your baas and she said yes baas. That is how it was, grit spattering the windscreen, fynbos, rock, the shimmering air, the back of his neck, all stuck in things we couldn’t change like glue, flung towards our invisible futures which in my case would turn out to be you.

A myth is as good as a mile

We live in disenchanted times. We barely do God, most of us don’t do magic and frenzied consumerism occupies our minds more than any local spirit of place. At first glance it looks as though the supernatural folktales of old — those witches and giants who lend their names to pools or hilltop crags in Britain’s remoter spots — are all but lost. From this premise, the medievalist Carolyne Larrington examines the stories that characterise some of Britain’s place names, and considers how the mythological patterns of fairy brides and rampaging dragons might have shaped the way our ancestors saw both the places they inhabited and the world at large.

Hoof-trimming

The below is an unpublished poem, written for Moortown, the verse-diary of Ted Hughes’s experiences of farming in Devon in the 1970s, but not included in the sequence as published. A few months after Ted purchased the bull, Sexton, he wrote to his brother Gerald: ‘I really love him. It isn’t just his incredible size and beauty — he has a strange, sweet nature, in every respect like an unusual person.’ Sexton remained at Moortown for many years after his working life, and was buried there in 1991. Some time later his remains were moved to Court Green.   The fee for this poem is donated to Farms for City Children   Sexton’s hooves are too big.

When the boys come home

Matthew Green, former Financial Times and Reuters correspondent, remains unimpressed by officialdom’s response to casualties who aren’t actually bleeding: Ever since October 1914, when ‘Case One’ arrived in Myers’s care, the system for tending to the mental wellbeing of soldiers has grown up in a piecemeal and ad-hoc fashion, overshadowed by the Army’s stubborn ambivalence towards psychological injury (Dr Charles Myers was the Cambridge psychologist seconded to the Royal Army Medical Corps who first used the term ‘shell shock’.) Green acknowledges that ‘experience teaches that the psychological wounds of war have proved stubbornly difficult to treat’.

A hero of our time

I have met Dr Kissinger, properly, only three times. First, in Cairo, in 1980, when, as a junior diplomat escorting Edward Heath, I had to secure for an almost desperate former British prime minister a meeting with the former US secretary of state, also in town. Once with Kissinger, Heath promptly subsided into a deep slumber. I had the alarming experience of trying to keep the conversation going. The other occasions were more recent, but almost as scary. My hostess at the ‘secret’ (but much publicised) transatlantic talkfests which Kissinger (92 this year) still attends twice summoned me to sit beside the great man at dinner. On each occasion I felt like the luckless passenger in the Economist’s vintage television commercial.

For better, for worse | 17 September 2015

Before I read this book, I wasn’t aware that I was a creationist. But Matt Ridley tells me I am, in his broad sense of someone who foolishly believes that any good can come of ‘human intentionality, design and planning’. With no little intellectual chutzpah, he offers to treat us to a ‘general theory of evolution’ of everything, surpassing Charles Darwin’s ‘special’ one that applied only to living organisms. According to the author, ‘top-down’ is always bad, ‘bottom-up’ is always good. By what evolutionary method he avoided consciously designing this book itself remains a mystery to the end. The book’s many short chapters are determined to find evolutionary virtues in different arenas.

The house that Alfred built

This is a book about boundaries — and relationships. At its heart is the eponymous house by the lake, which in 1927 was the first of many small wooden summer houses to be built in the village of Gross Glienicke. Both its situation, just outside Berlin in the lakeside area that would later abut Gatow airport, and its many occupants, from well-established German Jews to partying neo-Nazis, would expose the property to the more tidal waters of modern German history. But the house has not just provided a stage for human drama; arguably it has been integral to the action itself, helping to shape lives, just as it was itself transformed by Germany’s changing politics.

Remembering P.J. Kavanagh

‘Elms at the end of twilight are very interesting,’ wrote Gerard Manley Hopkins in his journal: ‘Against the sky they make crisp scattered pinches of soot.’ P.J. Kavanagh, who has died aged 84, plucked out this observation for one of the columns that he wrote for The Spectator between 1983 and 1996. He was right to call a volume collecting these Life and Letters columns (with a later series from the TLS) by the name A Kind of Journal, for they possess the kind of narrative impetus that makes classic diaries such as Woodforde’s or Kilvert’s so compelling. But they were also a poet’s work-books, just as living in rural Gloucestershire, as he had since 1963, was to be in a poet’s workshop.

Waiting for Utopia

The Soviet Union was a nation of bus stops. Cars were hard to come by, so a vast public transport network took up the slack. Buses not only bore workers to their labours, but also breathed life into the ‘union’ itself by taking travellers from town to taiga to desert to seaside. In remoter parts of the country, bus shelters mattered even more than buses, providing convenient places for people to gather, drink and socialise. They were caravanserai for the motor age, and while the empire they served no longer exists, most of them stand right where it left them. If they are in various stages of ruin now, they are all the more attractive for it.

The brutal mask of anarchy

In September 1939 Britain went to war against Germany, ostensibly in defence of Poland. One big secret that the British government didn’t know at the time — and not until much later — was that while the Anglo-Polish alliance treaty was being negotiated during the previous months, the Poles had been actively training and arming terrorists to kill British troops in the Middle East. I don’t normally believe in convoluted conspiracy theories, but this one happens to be true. In the 1930s the anti-Semitic government in Warsaw wanted rid of 3.5 million Polish Jews. Initially they tried to pack them off to Madagascar. But then the Poles hit on the idea of helping Jews create their own state in British-occupied Palestine.

Humour and horror for children

In the Californian town of San Bernadino, children are going missing; smiling faces grace a gallery of milk cartons. One September evening in 1969, Jim Sturges’s brother Jack rides under a bridge and never comes out. All that’s left is his Sportcrest bike, its front wheel spinning. Forty-five years later, 15-year-old Jim Junior lives in a state of reluctant siege. Traumatised by loss, his father has armour-clad their home, calling the cops if Jim gets home seconds after sunset. Jim has other problems, too; he and his friend Tub have caught the eye of Steve Jorgensen-Warner, the school bully. And now something nasty seems to be emerging from the sewers.

A goddess, a city and a tree

Known for her strength, Athena can throw a spear like a dart, and on the day of the contest for Athens it’s a bull’s eye – not just Attica’s but the world’s first olive tree springs where her spear falls. Athena is surprised how at ease the tree is, the Saronic Gulf merely its backyard, the slopes of the Akropolis simply a source of afternoon shade. Athena’s competitor packs his bag, the fruit of the new tree glossy as his lost dream. On Philopappos hill – lizards seeing blindly into the distance, empty olive oil cans already being planted with geraniums in the city below – Athena throws her spear again through air she may as well begin polluting. A chair appears, a table, a bowl of olives, an ashtray.

Come rain or shine

‘Pray don’t talk to me about the weather, Mr Worthing,’ pleads Gwendolen in The Importance of Being Earnest. ‘Whenever people talk to me about the weather, I always feel quite certain that they mean something else. And that makes me quite nervous.’ Weatherland would make Gwendolen very nervous indeed. Our observations of the sky, Alexandra Harris reveals in this extended outlook, have always meant something else. Weatherland is a literary biography of the climate. Beginning with the Fall (in the Biblical rather than the autumnal sense) and ending with Alice Oswald, Harris condenses 2,000 years of weather ‘as it is recreated in the human imagination’.

Foaming with much blood

According to Francis Bacon, the House of York was ‘a race often dipped in its own blood’. That being so, one wonders what Bacon made of Rome’s Julio-Claudian dynasty, the gore-spattered family that gave the empire its first five rulers, and the subject of Tom Holland’s latest popular history of the ancient world. Recounting one of the era’s many fratricidal civil wars, Holland rightly observes: ‘The aptitude of the Roman people for killing, which had first won them their universal dominion, was now unleashed upon themselves.’ And no one was more adept at such incestuous slaughter than the imperial family itself.

Things left undead

In the afterword to this sixth book, Aleksandar Hemon dedicates a word of thanks to his agent for keeping a straight face ‘when I told her I’d written a book she’d known nothing about’. I doubt she kept it for long, because one of the many ways in which The Making of Zombie Wars differs from Hemon’s other work is that it is dreadfully, wrigglingly, antisocially funny: the sort of book that’s difficult to read in public without undignified honks of laughter.

A karaoke version of Kafka

The Blue Guitar is John Banville’s 16th novel. Our narrator-protagonist is a painter called Oliver Orme. We are in Ireland, but it’s hard to say exactly where, or exactly when. There are telephones and cars, but the dress code is antiquated: hats, canes, pocket watches. This is ‘the new-old world that Godley’s Theorem wrought’: people have ‘learned to harvest energy from the oceans and out of the very air itself’. Godley, presumably, is not the real-life economist Wynne Godley but the fictional mathematician Adam Godley of Banville’s The Infinities (2009), whose discoveries supplant relativity and quantum physics. So, the world of The Blue Guitar is a version of steampunk, straight out of genre fiction.