More from Books

Thursday

Steven Poole

Was Keats right after all?

Mediterranean crockery has a lot to answer for. It famously spoke thus to John Keats: ‘Beauty is truth, truth beauty, — that is all/Ye know on earth, and all ye need to know.’ Well, even if true, it’s obviously not all one needs to know. But then Keats was never one for irritable reaching after fact and reason. Any attempt at ‘cold philosophy’ would, as he wrote in another poem, ‘unweave a rainbow’. It would also, the poet groaned, ‘empty the haunted air, and gnomed mine’. Gnomed mine? Really? The Nobel-winning physicist Frank Wilczek, though, is determined to put the gnomes back into the mines. His eccentrically brilliant book is a ‘meditation’ on the possibility that beauty really is truth.

Rod Liddle

Bloated Biased Correct

The BBC was created out of the ether in 1922. Its first director general, Lord Reith, inhabited a cupboard some six feet in length and presided over a staff of four people, operating out of one long room. Reith confessed that he did not actually know what broadcasting was — an affliction which you might say, a little cruelly, has been shared by one or two of his successors over the years. The parsimonious approach was not to last, of course. Ten years on and the corporation was ensconced in the Stalinist art-deco edifice of Broadcasting House; today the BBC employs more than 20,000 people — some of them actually involved in making programmes — and struggles by on a budget of £5.1 billion.

Julie Burchill

A walk on the mild side

Novels set in the music business (from blockbuster to coming-of-age) are few and far between — far less than in the film industry, say. Is this because writers are scared of looking square, Daddy-O, being as a breed not the most ‘street’ of types, whereas pop stars have traditionally been quite rough, ready and proletarian? Mind you, these days so many chart musicians are privately educated bedwetters that, shamefully, this shouldn’t be a problem any longer. I look forward eagerly to the roman à clef which reveals the backstage Babylon of Mumford & Sons. It certainly couldn’t be more boring than this stinker.

Thursday

Suzi Feay

Angry, funny, timely

It’s not Paul Murray’s settings or themes — decadent aristocrats, clerical sex abuse, the financial crisis — that mark him out as original, it’s his handling: the wild plotting, the witty dialogue and the eccentricity of his characters. The follow-up to his widely admired second novel Skippy Dies swaps the adolescent funk of a Catholic boys’ boarding school for the testosterone whiff of a fictional investment bank in Dublin. The Bank of Torabundo rode out the demise of the Celtic Tiger thanks to its cautious and effective CEO, but he has now been replaced by a flamboyant financial genius whose last bank collapsed in tatters.

Sara Wheeler

Lost horizon

Sikkim was a Himalayan kingdom a third of the size of Wales squeezed between China, India, Nepal and Bhutan. I was there once in April, when the sky was cornflower blue. When Britain withdrew from India the last ‘Chogyal’, or king, battled for his country’s independence, but Mrs Ghandi won the war, and Sikkim is an Indian state now. It’s a sad story, as Andrew Duff’s subtitle suggests, but one representative of 20th-century geopolitics. This dense book — Duff’s first — places Chogyal Thondup Namgyal at the centre of the story and focuses exclusively on the period from the 1950s to the 1970s.

Melanie McDonagh

Children’s summer reading

It’s the 150th anniversary of Alice in Wonderland — cue an explosion of editions of the book, a new biography of Lewis Carroll, make-and-do books, jigsaw puzzles and general Alice overload. In a way, it’s all dandy. Alice is part of our collective consciousness, even though for modern children it’s chiefly through the medium of assorted films. The Lewis Carroll industry hasn’t, however, even tried to rehabilitate his two later Sylvie and Bruno works, now unreadable thanks to the late-Victorian fashion for babytalk. Trouble is, the cult of Wonderland has rather blinded us to the fact that Alice unexpurgated is actually quite hard for contemporary children.

Christopher Fletcher

Fancy dress parade

For his 75th birthday, Sir Roy Strong gave himself a personal trainer. For his 80th, he has commissioned a book of portraits of himself by the photographer John Swannell. The fruits of all that training — much of it undertaken on a racing tricycle around the lanes of Herefordshire — can be seen in the six-pack he sports in one of the luscious, technically excellent images. Oh, hold on a mo, it’s the costume of a Roman Emperor, Photoshopped to turn Roy into classical sculpture for his latest garden temple! This magnificently potty book takes us through 30 versions of Roy done after celebrated portraits, or in the manner of various schools. He is swoon-worthy as a Victorian Sir Galahad, masterful as Isambard Kingdom Brunel and bloody terrifying as Rasputin.

Tom Miller

The crackdown that backfired

In October 2013, a jeep ploughed through a crowd of pedestrians on the edge of Tiananmen Square, crashed and burst into flames, killing five people. The authorities identified the driver as Uighur, a member of an Islamic ethnic minority hailing from China’s northwest region of Xinjiang. Six months later, eight knife-wielding Uighurs rampaged through a packed railway station in Kunming in southwest China, killing 29 people and wounding more than 140 others — an attack described by the national media as ‘China’s 9/11’. Beijing blamed both attacks on radical Islamist organisations pursuing what it calls the ‘three evils’: terrorism, separatism and religious extremism.

Tim Martin

LA runs riot

Ryan Gattis’s novel All Involved is set in South Central Los Angeles in 1992, during the riots that began after four white police officers were acquitted of beating the black taxi-driver Rodney King. The inadvertent coup that the book’s publishers have scored by bringing it out in the wake of the Baltimore and Ferguson riots only underlines how far we haven’t come since then: some lines from this buzzing thriller might still be quotes from yesterday’s news stories, such as the impassioned complaint of one character against the police: ‘If you’re brown or black, you’re worth nothing. Killing you is like taking out the trash. That’s how they think.

Alex Clark

Is no one having fun?

Who’d be young? Not 25-year-old Tamsin, if her behaviour is anything to go by. A classical pianist who’s never quite going to hit the heights, she devotes herself to playing for the residents of an old people’s home. She’s also acquired a boyfriend, Callum, a teacher several years her senior, for whom, when Christmas comes round, she buys an electric vegetable slicer that he’s had his eye on. The couple holiday in a run-down B&B in Ilfracombe. They are not exactly living la vida loca. But Tamsin is also suffering from a kind of arrested development — still occupying her childhood bedroom in Holland Park, where she keeps a watchful eye over her mother, Roz, since Tamsin’s father, a celebrated conductor, quit the family home for another woman.

Mark Cocker

The soul takes flight

Last month, at Edinburgh School of Art, I was interested to come across a student who’d chosen Marlowe’s Dr Faustus as her end-of-year degree project. In the wonderful stage costume she’d designed for its central figure were three gloriously embroidered butterflies fluttering around his hat. Bats, yes, moths, maybe, but what exactly was the significance of butterflies to a man bound for subterranean hell? The answer is in Rainbow Dust, Peter Marren’s superbly distilled statement on our national obsession with butterflies. It turns out that western civilisation has projected a stream of ideas and meanings on to these creatures that have made them fertile artistic territory for centuries.

Michael Bywater

Caves of ice

Summertime, and the living is... variable. Depends who you ask. People come to mind, of course: one in hospital, waiting for an MRI scan; another just come out of hospital having had two little frosted ova thawed out and implanted, so with a bit of luck she’ll have a baby at last. One old chap, 90-ish, with several basal cell carcinomas on his pate from his young days as an army officer in the Palestine sun, is going for a painless zap with a cryoprobe: lesions gone and a free pathology section into the bargain. And over at Cern the Large Hadron Collider has sent a new pentaquark lately to the firmament. The mind, generally, lags. It needs a book to provoke it into fresh life, into noticing old things anew.

Thursday

Thomas W. Hodgkinson

Nimble-witted wanderer

It was a certain unforgettable ex-girlfriend, Harry Mount confesses — named only as ‘S’ in his dedication — who came up with the idea for this new book, which he has therefore written to honour her, or in the hope of winning her back, or possibly, in some obscure way, to annoy her. Whichever it is, S must surely share some blame for its misleading subtitle. You can’t follow in the ‘footsteps’ of mythology’s greatest sailor. As Homer repeatedly says in the Odyssey, ‘No one travels on foot to Ithaca.’ OK, this is pedantic, but the author doesn’t really follow in Odysseus’s wake either. If that’s the book you want, try Tim Severin, or, better, Beaty Rubens and Oliver Taplin.

Honor Clerk

An exquisite flowering of talent

It seems odd that a singer, musician, television performer and sculptor who typified the 1960s as vividly as Rory McEwen should now be known principally for his botanical paintings. From the early 1950s until his tragically early death in 1982 he was everywhere and knew everyone, but as The Colours of Reality shows, McEwen was never more himself than when working within the discipline and timeless tradition of an art form that links him with the greatest flower painters of the past. Not every botanical painter can count Jim Dine, Joseph Beuys and Ravi Shankar as his friends, play the 12-string guitar, shoot at Balmoral, influence Van Morrison, bolster the fortunes of the Wakefield and North of England Tulip Society and drive a purple Ferrari with ‘Ecosse’ on the tail.

Paul Birtill

Last day

None of the teachers who taught us were around that final afternoon at Grammar school — probably frightened of being assaulted after giving us so much grief for five years, no more of that though. We sat around unsupervised, playing cards and smoking a bit and then it seemed so simple, so absurdly easy to just walk down the drive and out of the front gate for the last time.

Nicholas Lezard

Poison and parsnip wine

First, a quote from the novel under review. The context: it is a flashback scene of the behaviour of a character at a birthday celebration for her aged mother. She is confessing her bulimia to a crowded room: ‘I make myself sick! I vomit! I vomit! I vomit! I lock myself in the lavatory while you’re all stuffing your faces and I put my fingers down my throat! I vomit! I vomit! I vomit!’ she had cried aloud, as she waved her long, prehensile hands in the air. We shall skate over the use of the word ‘prehensile’ to describe hands, which are all, unless deformed, prehensile anyway, and concentrate on the character’s speech. Somewhat histrionic, would you say? A little bit unlikely?

Alan Judd

The end of secrecy

Gordon Corera, best known as the security correspondent for BBC News, somehow finds time to write authoritative, well-researched and readable books on intelligence. Here he explores the evolution of computers from what used to be called signals intelligence to their transforming role in today’s intelligence world. The result is an informative, balanced and revealing survey of the field in which, I suspect, most experts will find something new. He starts with an event that took place 101 years ago next month, when the British dredger Alert set off from Dover in the early hours to cut the German undersea telegraph cables.

Daniel Swift

Reducing poetry to a science

Is it possible to tell a good poem from a bad one? To put the question another way: are there objective, even scientific, standards for evaluating literature? Helen Vendler has no doubts. Her spiky new collection of essays begins with the insistence that it is possible to prove how one poem is ‘superior’ to another, and ‘those who suppose there are no criteria for such judgments merely expose their own incapacity’. That’s a bold claim, but in her hands, literary criticism is a science, and anyone who disagrees with her judgments is put sharply in their place.

Dan Hitchens

Sometimes it’s good to worry

At last, a snappy pop philosophy book which offers to sort out absolutely none of your personal issues. If anything, it will make them worse. ‘There are,’ Francis O’Gorman admits, ‘serious problems for me with the ethics of writing on worry.’ Since words are the very stuff of worry, O’Gorman (himself a worrier) suspects that reading is unlikely to provide a cure. Sufferers would do better to contemplate the sublime balance of Brancusi’s ‘Bird in Space’ (‘a glimpse of a world without fretfulness’) or listen to Bach’s contrapuntal fugues, in which ‘Everything, whatever happens, fits.’ But O’Gorman is not really here to dole out advice: A while ago, I described this book as I was writing it to a friend.

William Dalrymple

Divide and quit

In 1929, when Edwin Lutyens handed over the newly completed building site of New Delhi to the Viceroy, Lord Irwin, many believed he had created a capital for a British empire in India that would last if not 1,000, then at least 100 years. It was, as Lord Stamfordham wrote, ‘a symbol of the might and permanence of the British empire’ that had been commissioned specifically so that ‘the Indian will see for the first time the power of western civilisation’. The plan of New Delhi was deliberately intended to express the limitless power of the Viceroy. In the words of Sir Herbert Baker: ‘Hurrah for despotism!