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Sex, violence and lettuces

There is something cruelly beautiful, delightfully frustrating and filthily gorgeous about a Scarlett Thomas novel. Two family trees open and close this book: one shows what the characters think they are and how they are related, the other what they are revealed to be. How the couplings shift is less important than the chains of desire that cannot be mapped or taxonomised. The Gardener family is reeling from and sneakily plotting about the death of great-aunt Oleander, owner of Namaste House, a retreat for whack jobs and slebby failures. But her will leaves them confounded. This family of botanists are each given a seed which might flourish into death or enlightenment. It might explain their genealogy, and the deaths of four of their forebears.

Licence to kill

One morning in March 1921 a large man in an overcoat left his house in Charlottenburg, Berlin, to take a walk in the Tiergarten. A young man crossed his path, drew a pistol and shot him in the neck. Emitting a groan ‘like a branch falling off a tree’, he fell dead. The assassin ran, but was arrested by the crowd. ‘What do you want?’ he asked. ‘I am Armenian, he is Turkish. What is it to you?’ The victim was Talat Pasha, erstwhile interior minister of the Ottoman empire and convicted war criminal. His nemesis was Soghoman Tehlirian, engineering student and agent of the Armenian Revolutionary Federation. Talat topped the ARF’s list of targets: revenge for the genocide of some 1.5 million Armenians between 1915 and 1917.

Recent crime fiction | 25 June 2015

The act of reading always involves identification: with the story, the characters, the author’s intentions. Renée Knight takes this concept and pushes it to dangerous extremes in her psychological thriller Disclaimer (Doubleday, £12.99, pp. 304, Spectator Bookshop, £11.69). Catherine Ravenscroft finds a novel in her house which she doesn’t remember buying, and which seems to be telling the story of her own life. Her deepest, most terrible secrets are included. And the final page ends with her own murder. Is this a threat? How can the author have such an intimate knowledge of Catherine’s life, of events and feelings that she’s kept hidden even from her husband?

Into the blue

Jenny Balfour Paul is an indigo dye expert. She has written two books on the subject, and lectures around the world. A librarian alerted her to the mention of the colour, and the plant it comes from, in the journals of a long-forgotten sailor and indigo hand. That day a ten-year love affair began. Thomas Machell was born near York in 1824, a son of the manse. At the age of 16 he went to sea, scrubbing the decks of a merchant ship. After numerous adventures he settled in India, initially working for the Bengal Indigo Company, then transferring to plant and harvest coffee in Kerala. He was a curious, observant man who became fluent in both Arabic and Hindi, and, unlike many servants of the Raj, travelled widely off the beaten track.

The hardest man of all

From the unpromising and desperately unforgiving background that forged his iron will and boundless ambition, Temujin (as Genghis Khan was named at birth) rose to build an empire that was to range from Korea and China, through Afghanistan, Persia and Iraq and eventually to Hungary and Russia, constituting the largest contiguous land imperium in history. His was an extraordinary, epic story and Frank McLynn does it full justice in a vivid, page-turning biography. The author portrays well the extreme hardship of the nomadic life for Genghis as boy and man on the arid Mongolian steppe, where temperatures range between 100 degrees Fahrenheit and minus 43, and where ‘one can be hit simultaneously by winds from the Siberian tundra and desert storms from the Gobi’.

The devils’ advocate | 25 June 2015

Jeremy Hutchinson was the doyen of the criminal bar in the 1960s and 1970s. No Old Bailey hack or parvenu Rumpole, he was the son of Jack, a distinguished practitioner in the same field, and Mary, a Bloomsbury Strachey. An Oxford undergraduate who acquired a criminal record along with a PPE degree (he accidentally shot a policeman with an air pistol), married first to Peggy Ashcroft, he moved throughout his life in the upper echelons of English liberal intellectual society, and was elevated, while still in practice, to the House of Lords. The brief biographical sketch at the outset of this book, littered with names of those whose paths he crossed, including T.S.

The Durable Postie

(For Karl)  He doesn’t even bother to change out of his uniform, just goes straight to the pub after his walk in his red jacket and stays till late evening. He’s usually drunk by the time I get there — drunk and loud, but always pleased to see you. He must get through a dozen pints, but the next morning he’s out there pushing his trolley and delivering his load in all weathers without a care in the world, or so it seems.

Dick Whittington for the 21st century

Novels of such scope and invention are all too rare; unusual, too, are those of real heart, whose characters you grow to love and truly care for. The Year of the Runaways has it all. The action spans continents, taking in a vast sweep of politics, religion and immigration; it also examines with tenderness and delicacy the ties that bind us, whether to family, friends or fellow travellers. Judges of forthcoming literary prizes need look no further. Rose Tremain’s The Road Home described the experience of an Eastern European immigrant arriving to look for work in England. The book (which is among Tremain’s finest) was a powerful corrective to the notion that such migrants have an easy time of things.

Salvation through music

Ours is the era of everybody’s autobiography. Bookshops groan with misery-lit memoirs — Never Let Me Go, Dysfunction Without Tears — which dilate on anorexia, alcoholism, cruel bereavement. When is a life worth telling? B.S. Johnson, the London-born novelist (and tireless chronicler of himself), put the most revealing sexual details into his autobiographical novels of the 1960s. They might have amounted to mere solipsistic spouting, were the writing not so good. James Rhodes, a 40-year-old classical musician, was repeatedly raped at his London prep school in the early 1980s. In his memoir, Instrumental, Rhodes tells how he found salvation in music and became one of our leading concert pianists.

Awfully arrayed

John Keegan, perhaps the greatest British military historian of recent years, felt that the most important book (because of its vast scope) that remained unwritten was a history of the Austrian army. Richard Bassett has now successfully filled the gap, and few could be better qualified to do so. During many years as the Times’s correspondent in Vienna, Rome and Warsaw, he made friends with most of the leading local experts, as his acknowledgements testify.

The new rules of dating

An American stand-up comedian Aziz Ansari, who usually performs in Los Angeles and New York, has found time to conduct an international investigation of the mating habits of the young in the digital age. Like most other stand-up comedians, male and female, Ansari evidently bases his act on nationalistic, ethnic and sexual misanthropy, expressed with facetious cynicism. The first words of his introduction are ‘OH, SHIT!’, which seem to promise streetwise modernity but nothing romantic. Is the book only some kind of wise-guy scam? No, it’s not that simple. Born 32 years ago in Bennettsville, a small town in South Carolina, Ansari apparently felt restricted by what he calls his ‘brown skin tone’ until he moved up to the less racist north.

One vast, blaring cultural circus

In the late 1980s Peter Ackroyd invited me to meet Iain Sinclair, whose first novel, White Chappell, Scarlet Tracings, I had greatly admired. Ackroyd initially knew Sinclair as a poet, author of Lud Heat, an influence on his own wonderful novel Hawksmoor. Passionately interested in London, the three of us began to meet regularly. Sinclair was an admirer of the French situationist Guy Debord (The Society of the Spectacle) and popularised psychogeography in Britain. In his blending of myth, literature and close social observation, I felt he combined the virtues of Orwell and Pound.

Curious shades of Browne

On the evening of 10 March 1804, Samuel Taylor Coleridge settled at a desk in an effort to articulate what he found so appealing about the 17th-century English polymath Sir Thomas Browne, the man he numbered among his ‘first favourites’ of English prose. He mentions Browne’s formal qualities, of course: he is ‘great and magnificent in his style and diction’; his Urne-Buriall ‘redolent of graves and sepulchres’ in every line. Yet most of his praise is reserved for Browne’s sensibility, for a man who is ‘fond of the curious, and a hunter of oddities and strangeness’; who ‘loved to contemplate and discuss his own thoughts and feelings, because he found by comparison with other men’s, that they too were curious’.

Swords of honour

Earlier this century I was a guest at a fine dinner, held in a citadel of aristocratic Catholicism, for youngish members of German student duelling societies. My hosts were splendidly courteous, some of them held deadly straight rapiers or lethal curved blades, there were brightly coloured and golden braided costumes that made King Rudolf of Ruritania’s coronation robes seem dowdy, and we sung a rousing anthem about Prince Eugene of Savoy smiting the fearful Turk at the battle of Zenta in 1697. It was a high-testosterone evening. A few of my young hosts had duelling scars, discreetly placed so as to be imperceptible when they were in office suits, for some of them worked in Canary Wharf or the City as bankers, lawyers and accountants.

Parmenion

Athens The air-raid siren howls Over the quiet, the un-rioting city. It’s just a drill. But the unearthly vowels Ululate the air, a thrill While for a moment everybody stops What they were about to do On the broken street, or in the slow shops, Or looks up for an answer Into the contrailled palimpsest of blue. Always we forget. It’s once a year Just as lush September’s getting sober Ambushed by October. It strikes the heart like fear, as the vibrations build To an All Clear. The test is dubbed ‘Parmenion’ After the general second in command To Alexander, Implicated by his own son In a confession to a plot of treason. And Alexander had him killed, Old family friend, right-hand man, comrade in arms, Probably without reason. A pity.

Broken dreams

As Masha Gessen herself admits — and as friends and journalist colleagues repeatedly told her — it was a strange choice to write this book. But you only have to get a few pages in to realise that Gessen, the author of a bestselling analysis of Putin, is ideally placed to take on the story behind the Boston marathon bombers. And she is the perfect person to situate it in the wider context of ‘the war on terror’ in a way that illuminates and inspires. This is quite simply a remarkable piece of old-school journalism. On 15 April 2013 two homemade bombs exploded near the finish line of the Boston marathon, killing three people and wounding 264 others.

The forgotten faithful

It is often said that cricket was ‘a game invented by the English and played by Indians’, and every so often a book comes along that makes you think that something similar could be said of the English language. It would seem from Farthest Field’s dust jacket that this is Raghu Karnad’s first book, but if this assured and moving memoir of wartime India is an apprentice piece, then you can only wonder what is coming next. From the very first page it is the brilliance of the writing that stands out.

Only the lonely

This book starts with a Chinese boy so privileged and pampered that, at 21, he can’t open his own suitcase, let alone unpack it. It closes at the opposite end of the social scale with a small girl squatting on a plank over a village cesspit, watching the maggots seething and squirming far below as they struggle to climb the sides of the pit towards the light. The cesspit was the only place where a child of five could find refuge from back-breaking labour in the fields. ‘Granny said girls who don’t work get no food,’ she tells Xinran, who meets her two decades later as a student working for her doctorate in Europe.