More from Books

Thursday

Cressida Connolly

The mother of all crimes

During the heatwave in the summer of 1895, the Gentlemen v. Players match at Lords Cricket Ground on 8 July attracted more than 12,000 spectators. Among the crowd that sunny day were two little boys from the East End of London, brothers Robert and Nattie Coombes, aged 13 and 12. That morning they had got themselves up and prepared their own breakfast. Their mother was in the house, but she wasn’t able to see to her boys, because during the night Robert had killed her. He had stabbed her with a knife bought expressly for this purpose and then, just to be sure she’d perished, put a pillow over her face. In the days that followed, Robert and Nattie had a fine old time. They went again to watch the cricket, where they saw W.G. Grace score his seventh century of the season.

Thursday

Tiffany Jenkins

Symbols of eternity

On the banks of the River Thames in central London, an ancient Egyptian obelisk, known as Cleopatra’s Needle, reaches towards the sky. Carved from a single slab of red granite, it is 69 feet tall, weighs a substantial 224 tonnes, is decorated with hieroglyphs, and was made for the Pharaoh Thotmes III in 1460 BC. In 1877, six sailors lost their lives transporting the obelisk from Alexandria. Mohammed Ali, Viceroy of Egypt, gave it to the Prince Regent in thanks for the British victories over the French at the Battle of the Nile and Battle of Alexandria. The Cleopatra, a specially designed iron cylinder container, was used to carry it, towed by a steam-ship. A hurricane off the Bay of Biscay resulted in the brief disappearance of the Cleopatra and the drowning of half the crew.

Damian Thompson

Thetans under threat

At last! It has taken over two years, but a British publisher has summoned up the nerve to bring out Going Clear, an astonishing exposé of the Church of Scientology by Lawrence Wright of the New Yorker. Wright — who won the Pulitzer Prize for The Looming Tower, his investigation of 9/11 — is the journalistic equivalent of a virtuoso musician: he can race us through the most complicated narrative because he has done unimaginable amounts of homework. Wright conducted hundreds of interviews for Going Clear, then had a team of fact-checkers crawl over the text. Even so, none of our big publishing houses would touch it.

Anthony Cummins

More blood and tears

Irvine Welsh’s 1993 debut novel Train-spotting flicked a hearty V-sign in the face of alarm-clock Britain. ‘Ah choose no tae choose life,’ crows its giro-cheating antihero Mark Renton, proudly enslaved to heroin instead of mortgage repayments. But when Welsh revisited his native Leith for a 2012 prequel, Skagboys, he threw over this bourgeois-taunting amorality for blunter politics: Renton, it transpired, first turned to heroin for pain relief after police beat him up on a picket line during the 1984 miners’ strike. In Welsh’s latest novel, it’s the turn of Renton’s psychopathically violent frenemy, Francis Begbie, to get an origin story involving the abuse of state power. As a boy (we now see) Begbie struggled with dyslexia.

Horatio Clare

Not so bird-brained after all

What is it about birds? They are the wild creatures we see most often, their doings and calls a daily reassurance that humans are not isolated in our sentience. They descend from the first reptiles, while we come from the first mammals. Across a gulf of evolution we contemplate a parallel life which has evolved exhilaratingly different answers to the same questions that existence asks of us. Cross-referencing allows us to address the fundamentals. Darwin and his finches revealed how we came to be. What else might birds teach us? Addressing questions because we can conceive them is the spirit of The Most Perfect Thing: Inside (and Outside) a Bird’s Egg by Tim Birkhead, author of the acclaimed Bird Sense.

Jeff Noon

Two gone girls

The plot of Hideo Yokoyama’s Six Four begins in 1989, with the murder of Shoko, a seven-year-old girl. Fourteen years later the perpetrator has yet to be apprehended, and the case is viewed as Tokyo’s police force’s most damning failure. The commissioner of police plans to visit the home of Shoko’s father to pay his condolences, and to insist that the murderer will be brought to justice. It’s an empty promise. The job of persuading the still grief-stricken father to allow the commissioner into his home lands on the desk of Yoshinobu Mikami, the force’s head of media relations. During this task Mikami comes across an anomaly in the old murder case, one that makes him realise that a police cover-up has been in place ever since.

Louis Amis

When in Rome…

‘Now I am a mother and a married woman, but not long ago I led a life of crime,’ begins this really very short book (assisted here, in its lumpen-ness, by the ingenious placement of two or three blank pages in between each of its 16 very short chapters). But it is not something scratched together posthumously from Roberto Bolaño’s papers, or resurrected out of early-career obscurity (as valuable as those kinds of books, appearing in English in recent years, have also been). Written near the end of his life, this was the last of his books that Bolaño saw into print — it bears, in this free-standing form, however tiny, the author’s definitive executive seal.

Stuart Kelly

Get thee to a notary

Given this year’s 400th anniversary of Shakespeare’s death, there was always going to be a slew of new publications; few, I suspect, will have as long-lasting an effect as John Kerrigan’s. His field of inquiry is both straightforward and complicated. It is almost retrospectively obvious that Shakespeare’s plays contain a great amount of vows, oaths, swearing both covenantual and vulgar, pledges, promises and imprecations. The same might be said for a great many playwrights’ works; but the depth of subtlety which Kerrigan finds in the handling of these specific rhetorical forms is compelling.

Thursday

Justin Cartwright

The last word

Nicola Barker is both prodigiously talented and admirably fearless. I have loved her books. But for some time I had little or no idea what the point of the story of Sri Ramakrishna was. In fact he was one of the outstanding men of 19th-century India. Characteristically of Barker, the narrative of her latest book is interlaced with little jokes and haikus and sly references to contemporary language and manners. (There is even an excursion to the Camargue.) At first I found the whole enterprise repetitive and wilfully quixotic, but it is well worth persevering. Barker describes her book as ‘truly little more than the sum of its many parts’.

Steven Poole

Fast and furious | 14 April 2016

Modern life is too fast. Everyone is always in a hurry; people skim-read and don’t take the time to eat properly; the art of conversation is dying; technology places too much stress on the human brain. This litany of familiar complaints comes, of course, from the late 19th century, as collected by the American writer and XKCD comic artist Randall Monroe in his arch cartoon ‘The Pace of Modern Life’. And here we are in the 21st, in another culture that both worships and deplores its ostensibly unprecedented speed. Today we have hookup apps and high-frequency trading, and ‘tl;dr’ (too long, didn’t read) is the all-purpose internet comment; but on the other hand we have long reads and slow food.

Christopher Howse

To be a pilgrim

In his friendly and beguiling voice, Jean-Christophe Rufin explains (in a way that reminded me of the pre-journey relish of Camilo José Cela’s Journey to the Alcarria) that, before setting off on foot for Santiago de Compostela, he went to a little shop in Paris and joined the Association of Friends of St James. I have sometimes toyed with the idea of starting an Association of Enemies of St James. I suspect that in his worse, or better, moods Rufin might join. It’s not St James who’s the problem but his friends. Look at the evidence. Rufin walks to Santiago, but chooses the northern route from San Sebastian along the coast.

Alastair Smart

Trivial pursuits

Well, he’s back. Though you’d be forgiven for thinking he’d never been away. Fresh from delivering the Reith lectures, exhibitions nationwide, various television shows for Channel 4, countless broadsheet interviews, building his ‘dream house’ in Essex and much else besides, Grayson Perry is back. His latest offering is a book of sketches, selected from across his career. He began drawing as a boy in notebooks his grandmother gave him, filling them with images of racing cars and comic-book characters. It was at art school in Portsmouth in the early 1980s, however, that Perry began sketching in earnest, a practice he kept up when he subsequently moved to London, a lack of money for studio space meaning it was his only artistic outlet.

Anne Chisholm

Mouldering hats and wedding veils

In deciding to write a book about her forebears and herself, Juliet Nicolson follows in their footsteps. Given that her grandparents were Harold Nicolson and Vita Sackville-West, and her father was Nigel Nicolson, that they all wrote copiously about themselves, that Knole and Sissinghurst are stuffed with family records, and that she is herself a publisher turned writer, it proved impossible to resist adding her voice to the already substantial record of her family’s powerful social and literary connections. For a long time she was impressed by something her grandmother’s lover, Virginia Woolf, once said to her father: ‘Nothing has really happened until it is written down.

Ian Birrell

Trapped in hell

The mechanic, blinded in one eye by shrapnel, spent three days searching for his family in the destroyed buildings and broken streets of Darayya. Finally he found his father’s body in a farmhouse, alongside those of three boys, already starting to decay. ‘Can you tell me why they would kill an old man?’ he asked, before adding: ‘This is not my Syria. When I see the sorrow that happens in our towns, all I think is — this is not my Syria.’ Yet it is. Indeed, one mystery of the darkness that has descended on Syria is that so many gut-wrenching depravities could befall a place of such bewitching beauty, history and apparent tolerance.

Jude Cook

Nine angst-ridden men

‘Insufficiency’ is a favourite David Szalay word. The narrator of his previous novel, Spring, suffered from ‘insufficiency of feeling’; in this new collection of carefully juxtaposed tales, a Scottish ne’er-do-well adrift in Croatia decides his smile is ‘insufficient’. Szalay’s dissections of masculinity can produce wonders from such banal anxieties. Over 400 pages, he goes to town on nine specimens of the male gender, only surfacing to spit out the bones. While the stories aren’t linked by characters, they trace a rough chronological arc through a man’s life, skipping the mewling infant and whining schoolboy.

Helen R Brown

Out of the depths

‘This happens to other people.’ The Guardian journalist Decca Aitkenhead says she had heard the phrase countless times, interviewing the survivors of random disasters, and the idea had always puzzled her: ‘Why would they think other people are any different from them?’ But when her partner of ten years drowned while rescuing their small son from the Jamaican sea on a family holiday in May 2014, she was startled to catch herself feeling exactly the same thing. She unpicks the emotion in her piercing account of his death and the strange series of events surrounding it: We read about freak disasters every day, knowing perfectly well that the news is not fiction. And yet, deep down, what we are reading must feel to us made up.

Dominic Green

Britannia rued the waves

Military history is more popular than respected. It is not hard to see why. It is masculine history, a trifecta of logistical planning, technical detail and violent death. It shows the value of hierarchy and duty, sacrifice and patriotism — disgraceful notions which the young and impressionable might be inspired to emulate. And,with its sudden twists from tedium to danger and its tidily destructive conclusions, it has tight plots. One way to make civilian history as exciting is, as Eric Hobsbawm showed, to turn it into a false kind of fiction, true neither to the facts nor the life. Another, as N.A.M. Rodger did in The Wooden World, his ‘anatomy’ of the Georgian navy, is to integrate military history with political and social history.

Thursday

Stephen Robinson

The halo slips

Peter Popham is commendably quick off the blocks with this excellent account of the run-up to last November’s Burmese general election, in which Aung San Suu Kyi’s National League for Democracy swept the board. At the time of writing this review, Suu is taking four ministries, including foreign affairs. So she will do what she did during her years of house arrest — offer a beautiful human face to the outside world of a country still under the heel of the generals. Popham seems to enjoy Burma and to understand it as much as any westerner can. Notwithstanding recent liberalisation, Burma is perhaps the second weirdest state on earth after North Korea, with impossibly complicated ethnic and religious fault lines that are cannily exploited by the army.

Jeff Noon

Recent crime fiction | 7 April 2016

All it takes is a spark. In her compelling new thriller, Ten Days (Canongate, £14.99), Gillian Slovo tracks the progress of a riot as it spreads across a rundown London estate. When Ruben, a black man of fragile nature, is accidentally killed in a police action, his friends and neighbours gather to protest his needless death. This peaceful demonstration ignites into violence and looting. Resident Cathy Mason and her family are caught up in the dangers of that night and the ones that follow. Slovo takes the London riots of 2011 as her blueprint, but she moves beyond that, focusing not only on the local people but also on the new Commissioner of Police and the Home Secretary, both of whom are using the riots for their own political ends.

Nicola Barker

The holy sinner

Many of the great faith narratives (the Holy Quran being a notable exception) are clumsy, rough-hewn things; makepiece amalgams of different texts from an abundance of sources that have been gradually hacked together over hundreds — sometimes even thousands — of years. Most have been found useful or resonant (spiritually and politically) at various stages in history, and some have been purposefully engineered (by individuals or institutions with agendas — their motives pure or otherwise). Eventually these fragments become embedded into a whole — a unity. A consensus is reached on what, fundamentally, works. This process is essentially pragmatic.