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They’re all doomed

Night of Fire is Colin Thubron’s first novel for 14 years. For most of us he is better known as a travel writer, perhaps the finest of our time. But between journeys there have been seven previous novels, and this new one draws on his travelling. Ostensibly confined to a house converted into single apartments, and a night when it is consumed by a fire starting in its basement, it actually, in its chapters each devoted to one of its seven characters, wanders the world, while also moving to and fro in time. The seven characters are designated by role or occupation: landlord, priest, neurosurgeon, naturalist, photographer, schoolboy, traveller. We know from the first that they are all doomed: they will die this night.

Trees of life and death

Was it perhaps the landscape historian Oliver Rackham who gave rise to our present preoccupation with old trees through his pioneering works on ancient woodland? He certainly pointed out more than 40 years ago that 10,000 centurion oaks ‘are not a substitute for one 500-year-old oak’. Since then, shelves of books have been written on these veterans, and in The Long, Long Life of Trees Fiona Stafford makes a welcome and entertaining contribution. She draws on material from fields including folklore, natural science, literature, cultural history, European art, ancient mythology and modern medicine to illuminate such trees’ central place in western civilisation. Sometimes all of these are skilfully blended in her accounts of different species. The yew is a good example.

Long lives the King

Elvis only ever appeared in one commercial in his life — for Southern Maid, his favourite jam doughnut shop. That commercial appeared on the Louisiana Hayride radio show in 1955. But since his death in 1977, Elvis has appeared in adverts all over the world: ‘Can’t Help Falling in Love’ has been borrowed to flog bathroom fragrances; a Greek dairy company used ‘Always on My Mind’; and Coca-Cola, BMW and Nike have all been promoted with ‘A Little Less Conversation’. Ted Harrison’s central thesis — that Elvis has been much more heavily and successfully commercialised in death than in life — is convincing. This is an odd, rambling, repetitive book, too clumsily written, even for Elvis maniacs like myself, to be worth buying.

The horrors of French colonialism

We can all share the anguish in the downfall of a simple soul — for movie-goers Brando’s despairing ‘I coulda’ been a contender!’ in On the Waterfront still resonates — but I have a problem with heroic thickos: Othello, so easily duped; purblind Lear… So I’m ambivalent about the leading character in the new novel by the French-Algerian writer Yasmina Khadra — his wife’s name, adopted by Mohammed Moulessehoul to evade the military censors when he was an officer in the Algerian army. The award-winning author of more than 20 novels, most notably The Swallows of Kabul, he now lives in France but retains the pseudonym.

The axeman cometh | 11 August 2016

All organic beings descended from a single primordial blob, according to Darwin. Some of them developed sufficiently to leave the commodious depths and widths of the sea to scramble ashore. Was that wise? In this intricately detailed history, David Miles, a distinguished Oxford archaeologist, takes up the story of human evolution since our species and chimpanzees diverged from a common ancestor about seven million years ago. Between the origin of our life on Earth and the exponential population growth that causes long queues and traffic jams and threatens imminent apocalypse, there was a period when change amounted to beneficial progress.

Preaching in pictures

To call Nils Büttner a killjoy is perhaps a little unfair, but not very. The professor at Stuttgart’s State Academy of Art and Design has written a revisionist biography of Hieronymus Bosch: one which tells us that the Early Netherlandish painter wasn’t, as many over the centuries have suggested, the devil incarnate or Satan’s crazed representative on earth. Instead, his graphically disturbing visions of hell — infernal soups populated by hybrid monsters — were actually the product of a devoutly Catholic, medieval mind.

Is there anybody out there?

Fifty years ago this summer, a new show appeared on American TV screens. These, the opening titles explained, were the voyages of the starship Enterprise; its mission — to explore strange new worlds, to seek out new life and new civilisations. Half a century later the Star Trek franchise still rumbles irrepressibly on, but now the first part of the Enterprise’s mission has moved firmly from the realms of science fiction into those of fact. The change is profound: in 2016 we can look up at a night sky full of stars and know that almost every one of them has its own family of planets orbiting around it, just as the Earth and the other planets of our solar system orbit the Sun.

The power of music and storytelling

Madeleine Thien’s third novel, recently long-listed for the Man Booker Prize, begins in Vancouver with Marie, who, like the author, is the daughter of Chinese immigrants to Canada. Marie tells us that her father committed suicide in 1989 and that, soon after, the 19-year-old Ai-ming — whose father knew Marie’s father — came to stay, having escaped China in the aftermath of Tiananmen. Ai-ming is drawn to a notebook that has been found among Marie’s father’s surviving paperwork: a handwritten copy of part of a mysterious Book of Records. Marie persuades Ai-ming to tell her the story. Her tale transpires to be not the content of that book, but the crucial role it has played in the lives of their families.

Playing at shepherdesses

Oh, the longueurs of aristocratic Georgian leisure. What on earth did they do all day, with no domestic chores, no Wi-Fi, no television, no telephones for chatting and the slowest of transports to move their lives from the sticks to the bright lights of London or Bath? Kate Felus has written a fascinating book which tells us how the 18th-century landed gentry whiled away their summers out of doors. On winter she does not dwell, because, as she says, summer was the time when all the great landowners were likely to be at their country estates. Apart from Margaret Willes’s excellent Gardens of the British Working Class, the documented social history of gardens tends to concentrate on grand, rather than humble, establishments.

Getting away with murder

Cher Hughes loved the beauty, the white sand beaches and sun-kissed climate of the tropical islands of Bocas del Toro in Panama. So she sold her thriving sign business in Florida and spent the profits on creating a new life on the Caribbean archipelago. She and her husband built a beautiful home filled with fine furnishings on Darklands, a private island with coconut palm trees and a sheltered cove, while investing in a couple of rental units nearby. Hughes threw herself into her new life. She went into the jungle to find strange blooms for her vases and searched for armadillos in the moonlight. A blonde in her forties, she became a popular member of the largely American community of about 2,000 expats.

Glimpses of beauty

Born in Michigan, raised in Lagos and educated in London and New York, Teju Cole is about as cosmopolitan as they come. In an interview with the American writer Aleksandar Hemon, republished in Known and Strange Things, he declares that ‘cities are our greatest invention. They drive creativity, they help us manage resources, and they can be hives of tolerance.

The faceless man in the bowler hat

Surrealism was, at least initially, as much about writing as painting. A plaque on the Hotel des Grands Hommes in Paris’s Place du Pantheon records that the oneiric movement began in 1919 when André Breton and Philippe Soupault invented ‘l’ecriture automatique’ at numéro 17. Automatic writing, with consciousness suspended, was supposed to open a conduit to an internal dreamworld. René Magritte (1898–1967) became one of the most famous Surrealist painters, but he wrote throughout his life: detective stories, manifestoes, criticism, essays, prose-poems, lectures, surreal bric-a-brac. His Ecrits Complets was published by Flammarion in 1979 and ran to 764 pages.

You can run but you can’t hide

In The Circle, Dave Eggers’s satirical dystopia about an insatiable Google-like conglomerate, there’s a scene in which drones hound a social-media refusenik to his live-streamed doom; the character’s name, Mercer, was a nod to the American philosopher Ralph Waldo Emerson, whose 1841 essay ‘Self-Reliance’ saw Twitter coming. At least that’s a hunch that looks fairly sound now that Eggers has written a novel about going off-grid in the woods.

Thoroughly modern Buffy

Cards on the table. Before I’d published my first novel, or written for newspapers, or won awards for my writing, before all of that, in 2004, I presented a paper at an academic conference about Buffy the Vampire Slayer in Nashville, Tennessee. I couldn’t really afford to go to that conference. I didn’t have time to be there. I wasn’t an academic; it wouldn’t help my career. It was just that when I heard there was an academic conference about Buffy the Vampire Slayer I knew I had to be there. Not in an ironic way, not as silly fun. I desperately needed to be around people who could talk about Buffy and help me understand why it meant so much to me.

The Teutonic King Arthur

Hitler, ever seeking to emulate strong German hero types (especially if their Christian name was Frederick), unsurprisingly named his great invasion of Russia ‘Operation Barbarossa’. It is in this context that the name — meaning ‘Redbeard’ — is best known today. Apart from that, a rather clunky eponymous Italian film from 2011 and a presence in the underground heavy metal music scene, awareness of the medieval German emperor outside of Germany and Italy is very limited. This owes much to the fact that John Freed’s biography is the first in English for half a century. A 700-page doorstopper, this impressive, learned book certainly makes amends for this previously serious oversight. Frederick was the most powerful figure in 12th-century Europe.

Nothing new under the sun

Rupert Sheldrake had it coming. In A New Science of Life (1981), he argued that animals and plants have inherited a collective memory from their predecessors, thanks to ‘morphic resonance’. This also explained why animals had telepathic powers. ‘You see, I told you so,’ I said to my wife when reading about this in Steven Poole’s exciting new book, and exchanged a secret glance with our dog. Mothers, one might add, also seem to have such psychic powers and know exactly when their teenage sons are sneaking home late at night. But Sheldrake is not your average ‘new ager’ or dog lover. He is a cell biologist.

The gospel truth

More brides in Britain go down the aisle to Gloria Gaynor’s ‘I Will Survive’ than to any other tune, Simon Loveday notes. He cannot resist adding that ‘it seems doubtful that they have fully taken in the words of the rest of the song’. That must be true. ‘I’m not that chainedup little person still in love with you,’ yells the defiant narrator in Gloria’s song. ‘You’re not welcome anymore.’ If anything, ‘I Will Survive’ belongs, it seems to me, to a genre of assertive anthems, like ‘My Way’ and ‘Invictus’, that appeal to people who are the imaginary heroes of their own Desert Island Discs and examine their lives as little as the lyrics that make them feel better.

Smashing stuff

‘Joe lay in bed in his mother’s house. He thought about committing suicide. Such thinking was like a metronome for him. Always present, always ticking.’ Life is always cheap in noir fiction — but it takes it that step further when the protagonist’s homicidal impulses extend to himself. The hero of this fast-moving, agreeably violent and perfectly pared-down novella is Joe, a former FBI agent and marine who has reduced what remains of his life to a sliver of deadly purpose. After a gruesome incident in his past, ‘his limit for trauma, a very high limit, had been reached’ and he went completely off his onion.