More from Books

Wednesday

Robert Service

Murder most foul

On 1 November 2006 Alexander Litvinenko, ex-KGB officer and by then a British citizen, met two of his former colleagues, Andrei Lugovoi and Dmitri Kovtun, in Mayfair and drank a cup of tea with them. What happened next must count as the century’s most gruesome crime so far. The tea taken by Litvinenko was laced with a dose of polonium-210 and he died in agony in UCH several days later. The radioactive substance was detected on a belated hunch of a brilliant forensic scientist. The suspects, Lugovoi and Kovtun, had already left Britain, and the Metropolitan Police found polonium deposits at nearly every hotel and shop that they had visited.

Honor Clerk

Sexy self-advertising

At nearly eight foot high and five foot wide, Adélaïde Labille-Guiard’s portrait of herself with two of her students is by any reckoning a tour-de-force. Painted in 1785, it shows the artist seated at her easel, palette, brushes and mahlstick in hand, as though looking up briefly before adding to the large canvas before her. Seated on a gilt and green velvet chair, she is dressed in a pale blue satin décolleté dress and a straw hat decorated with ribbons and ostrich feathers. Her two female pupils stand behind her, one gazing in admiration at the work in progress, the other looking out of the painting, level-eyed and sober.

Lewis Jones

Disgusted of X-ville

Eileen is an accomplished, disturbing and creepily funny first novel by Ottessa Moshfegh, the latest darling of the Paris Review, which has published her stories and given her a prize. It recalls, half a century later, a week in the life of Eileen Dunlop, leading up to Christmas 1964. Her mother, whom she loathed, has died some years ago, and at the age of 24 Eileen is living in a dreary New England town she calls ‘X-ville’ with her father. He’s a demented, gin-sodden retired cop whom she also loathes, and whom she is supposedly looking after, though her care is limited to shouting at him, maintaining his gin supply and hiding his shoes to prevent him from terrorising X-ville in his pursuit of imaginary ‘hoodlums’.

Emily Rhodes

A mix of myths

With ‘both arms stretched out like a starfish, her long hair floating like seaweed at the sides of her body’, Kitty Finch swam naked into view in Deborah Levy’s Booker-shortlisted Swimming Home. Similarly, in Hot Milk, Sofia Papastergiadis loves to swim —as, indeed, does Levy herself. Only, whereas Kitty swims up and down the gravelike plot of a villa’s swimming pool, Sofia prefers the open expanse of the sea. She swims off the coast of Spain, in Almeria, where she is helping her mother find treatment for the periodic ‘mysterious’ paralysis of her legs. Caring for her mother means that she has given up pursuing a doctorate in anthropology, despite her first-class degree.

Dorian Lynskey

Tainted love | 23 March 2016

In 1963, when the bloom was still on the rose, Bob Dylan described Woodstock as a place where ‘we stop the clouds, turn time back and inside out, make the sun turn on and off… the greatest place’. Six years later, he wrote in Chronicles: Volume One, ‘Woodstock had turned into a nightmare, a place of chaos.’ Barney Hoskyns, who lived there in the 1990s, marshals plenty of evidence to support both assessments. This Catskills hamlet has been at various times a blue-collar small town, a bohemian enclave, a tourist trap, a hotbed of creativity, a cauldron of hedonism, a madhouse and ‘a counter-cultural touchstone’. In its heyday it attracted such luminaries as Janis Joplin, Van Morrison, Todd Rundgren, George Harrison and The Band.

Simon Heffer

Going global

We can all identify decades in which the world moved forward. Wars are not entirely negative experiences: the social and technological advances of the 1910s and 1940s are obvious. Ben Wilson has been more thoughtful, and has chosen the 1850s — or, more specifically, the years from 1851 to 1862. It was a time when, as he says, Britain was at the peak of her power. The empire was not at its greatest — the Scramble for Africa had yet to occur — but Germany had not unified, and America was economically overdependent on slavery and, not least because of that abomination, about to fall into civil war. Wilson describes the Great Exhibition of 1851 as a showcase of Britain’s manufacturing might, when it was truly ‘the workshop of the world’.

Helen R Brown

Sick transit

Sitting at her desk at the BBC in March 2006, researching a documentary about the Olympic Games, Caroline Jones pressed her thumbs deep into her eyelids, allowed herself to visualise a chocolate brownie and started to salivate. After work she stopped at the supermarket and bought some brownies… along with a chocolate loaf cake and a large pot of cream to pour over it, a giant chocolate bar, an apple puff, two eclairs, a cream slice, a selection of reduced pastries, a loaf of bread, a packet of butter and three packets of biscuits: bourbons, custard creams and Maryland cookies. When she got home she ate it all in under four hours. In her thoughtful new memoir on her 14-year struggle with bulimia, Jones describes a moment of sharp self-awareness experienced two hours into that binge.

Thursday

Andrew Barrow

Among the snobs, slobs and scolds

The author of this jam-packed treasure trove has been a film critic at the New York Times since 2000 and is also professor of film criticism at Wesleyan University. As if these platforms weren’t enough, he’s now written a book about the tangled worlds of films, books, music, paintings and criticism, dragging in Aristotle, Pope, Plato, Matthew Arnold, Isaiah Berlin and millions of others — but not, alas, my former next-door neighbour, the wonderfully controversial Brian Sewell. Crammed in alongside George Orwell’s ‘All writers are vain, selfish and lazy’ and H. L. Mencken’s ‘Literature always thrives best in an atmosphere of hearty strife,’ the author’s own views often hit hardest.

A.D Miller

Bribes, bickering and backhanders

The decrepitude of old age is a piteous sight and subject. In his second book Michael Honig — a doctor-turned-novelist and sharp observer of the body’s frailties, and the mind’s — zanily explores it through the imagined senility of Vladimir Putin, once supremely powerful, now struggling to tie his laces. The horror, sadness and momentary furies of dementia are all traced in Vladimir’s plight, plus the tedium and — especially — the bleak comedy. As the story opens, he is visited by his successor: ‘I’m going to fire that bastard,’ he says. ‘Have we got cameras?’ On a lakeside walk he strips off for phantom paparazzi.

William Leith

A sex vampire on wheels

The title of this book tells you a lot. Jack Sutherland, who grew up in London and Los Angeles, worked as a personal assistant to Michael Stipe, the singer in REM and, later, to Mickey Rourke. He also worked as a limo driver in Hollywood. A drug addict, he gravitated toward crystal meth, which can make you both wired and horny, sometimes for days on end. So we know to expect a particular brew of glamour, indignity and recrimination that perhaps some readers (including me) have come to enjoy. Sutherland certainly delivers — with a bit of glamour, an awful lot of indignity and not too much recrimination. But there’s something else going on here. This book is a collaboration between Jack the addict and his adoptive father John Sutherland.

Sean Mcglynn

Pox-ridden and power-crazed

Poor old Henry IV: labelled (probably unfairly) as a leper, but accurately as a usurper, he has been one of England’s most neglected monarchs. He is best known through his Shakespearean starring roles — which little resembled the real man, according to Chris Given-Wilson — and as the father of the ultimate warrior-king, Henry V, rather than in his own right. Ian Mortimer began redressing the balance in 2007; now Given-Wilson has produced this meticulous and definitive life of the troubled king for Yale’s ‘English Monarchs’ series. Though he was the son of John of Gaunt and his heir to the Duchy of Lancaster, England’s richest estate, Henry was not guaranteed an easy life of privilege.

Rod Liddle

Everything in black and white

This is a quite remarkable book. Badly written, devoid of anything even vaguely approaching a methodology, patronising, hideously mistaken on almost every page — and yet it does, inadvertently, answer the very question posed in its introduction: why are certain sections of the white working class so angry about immigration and Islam? The author is a Taiwanese journalist from the metropolitan liberal left. Her MO is to venture — ‘bravely’, we are informed — into quite the most ghastly areas where working-class people live in their decrepit social housing, with their beer and their tracksuits. Her purpose is to find ‘racists’ and inquire as to why they are ‘racist’.

Charlotte Moore

Mother courage

Helen Stevenson’s daughter Clara has cystic fibrosis. Love Like Salt is an account of living with the disease, but it is much else besides. Stevenson calls it a memoir, because it is an intensely personal version of events. It is also a scrapbook, a commonplace book, a series of meditations, an exercise in self-scrutiny. It is emphatically not a medical handbook. Stevenson is a writer, translator and musician; her husband Nico, ‘the kindest man on earth’, is a retired academic and translator of poetry. The book is structured like a piece of music. I’m too ignorant to give you the correct terminology, but there are three movements, and all the shorter passages branch away from, and then return to, the central theme. The effect is cumulative.

Jason Webster

One of history’s saddest chapters

One afternoon in the early 1990s, an elderly gentleman from Alicante told me of the tragedy that had occurred at his city’s port on the last day of the Spanish Civil War. He pointed towards the docks and in a hurried whisper spoke of the many thousands of desperate Republicans who had gathered there at the end of March 1939, their eyes searching the horizon for the promised ships meant to carry them to safety abroad. The rest of their territory had fallen to Franco, his execution squads busy eliminating remnants of the ‘anti-Spain’; Alicante would be the last corner to fall into the caudillo’s hands. Yet as the hours passed and no ships appeared, the would-be refugees lost hope. Dozens, perhaps hundreds, committed suicide on the spot, preferring death to capture.

Hugh Pearman

Too high, too fast

You have to get nearly halfway through this book before it starts to show some life. Until that point, as Rowan Moore ambles in his wry manner through pages of familiar description of the capital’s built and social history, you find yourself wondering what it is all for. After all, if you choose to write a book about the architecture of London you are putting yourself in some pretty distinguished company. Ian Nairn, say, whose magnificently off-kilter, beer-goggled 1966 hymn to the city, Nairn’s London, has been reissued as a Penguin Modern Classic to universal acclaim. Or Peter Ackroyd, whose colossal 2001 London: The Biography is drizzled with lazy assumptions but is an eloquent advocate of the city as living organism.

Thursday

Peter Frankopan

A devilish instrument of war

‘China is a sleeping lion,’ Napoleon reportedly remarked. ‘When it wakes, the world will tremble.’ There is no need to fear China, its current leaders are quick to stress — with President Xi Jinping claiming that the country’s rise will be ‘peaceful, pleasant and civilised’. Such words are of little comfort to hawks in the United States who watch the Asia-Pacific region with a growing sense of alarm — even if the Chinese economic slowdown of recent months has made it more likely that we will hear a growl rather than a blood-curdling roar as the lion awakes. This interesting new book asks why it is that China has been sleeping for so long.

Ysenda Maxtone Graham

About a boy

A boy, a car, a journey, a question: the first sentence of Elizabeth Day’s new novel goes like this: From the back seat of the old Chevette, heading north, the boy asked his question into the restless air. The restless air? The reader makes the mental adjustment: it’s not the air that’s restless, it’s the boy and probably his whole family. So why the transferred epithet at this early stage? It sets the tone for a transferred-epithet-filled novel so full of anguish and poetic touches that you’ll find yourself reading it in a hushed voice. Jim, the boy in question, ‘read the air around people, the calm or seasick air’. His mother, Nancy, notices how ‘the sun was warming his sunrise bones’.

Andy Miller

An innocent abroad | 10 March 2016

For those who read the weekly music press during the 1980s, David Quantick’s was a name you could rely on. Unlike some of the more Derridean elements at the NME, his reviews of new bands and LPs were both comprehensible and authentically funny. He has gone on to become a successful comedy broadcaster and writer for radio, TV and film: The Day Today, The Thick of It, Harry Hill’s TV Burp. Recently he was part of the team that won an Emmy for the US political comedy series Veep. The Mule is Quantick’s second novel (his first, Sparks, came out in 2012).

Benjamin Beasley-Murray

Away with the fairies | 10 March 2016

As an erstwhile obituarist, I pity the poor hack who had to write up the life of Laurence Oliphant — adventurer, diplomat, war correspondent, mystic, spy (and the subject of Bart Casey’s biography) — when he died, aged 59, in 1888. The first paragraph should (according to the well-seasoned formula) contain some characterising incident or achievement, giving the measure of the man, the impact he made on the world and those around him, and an indication of his interior life. The anecdote must — like cherry-picked quotations for a Shakespeare exam — inform more than one facet of a broader narrative. Any runner-up contenders can be dropped into paragraphs four, eight and 12.

Nicholas Lezard

A topsy-turvy world

‘A crane fell on top of me in Kladno in 1952, after which my writing got better,’ Bohumil Hrabal (who died in 1997) once wrote, with typical self-deprecation and comic timing; but there are other versions of what made him change from being an almost rococo engineer of magic realism (‘building my house from the roof on down’, as he put it) to the flawlessly brisk comic writer he became. (Another story: a dry-cleaner’s receipt which said ‘some stains can be removed only by the destruction of the material itself’). He was sent, along with tens of thousands of other white-collar workers, to a factory; in his case, the steel mill in Kladno (named, curiously enough, after Wittgenstein’s mother).