Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The wiliest politician in the Middle East is back – but not in charge

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Bibi is back. Benjamin Netanyahu has returned to the prime ministership of Israel two years after a motley coalition of his many enemies banded together to topple him. With him removed from power and facing trial on corruption charges, many assumed that the Netanyahu era was over. They under-estimated the wiliest politician in the Middle East. In last November’s elections, Netanyahu ousted his ousters and won for himself a sixth term in which to wreak vengeance on the leftist establishment he believes is ranged against him. The most powerful man in Israel presents himself as the helpless victim of ‘leftist’ journalists Victory did not come without a price. He had to team up with the disreputable right.

Postmodernism meets pulp fiction: Dr. No, by Percival Everett, reviewed

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Perhaps Percival Everett’s The Trees, shortlisted for the Booker Prize last year, made readers realise what an astonishing writer he is. But there is certainly a great backlist. I am particularly fond of Erasure, Glyph, I Am Not Sidney Poitier and American Desert in his satirical vein; and Suder, Walk Me to the Distance and Wounded in his more elegiac and contemplative tone. Dr. No seems to be in his Menippean form, until you realise just how seriously he is joking. I have often thought that a joke is not funny until it stops being funny, when it becomes hilarious, and this novel exemplifies that. The central character is not actually called Wala Kitu, two words from Tagalog and Swahili that both mean nothing.

How to be top: two new books promise the self-improvement Holy Grail

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People just love books about creativity and the imagination and how to be better or smarter or more efficient. And when I say people, I mean me. I am ripe, frankly, for wholesale improvement and upgrade, right across the board – physically, emotionally and spiritually, you name it. I want to know, Molesworth-like, How to be Topp. I would love to wake up fizzing with ideas, overflowing with insights and determined beyond all reasonable determination to share my extraordinary wisdom and knowledge, my art, with the world. No one wants to be a Fotherington-Thomas – a wet. Or a schlub, a has-been or a never-was. It’s just a shame, then, that most of the books which promise to tell us how to be top are absolute garbage.

The age-old debate continues: are science and religion compatible?

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According to the census, there are more Christians in the UK than there are atheists and agnostics – yet the churches are empty. These Christians, it seems, don’t take their faith too seriously. Nor, I fear, does Nicholas Spencer, who has written a big book arguing that science and religion are fundamentally compatible. He’s wrong; but, surprisingly, he is more wrong about religion than he is about science. The great assault on Christian faith came not from science, not from a denial of creation, but from history Let me start by laying my cards on the table. I’m the son of a missionary. My father’s parents were atheists and scientists. He, in adolescent rebellion, became a Christian; I, ditto, became an atheist.

The biography Noël Coward deserves

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‘In the prison of his days,’ W.H. Auden wrote, ‘teach the free man how to praise.’ Noël Coward’s last performance, possessing, like so much of his work, a scene-stealing quality, was in the 1969 film The Italian Job. He plays the gangster Mr Bridger, masterminding a gold robbery in Turin from his prison cell. In his final appearance he walks like a Ziegfeld heroine down the central stairs of the jail to the fervent acclamation of the other inmates, acknowledging the ovation to left and right. Coward had abundant worldly acclaim; and he knew very well where the walls lay, and the doors that would not be breached. That knowledge has served him extremely well.

Is this the end of travel writing?

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Thirty years ago, in the days when friendships were sustained not by email but by air mail, a friend of mine was spending time in some exotic faraway place. He would send me beautiful, florid accounts of his travels and I would read out the most hilarious passages to the flatmates I was living with at the time. When I next replied to him, I sent him their regards and let him know how much they had enjoyed hearing about his adventures. The next letter was angry. Although part of me understood why (I suppose I had rather naively and stupidly shared something that was supposed to be private), another part of me struggled with an expression that was new to me. I had apparently committed what he called an act of ‘cultural appropriation’.

Living with the Xingu in deepest Amazonia

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The Amazon is a notoriously difficult part of the world to write about – and I’ve tried. Travelling the river’s slow length, it can be hard to make sense of any changes beneath the forest canopy or to link its disparate communities. The Brazilian writer Eliane Brum succeeds triumphantly. Acclaimed for her previous ‘despatches from Brazil’, appealingly titled The Collector of Leftover Souls, she moved from São Paulo, one of the largest cities of the Americas, to the isolated Xingu tributary to embed herself completely. Or, as she might put it, to lose herself. When asked their age, tribal people just make up a number to be helpful – and then repeatedly change it As a journalist, she is used to asking people their age.

A father’s nightmare: What You Need From the Night, by Laurent Petitmangin, reviewed

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The unnamed narrator of Laurent Petitmangin’s prizewinning first novel, What You Need From the Night, a middle-aged railway engineer and lifelong socialist, is faced with his worst nightmare when his 24-year-old son Frédéric, known as Fus, joins a violent far-right group. The narrator lives with his younger son Gillou and Fus in a village in eastern France, near the Luxembourg border. It’s an insular part of the country, suspicious of the capital and devoid of employment prospects or cultural resources. The sole diversions appear to be football and alcohol. Petitmangin depicts a predominantly male world, accentuated in the narrator’s case by the death of his wife after her three-year battle with cancer.

The trials of England’s first ambassador to India

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In the beginning, there were two nations. One was a vast, mighty and magnificent empire, brilliantly organised and culturally unified, which dominated a massive swathe of the Earth. The other was an undeveloped, semi-feudal realm, riven by religious factionalism and barely able to feed its illiterate, diseased and stinking masses. The first nation was India. The second was England. So began Alex von Tunzelmann’s 2007 end-of-empire classic, Indian Summer. Now Courting India by Nandini Das traces the first encounter between these vastly different worlds, offering a fascinating glimpse of the origins of the British Empire. The world into which we are dropped is in many ways eerily familiar.

What possessed the Duke of Windsor to visit Nazi Germany in 1937?

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Bombs start exploding at the beginning of this book. Buckingham Palace was targeted by the Nazis early on in the war in an act of extraordinary audacity – and one that backfired. George VI noted in his diary: ‘We all wondered why we weren’t dead.’ Little did he realise that Hitler had gifted him his first wartime ace. But while George grew into the role of stoic monarch, his older brother never worked out how shake off the trammels of his birth. Edward was hurt, angry and rudderless – which resulted, if not in treason, certainly in disloyalty The Windsors at War is a follow-up to Alexander Larman’s The Crown in Crisis, which explored the abdication of 1936.

The European influence on modern American art

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Charles Darwent’s Surrealists in New York is somewhat misleadingly titled, though its true content and focus are revealed in the subtitle: ‘Atelier 17 and the Birth of Abstract Expressionism.’ Perhaps that sounds obscure and even academic. If so, it gives the wrong idea, for this is a very readable and accessible account of a hitherto unexplored area of mainstream art history. Many of us suspected the importance of European influence on what is always claimed as the thoroughly American art movement of Abstract Expressionism. This book sets out the situation in detail, and makes a convincing argument for giving credit not only to a bunch of European émigrés but to an Englishman as well.

A deep mystery: In Ascension, by Martin MacInnes, reviewed

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Martin MacInnes’s third novel, In Ascension, is a literary sci-fi epic set in the 2030s. It centres on a Dutch marine microbiologist called Leigh Hasenboch. As a child she suffers from a violent, frustrated father and a distant, unavailable mother, and tries to protect her younger sister from the worst of it. One day, swimming in the Nieuwe Maas, she experiences a revelation: ‘Absolutely everything around me was alive.’ Her fascination with the marine world eventually takes her on a voyage to explore a newly discovered mid-Atlantic trench. Strange, harmful things happen to divers who approach it. It seems to repel the ship she is on, and its oval shape appears significant. But people who experience this alien, damaging space seem to be irresistibly drawn back to it.

Femicide in Mexico reaches staggering proportions

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In July 1990, Liliana Rivera Garza, a 20-year-old architecture student, was strangled to death at her home in a borough of Mexico City. Her suspected killer, Ángel González Ramos, an ex-boyfriend, fled and remained at large. Three decades later, buttressed by a movement protesting against violence towards women, her sister returned to Mexico in the hopes of finding justice. An acclaimed author and essayist, Cristina Rivera Garza is a professor of Hispanic Studies at the University of Houston. Liliana’s Invincible Summer begins with her quest to track down the case files. When the paper trail hits a dead end, she turns her detective work to her sister’s personal archive, motivated to memorialise Liliana in the absence of an institutional record.

Karl Lagerfeld – from fashion icon to invisible man

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Karl Lagerfeld was an icon when he died in 2019, but for most of his career he was unknown outside the fashion business. He was born in 1933, the year Hitler came to power, a distasteful coincidence, so Lagerfeld altered his birth to 1938. He was an only child, whose father did well by introducing condensed milk into Germany. His parents had been Nazi members, and Karl saw his future elsewhere. At 18 he left Hamburg for Paris. Short and chunky, he had simian good looks, with beetling brow and a smile that was wider than his eyes; and he didn’t want for admirers. In 1954 he won the young designers Woolmark Prize, but only in ‘the coat category’. The winner in the more prestigious ‘dress category’ was the several-years-younger Yves Saint Laurent – and that scorched Karl for life.

A passion for painting at the early Stuart courts

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Four years ago Roy Strong – one-time director of both the National Portrait Gallery (1967-73) and the V&A (1973-87) – published The Elizabethan Image: An Introduction to English Portraiture, 1558-1603, in which he returned, after more than a 30-year hiatus, to the subject with which he first made his name: the imagery of Queen Elizabeth I and her court. Now 88, the indefatigable Strong has produced a follow-up volume charting the fate of portraiture (and painting and the visual image more generally) at the courts of Elizabeth’s Stuart successors, James I and Charles I. Charles I would travel by barge to Van Dyck’s studio to pass the time with him and watch him paint The format of – and thinking behind – The Stuart Image is the same as in the previous book.

Inside Warhol’s Factory: Nothing Special, by Nicole Flattery, reviewed

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In 1965 Andy Warhol set out to record 24 one-hour audio cassettes focused on one of his ‘superstars’, the actor known as Ondine. The recordings later became a, A Novel, a Joycean distillation of a day in the life. Four typists, two of them teenagers, transcribed the cassettes verbatim – everything they heard on their headphones, every word, cough, gurgle, screech of chair or clink of glass. In his memoir POPism, Warhol mentions ‘two little high school girls’ who typed up his recordings. ‘The typists’ mistakes are all part of the process... that’s what makes it real.’ This is the inspiration for Nicole Flattery’s blade-sharp coming-of-age debut novel, Nothing Special.

Why Anaximander deserves to be called ‘the first scientist’

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It’s a daring thing to write a whole book about a man while confessing early on that ‘we know almost nothing of his readings, life, character, appearance or voyages’, and of whose writings only a three-line fragment survives. Luckily, as with many ancient authors, the works of the 6th-century BC philosopher Anaximander are described in subsequent treatises, and a resourceful writer can infer much from this evidence about what might have been ‘the first great scientific revolution in human history’.

There’s nothing ‘magical’ about a great theatrical performance

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‘Make him read the lines the way they’re written!’ Raymond Massey snarled at Elia Kazan during the East of Eden shoot. Classically trained, Massey was infuriated at the way the movie’s star, the Method instinctive James Dean, never played a scene the same way twice. Kazan, who had refereed similar rows between Jessica Tandy and Marlon Brando on the Broadway production of A Streetcar Named Desire, did what good directors do with warring actors: play them off against each other the better to boost both performances. Nobody who has watched the picture, especially those scenes in which Massey flinches at Dean’s latest flight of fancy, could doubt the artfulness of Kazan’s technique.

A source of bitter rivalry: Burton and Speke fall out over the Nile

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For the 19th-century English adventurer, author, ethnographer, pornographer and all-round maverick Richard Burton, one of life’s happiest moments was ‘the departure upon a distant journey into unknown lands’. There would of course be difficulties; but happiness derives from the prospect of overcoming great challenges and in the process achieving fame and perhaps even fortune. By contrast, what delights the reader most is when a traveller, somewhere deep in those unknown lands, faces overwhelming obstacles. What possible interest is there in hearing that they went, they saw and they returned? Few journeys involved more hardship than the one Burton contemplated in the spring of 1855.

Women beware women: young feminists are betraying their older sisters

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Where are all the father-in-law jokes? You won’t find them, because fathers-in-law are not fair game in the way middle-aged women are. There is no male ‘Karen’. Men are not mocked as wizards, but we are witches. Victoria Smith has subtitled her timely book ‘The Demonisation of Middle-aged Women’, and if you are one of them you will know that is no exaggeration. Witches, crones, hags, scolds, evil mothers-in-law – up here in middle age, we are used to male scorn. But Smith has a different target: ‘I do not wish merely to present the myriad ways in which older women are belittled, undermined or misrepresented.’ We know all that, it’s obvious: ‘Ageist misogyny has always existed.

A radical new theory about the origin of the universe may help explain our existence

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The deeper you get into physics, the simpler it becomes. The starting point of this wonderful book about Stephen Hawking’s ‘biggest legacy’ (which no one outside of physics has heard of) is the problem of our insignificance. Make a change in almost any of the slippery, basic physical properties of the universe and we’re toast – life would not be possible. If, for example, the universe had expanded even slightly more slowly than it did after the Big Bang it would have collapsed in on itself. Result? No us. A fraction faster and no galaxies would form, let alone habitable planets. In the incandescent beginning of the universe, each of these basic physical properties was as vacillating as a dream: they could have ended up being pretty much anything.

The women who rallied to the Republican cause in Spain

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‘We English,’ the prime minister Stanley Baldwin allegedly remarked following the outbreak of the Spanish Civil War in July 1936, ‘hate fascism, but we loathe bolshevism as much. So if there is somewhere where fascists and bolsheviks can kill each other off, so much the better.’ Initially, many in Britain probably agreed with Baldwin, seeing no reason to be drawn into another country’s civil war. But a sizeable minority thought very differently, believing that the conflict was not just a civil war but part of an ongoing struggle between democracy and fascism. To them, Spain became a rallying cry, and over the course of the war many thousands from around the world volunteered to join it.

Why is Ukraine honouring the monsters of the past?

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The historian Bernard Wasserstein is admired as a rigorous academic. In his monumental work on the Holocaust and his perceptive study of barbarism vs civilisation in the West, he strove for objectivity and maintained a professorial tone, as if writing of the past from an Olympian height. Wasserstein’s grandparents and aunt were forced to dig their own graves, and were then shot Not so in this extraordinarily moving book about Krakowiec, the shtetl 40 miles from Lviv where his forebears lived for generations, and the role his family played there. At various times part of Austria, Poland, Ukraine, Germany and Soviet Russia, it was, he says, ‘a small place you’ve never heard of’. Yet its complex history is relevant today, as war returns to Eastern Europe.

Living trees that predate the dinosaurs

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It is perhaps easy to understand why some of the Earth’s largest trees, with roots spreading deep into the underworld as their upper limbs ascend to heaven, are charged with symbolic importance. Yet the origins of our fixation are perhaps surprising. To give one example, the Buddha was said to have attained enlightenment beneath the spreading limbs of a bodi, or pipal tree. That same specimen still reputedly flourishes at Bodh Gaya in Nepal. Even earlier, the first temple of Jerusalem was constructed from timbers King Solomon obtained specifically from the cedars of Lebanon, whose own sacred status recedes into the mists of prehistory. Elderflora – a name coined by Jared Farmer for these venerable old masters – suggests that little has changed since Solomon’s time.

Snapshots of the Middle Ages in the Canterbury pilgrims

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What does the term ‘medieval’ mean to you? Most of us have some idea of the Dark Ages, the centuries roughly spanning the departure of the Romans and the early, or indeed late, Middle Ages (which Ian Mortimer extends to the Renaissance). For those brought up on school history, or who revere the nous of the Romans, it was a time when civilisation declined. But the ‘Dark Age’ moniker is increasingly accepted as unfair, with historians arguing hotly and convincingly that the period was anything but dark. Seb Falk’s recent The Light Ages showed that major scientific exploration was under way in the late Middle Ages. Following on from this, Mortimer now explains why the period matters, and why it was once overlooked.