Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Days of wine and shrapnel

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Virginia Cowles was a 27-year-old American journalist working for the Hearst newspapers when she went to Spain for the first time. It was March 1937; the battle of Guadalajara had just brought a victory to the Republicans and besieged Madrid was an exciting place to be. Up till then, Cowles had reported mainly on events of a ‘peaceful nature’. Spain would turn her into a war reporter. Arriving at the Hotel Florida with her suitcase and typewriter, an elegant, resourceful young woman with a high forehead and dark brown hair, she was soon part of the gang of foreigners cheering the Republicans on. There was the bulky Tom Delmer from the Daily Express, in whose room she ate sardines and crackers and listened to Beethoven’s Fifth Symphony.

Acting strange

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Reviewing Lindsay Clarke’s Whitbread-winning The Chymical Wedding a small matter of 20 years ago, and noting its free and easy cast and wistful nods in the direction of the Age of Aquarius, I eventually pronounced that it was a ‘hippy novel’. Reviewing Lindsay Clarke’s Whitbread-winning The Chymical Wedding a small matter of 20 years ago, and noting its free and easy cast and wistful nods in the direction of the Age of Aquarius, I eventually pronounced that it was a ‘hippy novel’. Slight anxiety when Lindsay Clarke then appeared on the bill at a literary festival I was attending — authors, you may be surprised to learn, don’t always care for these off-the-cuff judgments — was quickly dispelled.

Family favourites | 11 September 2010

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Because Deborah Devonshire’s journalism has nearly always made me laugh, and because she seems like one of the jollier aunts in P. G. Wodehouse — an Aunt Dahlia, not an Aunt Agatha — I had expected her memoirs to provide chuckles on every page. Because Deborah Devonshire’s journalism has nearly always made me laugh, and because she seems like one of the jollier aunts in P. G. Wodehouse — an Aunt Dahlia, not an Aunt Agatha — I had expected her memoirs to provide chuckles on every page. In fact it is a sad book, taken all in all. Two of the more poignant passages, which will linger in my memory for a very long time, are about her dead babies, and about the alcoholism of her magnificent husband, the 11th Duke of Devonshire.

Divine comedy

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Stewart Lee is a name that should be more widely known. In the sprawling genre of live comedy, of which Britain still boasts the finest variety, Lee is a man who cuts deeper than most. Both admired by his peers and adored by his audiences, he is the antidote to those Saturday night TV comics who shriek and squeal and pull funny faces. How I Escaped My Certain Fate follows the highs and lows of a comedian’s life. For those who think that stand-up is merely a jumble of crowd-pleasing anecdotes, the book provides a fascinating insight into the detail and process by which a comedian goes about his work. A lot is packed into these pages.

Spiv on a grand scale

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He insisted that he was not a pornographer but an entertainer, and told the Daily Herald that the Folies Parisienne (sic) — one of his early shows, featuring the ‘Harlem Nudes’ and their ‘taunting, scantily clad Native Mating Dance’ — was intended for family audiences, and that children were taken along by their ‘doting elders’. When he booked a celebrated American stripper to appear at the Raymond Revuebar (‘The Athenaeum of Strip Clubs’ — Spectator), she was appalled to learn that he and his wife proposed to let their five-year-old daughter watch the show. This family image was rather dented by such assurances as ‘this theatre is disinfected throughout with Jeye’s [sic] Fluid’.

Something filthy by return

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Gerard Woodward’s Nourishment opens in second world war London. Gerard Woodward’s Nourishment opens in second world war London. Tory Pace, a tired and drawn ‘mother-of-three and wife-to-one’, works alongside other patriotic but ‘grey’ women, packing gelatine for the war effort. One evening, she receives a letter from her POW husband, Donald, requesting a ‘really filthy’ reply, by ‘return of post’. At first, she feels unwilling and unable to respond. An affair with the dirty-talking owner of the gelatine factory, however, provides her with the requisite guilt-stricken motivation, and some excellent material.

A charismatic narcissist

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In equal measure, this book is fascinating and irritating. The ‘Hi, guys!’ style grates throughout. From this, it is tempting to conclude that Tony Blair is incorrigibly insincere. But that is not the whole story. Although Blair is no friend to truth or self-knowledge, this is an involuntary study in self-revelation. The most revealing sentence is a throwaway line, in which he tells us that we are all psychological vagrants. That is the clue to his character. It is certainly impossible to read this book without wanting to psychoanalyse the author. So here goes. He comes across as a potent mixture of insecurity and certitude. Always prone to self-doubt, he also became aware that he could play the pipes of Pan, and bewitch man, woman or beast.

Blair pulls out of book launch

It is profoundly depressing that Tony Blair has had to pull out of his London book signing. Whatever you think of Blair, he is a man who led his party to three general elections victories and is the second longest serving Prime Minister of the post-war era. There is something very wrong if he feels he has to cancel an appearance at a book shop because of the threat of disruption from protesters whose intentions do not appear to be entirely peaceful. One other thing that should be noted is that the polling suggests that Blair is nowhere near as unpopular in this country as much of the coverage of his book suggests. A YouGov poll, timed to coincide with the book’s launch, found that a plurality, albeit narrow, of voters believe Blair was a good Prime Minister.

I don’t think Tony Blair has written the version of his memoirs that I want to read

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I don’t care about Tony Blair’s book. I don’t care about Tony Blair’s book. I’m sorry, but I just don’t. Unless I really think about it, it’s frankly quite hard to remember who the man was. He’s just become this pious lurking bit-part character in tedious books by other people that I’ve forced myself to read. As though they all lived in houses with attics suffering chronic infestations of Sir Cliff Richard. Didn’t Cherie write a book already? I can’t quite remember; I suppose she must have done. Everybody else did. Now I think of it, there was some story about her forgetting to pack her ‘contraceptive equipment’ on a visit to Balmoral, wasn’t there?

The motherland’s tight embrace

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At nursery school, along with her warm milk, little Lena Gorokhova imbibed the essence of survival in the post-war Soviet Union. It consisted of a game called vranyo — pretence: My parents play it at work, and my older sister Marina plays it at school. We all pretend to do something, and those that watch us pretend they are seriously watching us and don’t know that we are only pretending. The school teachers pretended that their pupils’ 100 per cent attendance at Young Pioneer meetings was unconnected with the padlocked door of the meeting hall. The women standing in line pretended they saw no contradiction between reports of record harvests and empty shops, or glittering construction projects and shoddy, just-built university dorms.

Ruling the planet

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‘Facebook’, says the excitable author of this hero-gram, ‘may be the fastest-growing company of any type in history.’ ‘Facebook’, says the excitable author of this hero-gram, ‘may be the fastest-growing company of any type in history.’ ‘Thefacebook.com’ went live on 4 February 2004, as an on-line directory for students at Harvard, inviting them to upload a picture of themselves and some basic info, such as their ‘relationship status’, favourite books, music, movies and a quotation. Once they had set up their own profiles, they could ask others to be their ‘friend’ and direct a jokey ‘poke’ (never defined) at them.

Dark Satanic thrills

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If you have not yet gone on holiday, do pack The Anatomy of Ghosts. It is excellent airport reading; and this is no trivial recommendation. Airports are where one needs fiction most desperately — and nowhere more so than in Kabul, where I had to work through no fewer than seven queues for incompetent security checks, inching up a modern version of Purgatory. Even in these testing conditions, Andrew Taylor’s book beguiled. The Anatomy of Ghosts is, like Taylor’s best-known previous novel, The American Boy, historical crime fiction.

Seeing the wood from the trees

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This book is a work of art by an artistic photographer. It deals mainly with a large minority of the world’s trees whose bark, as the trunk expands, peels off in pretty patterns: snake-bark maples, arbutuses and the like, as well as the familiar London plane. The author has travelled all over the world to photograph these wondrous barks. He also includes some trees whose bark stretches, like white poplar, as well as palms whose trunks are covered in leaf-bases rather than bark, bamboos which are really giant grasses, banana-plants which are not trees, and tree-ferns. He even has one example of that mysterious hard layer that does the duty of bark on the insides of hollow trees. In the real world there is much more to bark than this.

Young man on the make

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We are not going to agree about Bruce Chatwin. The five books he published in his lifetime are, to some readers, magnificent works of art, setting out grand ideas about the human condition with reference to a closely observed local type — a Czech porcelain collector, Australian nomads, a displaced slave-king, taciturn British farmers and the communities of remotest Patagonia. In other eyes, he was an absurd pseud and show-off, whose work never extended much beyond a tremulous aesthete’s gush over exotic objects, half-digested history and anthropology. It is fair to say that the latter view has gain- ed ground since his death, and even his most passionate defenders would concede that his work was advanced, during his lifetime, by an unusually compelling personality.

Blow-out in Berlin

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D. B. C. Pierre’s Vernon God Little was an unusual Man Booker winner (2003). D. B. C. Pierre’s Vernon God Little was an unusual Man Booker winner (2003). Not only was it brilliant, it was also a first novel, and apparently by an American. Holden Caulfield was invoked, and Liam McIlvanney called it ‘the most vital slice of American vernacular since Huck Finn’. It turned out, though, to have been written by a Brit, ‘on the floor of a box-room in Balham’. D. B. C. Pierre is the nom de plume of Peter Finlay, an evolved childhood nickname — ‘Dirty But Clean’, which is evidently his motto as a writer. Foully satirical, he is also sweetly allegorical.

Tangerine dreams | 28 August 2010

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Before tourism came travel; and before travel, exploration. A sense of wonder had accompanied journeys along the lip of the unknown, as the Victorian pathfinder was often an amateur scientist, required to bring home a trunkful of fossils. Today, of course, travel is merely an extension of the leisure industry. The first thing we see as we embark on our holidays is a filth of our own making (resort hotel seepage, takeaway detritus). Paul Bowles, himself no armchair excursionist, bemoaned the creeping industrialisation of travel — its translation into tourism — and what he called ‘the 20th century’s gangrene’, by which he meant, broadly, modernity.

Mawkish charades

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This book is an engaging rant against the folly, claptrap, self-indulgence and hypocrisy of mankind, written in the brisk and trenchant style which readers of the author’s Spectator articles will recognise. This book is an engaging rant against the folly, claptrap, self-indulgence and hypocrisy of mankind, written in the brisk and trenchant style which readers of the author’s Spectator articles will recognise. Theodore Dalrymple has chosen a large target, which yields plenty of choice material. The more revered the individual and the more widespread the sentiment, the more acerbic the language in which Dalrymple mocks and reviles it. Not since Christopher Hitchens launched his assault on Mother Teresa have so many sacred cows been publicly slaughtered in one short volume.

Out of the woods

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These two memoirs by ladies born into the Russian elite in the 1880s have both had to wait many decades before publication in English. The Green Snake, however, has gone through eight editions in its original German, whereas The Russian Countess has never been published before. No one was in the least interested in a Russia that no longer existed. Margarita Woloschin was a painter and her husband was a well-known poet. She knew most of the key figures in the Russian Symbolist movement, and she became a disciple of Rudolf Steiner, the founder of anthroposophy. From 1924 to her death in 1973 she lived in Stuttgart and devoted herself to her art and her work as a teacher of Steiner’s doctrines.

Fearful symmetry

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Kate Atkinson’s latest novel is the fourth in her series about Jackson Brodie, the ex-soldier, ex-police officer and ex-husband who now works in a desultory way as a private investigator. Kate Atkinson’s latest novel is the fourth in her series about Jackson Brodie, the ex-soldier, ex-police officer and ex-husband who now works in a desultory way as a private investigator. Like its predecessors, Started Early, Took My Dog takes place in an exhilarating and occasionally infuriating version of modern Britain that reads as if designed by a theoretical physicist with a sense of humour. The novel is equipped with two epigraphs. The first is the rhyme beginning ‘For want of a nail the shoe was lost’, which sums up one of the book’s themes.

Hero of the counterculture

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Michael Moorcock’s career is indisputably heroic. Michael Moorcock’s career is indisputably heroic. At a rate of up to 15,000 words a day, rudimentarily equipped with exercise books, bottles of Quink and a leaky Osmiroid, he has written, among other things, novels by the score, some of which — The Cornelius Quartet, The Colonel Pyat sequence — are among the most ambitious, interesting and funny to have been published since the war. He is not taken as seriously as he might be, though, because most of the rest of his fiction is in the despised and dreaded genre of SF.

From void to void, with time to kill

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Just as the slaughter in the trenches of Flanders and northern France gave birth to the tragic verses of Wilfred Owen, so the experience of bombing and being bombed between 1940 and 1945 generated its own major poetry in Britain and the USA. The scale of the catastrophe was vast: 55,000 of British Bomber Command aircrew, with an average age of 22, lost their lives, as did 60,000 British civilians roasted, suffocated, buried alive or blown to bits. German civilian deaths far exceeded this and have been estimated at around 580,000 (of these victims, more were women than men, and many were children), not to mention the millions of homes, churches and national monuments that were destroyed.

Don’t sleep on blocks of ice

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I’ve only ever read one other book about sleep — the brilliant Counting Sheep, by Paul Martin, which collates and describes everything we know about sleep in a way that is succinct and peerless. I’ve only ever read one other book about sleep — the brilliant Counting Sheep, by Paul Martin, which collates and describes everything we know about sleep in a way that is succinct and peerless. So this book is up against stiff opposition. Patricia Morrisroe, who has trouble sleeping, examines the science of sleep in the course of trying to find a cure. She goes to doctor after doctor. She tries everything — this drug and that drug, tapes, meditation, different mattresses, sleeping on blocks of ice, moving from Manhattan to the country.

Way out west

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This year America celebrates the cent-enary of Mark Twain’s death. This year America celebrates the cent-enary of Mark Twain’s death. He is the nearest that country gets to a national treasure, with a hefty bibliography to show it: the University of California Press’s 70-volume Works and Papers represents but a fragment, and in June Penguin published an entire book on the food Twain ate. Now here comes Roy Morris Jr with a contribution covering Twain’s pre-fame journeys among the mines and saloons of the western frontier. What does it add? Samuel Clemens (as Twain was born) worked as an itinerant printer and a Mississippi riverboat pilot before a reluctant stint as a Confederate guerilla at the outbreak of civil war.

Girls from the golden West

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Who was the first American to marry an English duke? Most students of the peerage would say it was Consuelo Yzagna who married the eldest son of the Duke of Manchester in 1876. But the banjo-strumming Cuban American Consuelo was not the first Yankee duchess. As early as 1828 the American Louisa Caton married the eldest son of the Duke of Leeds. This was half a century before the dollar princesses, trading titles for cash, played havoc with Burke’s Peerage. Louisa and her sisters were the pioneers of the American invasion of London society. Their conquest was so successful, and they became so assimilated, that they left barely a ripple. Only now has Jehanne Wake researched and pieced together their story. The four Caton sisters were born into one of the grandest American families.

Confounded clever

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‘C’ is for Caul, Chute, Crash and Call, the titles of the four sections of Tom McCarthy’s new novel; for Serge Carrefax, its protagonist; and for, among other things, coordinates, communication technology, crypts, cryptography, Ceres, carbon, cocaine and Cartesian space, motifs that trellis this book. ‘C’ is for Caul, Chute, Crash and Call, the titles of the four sections of Tom McCarthy’s new novel; for Serge Carrefax, its protagonist; and for, among other things, coordinates, communication technology, crypts, cryptography, Ceres, carbon, cocaine and Cartesian space, motifs that trellis this book.