Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Hitler didn’t start indiscriminate bombings — Churchill did 

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‘I cannot describe to you what a curious note of brutality a bomb has,’ said one woman who lived through the initial German raids on London during the second world war. This woman’s ambivalent reaction to having a bomb rip through her bedroom typified the shocking reality of a different type of war to any that had ever been fought before. For as Richard Overy makes eminently clear in his extraordinary and far-reaching history of Europe’s bombing war, this was the first time civilians actually became a part of the front line. The cause of this was the advent of aerial bombardment, which, Overy says, exposed ‘the democratic nature of total war, which insisted that all citizens had a part to play.

Italo Calvino’s essays, Collection of Sand, is a brainy delight

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The Japanese are sometimes said to suffer from ‘outsider person shock’ (gaijin shokku) when travelling abroad. Recently in London we had a lodger from Hiroshima who wanted to practise his karate routines in our back garden. Concerned to see him chopping at our apple tree in full combat gear, a metropolitan police helicopter hovered in close to take a look. Afterwards Mr Kinoto admitted to me that he was lost in London amid alien signs and habits. ‘The object of my time in England is not sightseeing’, he told me ruefully, ‘but home-staying.’ I thought of the Japanese lodger while reading Italo Calvino’s wonderful essays, Collection of Sand, published in Italy in 1984, a year before Calvino died at the age of only 62.

#Onyourmarks! What is the formal name for the hashtag? 

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One day there simply won’t be any strange byways of the English language left to write quirky little books about. Happily that day hasn’t arrived yet. Keith Houston’s Shady Characters (Particular Books, £16.99, Spectator Bookshop, £13.99, Tel: 08430 600033)) ventures into the previously untrodden territory of punctuation marks, and not the obvious ones either. Full stops and commas are as nothing to him. Semi-colons are scarcely worth his attention. No, he’s in pursuit of asterisks and daggers, hyphens and ampersands. Why is a hash sign (#) formally called an octothorpe? (No one is quite sure.) Why didn’t the interrobang (‽) take off? (It did, in the 1960s, but it crash-landed soon after.

Does the world need 17 volumes of Hemingway’s letters?

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‘In the years since 1961 Hemingway’s reputation as “the outstanding author since the death of Shakespeare” shrank to the extent that many critics, as well as some fellow writers, felt obliged to go on record that they, and the literary world at large had been bamboozled, somehow.’ So wrote Raymond Carver in the New York Times in 1981. My, how times have changed.

A is for Artist, D is for Dealers

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‘S is for Spoof.’ There it is on page 86, a full-page reproduction of a Nat Tate drawing, sold at Sotheby’s in 2011 for £6,500. A sum which, it is added, with all due respect to [William] Boyd’s ability as an artist, probably proves the point about promotion being more important than talent. It’s always something of a shock to encounter in a serious book the artist I invented and it’s a measure of the huge frame of reference encompassed in Breakfast at Sotheby’s that even Nat Tate and his drawing can make a salutary appearance. Philip Hook has realised and brilliantly exploited the peculiar advantages of the A-Z format. Using the alphabet as a template forces you to think laterally.

George Orwell’s doublethink

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This is the most sensible and systematic interpretation of George Orwell’s books that I have ever read. It generously acknowledges the true stature of the great works — most notably, Animal Farm, Down and Out in Paris and London and The Road to Wigan Pier. It rightly sees the second world war as having brought forth some of Orwell’s finest writing. Yet it does not deify him, and it acknowledges that this strange, drawling, gawky Etonian, who wore common sense like a carapace, was occasionally as capable as the next journalist of writing undiluted tosh. Witness his claim in an article of 1940 that if he thought a victory in the present war would mean a new lease of life for British imperialism, he would be inclined to ‘side with Russia and Germany’.

The Labour education secretary who could have been Britain’s first woman PM

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Decent, clever, charming, eloquent, hard-working, conscientious and terribly, terribly nice, Shirley Williams is one of Britain’s best-loved politicians. Mark Peel’s admiring biographybegins in Chelsea in 1930. Shirley, as he matily calls her, was the eldest daughter of the political philosopher George Catlin and the bestselling author Vera Brittain. Life at home was affluent, comfortable and high-minded. The Brittains were privileged toffs who set out to remove privileges from toffs they felt lacked their idealism and sophistication. Shirley’s support for this manifesto achieved a stridency that sometimes grated even on her mother. Vera complained to a friend that the 16-year-old Shirley kept me up till 2 a.m.

When ‘drop-dead gorgeous’ women actually dropped dead

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No one watches Antiques Roadshow for the antiques. Instead we’re hanging on the punter’s reaction to his three-grand valuation. ‘It was very precious to Aunt Mabel; we’d never dream of selling it,’ says the mouth. ‘Fortnight in Barbados,’ say the eyes. The Antiques Magpie by the Roadshow’s Marc Allum exhibits the same preference for stories over objects. Allum tells us that ‘drop-dead gorgeous’ comes from Victorian dresses (as in Winterhalter’s painting above) whose green dye contained arsenic, and that French forks have their crests on the back because they were laid face down on the table.

Helen Fielding has lost her touch

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To understand quite how disgruntled the reviews of the latest Bridget Jones diaries have been, you have to recall quite what she meant to her readers first time round. It wasn’t just the way she seemed to sum up the female condition for unmarried women in their thirties — indeed, she put a name on it, the singleton — who were torn between theoretical commitment to feminism and a creeping dread of never settling down and dying alone and getting eaten by Alsatians. It was her eye for the insecurities in which women specialise — the calorie and weight counting, the weakness for self-help books — and the girl-bonding in bars.

After the war — apocalypse

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On 12 April 1945 the Berlin Philharmonic gave its last performance. The atmosphere in Germany was apocalyptic, the Allied invasion was expected at any moment. The concert playlist had been devised by Hitler’s architect, Albert Speer, and included Brünnhilde’s last aria and the finale from Wagner’s Götterdämmerung, the ‘twilight of the gods’. There were reports that members of the Hitler Youth offered the audience cyanide capsules at the end. Such was the grotesque theatre of the Nazi death cult; Speer was chief set-designer for the Reich, devising the Nuremberg Parade Grounds and the megalomaniacal concept of ‘Ruinenwert’ (‘ruin value,’ or buildings that decayed ‘well’.

The Rothschilds, the Spenders, the Queen…

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The novelist David Plante is French-Québécois by ancestry, grew up in a remote Francophone parish in Yankee New England and came to London half a century ago when still an avid young man. For 38 years he lived there with the late Nikos Stangos, a cosmopolitan of the Greek diaspora, whose father had been expelled from Bulgaria and his mother from Istanbul. Displacement and asylum were so much part of Stangos’s imagination that whenever he saw an old person in the street carrying a suitcase, tears came to his eyes. Stangos’s sensibility, zest and physical grace provide many of the richest moments in his lover’s diaries. Plante began keeping this diary in 1959.

Wild Tales: The book to make any Spectator reader weep

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We all know that if you can remember the Sixties you weren’t really there. But Graham Nash, of the Hollies, and later of Crosby, Stills & Nash, was there, and has decided at the age of 71 to prove that he can well remember both them and subsequent decades by favouring us with his autobiography. Wild Tales begins in familiar territory: working-class lad discovers rock’n’roll in the late Fifties, forms a band with his schoolmates and discovers a gift for harmony vocals, along the way realising that he can make a better living from this showbiz lark than his poor father ever did at the ironworks.

How to get old without getting boring

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When one notices the first symptoms of senile dementia (forgetting names, trying to remember the purpose of moving from one room to another, and so on), books can be wonderfully helpful. At the age of 80, Penelope Lively, the prolific, generally esteemed, novelist, has written an encouraging guidebook for the ageing: For me, reading is the palliative, the daily fix. Old reading, revisiting, but new reading too, lots of it, reading in all directions, plenty of fiction, history and archaeology always, reading to satisfy perennial tastes, reading sideways too — try her, try him, try that.

A badger eats, squats, thieves. But should we cull them?

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Lord Arran was responsible for the bill to legalise homosexuality and a bill to protect badgers from gassing and terrier-baiting. One, he said, had stopped people badgering buggers; the other stopped them buggering badgers. The Homosexuality Act had an easier passage through the Lords. ‘Not many badgers in the House of Lords,’ he observed. The badger, Meles meles, a chunky member of the weasel family, is our largest native carnivore, with huge, powerful claws and a ridge on its skull. Familiarly known as ‘Brock’, its history in these islands is chequered.

Is your dog enjoying more than physical exercise when you walk him?

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Skip this book if you dislike dogs, or even if you are indifferent to them, or echo an acquaintance of Brian Sewell’s who told him: ‘We expected better of you than such silly, sentimental anthropomorphism.’ If you are such a person, you will be horrified by Sewell’s habits — starting with the one of the title (sometimes he sleeps with four dogs together).

What happens when journalists take sides

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This is a curious book. Its title and the name of its publisher suggest that it is going to be an indictment by two journalists of their old profession. These two are now safe and snug in higher education: Stewart Purvis, a former chief executive of ITN, became Professor of Television Journalism at City University in London, where Jeff Hulbert is an honorary research fellow. For here the roll-call begins: up first is W.N. Ewer, who between the wars wrote for the Daily Herald and is mysteriously thought to have been responsible for the lines ‘How odd/ Of God/To choose/The Jews’, though Purvis and Hulbert do not mention this.

How to avoid bankers in your nativity scene

Lead book review

In the vast Benedictine monastery of Monte Oliveto Maggiore between Siena and Rome, the cycle of frescoes depicting the life of St Benedict by Giovanni Anionio Bazzi includes a charming self-portrait of the artist standing with a couple of pets at his feet, for all the world a 16th-century Italian Dorothy with a brace of Totos. (A detail of the painting is reproduced overleaf.) Bazzi did not earn his popular soubriquet of ‘Sodoma’ for nothing — though Vasari is not always reliable — but if his life was the scandalously licentious and dishonourable thing that Vasari would have us believe, then this only places him in the mainstream of the world described in Alexander Lee’s fascinating new book.

Gower vs Boycott

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Ask any England cricket fan in his fifties to name his favourite batsman and chances are he will say David Gower. (Unless he says Geoffrey Boycott: the cavaliers and roundheads tend to divide along these lines.) In 114 Tests between 1978 and 1992, Gower’s elegance, timing and grace bewitched us all, not least because we knew that he would probably steer something innocuous to second slip two balls before tea. His latest autobiography, An Endangered Species (Simon & Schuster, £18.99), reveals the vast fluctuations of confidence suffered at the crease by this most apparently nonchalant of characters, who now spends his days fronting Sky Sports coverage and clearly looking forward to a splendid meal a bit later on.

Competition: Following in the footsteps of Virgil

Spectator literary competition No. 2821 Following in the footsteps of Virgil This week, in a challenge inspired by Virgil’s Georgics, you are invited to supply a poem that provides instruction or useful information. The Georgics, a didactic poem that spans four books, is part agricultural manual, part political poem. Although it was published way back in 29 BC, or thereabouts, its lessons can still be applied today: a team of Italian archaeologists recently planted a vineyard using wine-growing techniques prescribed by Virgil. Please email entries, of up to 16 lines, to lucy@spectator.co.uk by midday on 23 October. Here are the results of this week’s challenge, in which competitors were invited to merge two literary classics and provide a synopsis of the new title.

Malcolm Gladwell is wrong about the Irish

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Malcolm Gladwell, the curly-haired, counter-intuitive guru of modern thought who wrote The Tipping Point and Blink, certainly has a readable style, and often a striking way of turning received notions on their head. His latest book, David and Goliath — about the inspiring advantages of perceived disadvantage — is accompanied by a much-hyped speaking tour, the blurb for which describes him as a ‘global phenomenon’. In it, among other topics, he plunges into the origin of the Troubles in Northern Ireland, but the location wasn’t his first choice.

The Empress Dowager was a moderniser, not a minx. But does China care?

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For susceptible Englishmen of a certain inclination — like Sir Edmund Backhouse or George Macdonald Fraser — the Empress Dowager Cixi was the ultimate oriental sex kitten, an insatiable, manipulating dominatrix who brought the decadent Manchu empire to its knees. While all seems lost, as foreign troops burn the Summer Palace in Peking, she is to be found, thinly disguised, in the pages of Flashman and the Dragon, locked in our hero’s rugged embrace. More recently, it has suited communist historians to concur with Flashman that she was ‘a compound of five Deadly Sins — greed, gluttony, lust, pride and anger — with ruthlessness, cruelty and treachery thrown in’.

What a coincidence

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If you are going to read a novel that plays with literary conventions you want it written with aplomb. In Three Brothers we are not disappointed, as Peter Ackroyd shows a deftness of touch that comes from being a real master. Here his theme is families. Or rather, it is London. Or rather, it is the use of coincidence as a plot device. In fact it is all three, but perhaps the most important is coincidence. As a literary device, coincidence is the presence of the author in the novel acting like an ancient Greek god directing events. This is apparent from the start when, in almost fairytale fashion, Ackroyd tells us that the brothers of the title, Harry, Daniel and Sam, were all born on 8 May, but each a year apart, in the 1950s.

Queen Victoria, by Matthew Dennison – review

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When Prince Albert died in 1861, aged 42, Queen Victoria, after briefly losing the use of her legs, ordered that every room and corridor in Windsor Castle should be draped in black crepe. As a result, the country’s entire stock of black crepe was exhausted in a single week. One of the key factors of Victoria’s reign for Michael Dennison is that it was — not always consciously — a ‘performance monarchy’, in which the Queen sat in carefully fashioned stage-sets at Windsor, Balmoral or Osborne being discreetly ogled by the populace. This public posturing helped gloss over Victoria’s ‘dizzying’ contradictions, and the purpose of this short biography is to bring them back out of the shadows.

Mastering the Art of Soviet Cooking, by Anya von Bremzen – review

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The early 1990s in Russia were hungry years. At the time, I was a student, too idle to barter and hustle for food, and the collapse of the planned economy had left the shops empty. Instead, we staved off hunger- pangs with cigarettes, and if edible matter came our way, we fell upon it like locusts. More often than not, it took the form of the Soviet staple, Salat Olivier — Russian salad, plastered so thickly with mayonnaise that the ingredients were unidentifiable. (I notice that even the act of typing these words makes my mouth water; a complicated rush of nostalgia, anxiety and greed.) Like most aspects of late Soviet Russia, the Salat Olivier had a dual identity.

Clumsy and heavy, Goliath never stood a chance

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When we think of David and Goliath, we think of a young man, not very big, who has a fight with a terrifying opponent, and wins. We think of David as puny and Goliath as towering and strong — not to mention heavily armed. We see David’s victory as something that happened against all odds. The story of David and Goliath is, as Malcolm Gladwell puts it, ‘a metaphor for improbable victory’. Well, that’s how we think about it, anyway. But the thing is, apparently, we’ve got it all wrong. Gladwell, one of the most influential non-fiction writers in the world, often asks his reader to take a closer look at things. In The Tipping Point, his subject was epidemics.

Breakfast with Lucian, by Geordie Greig – review

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According to the medical historian Professor Sonu Shamdasani, Sigmund Freud was not the best, nor actually the most interesting, psychoanalyst in early 20th-century Vienna.  Rather, Freud’s genius lay in creating a loyalty cult around himself, collecting a group of acolytes who would ensure his reputation.  This is worth bearing in mind when considering the life of his grandson, the painter Lucian Freud, who died in 2011. Lucian was famous for his secrecy. ‘Devious and secretive. I have been described as that,’ he tells Geordie Greig, not without a certain pride. He demanded a strict omertà of his intimates.